Songs like Run To Me (feat. Brandi Carlile) by Barry Gibb
Based on a tempo of (+/- 10%) and a similar genre
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Barry Gibb
Run To Me
152 bpm • A Maj • 03:22 • -5.68db
42% Popularity • 28% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 28% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Highwomen
The Chain
153 bpm • A Maj • 04:51 • -7.18db
48% Popularity • 42% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 42% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Yola
Diamond Studded Shoes
151 bpm • C Maj • 03:24 • -6.17db
42% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Barbra Streisand
Guilty
151 bpm • C Maj • 04:24 • -15.66db
64% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
64% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Dr. Hook
Years From Now - Single Version
151 bpm • G# Maj • 02:58 • -12.39db
42% Popularity • 41% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 41% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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David Gates
Someday
153 bpm • G Maj • 02:04 • -15.41db
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Patty Griffin
You'll Remember
150 bpm • C Maj • 02:07 • -12.64db
32% Popularity • 41% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 41% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Indigo Girls
World Falls - Live at the Roxy
150 bpm • F Maj • 03:33 • -7.53db
6% Popularity • 26% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 26% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 51% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
83% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Ralph McTell
Streets of London
150 bpm • D Maj • 03:58 • -6.15db
33% Popularity • 43% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 43% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Johnny Logan
We Are Invincible
150 bpm • A Maj • 03:56 • -5.58db
14% Popularity • 52% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 52% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Jarosz
Hometown
150 bpm • A Maj • 03:00 • -13db
42% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Don Henley
For My Wedding
154 bpm • E Maj • 03:37 • -13.08db
30% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Brandy Clark
Who You Thought I Was
148 bpm • B Maj • 03:09 • -8db
39% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Yusuf / Cat Stevens
Wild World - 2020 Mix
154 bpm • C Maj • 03:24 • -5db
27% Popularity • 50% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 50% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Aoife O'Donovan
Nebraska - Acoustic
148 bpm • D Maj • 03:48 • -13db
37% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Barry Gibb
Blowin' a Fuse
157 bpm • G# Maj • 04:44 • -5.49db
12% Popularity • 59% Danceability • 85% Energy • 25% Liveness
8% Instrumentalness • 63% Positiveness
12% Popularity • 59% Danceability • 85% Energy • 25% Liveness
8% Instrumentalness • 63% Positiveness
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Bread
It Don't Matter to Me (Single Version)
157 bpm • D Maj • 02:49 • -12.28db
29% Popularity • 37% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Dr. Hook
Feels Good
147 bpm • D# Maj • 02:49 • -12.22db
34% Popularity • 68% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 68% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Gilbert O'Sullivan
Happiness Is Me And You
147 bpm • G# Maj • 03:05 • -6db
37% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Morris Albert
Feelings
146 bpm • E min • 04:05 • -11.58db
51% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Dusty Springfield
Wherever Would I Be?
