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Rushing To Paradise
Songs like
Rushing To Paradise
by
Huerco S.
Based on a tempo of (+/- 10%) and a similar genre
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Steve Hauschildt
A Reflecting Pool
107 bpm • C# min • 03:10 • -19db
26% Popularity • 54% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 57% Positiveness
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Body-San
Shining the Money Ball
107 bpm • A# min • 07:17 • -10.77db
8% Popularity • 59% Danceability • 77% Energy • 8% Liveness
47% Instrumentalness • 32% Positiveness
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Shanti Celeste
Moons
107 bpm • F# min • 05:52 • -20db
12% Popularity • 31% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Huerco S.
Rushing To Paradise
107 bpm • A# Maj • 09:27 • -13.16db
10% Popularity • 57% Danceability • 55% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
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Satoshi & Makoto
Untitled
107 bpm • C Maj • 03:55 • -15.46db
16% Popularity • 69% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
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Visible Cloaks
Imprint (Bonus Track)
108 bpm • C# Maj • 06:13 • -21db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Ex-Terrestrial
Blue Smoke
106 bpm • A# min • 06:21 • -10.79db
19% Popularity • 65% Danceability • 92% Energy • 37% Liveness
69% Instrumentalness • 21% Positiveness
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Auscultation
Composure Fuzz
108 bpm • A# min • 05:44 • -12.49db
9% Popularity • 59% Danceability • 70% Energy • 7% Liveness
86% Instrumentalness • 55% Positiveness
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RAMZi
malaga trancehall
106 bpm • A# min • 03:24 • -14db
19% Popularity • 68% Danceability • 56% Energy • 15% Liveness
76% Instrumentalness • 46% Positiveness
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Bing & Ruth
Badwater Psalm - Khotin Remix
108 bpm • C# Maj • 06:00 • -8db
21% Popularity • 70% Danceability • 81% Energy • 11% Liveness
50% Instrumentalness • 56% Positiveness
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Orson Wells
Hemisphere Pt. 2
106 bpm • C# Maj • 03:19 • -10.88db
15% Popularity • 70% Danceability • 60% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Palmbomen II
Pure Tibet
108 bpm • A# min • 06:20 • -5.69db
9% Popularity • 64% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 34% Positiveness
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Joe
MPH
108 bpm • D Maj • 05:18 • -9.97db
9% Popularity • 63% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Andy Stott
Sleepless
106 bpm • E min • 05:49 • -10.49db
25% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
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PDP III
Walls of Kyoto
108 bpm • C# Maj • 06:50 • -12.81db
4% Popularity • 16% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Huerco S.
Angel (Phase)
109 bpm • C# Maj • 06:34 • -15.1db
6% Popularity • 29% Danceability • 48% Energy • 24% Liveness
95% Instrumentalness • 30% Positiveness
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Leon Vynehall
Midnight on Rainbow Road
109 bpm • F min • 06:23 • -7.53db
34% Popularity • 47% Danceability • 85% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
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Galcher Lustwerk
Warm Cake
109 bpm • B Maj • 03:15 • -14.98db
17% Popularity • 56% Danceability • 57% Energy • 10% Liveness
96% Instrumentalness • 85% Positiveness
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Hieroglyphic Being
The Shrine Of The Serpent Goddess
109 bpm • F min • 01:06 • -6.9db
33% Popularity • 51% Danceability • 84% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
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Andy Stott
Tell Me Anthing
109 bpm • D Maj • 05:43 • -14db
30% Popularity • 89% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Dettinger
Blond 2
110 bpm • D# min • 06:16 • -11.34db
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Huerco S.
Prinzif
109 bpm • B min • 05:47 • -11.17db
7% Popularity • 44% Danceability • 54% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
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Perko
Luna
110 bpm • A Maj • 01:36 • -27.86db
32% Popularity • 30% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Thomas Fehlmann
Alles, Immer
110 bpm • A# min • 06:18 • -10db
22% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Patricia
Upper Peninsula - Terekke
110 bpm • A min • 06:07 • -15.75db
7% Popularity • 57% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Andy Stott
How It Was
110 bpm • A# min • 06:09 • -10.77db
22% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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Objekt
Secret Snake
110 bpm • F# Maj • 05:58 • -12.03db
9% Popularity • 52% Danceability • 48% Energy • 33% Liveness
82% Instrumentalness • 4% Positiveness
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Huerco S.
Latautii
110 bpm • A min • 08:51 • -17db
5% Popularity • 29% Danceability • 40% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Auscultation
Flottant
110 bpm • C# min • 06:02 • -11.15db
10% Popularity • 60% Danceability • 69% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Thomas Fehlmann
Cityscape
110 bpm • B Maj • 04:08 • -11.59db
17% Popularity • 84% Danceability • 71% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
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Duckett
Looking at Mum Objectively
110 bpm • A# min • 05:57 • -11.52db
8% Popularity • 75% Danceability • 40% Energy • 8% Liveness
95% Instrumentalness • 56% Positiveness
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Terekke
Jqm
104 bpm • F# min • 05:17 • -23.05db
18% Popularity • 72% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Andy Stott
Butterflies
104 bpm • C Maj • 04:23 • -12.66db
24% Popularity • 65% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
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Huerco S.
