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Sam Wilkes
Based on a tempo of (+/- 10%) and a similar genre
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Felbm
Maktene
142 bpm • B Maj • 02:40 • -14.74db
23% Popularity • 62% Danceability • 55% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
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Sam Wilkes
Run
142 bpm • E Maj • 07:03 • -9.73db
20% Popularity • 29% Danceability • 46% Energy • 20% Liveness
56% Instrumentalness • 10% Positiveness
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Sven Wunder
Natura Morta - Reprise
141 bpm • A min • 02:13 • -14.01db
32% Popularity • 26% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Daniel Aged
Stone Face
143 bpm • E min • 03:18 • -13.68db
9% Popularity • 58% Danceability • 57% Energy • 35% Liveness
92% Instrumentalness • 28% Positiveness
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Andrew Wasylyk
Everywhere Something Sublime
141 bpm • D# Maj • 02:05 • -11.52db
24% Popularity • 40% Danceability • 45% Energy • 26% Liveness
98% Instrumentalness • 38% Positiveness
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Josiah Steinbrick
Full Bloom
143 bpm • C Maj • 02:37 • -17.36db
40% Popularity • 77% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 90% Positiveness
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Misha Panfilov
Baltica Calls Me
143 bpm • D# Maj • 05:37 • -11.77db
11% Popularity • 43% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Sam Wilkes
Bass & Arp & Juno
141 bpm • D Maj • 01:40 • -16db
9% Popularity • 27% Danceability • 66% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
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Scott Gilmore
E70 No. 01
143 bpm • C Maj • 02:42 • -12.13db
27% Popularity • 62% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
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Sam Gendel
YOU'LL NEVER GET TO HEAVEN
140 bpm • F min • 02:46 • -14db
28% Popularity • 73% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Gianni Brezzo
Home Run
144 bpm • D Maj • 03:17 • -12.26db
20% Popularity • 51% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Soccer96
Carry Us Home
144 bpm • C# min • 02:51 • -8.83db
14% Popularity • 56% Danceability • 65% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
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Lemon Quartet
Hyper for Love
144 bpm • G Maj • 04:49 • -15.66db
16% Popularity • 53% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Ebi Soda
Ecchi
144 bpm • G Maj • 04:34 • -10.78db
21% Popularity • 40% Danceability • 57% Energy • 22% Liveness
79% Instrumentalness • 46% Positiveness
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Genevieve Artadi
Plate
144 bpm • C# Maj • 03:27 • -9.27db
32% Popularity • 70% Danceability • 81% Energy • 20% Liveness
92% Instrumentalness • 89% Positiveness
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Felbm
Midori
145 bpm • D# Maj • 03:01 • -21.22db
36% Popularity • 43% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Sebastián Tozzola
Miniatura al RÃo 1
145 bpm • F# min • 01:06 • -15.38db
32% Popularity • 46% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Mejiwahn
Cara
145 bpm • B Maj • 01:22 • -16.56db
29% Popularity • 73% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 92% Positiveness
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СОЮЗ
Song With No Words
139 bpm • G Maj • 01:45 • -13.2db
38% Popularity • 47% Danceability • 44% Energy • 18% Liveness
94% Instrumentalness • 66% Positiveness
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Sam Wilkes
Again, Again
139 bpm • B min • 04:18 • -9.25db
21% Popularity • 59% Danceability • 85% Energy • 14% Liveness
87% Instrumentalness • 48% Positiveness
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The Zenmenn
The Invisible Landscape
145 bpm • G# Maj • 10:08 • -24.58db
18% Popularity • 40% Danceability • 11% Energy • 26% Liveness
22% Instrumentalness • 22% Positiveness
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Lynn Avery
Belt of Venus
139 bpm • C Maj • 03:11 • -15.83db
25% Popularity • 34% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Arrangement
Coconut Mango
138 bpm • G# min • 05:25 • -16.96db
40% Popularity • 43% Danceability • 14% Energy • 8% Liveness
65% Instrumentalness • 18% Positiveness
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Adam Ratner
Dreamscape - Remix
145 bpm • B Maj • 03:13 • -9.16db
13% Popularity • 63% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Satoshi & Makoto
A Postcard in Summer
138 bpm • D min • 04:40 • -8.68db
14% Popularity • 74% Danceability • 43% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Sam Wilkes
Today
145 bpm • D min • 04:11 • -7.43db
