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Running with Wolves - Instrumental Version
Songs like
Running with Wolves - Instrumental Version
by
Benson Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Phantom Of Pop
Gravity
95 bpm • D min • 04:39 • -6.66db
33% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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ANIIML
Confessions
95 bpm • A# Maj • 03:09 • -8.13db
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Benson Taylor
Running with Wolves
95 bpm • C min • 04:21 • -9.77db
1% Popularity • 37% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Shanks Mansell
Love Is Contagious
95 bpm • B min • 03:39 • -7.6db
10% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Gracious
Love Me
95 bpm • B min • 03:16 • -16db
26% Popularity • 71% Danceability • 33% Energy • 34% Liveness
6% Instrumentalness • 36% Positiveness
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Natalie Taylor
In the Air Tonight
95 bpm • A# min • 02:53 • -8.93db
53% Popularity • 54% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Rupert Pope
Damage
95 bpm • A min • 03:28 • -8.74db
22% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Annie Drury
River Flow
95 bpm • C min • 03:51 • -10.33db
16% Popularity • 31% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Malory
Rapture
96 bpm • D# min • 03:12 • -6.73db
20% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Danny Farrant
Jungle Kill
95 bpm • G# min • 03:17 • -6.23db
11% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Benson Taylor
Delicate Problems - Instrumental Version
96 bpm • D# Maj • 03:08 • -14.57db
0% Popularity • 67% Danceability • 34% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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Valen
Cold Blood
94 bpm • F min • 03:31 • -12.32db
30% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
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Portals
We Have Arrived
94 bpm • C# min • 03:35 • -8.58db
19% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
20% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Ex Makina
Dew
97 bpm • B Maj • 04:41 • -10db
12% Popularity • 18% Danceability • 64% Energy • 24% Liveness
1% Instrumentalness • 10% Positiveness
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IORA
That Sinking Feeling
97 bpm • E min • 02:57 • -15.84db
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Benson Taylor
Delicate Problems
96 bpm • C min • 03:08 • -11.53db
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Phil Buckle
If I Had a Heart
93 bpm • F Maj • 02:58 • -10.59db
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Dana and the Wolf
Lie To Me
97 bpm • D# Maj • 03:19 • -6.57db
29% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Louise Lemón
Appalacherna
93 bpm • A min • 03:14 • -12.01db
11% Popularity • 20% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 6% Positiveness
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Jonathan Buchanan
Love and Rage
98 bpm • G Maj • 03:05 • -16.26db
25% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Louise Bernadette Dowd
If Time Were To Stand Still
99 bpm • A# min • 03:03 • -9.56db
12% Popularity • 22% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Benson Taylor
Downfall
96 bpm • A# min • 01:48 • -9.07db
1% Popularity • 34% Danceability • 84% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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IN-IS
Broken Ones
91 bpm • F min • 03:48 • -14.45db
11% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Regina Price
Shadows Fall
91 bpm • C Maj • 04:18 • -8.34db
17% Popularity • 47% Danceability • 47% Energy • 9% Liveness
21% Instrumentalness • 10% Positiveness
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MOR
Yours
100 bpm • F# min • 04:30 • -10db
10% Popularity • 25% Danceability • 27% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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LAOUD
Grow
100 bpm • A# min • 03:16 • -10.58db
11% Popularity • 28% Danceability • 45% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
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Adam Barber
You Cover Me
100 bpm • F min • 03:38 • -18.63db
10% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Benson Taylor
How to Let You Go - Instrumental Version
99 bpm • A Maj • 03:49 • -16.11db
0% Popularity • 21% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Olivia May
Ruins
100 bpm • G min • 03:41 • -8.34db
14% Popularity • 33% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Rob Lane
Farewell to Em
100 bpm • C min • 02:17 • -14.42db
21% Popularity • 33% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Thornton III Jenkins
Rock Grinder
100 bpm • C# Maj • 01:35 • -9.29db
0% Popularity • 46% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Simon Diamond
Coming Undone
100 bpm • G Maj • 03:09 • -7.34db
10% Popularity • 65% Danceability • 63% Energy • 12% Liveness
20% Instrumentalness • 9% Positiveness
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Indiana
Bad Luck
100 bpm • G# Maj • 03:14 • -7.94db
18% Popularity • 72% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Benson Taylor
Play with Fire
100 bpm • F min • 04:12 • -9.83db
6% Popularity • 38% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Generdyn
Bridges
100 bpm • D min • 04:00 • -6.57db
28% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Rupert Pope
