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Runaway Train
Songs like
Runaway Train
by
Andrew Swift
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Swift
Runaway Train
106 bpm • F Maj • 03:58 • -6db
22% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Busby Marou
Over Drinking Over You
106 bpm • C# Maj • 03:00 • -6.56db
38% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Simply Bushed
The Great Australian Love Song
106 bpm • C Maj • 03:33 • -6.13db
15% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Travis Sinclair
El Dorado Saddle
106 bpm • D Maj • 03:35 • -10.2db
27% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Costa
Tractors & Bikes
107 bpm • A Maj • 02:50 • -6.15db
16% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Casey Barnes
Better Days
105 bpm • A Maj • 03:52 • -4.66db
18% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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James Blundell
Cloncurry Cattle Song
107 bpm • D Maj • 03:24 • -11.67db
32% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Ben Ransom
You're The Reason Why
105 bpm • A Maj • 03:30 • -6db
12% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
24% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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O'Shea
Karaoke and Corona
107 bpm • A Maj • 03:20 • -5.4db
14% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Forde
Summer's Little Angel
105 bpm • C Maj • 02:53 • -5db
33% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Brooke McClymont & Adam Eckersley
Lost If I Lost You
105 bpm • A# Maj • 03:37 • -5.05db
23% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Casey Barnes
The Way We Ride
105 bpm • G# Maj • 03:11 • -4db
30% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Christie Lamb
Hot Hot Kiss
105 bpm • E Maj • 03:17 • -6db
16% Popularity • 64% Danceability • 62% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Catherine Britt
Too Far Gone
107 bpm • E Maj • 03:48 • -7.31db
18% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Sammy White
Drowning My Sorrows
108 bpm • C Maj • 03:33 • -6.72db
17% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Aaron Lines
Turn It Up (I LIke The Sound Of That)
108 bpm • C# Maj • 03:50 • -8db
22% Popularity • 52% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Aleyce Simmonds
Only on My Terms
108 bpm • G Maj • 02:41 • -3.75db
23% Popularity • 70% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Jasmine Rae
Heartbeat
108 bpm • E min • 03:14 • -7.55db
10% Popularity • 59% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Brooke McClymont & Adam Eckersley
So Smooth
104 bpm • D# Maj • 03:49 • -5db
19% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Luke O'Shea
How Well Have You Loved?
104 bpm • D Maj • 03:23 • -6.33db
22% Popularity • 37% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Darlinghurst
Picture Frame
104 bpm • C# min • 03:24 • -5db
15% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hurricane Fall
Love Her Right
104 bpm • D Maj • 03:32 • -3db
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jody Direen
Loud
104 bpm • A Maj • 02:54 • -4db
8% Popularity • 55% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Storer
Raining on the Plains
104 bpm • F min • 03:08 • -8.96db
38% Popularity • 69% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Jasmine Rae
Country Singer
104 bpm • D Maj • 03:21 • -3db
16% Popularity • 67% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Jayne Denham
Chick Ute
108 bpm • G min • 03:08 • -3.84db
14% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Catherine Britt
Red Dirt
104 bpm • B Maj • 02:20 • -5db
24% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Hurricane Fall
How We Get Down
104 bpm • D Maj • 02:59 • -3db
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Brooke McClymont & Adam Eckersley
Out Of My Hands
104 bpm • F Maj • 04:37 • -11db
12% Popularity • 45% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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James Blundell
Down On The Farm
103 bpm • D Maj • 03:56 • -8.23db
36% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
29% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
42% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Duncan Toombs
Run
109 bpm • A Maj • 04:03 • -6db
14% Popularity • 62% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Natalie Pearson
Jolene
103 bpm • B Maj • 02:36 • -5.29db
31% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Melinda Schneider
9 To 5
103 bpm • F Maj • 03:27 • -7.13db
28% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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McAlister Kemp
It Don't Buy You Love
103 bpm • F Maj • 04:06 • -7db
17% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sammy White
Friends With The Bottle
103 bpm • A Maj • 03:20 • -4.84db
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Travis Sinclair
Dream Machine
110 bpm • D Maj • 03:55 • -10.17db
21% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Casey Barnes
Ain't Coming Home
110 bpm • C Maj • 03:05 • -4.45db
29% Popularity • 68% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Route 33
Last First Kiss
110 bpm • B Maj • 03:23 • -4.43db
16% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Ell Regan
Camo Hat
110 bpm • C Maj • 03:36 • -7.61db
8% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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McAlister Kemp
Songs That Make Us Country
110 bpm • D Maj • 03:18 • -3.86db
12% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Luke O'Shea
Three Brothers (The Great War)
110 bpm • G Maj • 04:52 • -9.05db
21% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
23% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Casey Barnes
Kiss Me Like You Mean It
110 bpm • B Maj • 03:06 • -3.53db
34% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Deep Creek Road
If You Only Knew Me When
110 bpm • G Maj • 04:04 • -5.4db
16% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Blake Dantier
Pool Party For One
110 bpm • F Maj • 04:07 • -4.45db
9% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jayne Denham
Trucker Chicks
110 bpm • A# Maj • 03:46 • -4.91db
17% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Simon Clow
