Songs like Rushin' by Banny Price
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Page & The Riff-Raffs
Tired of Hanging 'Round
121 bpm • F Maj • 02:44 • -9.61db
5% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Banny Price
Rushin'
121 bpm • A# min • 02:56 • -6.93db
17% Popularity • 65% Danceability • 71% Energy • 6% Liveness
71% Instrumentalness • 84% Positiveness
17% Popularity • 65% Danceability • 71% Energy • 6% Liveness
71% Instrumentalness • 84% Positiveness
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Willie Mitchell
Poppin
121 bpm • A# Maj • 02:19 • -7.97db
25% Popularity • 88% Danceability • 56% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
25% Popularity • 88% Danceability • 56% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
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Barrett Strong
I'm Gonna Cry (If You Quit Me) - Single ...
121 bpm • G Maj • 02:53 • -6.32db
24% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Vernon Green
A Lover's Prayer
122 bpm • F min • 02:48 • -11.26db
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
26% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
26% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Dave Bartholomew
Single Life
122 bpm • F Maj • 02:15 • -10.01db
27% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
27% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
21% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Chubby Checker
Slow Twistin'
120 bpm • G# Maj • 02:44 • -7db
31% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Wynona Carr
Should I Ever Love Again?
120 bpm • G Maj • 02:37 • -11db
29% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Freddie Houston
Chills and Fever
120 bpm • C# min • 02:42 • -6.61db
17% Popularity • 62% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 62% Danceability • 79% Energy • 66% Liveness
0% Instrumentalness • 92% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Amos Milburn
Let'S Have A Party (06-30-53)
120 bpm • G Maj • 02:33 • -11.97db
11% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
11% Popularity • 69% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Al Hibbler
After the Lights Go Down Low
122 bpm • C Maj • 02:39 • -15.12db
22% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Bobby "Blue" Bland
Good Time Charlie - Pt. 1 / Single Versi...
122 bpm • F Maj • 02:34 • -5.51db
25% Popularity • 66% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 84% Positiveness
25% Popularity • 66% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 84% Positiveness
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Ritchie Valens
Big Baby Blues - Single Version
120 bpm • G Maj • 01:56 • -14db
31% Popularity • 68% Danceability • 46% Energy • 18% Liveness
17% Instrumentalness • 92% Positiveness
31% Popularity • 68% Danceability • 46% Energy • 18% Liveness
17% Instrumentalness • 92% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
27% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Let's Get High
122 bpm • G# Maj • 02:39 • -9db
31% Popularity • 50% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 50% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Earl Hooker
The Bright Sound
122 bpm • D min • 02:13 • -5.7db
18% Popularity • 61% Danceability • 67% Energy • 9% Liveness
74% Instrumentalness • 93% Positiveness
18% Popularity • 61% Danceability • 67% Energy • 9% Liveness
74% Instrumentalness • 93% Positiveness
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Ray Sharpe
Linda Lu
120 bpm • F# Maj • 02:05 • -9.82db
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
27% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Jimmy Hughes
Neighbor, Neighbor
122 bpm • D Maj • 02:59 • -5.07db
22% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Mel Tormé
Games People Play
120 bpm • F Maj • 02:47 • -10db
30% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Screamin' Jay Hawkins
Sweet Ginny
122 bpm • C Maj • 03:08 • -10.97db
26% Popularity • 70% Danceability • 49% Energy • 25% Liveness
58% Instrumentalness • 67% Positiveness
26% Popularity • 70% Danceability • 49% Energy • 25% Liveness
58% Instrumentalness • 67% Positiveness
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Hank Ballard
Work With Me Annie
122 bpm • E Maj • 02:47 • -8.87db
28% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Eddie "Cleanhead" Vinson
I'm the Midnight Creeper
120 bpm • F min • 03:29 • -12db
24% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
24% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
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J.B. Lenoir
Good Looking Woman
119 bpm • F Maj • 02:06 • -11db
34% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Champion Jack Dupree
Stumbling Block
123 bpm • G# Maj • 02:51 • -8.76db
14% Popularity • 77% Danceability • 61% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
14% Popularity • 77% Danceability • 61% Energy • 18% Liveness
2% Instrumentalness • 96% Positiveness
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Varetta Dillard
Mercy Mr Percy
123 bpm • C Maj • 02:49 • -5.21db
12% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny "Guitar" Watson
Gangster Of Love
119 bpm • B Maj • 03:02 • -8.57db
37% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Nolen
The Way You Do
123 bpm • F Maj • 02:29 • -5.17db
26% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Wilbert Harrison
Poison Ivy
119 bpm • C# Maj • 02:46 • -6.3db
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Professor Longhair
Tipitina
119 bpm • C min • 03:51 • -13.2db
23% Popularity • 60% Danceability • 52% Energy • 18% Liveness
88% Instrumentalness • 76% Positiveness
23% Popularity • 60% Danceability • 52% Energy • 18% Liveness
88% Instrumentalness • 76% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
35% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
24% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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The Robins
All Night Baby
123 bpm • C min • 03:06 • -6.98db
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 46% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Lowell Fulson
Do Me Right
119 bpm • F min • 02:53 • -14db
33% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Otis Spann
It Must Have Been The Devil
118 bpm • D Maj • 03:46 • -9.03db
21% Popularity • 56% Danceability • 50% Energy • 18% Liveness
44% Instrumentalness • 73% Positiveness
21% Popularity • 56% Danceability • 50% Energy • 18% Liveness
44% Instrumentalness • 73% Positiveness
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Bill Black's Combo
Mud Island Blues
118 bpm • C Maj • 02:20 • -8.93db
17% Popularity • 90% Danceability • 47% Energy • 7% Liveness
81% Instrumentalness • 72% Positiveness
17% Popularity • 90% Danceability • 47% Energy • 7% Liveness
81% Instrumentalness • 72% Positiveness
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Ernie Fields
Workin' Out
118 bpm • A# Maj • 02:13 • -7.71db
8% Popularity • 51% Danceability • 75% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
8% Popularity • 51% Danceability • 75% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
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Jimmy Ricks
Daddy Rolling Stone
124 bpm • E min • 02:21 • -7.89db
14% Popularity • 47% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 47% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
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Willie Mitchell
Buster Browne
118 bpm • G Maj • 02:12 • -9.18db
3% Popularity • 74% Danceability • 55% Energy • 16% Liveness
83% Instrumentalness • 73% Positiveness
3% Popularity • 74% Danceability • 55% Energy • 16% Liveness
83% Instrumentalness • 73% Positiveness
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Irma Thomas
Somebody Told You
124 bpm • D Maj • 02:34 • -7.37db
15% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 87% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ben E. King
Fever
118 bpm • C min • 02:57 • -14.32db
19% Popularity • 67% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 67% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Otis Spann
Otis In The Dark - Remastered
118 bpm • E Maj • 04:35 • -10.93db
25% Popularity • 40% Danceability • 56% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
25% Popularity • 40% Danceability • 56% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
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Jr. Walker & The All Stars
Monkey Jump
118 bpm • C Maj • 02:06 • -7.29db
48% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ike & Tina Turner
The Gulley
118 bpm • D Maj • 03:19 • -6.83db
8% Popularity • 65% Danceability • 83% Energy • 5% Liveness
70% Instrumentalness • 90% Positiveness
8% Popularity • 65% Danceability • 83% Energy • 5% Liveness
70% Instrumentalness • 90% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
32% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bill Black's Combo
Smokie Part 2
118 bpm • C Maj • 02:22 • -9db
15% Popularity • 77% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
15% Popularity • 77% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 76% Positiveness
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Duane Eddy
Cannonball
118 bpm • D Maj • 01:55 • -7.31db
31% Popularity • 55% Danceability • 84% Energy • 30% Liveness
85% Instrumentalness • 66% Positiveness
31% Popularity • 55% Danceability • 84% Energy • 30% Liveness
85% Instrumentalness • 66% Positiveness
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The Drifters
Money Honey
124 bpm • F Maj • 02:59 • -9.37db
25% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Freddie King
Butterscotch
124 bpm • C Maj • 03:04 • -12.62db
18% Popularity • 67% Danceability • 59% Energy • 8% Liveness
21% Instrumentalness • 86% Positiveness
18% Popularity • 67% Danceability • 59% Energy • 8% Liveness
21% Instrumentalness • 86% Positiveness
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Eddie Bo
Baby I'm Wise
125 bpm • A# Maj • 02:31 • -8.46db
13% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
13% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
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Slim Harpo
I'm Your Bread Maker Baby - Single Versi...