Who’s Gonna Save Ya
100 bpm • A# min • 03:19 • -8.39db
16% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Thornton III Jenkins
Bad Intentions
100 bpm • C# min • 02:07 • -12.51db
0% Popularity • 63% Danceability • 65% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
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Valen
Smoking Gun
100 bpm • F min • 03:38 • -11.94db
20% Popularity • 65% Danceability • 50% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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MØØNWATER
It Will Find You
100 bpm • C Maj • 03:38 • -13.46db
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 13% Positiveness
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Benson Taylor
Devil in My Mind
100 bpm • A Maj • 03:28 • -9.32db
0% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jochen Flach
Robot's Revenge
100 bpm • G Maj • 02:40 • -11.64db
0% Popularity • 19% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Lulu Hand Grenade
Liar Liar
90 bpm • A min • 03:08 • -5.06db
18% Popularity • 56% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Naomi August
Downtown
90 bpm • G Maj • 03:20 • -9.7db
19% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Beds and Beats
It's You
90 bpm • E min • 03:10 • -9.74db
18% Popularity • 54% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Rupert Pope
Bad Love
90 bpm • G min • 03:34 • -7db
15% Popularity • 60% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Benson Taylor
Desert Warfare
100 bpm • G# Maj • 02:28 • -14.43db
3% Popularity • 54% Danceability • 55% Energy • 10% Liveness
81% Instrumentalness • 12% Positiveness
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Jonathan Buchanan
We Are Strong
90 bpm • B Maj • 03:57 • -16db
23% Popularity • 54% Danceability • 68% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
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COS&effekt
The Wild One
90 bpm • A Maj • 02:54 • -6.24db
10% Popularity • 42% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Dario Comuzzi
Bad Kingdom
90 bpm • A# Maj • 02:25 • -5.75db
19% Popularity • 71% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Portals
Where It All Begins
90 bpm • B min • 03:23 • -7.46db
15% Popularity • 45% Danceability • 68% Energy • 8% Liveness
19% Instrumentalness • 14% Positiveness
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morgxn
notorious
90 bpm • C Maj • 03:17 • -10.2db
21% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Benson Taylor
Do with Myself
100 bpm • F# min • 03:39 • -7.58db
2% Popularity • 58% Danceability • 83% Energy • 14% Liveness
2% Instrumentalness • 59% Positiveness
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Tribal Blood
Supernatural
90 bpm • F Maj • 04:28 • -6.36db
36% Popularity • 24% Danceability • 51% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
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Primer
The Firmament
101 bpm • A# Maj • 03:44 • -10.76db
21% Popularity • 62% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
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Grace Blue
Nowhere To Go
89 bpm • C# Maj • 03:44 • -8.16db
7% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Victoria Beaumont
Stuck in Deja Vu
89 bpm • C Maj • 02:49 • -9.42db
16% Popularity • 64% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 47% Positiveness
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Amy Stroup
The Moment
89 bpm • F# min • 04:08 • -8.61db
21% Popularity • 30% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Benson Taylor
Loaded Gun
100 bpm • F min • 03:16 • -9.26db
2% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Thornton III Jenkins
Percolating Pop
102 bpm • A Maj • 01:36 • -12.91db
0% Popularity • 65% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
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Indiana
Ninety Six Hours
102 bpm • D Maj • 03:06 • -11.05db
14% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Mags Duval
Eye For An Eye
103 bpm • A min • 02:47 • -12.4db
32% Popularity • 38% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Jonathan Buchanan
Welcome to a New Dawn
103 bpm • C# Maj • 03:14 • -15db
22% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Steelfeather
Heart of Darkness
103 bpm • E min • 03:13 • -12db
40% Popularity • 53% Danceability • 34% Energy • 9% Liveness
19% Instrumentalness • 14% Positiveness
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Benson Taylor
How to Let You Go
100 bpm • A Maj • 03:49 • -10.19db
5% Popularity • 49% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Thornton III Jenkins
Sophisticated Strut
88 bpm • C Maj • 01:31 • -12.65db
0% Popularity • 58% Danceability • 48% Energy • 20% Liveness
93% Instrumentalness • 12% Positiveness
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Rupert Pope
Into the Light
87 bpm • B min • 03:19 • -8.61db
19% Popularity • 38% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 10% Positiveness
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Kita Klane
Fingerprints
87 bpm • G# min • 02:38 • -7.56db
36% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Lemolo
Swansea
104 bpm • C Maj • 03:50 • -10.12db
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Ex Makina
Breath
87 bpm • F Maj • 03:43 • -6.6db
32% Popularity • 44% Danceability • 60% Energy • 19% Liveness
28% Instrumentalness • 4% Positiveness
