Songs like Rust by Platon Karataev
Based on a tempo of (+/- 10%) and a similar genre
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BUNT.
Oh My Other
115 bpm • F Maj • 02:59 • -6.57db
34% Popularity • 75% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 75% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jeremy Loops
The Shore
115 bpm • C# Maj • 04:03 • -6db
37% Popularity • 67% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 67% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Jarle Skavhellen
Coming Home
115 bpm • C Maj • 04:39 • -11.49db
37% Popularity • 33% Danceability • 44% Energy • 14% Liveness
74% Instrumentalness • 11% Positiveness
37% Popularity • 33% Danceability • 44% Energy • 14% Liveness
74% Instrumentalness • 11% Positiveness
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Charity Children
Butterflies
115 bpm • C Maj • 03:59 • -10.61db
9% Popularity • 67% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
9% Popularity • 67% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
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Platon Karataev
Rust
115 bpm • B Maj • 03:22 • -7.66db
15% Popularity • 52% Danceability • 57% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
15% Popularity • 52% Danceability • 57% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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Racoon Racoon
Young Wolves
115 bpm • G min • 03:07 • -9.28db
16% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Gardener & The Tree
Of Hopes & Failures
115 bpm • D# Maj • 03:46 • -9db
30% Popularity • 45% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 45% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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All The Luck In The World
Golden October
116 bpm • F# Maj • 03:47 • -9.86db
23% Popularity • 40% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 40% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Bears With Guns
Taken For A Fool
114 bpm • F Maj • 03:46 • -5.47db
19% Popularity • 39% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 39% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Charity Children
Whispering Still
115 bpm • G# min • 03:23 • -8.01db
27% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 67% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Family and Friends
Rust and Bone
116 bpm • A# min • 05:15 • -6.01db
22% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 37% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Platon Karataev
Rust
115 bpm • G# min • 03:41 • -10.15db
19% Popularity • 51% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 51% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Gardener & The Tree
Baltimore Whiskey
116 bpm • C# Maj • 03:37 • -8.09db
26% Popularity • 54% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 54% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Green Apple Sea
Northern Sky
114 bpm • G Maj • 04:30 • -10.21db
8% Popularity • 54% Danceability • 45% Energy • 10% Liveness
27% Instrumentalness • 38% Positiveness
8% Popularity • 54% Danceability • 45% Energy • 10% Liveness
27% Instrumentalness • 38% Positiveness
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Sascha Reske
Cold Waters
116 bpm • A# Maj • 02:51 • -8.55db
9% Popularity • 60% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 60% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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The Ballroom Thieves
Hymn #101
116 bpm • D Maj • 05:14 • -9.01db
35% Popularity • 51% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 51% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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The Harmaleighs
Every Single Night
116 bpm • E min • 04:26 • -7db
23% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Platon Karataev
Csak befelé
113 bpm • E min • 03:38 • -10.45db
23% Popularity • 22% Danceability • 64% Energy • 8% Liveness
71% Instrumentalness • 25% Positiveness
23% Popularity • 22% Danceability • 64% Energy • 8% Liveness
71% Instrumentalness • 25% Positiveness
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Deer Bear
The Other Side
117 bpm • A min • 03:08 • -6.43db
32% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Elmore
One Man Town
117 bpm • A# min • 03:37 • -12.74db
17% Popularity • 49% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 49% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Fran Palermo
Bonerider
113 bpm • D min • 03:49 • -7.03db
15% Popularity • 50% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 50% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Bear's Den
Magdalene
113 bpm • C Maj • 03:42 • -11db
30% Popularity • 76% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 76% Danceability • 37% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Joshua Hyslop
No Roots
113 bpm • B min • 03:40 • -13.06db
34% Popularity • 64% Danceability • 33% Energy • 17% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 64% Danceability • 33% Energy • 17% Liveness
1% Instrumentalness • 76% Positiveness
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Platon Karataev
Aphelion
117 bpm • C# Maj • 05:52 • -8.69db
21% Popularity • 28% Danceability • 54% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
21% Popularity • 28% Danceability • 54% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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Callum Pitt
Least He's Happy
113 bpm • B Maj • 04:24 • -8.58db
18% Popularity • 53% Danceability • 63% Energy • 8% Liveness
78% Instrumentalness • 42% Positiveness
18% Popularity • 53% Danceability • 63% Energy • 8% Liveness
78% Instrumentalness • 42% Positiveness
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Sean Koch
Supervisor
117 bpm • B min • 03:09 • -9.64db
27% Popularity • 78% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Jackal & the Wind
Ukulele Song
117 bpm • C Maj • 02:26 • -17.03db
38% Popularity • 78% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 78% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Rosenthal
Cos Love (If You Miss It)
113 bpm • A Maj • 03:18 • -10db
27% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 38% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Gardener & The Tree
A Million Words
118 bpm • C# min • 04:23 • -9.91db
27% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Nick Shattuck
The Stars
112 bpm • C Maj • 03:34 • -5.25db
10% Popularity • 38% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 38% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Cassia