125 bpm • B Maj • 02:33 • -13db
36% Popularity • 84% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 84% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Black's Combo
White Silver Sands
118 bpm • C Maj • 02:36 • -19.56db
17% Popularity • 87% Danceability • 28% Energy • 7% Liveness
45% Instrumentalness • 94% Positiveness
17% Popularity • 87% Danceability • 28% Energy • 7% Liveness
45% Instrumentalness • 94% Positiveness
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Bo Diddley
Ooh Baby
117 bpm • E Maj • 03:49 • -8db
35% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Jr. Walker & The All Stars
San-Ho-Zay
117 bpm • D Maj • 02:58 • -8.62db
11% Popularity • 87% Danceability • 56% Energy • 7% Liveness
50% Instrumentalness • 96% Positiveness
11% Popularity • 87% Danceability • 56% Energy • 7% Liveness
50% Instrumentalness • 96% Positiveness
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The Blackwells
You Took Advantage of Me
117 bpm • F Maj • 02:03 • -5.66db
18% Popularity • 52% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 52% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Ramsey Lewis
Hey Mrs. Jones
117 bpm • G Maj • 04:02 • -12.79db
31% Popularity • 84% Danceability • 61% Energy • 8% Liveness
59% Instrumentalness • 96% Positiveness
31% Popularity • 84% Danceability • 61% Energy • 8% Liveness
59% Instrumentalness • 96% Positiveness
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Billy & The King Bees
Bango
125 bpm • D min • 02:15 • -10.59db
13% Popularity • 81% Danceability • 49% Energy • 34% Liveness
63% Instrumentalness • 97% Positiveness
13% Popularity • 81% Danceability • 49% Energy • 34% Liveness
63% Instrumentalness • 97% Positiveness
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Charlie Rich
Mohair Sam
117 bpm • A# Maj • 02:11 • -6.76db
35% Popularity • 80% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 80% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Rondels
Back Beat No. 1
116 bpm • C Maj • 02:16 • -5.9db
5% Popularity • 58% Danceability • 89% Energy • 28% Liveness
90% Instrumentalness • 38% Positiveness
5% Popularity • 58% Danceability • 89% Energy • 28% Liveness
90% Instrumentalness • 38% Positiveness
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Barrett Strong
Misery - Single Version
116 bpm • B Maj • 02:27 • -6.89db
32% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Sam & Dave
Soothe Me - Single Version; 2006 Remaste...