10% Popularity • 17% Danceability • 56% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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oso leone
Fountain at the Entrance
138 bpm • G Maj • 02:13 • -23.54db
37% Popularity • 74% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 40% Positiveness
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Domenique Dumont
Everyday Life
138 bpm • G Maj • 02:40 • -18.67db
33% Popularity • 84% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 83% Positiveness
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John Carroll Kirby
Phoebe's Theme
138 bpm • C min • 04:44 • -13.68db
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Daedelus
Baba Yaga
138 bpm • G min • 01:33 • -18.23db
38% Popularity • 54% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Josh Johnson
856
146 bpm • D min • 02:09 • -17db
32% Popularity • 52% Danceability • 23% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
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Sam Wilkes
Run
145 bpm • E Maj • 05:04 • -8.55db
11% Popularity • 28% Danceability • 60% Energy • 69% Liveness
61% Instrumentalness • 28% Positiveness
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The Sweet Enoughs
Truman
146 bpm • E Maj • 03:08 • -14.5db
30% Popularity • 49% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Daniel Aged
Sub Rosa
137 bpm • D# min • 03:31 • -16.37db
11% Popularity • 27% Danceability • 27% Energy • 23% Liveness
92% Instrumentalness • 17% Positiveness
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Pino Palladino
Notes With Attachments
137 bpm • F Maj • 01:51 • -19.8db
28% Popularity • 26% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Josiah Steinbrick
Moonglow
137 bpm • D# Maj • 01:38 • -17.73db
44% Popularity • 27% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Felbm
Talmen
137 bpm • A min • 02:24 • -14.75db
17% Popularity • 58% Danceability • 29% Energy • 14% Liveness
83% Instrumentalness • 68% Positiveness
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Sam Wilkes
The Drums
137 bpm • G Maj • 01:20 • -10.31db
6% Popularity • 40% Danceability • 97% Energy • 23% Liveness
97% Instrumentalness • 9% Positiveness
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Matthewdavid
Culebra with Wilkes
137 bpm • D# Maj • 02:05 • -14.11db
3% Popularity • 20% Danceability • 41% Energy • 39% Liveness
80% Instrumentalness • 23% Positiveness
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Daniel Aged
Pc33
136 bpm • B min • 01:01 • -19.95db
24% Popularity • 72% Danceability • 37% Energy • 26% Liveness
82% Instrumentalness • 43% Positiveness
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Fuubutsushi
Loop Trail
136 bpm • B Maj • 06:49 • -19.12db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Brian Green
Impressions in A Major
148 bpm • D Maj • 01:58 • -14.16db
23% Popularity • 62% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Felbm
Bladerdek
148 bpm • F# Maj • 02:50 • -13.85db
17% Popularity • 52% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Sulah Jordan
Large Leaves from Old Trees
136 bpm • E min • 04:19 • -21.3db
20% Popularity • 46% Danceability • 23% Energy • 31% Liveness
93% Instrumentalness • 46% Positiveness
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Sam Wilkes
The 3rd
137 bpm • E Maj • 07:04 • -11.63db
4% Popularity • 43% Danceability • 87% Energy • 15% Liveness
94% Instrumentalness • 31% Positiveness
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The Greg Foat Group
Lullaby for Leo
136 bpm • D# Maj • 03:15 • -14.78db
20% Popularity • 56% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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David Versace
Awake for You
149 bpm • G min • 04:13 • -23.93db
9% Popularity • 32% Danceability • 13% Energy • 55% Liveness
83% Instrumentalness • 6% Positiveness
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John Carroll Kirby
Lay You Down
150 bpm • C# min • 02:48 • -10.77db
13% Popularity • 49% Danceability • 25% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Apifera
L.O.V.E
135 bpm • A# min • 04:04 • -11.84db
9% Popularity • 46% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 66% Positiveness
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The JuJu Exchange
Soothed
150 bpm • F Maj • 01:00 • -15.43db
26% Popularity • 17% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Sam Wilkes
Ripped
137 bpm • G# Maj • 02:18 • -12.03db
3% Popularity • 33% Danceability • 86% Energy • 59% Liveness
94% Instrumentalness • 10% Positiveness
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Move 78
Follow the Earworm
134 bpm • C min • 02:35 • -13db
46% Popularity • 72% Danceability • 73% Energy • 41% Liveness
95% Instrumentalness • 93% Positiveness
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Fuubutsushi
