Songs like Sac de sport by Lary Kidd
Based on a tempo of (+/- 10%) and a similar genre
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Loud Lary Ajust
No Fucking Way
130 bpm • C# Maj • 03:07 • -5.16db
16% Popularity • 96% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 96% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Gros Big
Morning Lights
130 bpm • E min • 03:12 • -6.66db
12% Popularity • 89% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 89% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Adamo
Bin Oui
130 bpm • A# min • 03:29 • -10.06db
19% Popularity • 79% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
19% Popularity • 79% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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L'Or du Commun
Prison vide
130 bpm • A min • 04:12 • -6.72db
30% Popularity • 73% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 73% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Nelson
Jacques Plante
130 bpm • D Maj • 02:59 • -7.99db
18% Popularity • 89% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 89% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 57% Positiveness
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Orelsan
Adieu les filles
130 bpm • C# Maj • 01:46 • -6.43db
48% Popularity • 86% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 86% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Lary Kidd
Soucoupe volante
130 bpm • B min • 02:30 • -7.23db
10% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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BEN plg
Par la fenêtre
130 bpm • D min • 03:48 • -8.32db
37% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Adamo
Lonely
130 bpm • B Maj • 04:01 • -7.31db
15% Popularity • 88% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 88% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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L'Or du Commun
Sur ma vie
130 bpm • E Maj • 03:58 • -5.16db
27% Popularity • 86% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 86% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jam Khalil
CERCLE
130 bpm • F# Maj • 03:21 • -8.55db
11% Popularity • 82% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 82% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Loud
Devenir immortel (et puis mourir)
130 bpm • F# Maj • 03:28 • -9.63db
43% Popularity • 78% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 78% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lova
Fast Noodle
130 bpm • A min • 02:45 • -7.18db
25% Popularity • 50% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 50% Danceability • 72% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
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Jay Scott X Smitty Bacalley
Winnebago
130 bpm • G# Maj • 04:19 • -8.03db
11% Popularity • 89% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 89% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Fixpen Sill
Mes clopes
130 bpm • A# min • 03:29 • -11.37db
17% Popularity • 87% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 87% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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L'Or du Commun
Nos gènes
130 bpm • C# Maj • 04:19 • -5.22db
30% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lorenzo
Ah c'est cool
130 bpm • C# min • 02:29 • -5.09db
33% Popularity • 79% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 79% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Vin's
Egalité
130 bpm • A min • 04:17 • -11db
24% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Robert Nelson
L'ours qui a vu l'homme
130 bpm • A Maj • 04:04 • -6.23db
15% Popularity • 81% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 81% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Lary Kidd
Sac de sport
130 bpm • A min • 03:15 • -7.87db
28% Popularity • 76% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 76% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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KNLO
Usine
129 bpm • F# Maj • 01:59 • -10.26db
16% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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LaF
Quart de siècle
129 bpm • C# Maj • 04:10 • -6.5db
14% Popularity • 77% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 77% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Spider ZED
Pas si sûr
128 bpm • A# min • 02:33 • -7.29db
38% Popularity • 72% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
38% Popularity • 72% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Achile
Kappa
128 bpm • F min • 03:10 • -9db
23% Popularity • 78% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 78% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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20Some
Take You There
128 bpm • D Maj • 03:11 • -9.92db
11% Popularity • 87% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 87% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
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Lary Kidd
Barcelone
129 bpm • F# min • 03:39 • -10.74db
8% Popularity • 56% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 56% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 31% Positiveness
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Brown Family
Brown Baby
128 bpm • D Maj • 04:44 • -9.84db
15% Popularity • 76% Danceability • 53% Energy • 11% Liveness
13% Instrumentalness • 14% Positiveness
15% Popularity • 76% Danceability • 53% Energy • 11% Liveness
13% Instrumentalness • 14% Positiveness
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Kirouac
mardi
128 bpm • A min • 03:15 • -10.02db
8% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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KNLO
BOSSLAB
132 bpm • C# Maj • 04:32 • -9.11db
14% Popularity • 75% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 75% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Enima
Port d'arme
128 bpm • D min • 03:02 • -7.51db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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MonMon
Pâtissier
132 bpm • C min • 03:41 • -8.73db
22% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Lary Kidd
Anorexie
132 bpm • C Maj • 02:43 • -7.64db
3% Popularity • 42% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 42% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 6% Positiveness
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Caballero & JeanJass
La paire
133 bpm • G# Maj • 02:42 • -9.12db
22% Popularity • 86% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 86% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Benny Adam
Fais-moi briller
127 bpm • C min • 02:27 • -7.24db
15% Popularity • 87% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 87% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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7 Jaws
ShinChan
134 bpm • C# min • 03:12 • -7db
29% Popularity • 85% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 85% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lujipeka
Lâche-moi la Main
134 bpm • C# Maj • 03:24 • -5.8db
22% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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20Some
Perspective
134 bpm • C# Maj • 01:37 • -6.99db
13% Popularity • 86% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 86% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 86% Positiveness
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Lary Kidd
Radical Chic
128 bpm • G Maj • 06:14 • -7.07db
9% Popularity • 46% Danceability • 78% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 46% Danceability • 78% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
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Die-On
Une balle
133 bpm • D Maj • 04:01 • -6.48db
22% Popularity • 84% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 84% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Vendou
Pétale
134 bpm • E min • 03:09 • -7.82db
12% Popularity • 75% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 75% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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7 Jaws
Par ici
126 bpm • G Maj • 03:13 • -7.71db
34% Popularity • 78% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 78% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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KNLO
Merci, pt. 2
134 bpm • C# Maj • 03:55 • -9.77db
11% Popularity • 90% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 90% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Lorenzo
Parler de quoi
126 bpm • A# min • 03:08 • -5.84db
30% Popularity • 87% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 87% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Lary Kidd
P'tit cochon
127 bpm • B Maj • 03:31 • -7.37db
29% Popularity • 95% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 95% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Bigflo & Oli
Insolent 3
134 bpm • A# Maj • 04:20 • -5.93db
38% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Frères D'ombre
On est parré
126 bpm • F# Maj • 03:40 • -9.38db
16% Popularity • 88% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 88% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lova
Murciélago
126 bpm • A min • 02:54 • -5.44db
14% Popularity • 45% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 45% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Doums
Le fer
126 bpm • C# Maj • 01:41 • -8db
29% Popularity • 94% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 94% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Robert Nelson
God save le King
135 bpm • C Maj • 03:41 • -7.55db
10% Popularity • 80% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 80% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Lary Kidd
Hercule
133 bpm • E min • 03:51 • -8.96db
10% Popularity • 75% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 75% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Yes*
4 Freestyle
135 bpm • A min • 02:51 • -9.56db
22% Popularity • 79% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 79% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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LaF
Avalanche
135 bpm • B min • 03:34 • -7.94db
20% Popularity • 92% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 92% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Mister V
Saint Laurent
135 bpm • G# min • 03:35 • -7db
32% Popularity • 80% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 80% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Corops
Dis Moi
135 bpm • A# min • 04:07 • -14.26db
37% Popularity • 84% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 84% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Koopsala
TDAH
135 bpm • G Maj • 02:53 • -4.24db
15% Popularity • 89% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 89% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lary Kidd
Décomposition
127 bpm • A min • 03:02 • -6.34db
2% Popularity • 57% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 57% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Yes*
Forêts
135 bpm • B min • 04:48 • -6.42db
29% Popularity • 87% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 87% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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ICO
Siri 2
135 bpm • C Maj • 02:55 • -8.08db
31% Popularity • 92% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 92% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Caballero & JeanJass
Ma Story
125 bpm • G# min • 03:33 • -6.82db
35% Popularity • 88% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 88% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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Gros Big
Aujourd'hui
125 bpm • C# min • 03:20 • -10db
26% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Eman
Partout
125 bpm • A# min • 02:58 • -8.14db
16% Popularity • 84% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 84% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lary Kidd
Miroir miroir
134 bpm • C min • 02:30 • -9.45db
13% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Yes*
4 Freestyle Remix
135 bpm • A min • 03:00 • -7.96db