Monks Mound (Arcology)
110 bpm • D min • 03:30 • -15.67db
8% Popularity • 53% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Auscultation
Stranded Love
110 bpm • G Maj • 08:27 • -8.58db
7% Popularity • 61% Danceability • 77% Energy • 11% Liveness
78% Instrumentalness • 61% Positiveness
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Thomas Fehlmann
Karnickel
110 bpm • D Maj • 02:55 • -12.66db
24% Popularity • 46% Danceability • 54% Energy • 16% Liveness
93% Instrumentalness • 10% Positiveness
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Anthony Naples
Tango
104 bpm • A min • 03:24 • -8db
29% Popularity • 66% Danceability • 62% Energy • 14% Liveness
75% Instrumentalness • 15% Positiveness
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Call Super
Korals
104 bpm • E min • 02:31 • -10.28db
7% Popularity • 76% Danceability • 68% Energy • 18% Liveness
1% Instrumentalness • 42% Positiveness
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Andy Stott
Luxury Problems
104 bpm • G Maj • 05:03 • -13db
33% Popularity • 77% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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CS + Kreme
Saint
110 bpm • C min • 06:30 • -20.61db
19% Popularity • 36% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Space Afrika
Curve
110 bpm • C min • 02:51 • -25.61db
11% Popularity • 41% Danceability • 8% Energy • 66% Liveness
91% Instrumentalness • 13% Positiveness
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Thomas Fehlmann
Soft Park
110 bpm • C# Maj • 03:05 • -9.04db
32% Popularity • 76% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 49% Positiveness
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Vladislav Delay
Ranta
104 bpm • A min • 04:31 • -17.19db
13% Popularity • 37% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Huerco S.
Press On (Ruff Rub)
111 bpm • A min • 05:52 • -9db
8% Popularity • 48% Danceability • 72% Energy • 11% Liveness
75% Instrumentalness • 17% Positiveness
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Lord Of The Isles
Waiting in Arisaig
103 bpm • A min • 06:43 • -11db
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Steve Hauschildt
Alienself
104 bpm • G Maj • 07:00 • -19.29db
12% Popularity • 46% Danceability • 46% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Akasha System
Sunbreather
111 bpm • A# min • 05:40 • -7.79db
20% Popularity • 69% Danceability • 93% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Khotin
Processing
112 bpm • G Maj • 03:08 • -15.69db
18% Popularity • 30% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Picnic
Folds and Rips - Huerco S. Remix
103 bpm • A# Maj • 09:00 • -14.57db
6% Popularity • 71% Danceability • 60% Energy • 20% Liveness
87% Instrumentalness • 52% Positiveness
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Huerco S.
Anagramme of My Love
102 bpm • C# Maj • 03:33 • -20.08db
8% Popularity • 39% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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DJ Python
Esteban
112 bpm • B Maj • 05:03 • -12.7db
12% Popularity • 82% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Francis Harris
Minor Forms
112 bpm • A# min • 05:44 • -21db
13% Popularity • 69% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Andy Stott
New Ground
102 bpm • G# Maj • 06:21 • -13.99db
17% Popularity • 63% Danceability • 44% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Thomas Fehlmann
Von Oben
112 bpm • C# min • 06:25 • -12.09db
17% Popularity • 55% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 47% Positiveness
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Call Super
Arpo
102 bpm • C min • 00:58 • -17.12db
32% Popularity • 59% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 47% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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DJ Python
Todo Era Azul - Siempre Dub
112 bpm • F Maj • 04:34 • -10.92db
12% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Oval
Aero Deck
112 bpm • A# min • 04:33 • -22db
22% Popularity • 50% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Leif
Pteridium
102 bpm • A Maj • 03:51 • -19db
7% Popularity • 45% Danceability • 60% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Shed
Extreme Sat
112 bpm • C Maj • 03:19 • -15.61db
26% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
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Call Super
Sulu Sekou
112 bpm • C Maj • 04:24 • -12.69db
8% Popularity • 77% Danceability • 40% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
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Terekke
Amaze
113 bpm • C# Maj • 05:57 • -20db
17% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Huerco S.
3001AB
113 bpm • A# min • 05:25 • -10.95db
6% Popularity • 63% Danceability • 67% Energy • 35% Liveness
85% Instrumentalness • 8% Positiveness
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Ex-Terrestrial
Water Walk
113 bpm • D Maj • 07:05 • -9.75db
12% Popularity • 58% Danceability • 90% Energy • 10% Liveness
57% Instrumentalness • 30% Positiveness
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SSIEGE
Regina
113 bpm • A min • 03:25 • -9.95db
23% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Jay Weed
Tunnel - Huerco S. Remix
113 bpm • C Maj • 05:22 • -8.88db
0% Popularity • 82% Danceability • 55% Energy • 16% Liveness
73% Instrumentalness • 68% Positiveness
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Terekke
Pf Pf Pass
113 bpm • G Maj • 07:02 • -13.16db
11% Popularity • 74% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Mount Kimbie
You Took Your Time - Lee Gamble Remix
114 bpm • D# min • 05:56 • -16.33db
14% Popularity • 62% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Huerco S.