Chorus Wheel
134 bpm • C# min • 03:12 • -17.35db
17% Popularity • 56% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 22% Positiveness
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Andrew Wasylyk
Last Sunbeams of Childhood
152 bpm • C Maj • 04:30 • -11.43db
34% Popularity • 53% Danceability • 35% Energy • 22% Liveness
90% Instrumentalness • 22% Positiveness
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Apifera
Énék Hamaguro
151 bpm • F# min • 01:55 • -9.8db
31% Popularity • 54% Danceability • 56% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Leland Whitty
Silver Rain
133 bpm • F# Maj • 03:21 • -5.82db
15% Popularity • 48% Danceability • 80% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
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Sam Wilkes
Chris Fishman
137 bpm • C# min • 07:46 • -12.49db
4% Popularity • 36% Danceability • 81% Energy • 28% Liveness
74% Instrumentalness • 46% Positiveness
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Athletic Progression
JUNGELEN
152 bpm • E min • 02:24 • -10.34db
29% Popularity • 33% Danceability • 80% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
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Fuubutsushi
Watch the Time
151 bpm • C# Maj • 03:07 • -14.48db
21% Popularity • 56% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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J. Albert
Uncanny Otion
152 bpm • B min • 04:08 • -14.11db
29% Popularity • 33% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Gianni Brezzo
Now
133 bpm • D Maj • 03:48 • -15.49db
16% Popularity • 36% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Apifera
Yaki’s Delight
132 bpm • D min • 03:28 • -12.42db
12% Popularity • 49% Danceability • 43% Energy • 36% Liveness
76% Instrumentalness • 4% Positiveness
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Sam Wilkes
One Theme
137 bpm • G Maj • 07:01 • -12.01db
17% Popularity • 46% Danceability • 84% Energy • 51% Liveness
95% Instrumentalness • 40% Positiveness
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Fools
Aeg Old
132 bpm • A# min • 04:50 • -11.17db
17% Popularity • 44% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Tara Clerkin Trio
Gold Bar
153 bpm • D# Maj • 05:02 • -9.55db
10% Popularity • 44% Danceability • 56% Energy • 15% Liveness
35% Instrumentalness • 20% Positiveness
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Eddie Chacon
Papa
154 bpm • F Maj • 03:31 • -19.62db
20% Popularity • 49% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 44% Positiveness
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Pharoah Sanders
Greeting To Saud (Brother McCoy Tyner)
132 bpm • F min • 04:07 • -14db
30% Popularity • 16% Danceability • 36% Energy • 29% Liveness
46% Instrumentalness • 20% Positiveness
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Kinkajous
Black Idiom, Pt. 1
131 bpm • G min • 02:32 • -12.59db
34% Popularity • 46% Danceability • 43% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Sam Wilkes
Pretty
137 bpm • A Maj • 03:32 • -14.75db
7% Popularity • 56% Danceability • 76% Energy • 58% Liveness
89% Instrumentalness • 62% Positiveness
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Resavoir
Escalator - Demo Version
131 bpm • B min • 02:45 • -12.56db
35% Popularity • 59% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 44% Positiveness
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The Vernon Spring
Nothing Can Stop Us
131 bpm • F min • 02:25 • -19.62db
39% Popularity • 56% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 20% Positiveness
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Domenique Dumont
Merry-Go-Round
131 bpm • E min • 01:47 • -16.56db
49% Popularity • 67% Danceability • 19% Energy • 12% Liveness
96% Instrumentalness • 72% Positiveness
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Apifera
Overstand
131 bpm • A Maj • 02:22 • -13.79db
18% Popularity • 28% Danceability • 22% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
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Gotts Street Park
Enzo's Theme
154 bpm • F# min • 01:49 • -18db
22% Popularity • 19% Danceability • 16% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Sam Wilkes
The B Section of Inner Urge
137 bpm • C# min • 03:59 • -7.71db
8% Popularity • 24% Danceability • 87% Energy • 16% Liveness
89% Instrumentalness • 10% Positiveness
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Makaya McCraven
Inner Flight
131 bpm • E min • 03:02 • -14.83db
36% Popularity • 43% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Brian Green
Impressions in F Major
155 bpm • G min • 02:09 • -13.01db
37% Popularity • 50% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Andrew Wasylyk
Awoke in the Early Days of a Better Worl...