24 Reasons
102 bpm • G Maj • 03:06 • -4.96db
15% Popularity • 78% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Cornell
It's Only Midnight
101 bpm • G# Maj • 03:41 • -8db
22% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Kip Moore
Love You To The Moon
101 bpm • G Maj • 03:43 • -6db
39% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mick Lindsay
The Horses
101 bpm • G Maj • 03:39 • -6db
20% Popularity • 52% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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McAlister Kemp
Harder to Tame
101 bpm • C Maj • 03:19 • -6.03db
21% Popularity • 54% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Missy Lancaster
Back Row
100 bpm • F# Maj • 03:19 • -3.49db
10% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Kirsty Lee Akers
Wake Me Up When You're Sober
112 bpm • B Maj • 03:07 • -3.82db
19% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Jayne Denham
East Bound And Down
112 bpm • D# Maj • 02:11 • -5db
28% Popularity • 65% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Casey Barnes
Come Turn Me On
112 bpm • B Maj • 03:04 • -2.91db
38% Popularity • 61% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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O'Shea
Parade
112 bpm • E Maj • 03:13 • -2.22db
8% Popularity • 72% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 91% Positiveness
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Hurricane Fall
Levis
112 bpm • D Maj • 03:12 • -3.54db
25% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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McAlister Kemp
White Line
112 bpm • G Maj • 03:59 • -4.13db
10% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Brooke McClymont & Adam Eckersley
One Man
112 bpm • B Maj • 03:09 • -3.93db
14% Popularity • 65% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Tim Hicks
What a Song Should Do
100 bpm • C Maj • 03:57 • -4.09db
38% Popularity • 54% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Davisson Brothers Band
Unbreak You
100 bpm • C Maj • 04:31 • -7db
11% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Viper Creek Band
People Drinkin' Beer
100 bpm • D Maj • 02:47 • -5db
24% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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McAlister Kemp
Hard Work
100 bpm • A Maj • 03:25 • -3.9db
19% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Steve Forde
Dust
100 bpm • E Maj • 03:57 • -5.87db
22% Popularity • 56% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Melanie Dyer
Fresh
100 bpm • B Maj • 02:53 • -4.99db
19% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Casey Barnes
We're Good Together
100 bpm • B Maj • 02:59 • -4.08db
40% Popularity • 71% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mick Lindsay
You Now
100 bpm • D Maj • 02:50 • -5.18db
10% Popularity • 63% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Bobby Wills
Won't You Be Mine
100 bpm • A# Maj • 03:37 • -5.37db
29% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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McAlister Kemp
Fight Me
113 bpm • A Maj • 03:27 • -6.89db
24% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Curtain
Roper River
113 bpm • G Maj • 02:53 • -7.21db
25% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Travis Sinclair
Glory Bound
100 bpm • A Maj • 04:54 • -10db
27% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Dan Davidson
Let's Go There
113 bpm • F# Maj • 02:59 • -6.06db
31% Popularity • 54% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Swift
Head Full of Honey
99 bpm • A Maj • 04:03 • -4.77db
26% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Darlinghurst
Hangman
113 bpm • B Maj • 03:14 • -6.45db
22% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Brooke McClymont & Adam Eckersley
What Are You Waiting For
113 bpm • F# Maj • 03:07 • -4.07db
26% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Blake O'Connor
Beautiful As You
99 bpm • F Maj • 03:42 • -4db
11% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Road Hammers
Your Love Is the Drug
99 bpm • C Maj • 03:29 • -5.19db
22% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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McAlister Kemp
All Kinds of Tough
99 bpm • C Maj • 04:03 • -5db
18% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Swift
Never Meant to Break Your Heart
99 bpm • G Maj • 03:45 • -7db
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Eckersley Band
Long Enough To Disappear
99 bpm • A Maj • 03:30 • -4db
16% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Kip Moore
I've Been Around
114 bpm • F min • 03:37 • -5db
42% Popularity • 76% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jason Benoit
Slow Hand
114 bpm • G Maj • 03:36 • -5db
15% Popularity • 62% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Cox
Water On The Ground
114 bpm • A Maj • 04:12 • -9.22db
37% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Casey Barnes
Sparks Fly
98 bpm • B Maj • 02:58 • -4db
33% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Caitlyn Shadbolt
Shoot out the Lights
98 bpm • D Maj • 03:28 • -5.09db
13% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Darlinghurst
Bad Things
115 bpm • B Maj • 03:42 • -5.69db
16% Popularity • 59% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Kip Moore
Motorcycle
115 bpm • G Maj • 04:14 • -7.1db
31% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Swift
The Devil & His Sin
115 bpm • C# min • 04:44 • -12.42db
4% Popularity • 63% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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The Viper Creek Band
Good To Be Us
115 bpm • G Maj • 03:22 • -3.28db
19% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lily Grace
Annie June
115 bpm • B Maj • 03:26 • -5.93db
22% Popularity • 62% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Darius Rucker
Straight To Hell - Full Length Version
115 bpm • F Maj • 05:35 • -4.51db
32% Popularity • 60% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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Montgomery Gentry
Something To Be Proud Of - 20 Years of H...
98 bpm • C Maj • 04:12 • -4.63db
26% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Runaway Train