146 bpm • C# Maj • 03:58 • -8.51db
31% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Patty Larkin
Good Thing - Angels Running
158 bpm • F Maj • 04:36 • -14.28db
23% Popularity • 61% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
23% Popularity • 61% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Jessica Rhaye
Blowin' in the Wind
146 bpm • A# Maj • 03:57 • -11.45db
25% Popularity • 42% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 42% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Gino Vannelli
How Sweet The Silence - Bonus Track
159 bpm • C Maj • 03:51 • -9.8db
4% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dan Hill
14 Today
146 bpm • A Maj • 04:33 • -10.55db
22% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ann Wilson
Tender Heart
145 bpm • A# Maj • 03:37 • -5.57db
9% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Mary MacGregor
Just the Way You Are
145 bpm • G Maj • 03:30 • -6db
44% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Neil Sedaka
Should've Never Let You Go
145 bpm • A# Maj • 04:18 • -10.94db
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
85% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lori McKenna
Humble & Kind
145 bpm • D# Maj • 04:03 • -13db
39% Popularity • 58% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 58% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Alan Parsons
I Can't Get There from Here
160 bpm • C Maj • 04:38 • -12.35db
25% Popularity • 40% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Glenn Frey
Caroline, No
144 bpm • C Maj • 04:00 • -16.14db
21% Popularity • 40% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 40% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Leslie Jordan
Angel Band
144 bpm • D# Maj • 04:35 • -4.46db
16% Popularity • 46% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 46% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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The Archers
He Ain't Heavy, He's My Brother
144 bpm • E Maj • 05:19 • -4db
33% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
84% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
84% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Johnny Mathis
Blue Ain't Your Color
161 bpm • F Maj • 03:44 • -8.71db
25% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Julian Lennon
To The Good Old Days
144 bpm • G Maj • 04:34 • -8.45db
14% Popularity • 46% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 46% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Yola
Ride Out In The Country
143 bpm • C Maj • 03:15 • -5.85db
36% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
59% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Lionel Richie
Deep River Woman
142 bpm • C# Maj • 04:09 • -8.53db
34% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Esther
Time Is on My Side
162 bpm • A# Maj • 02:35 • -13.01db
17% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Dr. Hook
Sweetest Of All
142 bpm • A# Maj • 02:40 • -8.65db
47% Popularity • 48% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 48% Danceability • 57% Energy • 73% Liveness
0% Instrumentalness • 52% Positiveness
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Gretchen Peters
Five Minutes
142 bpm • G Maj • 05:00 • -12.7db
29% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ha*Ash
Already Home
142 bpm • C min • 04:01 • -6.34db
27% Popularity • 41% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 41% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Lori McKenna
A Mother Never Rests
142 bpm • A Maj • 02:45 • -10.63db
29% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Andy Gibb
Words And Music
141 bpm • B min • 04:38 • -9.35db
39% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Brandi Carlile
Letter To The Past
141 bpm • D Maj • 03:40 • -7.38db
43% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Brandy Clark
The Past is the Past
141 bpm • G# Maj • 03:35 • -7.36db
21% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Gerry Rafferty
You Are All I Want
164 bpm • E Maj • 04:43 • -10.52db
18% Popularity • 32% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 15% Positiveness
18% Popularity • 32% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 15% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
42% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Melissa Etheridge
I've Loved You Before
140 bpm • A Maj • 04:16 • -9db
35% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Stephen Bishop
Everyone's Gone to the Moon
140 bpm • D Maj • 03:19 • -13.72db
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
11% Instrumentalness • 19% Positiveness
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
11% Instrumentalness • 19% Positiveness
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Randy VanWarmer
I Am
165 bpm • C# Maj • 03:31 • -14.9db
18% Popularity • 45% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 45% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Bolton
Whiter Shade of Pale
140 bpm • D Maj • 04:44 • -5.82db
43% Popularity • 56% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 56% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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The Brothers Four
Make Me a Pallet
140 bpm • E Maj • 03:24 • -17.09db
15% Popularity • 62% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 62% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Lori McKenna
When You're My Age
140 bpm • B Maj • 05:11 • -8db
38% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Lucie Silvas
We Don’t Know We’re Living (w/ Brand...
140 bpm • F Maj • 04:30 • -8db
44% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Joshua Kadison
Cherry Bowl Drive-In
140 bpm • D Maj • 04:01 • -8.7db
26% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Barry Gibb
When I'm Sixty-Four
139 bpm • A Maj • 02:40 • -8.18db
15% Popularity • 82% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 72% Positiveness
15% Popularity • 82% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 72% Positiveness
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The Highwomen
Redesigning Women
139 bpm • F Maj • 02:54 • -6db
46% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Dan Fogelberg
There's a Place in the World for a Gambl...
139 bpm • C Maj • 05:44 • -17db
32% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Brandy Clark
Dear Insecurity
139 bpm • A# Maj • 04:36 • -10.25db
41% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jason Isbell and the 400 Unit
Kid Fears
139 bpm • E min • 04:10 • -6.42db
24% Popularity • 41% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 41% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Adam Douglas
Joyous We'll Be
166 bpm • F Maj • 03:43 • -7.63db
10% Popularity • 39% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 39% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Highwomen
Cocktail And A Song
139 bpm • G Maj • 03:37 • -6.37db
33% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Dan Fogelberg
Sweet Magnolia And The Travelling Salesm...