100 Times Over (Acoustic version)
112 bpm • G Maj • 02:38 • -12.62db
17% Popularity • 54% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 54% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Old Sea Brigade
All the Same
118 bpm • C# Maj • 03:38 • -9db
24% Popularity • 46% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 46% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Huck Finn
Tranquilizer
118 bpm • D min • 03:25 • -6.02db
13% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Platon Karataev
VÃzbÅ‘l van
118 bpm • A min • 03:47 • -8.37db
27% Popularity • 39% Danceability • 51% Energy • 8% Liveness
36% Instrumentalness • 9% Positiveness
27% Popularity • 39% Danceability • 51% Energy • 8% Liveness
36% Instrumentalness • 9% Positiveness
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Friska Viljor
All Is Good
112 bpm • E Maj • 03:43 • -12.84db
32% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Seed to Tree
Until It Gets Better
118 bpm • B min • 03:14 • -7.6db
39% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Charlie Cunningham
Born
112 bpm • A# Maj • 03:31 • -10.19db
29% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Freedom Fry
Awake
112 bpm • B min • 03:14 • -5db
40% Popularity • 62% Danceability • 77% Energy • 28% Liveness
24% Instrumentalness • 61% Positiveness
40% Popularity • 62% Danceability • 77% Energy • 28% Liveness
24% Instrumentalness • 61% Positiveness
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Marcus Alexander
Supernova
112 bpm • F# min • 02:40 • -8.74db
15% Popularity • 91% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 91% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Platon Karataev
Heart of Glass
118 bpm • D Maj • 02:49 • -6.94db
13% Popularity • 61% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 61% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 30% Positiveness
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L.A. Salami
Day to Day for 6 Days a Week
112 bpm • B Maj • 05:06 • -11db
39% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tout Va Bien
Lombok
111 bpm • F# Maj • 03:05 • -10.97db
21% Popularity • 75% Danceability • 59% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
21% Popularity • 75% Danceability • 59% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
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Walking On Rivers
Off the Trails
111 bpm • G# min • 04:06 • -10.7db
25% Popularity • 69% Danceability • 51% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
25% Popularity • 69% Danceability • 51% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
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Fran Palermo
Monsoon
111 bpm • A# min • 02:58 • -12.77db
21% Popularity • 58% Danceability • 35% Energy • 28% Liveness
1% Instrumentalness • 8% Positiveness
21% Popularity • 58% Danceability • 35% Energy • 28% Liveness
1% Instrumentalness • 8% Positiveness
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Sean Koch
Welcome To The Light
119 bpm • G# min • 06:08 • -11.65db
39% Popularity • 56% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Platon Karataev
Rajokban száll
118 bpm • C Maj • 04:55 • -13.47db
18% Popularity • 25% Danceability • 26% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 26% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Jeremy Loops
Higher Stakes
111 bpm • D# Maj • 04:26 • -10.09db
38% Popularity • 51% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 51% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Feelds
Colourblind
119 bpm • G Maj • 04:09 • -8.59db
27% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Max Brodie
Be Good
120 bpm • C# Maj • 02:44 • -16.46db
52% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
52% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Blanco White
Chalk
120 bpm • A min • 03:49 • -11.53db
46% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 64% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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All The Luck In The World
Tested & Tried
120 bpm • D# Maj • 04:04 • -15.36db
12% Popularity • 42% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 42% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Platon Karataev
Mayfly Song
119 bpm • A# Maj • 03:23 • -11.07db
17% Popularity • 56% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 45% Positiveness
17% Popularity • 56% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 45% Positiveness
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Austin Basham
New House
120 bpm • E min • 03:33 • -6db
39% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Winterbourne
Take The Golden - Acoustic
120 bpm • G min • 03:40 • -10.35db
26% Popularity • 76% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 76% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Cocks
One Last Time
120 bpm • B Maj • 03:41 • -7.55db
19% Popularity • 62% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 62% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Jeremy Loops
Runaway Kids
120 bpm • A# Maj • 03:08 • -8db
27% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Fran Palermo
Requiem N°21
120 bpm • F min • 04:20 • -6.13db
23% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Platon Karataev
The Season of Singing
111 bpm • C Maj • 03:38 • -10db
20% Popularity • 39% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
20% Popularity • 39% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Farewell Dear Ghost
We Were Wild Once
120 bpm • A min • 03:34 • -7db
25% Popularity • 43% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 43% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew And The Atlas
Cali
120 bpm • F# min • 03:56 • -13db
30% Popularity • 37% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Ben Cocks
Your Song
120 bpm • G# Maj • 03:13 • -9.45db
25% Popularity • 72% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 72% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Little Quirks
Crumbled
120 bpm • C# min • 03:13 • -8.26db
37% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 56% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Fran Palermo
Under the Knife
110 bpm • F Maj • 03:54 • -5db
22% Popularity • 40% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 40% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 42% Positiveness
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Naked Cameo
Falling for You
110 bpm • D min • 03:06 • -8.04db
32% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Platon Karataev
Valaki jár a fák hegyén
120 bpm • G min • 03:09 • -8db