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Benson Taylor
Do Something
100 bpm • F# min • 03:49 • -9.02db
3% Popularity • 62% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Vanbur
Through the Dark
104 bpm • A# min • 03:15 • -12.74db
42% Popularity • 47% Danceability • 42% Energy • 11% Liveness
69% Instrumentalness • 7% Positiveness
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LØCH ANAM
I'm Gonna Find You
86 bpm • C min • 03:13 • -11.88db
18% Popularity • 10% Danceability • 44% Energy • 11% Liveness
32% Instrumentalness • 9% Positiveness
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Tribal Blood
Time of the Season
86 bpm • E min • 03:08 • -9.1db
8% Popularity • 17% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Liv Ash
Ready for War
105 bpm • G Maj • 03:48 • -4.32db
24% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Beds and Beats
Gonna Take It All
105 bpm • E Maj • 02:41 • -8.96db
10% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Benson Taylor
Just Stick Around
90 bpm • G# Maj • 03:29 • -7.26db
5% Popularity • 66% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Jochen Flach
Battle Is On
105 bpm • C min • 02:21 • -10.38db
1% Popularity • 45% Danceability • 65% Energy • 28% Liveness
91% Instrumentalness • 23% Positiveness
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Rupert Pope
Illuminate
105 bpm • A min • 03:41 • -8.87db
18% Popularity • 61% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Thornton III Jenkins
Active Latin
105 bpm • E Maj • 01:32 • -10.44db
0% Popularity • 78% Danceability • 70% Energy • 56% Liveness
81% Instrumentalness • 84% Positiveness
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FJØRA
Dangerous Games
86 bpm • E min • 02:49 • -7.31db
13% Popularity • 22% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Astyria
Just a Girl
85 bpm • D Maj • 03:39 • -8.93db
29% Popularity • 24% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Benson Taylor
Jazz Hop
90 bpm • G# Maj • 01:32 • -10.65db
0% Popularity • 66% Danceability • 53% Energy • 14% Liveness
45% Instrumentalness • 48% Positiveness
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Roses & Revolutions
Moment - Instrumental
106 bpm • A min • 03:08 • -11db
14% Popularity • 65% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Lee Richardson
Just Turn It Up
85 bpm • F# Maj • 02:51 • -8.53db
26% Popularity • 50% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Thornton III Jenkins
Active Latin MIN
105 bpm • B min • 01:30 • -13.62db
0% Popularity • 85% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
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Klergy
Hide and Seek Reimagined
85 bpm • G# Maj • 03:07 • -7.58db
33% Popularity • 72% Danceability • 50% Energy • 11% Liveness
55% Instrumentalness • 24% Positiveness
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Robin Loxley
Only Human
85 bpm • G Maj • 02:46 • -8.07db
32% Popularity • 53% Danceability • 65% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
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Benson Taylor
Jazz Hop MIN
90 bpm • A# min • 01:25 • -14.35db
0% Popularity • 67% Danceability • 42% Energy • 27% Liveness
92% Instrumentalness • 29% Positiveness
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WILDES
Let You Go
85 bpm • D# min • 04:21 • -7db
30% Popularity • 22% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Bury the Wren
I'm Happy
84 bpm • C# Maj • 03:35 • -8.39db
14% Popularity • 51% Danceability • 60% Energy • 19% Liveness
15% Instrumentalness • 17% Positiveness
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Thornton III Jenkins
Keepin' It Together
105 bpm • G Maj • 01:31 • -10.2db
0% Popularity • 71% Danceability • 65% Energy • 15% Liveness
94% Instrumentalness • 88% Positiveness
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Klergy
Hide and Seek
85 bpm • G min • 03:03 • -9db
45% Popularity • 66% Danceability • 37% Energy • 18% Liveness
31% Instrumentalness • 24% Positiveness
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VG LUCAS
Don't Turn Around
84 bpm • A min • 02:55 • -9.85db
9% Popularity • 31% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Benson Taylor
Take It Slow
90 bpm • C# Maj • 03:22 • -8.24db
0% Popularity • 44% Danceability • 85% Energy • 9% Liveness
28% Instrumentalness • 69% Positiveness
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Fort Nowhere
Wicked Game
84 bpm • A Maj • 04:00 • -9.74db
17% Popularity • 17% Danceability • 46% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
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Lemolo
Running Mate
108 bpm • A min • 04:35 • -8.65db
26% Popularity • 24% Danceability • 43% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
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Thornton III Jenkins
Groove And Grace
106 bpm • C Maj • 01:38 • -9.96db
0% Popularity • 57% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 78% Positiveness
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Klergy
Everything's A Lie
107 bpm • F min • 03:44 • -10.59db
21% Popularity • 63% Danceability • 66% Energy • 11% Liveness
58% Instrumentalness • 44% Positiveness
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Raphael Lake
Cruise
108 bpm • G Maj • 03:04 • -11db
22% Popularity • 57% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
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Running with Wolves - Instrumental Version