139 bpm • A# Maj • 04:39 • -16db
16% Popularity • 42% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 42% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Mary MacGregor
Don't Let Me Be Lonely Tonight
138 bpm • A# Maj • 03:23 • -5db
38% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Brandi Carlile
Most of All
168 bpm • B Maj • 03:51 • -5.95db
42% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
60% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
60% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Dan Fogelberg
Only The Heart May Know - with Emmylou H...
168 bpm • D Maj • 04:11 • -19.02db
20% Popularity • 25% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
46% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Gretchen Peters
When You Are Old
137 bpm • D Maj • 02:59 • -9db
36% Popularity • 33% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 33% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Cross
Mary Ann
137 bpm • D Maj • 02:52 • -4.38db
20% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Brandi Carlile
Throwing Good After Bad
138 bpm • D Maj • 04:07 • -12.93db
35% Popularity • 50% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 50% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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John Prine
I Just Called to Say I Love You - Record...
137 bpm • D# Maj • 04:07 • -13.96db
41% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Brandy Clark
Dear Insecurity - Live From The Gorge
137 bpm • G min • 04:46 • -7.28db
29% Popularity • 33% Danceability • 36% Energy • 76% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 33% Danceability • 36% Energy • 76% Liveness
0% Instrumentalness • 13% Positiveness
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Shelby Lynne
Not Dark Yet
137 bpm • C Maj • 04:19 • -11.13db
34% Popularity • 51% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 51% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Neil Sedaka
Solitaire - Live
136 bpm • D# Maj • 04:49 • -10.03db
21% Popularity • 30% Danceability • 39% Energy • 72% Liveness
45% Instrumentalness • 22% Positiveness
21% Popularity • 30% Danceability • 39% Energy • 72% Liveness
45% Instrumentalness • 22% Positiveness
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Sara Watkins
Without A Word
136 bpm • B Maj • 03:58 • -14.5db
41% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Don Henley
Talking to the Moon
136 bpm • A# Maj • 04:40 • -9.86db
31% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Amy Wadge
Moon and Back
136 bpm • G# Maj • 03:40 • -13.41db
30% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Kahan
You’re Gonna Go Far
170 bpm • G Maj • 04:46 • -9.86db
65% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Jones
I’m Growing Old
136 bpm • G# Maj • 04:14 • -17.26db
22% Popularity • 49% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 49% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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k.d. lang
Hallelujah
135 bpm • E Maj • 05:01 • -11.76db
37% Popularity • 31% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 31% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Gretchen Peters
The Night You Wrote That Song
136 bpm • A# Maj • 04:55 • -12.45db
29% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 33% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Brandi Carlile
That Wasn't Me
135 bpm • A Maj • 03:42 • -7db
46% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Barry Gibb
Diamonds
135 bpm • A min • 05:17 • -6.73db
12% Popularity • 61% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 61% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Lionel Richie
Deep River Woman
135 bpm • G# Maj • 04:36 • -13db
46% Popularity • 50% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 50% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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B.J. Thomas
I Just Can't Help Believing
134 bpm • F Maj • 02:57 • -9db
39% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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k.d. lang
A Case of You
172 bpm • A# Maj • 05:11 • -13db
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Glenn Frey
I Did It For Your Love
134 bpm • C Maj • 04:00 • -16.88db
20% Popularity • 57% Danceability • 24% Energy • 12% Liveness
39% Instrumentalness • 19% Positiveness
20% Popularity • 57% Danceability • 24% Energy • 12% Liveness
39% Instrumentalness • 19% Positiveness
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Miley Cyrus
Thousand Miles
172 bpm • A Maj • 03:51 • -7.6db
64% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 50% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Oleta Adams
Don't Let The Sun Go Down On Me
134 bpm • D Maj • 05:57 • -10.08db
32% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