17% Popularity • 80% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 80% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Ampee
Pour des billets
125 bpm • G min • 03:58 • -7.52db
13% Popularity • 76% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 76% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Bigflo & Oli
Stade
136 bpm • G Maj • 04:16 • -5.4db
33% Popularity • 93% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 93% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Claude Bégin
Sans téléphone
136 bpm • F# Maj • 03:40 • -8.28db
8% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Aswell
Leaving
136 bpm • D# min • 03:44 • -11.29db
45% Popularity • 82% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 82% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lary Kidd
Haute-couture
135 bpm • F min • 04:48 • -8.08db
3% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Michel
Michel en PLS
136 bpm • C# Maj • 03:19 • -7.33db
22% Popularity • 71% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 71% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kirouac
montmartre
124 bpm • A# min • 02:58 • -6.51db
15% Popularity • 88% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 88% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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KNLO
Ça fait mal
124 bpm • A# min • 04:12 • -7db
28% Popularity • 94% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 94% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Dope.Gng
Soleil
124 bpm • F Maj • 03:16 • -8.39db
10% Popularity • 78% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 78% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Yes*
Double Cup
124 bpm • D Maj • 03:30 • -8.47db
17% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Lary Kidd
BLEACH
135 bpm • C# min • 03:01 • -5.54db
5% Popularity • 38% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 38% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Rednext Level
Baby Body
124 bpm • F# Maj • 03:36 • -5db
18% Popularity • 85% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 85% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Loud Lary Ajust
Rien ne va plus
124 bpm • C Maj • 05:17 • -5.17db
21% Popularity • 67% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 67% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Loud
TTTTT
124 bpm • E min • 03:40 • -10db
37% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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2zer
Leçon de vie
137 bpm • C# Maj • 04:07 • -5.85db
37% Popularity • 85% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 85% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Marie-Gold
Goélands
137 bpm • D# Maj • 02:50 • -6.03db
13% Popularity • 90% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 90% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 73% Positiveness
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Lary Kidd
Tout va bien
136 bpm • F# min • 02:52 • -6.54db
13% Popularity • 74% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 74% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Corops
Non Merci
137 bpm • A min • 03:31 • -6.33db
33% Popularity • 90% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 90% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Bigflo & Oli
Nous aussi 2
137 bpm • G Maj • 05:08 • -6.16db
42% Popularity • 80% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 80% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Obia le Chef
Mailler
123 bpm • D min • 03:14 • -5.72db
13% Popularity • 77% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 77% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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LeMind
Penthouse
123 bpm • A# min • 03:07 • -5.13db
21% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Miro
En retard sur ma vie
123 bpm • C Maj • 03:13 • -7db
14% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Disiz
Hendek
138 bpm • C Maj • 02:13 • -8db
23% Popularity • 56% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 56% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Vald
Non stop
138 bpm • C# min • 03:16 • -4.23db
35% Popularity • 94% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 94% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Gringe
Konnichiwa
138 bpm • A# min • 03:29 • -5.19db
31% Popularity • 69% Danceability • 68% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 69% Danceability • 68% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Yes*
F.P.T.N.
138 bpm • B Maj • 04:52 • -7.85db
18% Popularity • 84% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 84% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Koriass
Jolies filles
138 bpm • F# min • 04:53 • -8.15db
15% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Loud Lary Ajust
14 AM
138 bpm • G# Maj • 06:05 • -5.26db
18% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jemcee
Confinés
122 bpm • F Maj • 02:40 • -11db
17% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Les Fourmis
Purp de St-Mich
122 bpm • C min • 04:53 • -8.55db
11% Popularity • 78% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 78% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Yung Duce
Bâtiment
139 bpm • B Maj • 02:47 • -7.96db
35% Popularity • 75% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
35% Popularity • 75% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
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Vendou
Par chez nous
139 bpm • E min • 02:59 • -5.74db
13% Popularity • 89% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 89% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Gros Big
La machine
139 bpm • F# min • 03:30 • -6.19db
7% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Imposs
Gaillance (Non Sense)
121 bpm • A Maj • 04:15 • -4.86db
16% Popularity • 82% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 82% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Loud Lary Ajust
Ondulations
121 bpm • B min • 03:57 • -10.41db
23% Popularity • 80% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 80% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