130 bpm • E min • 03:02 • -12.83db
12% Popularity • 48% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Felbm
Beaufort
130 bpm • F min • 03:51 • -16.78db
33% Popularity • 40% Danceability • 32% Energy • 29% Liveness
92% Instrumentalness • 12% Positiveness
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Fools
Nnuunn
130 bpm • E Maj • 05:05 • -11.35db
15% Popularity • 64% Danceability • 52% Energy • 12% Liveness
85% Instrumentalness • 46% Positiveness
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Arp
Il Sogno Di Monica
130 bpm • F# min • 05:20 • -12db
27% Popularity • 58% Danceability • 50% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
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Kassa Overall
Sleeping on the Train
156 bpm • E min • 01:05 • -8.44db
26% Popularity • 52% Danceability • 84% Energy • 52% Liveness
83% Instrumentalness • 52% Positiveness
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Brian Green
Impressions II in C Sharp Minor
129 bpm • E Maj • 02:28 • -17.27db
22% Popularity • 40% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Andrew Wasylyk
Awoke in the Early Days of a Better Worl...
130 bpm • E min • 04:54 • -11.38db
31% Popularity • 67% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 59% Positiveness
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Soccer96
Red Skies of the Anthropocene
129 bpm • A min • 03:38 • -13.31db
16% Popularity • 72% Danceability • 79% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Woo
Waterdrum
157 bpm • A Maj • 02:25 • -20.04db
33% Popularity • 48% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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The Vernon Spring
SK-1
157 bpm • C Maj • 02:02 • -23.21db
47% Popularity • 26% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Apifera
The Pit & The Beggar
157 bpm • E min • 04:37 • -9.96db
11% Popularity • 22% Danceability • 61% Energy • 23% Liveness
80% Instrumentalness • 7% Positiveness
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Rejoicer
Earth Talk
128 bpm • C Maj • 02:53 • -9.79db
7% Popularity • 60% Danceability • 57% Energy • 9% Liveness
77% Instrumentalness • 46% Positiveness
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Gianni Brezzo
The Awakening
158 bpm • F min • 04:20 • -11.85db
5% Popularity • 46% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 52% Positiveness
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Brian Green
November
158 bpm • F# min • 01:13 • -20.11db
33% Popularity • 59% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Clever Austin
B2
158 bpm • C# min • 04:24 • -19.81db
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
41% Instrumentalness • 24% Positiveness
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Blue Divers
Moss
127 bpm • D Maj • 02:05 • -20.15db
31% Popularity • 30% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Apifera
Notre Damn
127 bpm • B min • 03:43 • -9.86db
16% Popularity • 53% Danceability • 58% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
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Kassa Overall
The Sky Diver
127 bpm • F# min • 03:07 • -10.77db
16% Popularity • 37% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Fuubutsushi
Fresh Salt
126 bpm • G# Maj • 03:04 • -13.66db
18% Popularity • 36% Danceability • 39% Energy • 18% Liveness
84% Instrumentalness • 14% Positiveness
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Felbm
Sternenhimmel
127 bpm • A# Maj • 02:46 • -12.94db
18% Popularity • 73% Danceability • 54% Energy • 23% Liveness
89% Instrumentalness • 74% Positiveness
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Resavoir
Woah
160 bpm • F min • 04:09 • -12.99db
29% Popularity • 31% Danceability • 44% Energy • 9% Liveness
96% Instrumentalness • 37% Positiveness
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Colloboh
Mystic You
160 bpm • G Maj • 06:36 • -16.38db
18% Popularity • 48% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 62% Positiveness
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John Carroll Kirby
Sensing Not Seeing
126 bpm • G# min • 05:33 • -8db
24% Popularity • 68% Danceability • 79% Energy • 13% Liveness
87% Instrumentalness • 94% Positiveness
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