Ragtime U.S.A. (Warning)
113 bpm • G# Maj • 06:14 • -14.28db
10% Popularity • 62% Danceability • 55% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Skee Mask
CG Drip
114 bpm • G Maj • 04:46 • -15.08db
20% Popularity • 26% Danceability • 66% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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DJ Python
Espero
114 bpm • F# Maj • 04:33 • -13.54db
7% Popularity • 81% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Auscultation
Lost You in the Fog
114 bpm • F# Maj • 08:53 • -9.35db
19% Popularity • 60% Danceability • 73% Energy • 29% Liveness
90% Instrumentalness • 44% Positiveness
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Donato Dozzy
Vaporware 04
114 bpm • A min • 05:23 • -10.57db
13% Popularity • 67% Danceability • 99% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Terekke
Bank 3
114 bpm • F min • 08:21 • -8db
20% Popularity • 90% Danceability • 65% Energy • 7% Liveness
77% Instrumentalness • 27% Positiveness
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Purelink
Personal Velocity
114 bpm • A Maj • 04:22 • -20.16db
22% Popularity • 42% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Raime
Some Things Can Happen Just Like This
100 bpm • D Maj • 04:33 • -16.62db
10% Popularity • 61% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
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DJ Python
q.e.p.d
114 bpm • G Maj • 05:58 • -10.84db
14% Popularity • 78% Danceability • 63% Energy • 9% Liveness
8% Instrumentalness • 31% Positiveness
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Vladislav Delay
Raamat
100 bpm • A min • 07:18 • -15.68db
15% Popularity • 43% Danceability • 56% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Leon Vynehall
Alichea Vella Amor
100 bpm • C# Maj • 03:43 • -15.4db
36% Popularity • 61% Danceability • 47% Energy • 12% Liveness
81% Instrumentalness • 50% Positiveness
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Terekke
Closer
100 bpm • C Maj • 03:31 • -30db
24% Popularity • 28% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Thomas Fehlmann
Wasser Im Fluss
100 bpm • A# Maj • 04:18 • -10.08db
25% Popularity • 72% Danceability • 57% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Ex-Terrestrial
Everybody Dreams
100 bpm • A# min • 08:06 • -13db
14% Popularity • 40% Danceability • 40% Energy • 8% Liveness
22% Instrumentalness • 16% Positiveness
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GAS
Narkopop 3
115 bpm • D# min • 04:24 • -23.48db
25% Popularity • 18% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Lee Gamble
Mimas Skank
115 bpm • B min • 06:01 • -10.34db
7% Popularity • 92% Danceability • 61% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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PDP III
Permanent Display
115 bpm • B Maj • 03:48 • -11.5db
3% Popularity • 17% Danceability • 90% Energy • 33% Liveness
64% Instrumentalness • 6% Positiveness
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Gaussian Curve
Dancing Rain
100 bpm • D# min • 03:00 • -21db
35% Popularity • 70% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Patricia
Liminal States
115 bpm • F Maj • 05:03 • -12.15db
25% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Farben
Heimkehr Der Vulgaren
115 bpm • C min • 06:35 • -11db
13% Popularity • 79% Danceability • 76% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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Donato Dozzy
Test 3
115 bpm • B Maj • 07:16 • -20db
20% Popularity • 49% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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burger/ink
Milk & Honey
115 bpm • A Maj • 04:57 • -22db
22% Popularity • 75% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 82% Positiveness
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Lukid
Drip
115 bpm • D# min • 06:40 • -10.53db
16% Popularity • 72% Danceability • 81% Energy • 17% Liveness
24% Instrumentalness • 41% Positiveness
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Auscultation
Turn Down These Voices
115 bpm • C# min • 07:40 • -12.09db
7% Popularity • 61% Danceability • 69% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Satoshi & Makoto
AR
115 bpm • D Maj • 08:07 • -19.83db
16% Popularity • 29% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Shinichi Atobe
So Good, So Right 2
115 bpm • F min • 08:01 • -7.64db
13% Popularity • 81% Danceability • 39% Energy • 9% Liveness
81% Instrumentalness • 87% Positiveness
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SSIEGE
Swan
115 bpm • F min • 04:28 • -5.73db
16% Popularity • 60% Danceability • 91% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
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Moiré
Sequence 1
115 bpm • C# Maj • 03:59 • -14.41db
14% Popularity • 83% Danceability • 52% Energy • 14% Liveness
87% Instrumentalness • 29% Positiveness
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Rushing To Paradise