126 bpm • F# Maj • 02:36 • -20.15db
11% Popularity • 73% Danceability • 22% Energy • 9% Liveness
52% Instrumentalness • 70% Positiveness
11% Popularity • 73% Danceability • 22% Energy • 9% Liveness
52% Instrumentalness • 70% Positiveness
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The Clovers
Good Lovin' - Remastered
126 bpm • C# min • 02:59 • -8.63db
4% Popularity • 79% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 79% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Hope
Lost Child
116 bpm • D min • 02:07 • -10.02db
16% Popularity • 66% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
16% Popularity • 66% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Barrett Strong
Believe It Or Not
116 bpm • F Maj • 03:08 • -8.61db
10% Popularity • 78% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 78% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Sam & Dave
Soothe Me
126 bpm • F# Maj • 02:32 • -13.42db
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Solomon Burke
Looking for My Baby
127 bpm • E Maj • 02:23 • -11.44db
19% Popularity • 73% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Little Willie John
My Nerves
127 bpm • C# min • 02:33 • -10.01db
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Sugar Pie DeSanto
Can't Let You Go
127 bpm • A# Maj • 02:45 • -8.26db
32% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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The Rock-A-Teens
Woo Hoo
115 bpm • E Maj • 02:06 • -10db
16% Popularity • 57% Danceability • 84% Energy • 12% Liveness
56% Instrumentalness • 83% Positiveness
16% Popularity • 57% Danceability • 84% Energy • 12% Liveness
56% Instrumentalness • 83% Positiveness
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Clyde McPhatter
Money Honey
127 bpm • F Maj • 02:54 • -5.59db
22% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 60% Danceability • 70% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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Duane Eddy
Forty Miles of Bad Road
127 bpm • D Maj • 02:10 • -16.44db
33% Popularity • 72% Danceability • 53% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
33% Popularity • 72% Danceability • 53% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
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Titus Turner
Hungry Man
127 bpm • F min • 02:26 • -3db
29% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Willie Mitchell
Twine Time
127 bpm • G Maj • 02:12 • -9.53db
1% Popularity • 73% Danceability • 63% Energy • 12% Liveness
82% Instrumentalness • 87% Positiveness
1% Popularity • 73% Danceability • 63% Energy • 12% Liveness
82% Instrumentalness • 87% Positiveness
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Clarence Carter
Looking for a Fox
115 bpm • B min • 02:16 • -14.52db
34% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Chuck Berry
Mad Lad
127 bpm • F Maj • 02:07 • -14.55db
22% Popularity • 53% Danceability • 55% Energy • 8% Liveness
88% Instrumentalness • 78% Positiveness
22% Popularity • 53% Danceability • 55% Energy • 8% Liveness
88% Instrumentalness • 78% Positiveness
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Professor Longhair
Go to the Mardi Gras
115 bpm • A# Maj • 02:47 • -10.87db
26% Popularity • 46% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 46% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Titus Turner
Coralee
115 bpm • F min • 02:35 • -5db
10% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Little Willie John
My Nerves
127 bpm • G# min • 02:33 • -7db
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Alexis Korner's Blues Incorporated
Early In the Morning (2006 - Remaster)
127 bpm • G Maj • 03:01 • -12.72db
40% Popularity • 55% Danceability • 21% Energy • 8% Liveness
57% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 21% Energy • 8% Liveness
57% Instrumentalness • 33% Positiveness
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Big Jay McNeely
All That Wine Is Gone
128 bpm • C min • 02:56 • -6.57db
8% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Sevilles
Treat You Right
128 bpm • B min • 02:05 • -10.04db
15% Popularity • 88% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
15% Popularity • 88% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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The Crescents
Here You Come Again
115 bpm • D# Maj • 02:34 • -10.23db
8% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Wynona Carr
Now That I'm Free
115 bpm • D# Maj • 02:38 • -10.53db
24% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Little Willie John
My Love Is
128 bpm • D# min • 02:13 • -16.42db
32% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Little Junior Parker
Next Time You See Me
115 bpm • D Maj • 02:43 • -11.7db
17% Popularity • 61% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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James Booker
One For The Highway
115 bpm • A# Maj • 02:34 • -8.94db
29% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Willie Mitchell
20-75
128 bpm • A# Maj • 02:11 • -6.22db
8% Popularity • 89% Danceability • 80% Energy • 16% Liveness
84% Instrumentalness • 97% Positiveness
8% Popularity • 89% Danceability • 80% Energy • 16% Liveness
84% Instrumentalness • 97% Positiveness
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Herb Hardesty
Just a Little Bit of Everything
128 bpm • A# min • 02:44 • -9db
13% Popularity • 70% Danceability • 46% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
13% Popularity • 70% Danceability • 46% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Papa Lightfoot
Wine, Women, Whiskey
128 bpm • D Maj • 02:14 • -10db
10% Popularity • 74% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
10% Popularity • 74% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