32% Popularity • 47% Danceability • 70% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
32% Popularity • 47% Danceability • 70% Energy • 9% Liveness
79% Instrumentalness • 22% Positiveness
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Mouyé
A Beautiful Mind
110 bpm • E Maj • 03:24 • -5.96db
28% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Galaxisok
a teljesség felé
110 bpm • D Maj • 03:36 • -9db
32% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Steve Benjamins
Purification Ritual
110 bpm • D Maj • 03:00 • -6db
24% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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FIELDS
In the Morning
121 bpm • G Maj • 05:20 • -10.76db
22% Popularity • 44% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 44% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Klose
To Hurt and to Be Hurt
109 bpm • E Maj • 04:33 • -9.45db
21% Popularity • 45% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 45% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Platon Karataev
Disguise - Reimagined
120 bpm • B min • 03:08 • -11.91db
8% Popularity • 43% Danceability • 52% Energy • 52% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 43% Danceability • 52% Energy • 52% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Piek
Nobody Knows
109 bpm • G Maj • 04:53 • -8.04db
12% Popularity • 74% Danceability • 68% Energy • 37% Liveness
3% Instrumentalness • 56% Positiveness
12% Popularity • 74% Danceability • 68% Energy • 37% Liveness
3% Instrumentalness • 56% Positiveness
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Ivan & The Parazol
Modernial
121 bpm • D# Maj • 03:44 • -3.85db
24% Popularity • 45% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 45% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Iggy
Firecracker
109 bpm • B min • 03:01 • -8.92db
19% Popularity • 76% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 76% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 77% Positiveness
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The Last Dinosaur
Grow
109 bpm • G min • 03:01 • -11.96db
28% Popularity • 59% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
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Mani Orrason
You're Acting Like a Fool
109 bpm • F Maj • 04:58 • -7.74db
19% Popularity • 73% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 73% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Platon Karataev
Lombkoronaszint
120 bpm • F# Maj • 04:22 • -18.73db
19% Popularity • 46% Danceability • 16% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
19% Popularity • 46% Danceability • 16% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Devarrow
Little Road
109 bpm • G# Maj • 03:15 • -8.14db
41% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Gardener & The Tree
Meantime Lover
122 bpm • E Maj • 04:36 • -9.35db
36% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sons Of The East
Fast and Slow
122 bpm • E min • 04:09 • -10.62db
46% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Lorne
Oil and Water
109 bpm • D# min • 03:42 • -10db
18% Popularity • 73% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
18% Popularity • 73% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Tom Rosenthal
Soon Soon
122 bpm • C Maj • 02:16 • -17.32db
36% Popularity • 67% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 67% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Platon Karataev
Létra
110 bpm • D Maj • 03:42 • -13db
25% Popularity • 27% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Jeremy Loops
Rather Have Me Dead
122 bpm • F# Maj • 02:51 • -7.09db
26% Popularity • 64% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Family of the Year
Latchkey Kids
122 bpm • G Maj • 04:47 • -5.83db
25% Popularity • 58% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 58% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
56% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Abu
Beautiful Waste
122 bpm • B min • 04:12 • -8.55db
37% Popularity • 75% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 75% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 47% Positiveness
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Grey Fries
Matching Darkness
122 bpm • F# Maj • 03:54 • -4.69db
23% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 82% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Platon Karataev
Most magamba
122 bpm • F min • 03:35 • -9.55db
29% Popularity • 46% Danceability • 74% Energy • 25% Liveness
4% Instrumentalness • 22% Positiveness
29% Popularity • 46% Danceability • 74% Energy • 25% Liveness
4% Instrumentalness • 22% Positiveness
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Lucas Laufen
Dead Days
108 bpm • D# min • 04:25 • -15.46db
9% Popularity • 56% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 56% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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The Gardener & The Tree
Secret
108 bpm • E Maj • 03:43 • -11.4db
30% Popularity • 47% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 47% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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David Zincke
Settle Down
108 bpm • D Maj • 03:39 • -7.9db
16% Popularity • 62% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 62% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Felix Riebl
Paper Doors
108 bpm • C# Maj • 03:20 • -13.53db
9% Popularity • 45% Danceability • 43% Energy • 17% Liveness
45% Instrumentalness • 20% Positiveness
9% Popularity • 45% Danceability • 43% Energy • 17% Liveness
45% Instrumentalness • 20% Positiveness
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Stu Larsen
Till the Sun Comes Back
108 bpm • G Maj • 06:19 • -13.66db
37% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Platon Karataev
Tűz mellé
108 bpm • C Maj • 02:28 • -14.52db
26% Popularity • 39% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 39% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Tyler Sjöström
Red River
108 bpm • C# min • 04:21 • -11.85db
16% Popularity • 72% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 72% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Roo Panes
I Was Here
108 bpm • G Maj • 04:05 • -10.65db
25% Popularity • 61% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 61% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Oliver Daldry
Howling Wind
123 bpm • F Maj • 04:19 • -8.99db
16% Popularity • 68% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 68% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness