Songs like Sacrae symphoniae (excerpts) (arr. E. Crees for brass): Sonata pian e forte a 8 by Giovanni Gabrieli
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Sestina, prima parte: "Incenerite spogli...
69 bpm • A# min • 02:13 • -27.8db
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae (excerpts) (arr. E. Cr...
69 bpm • D min • 05:09 • -24.1db
8% Popularity • 9% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: IV. Ave Regina
69 bpm • C# Maj • 03:54 • -26.83db
8% Popularity • 8% Danceability • 9% Energy • 8% Liveness
42% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 9% Energy • 8% Liveness
42% Instrumentalness • 3% Positiveness
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Girolamo Frescobaldi
Messa della Domenica: Kyrie della Domeni...
69 bpm • D min • 01:04 • -21.7db
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Henry Purcell
Thus the Ever Grateful Spring (Spring)
69 bpm • A# min • 02:26 • -21db
16% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
16% Popularity • 37% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Cristobal de Morales
Kyrie: II. Christe
69 bpm • G# Maj • 00:56 • -26db
12% Popularity • 26% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della Beata Virgine - Arr. Philip...
69 bpm • D Maj • 01:54 • -14.6db
8% Popularity • 28% Danceability • 17% Energy • 29% Liveness
1% Instrumentalness • 10% Positiveness
8% Popularity • 28% Danceability • 17% Energy • 29% Liveness
1% Instrumentalness • 10% Positiveness
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Giovanni Gabrieli
Gabrieli, G.: Canzon a 4, Ch. 186, "La S...
69 bpm • G min • 02:58 • -18.15db
0% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 16% Positiveness
0% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 16% Positiveness
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Jan Pieterszoon Sweelinck
Fantasia chromatica
69 bpm • D min • 05:00 • -24db
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Johann Bach
Weint nicht um meinem Tod
68 bpm • F# min • 01:51 • -25db
18% Popularity • 26% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 26% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
68 bpm • A min • 01:24 • -29db
12% Popularity • 17% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 17% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Christopher Tye
ln Nomine Crye
68 bpm • D# min • 01:50 • -13.72db
21% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
21% Popularity • 40% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
70 bpm • D min • 01:06 • -27.22db
35% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 5% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Canzona Terza (a 6), C197
70 bpm • G min • 03:27 • -28.94db
3% Popularity • 8% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
3% Popularity • 8% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Giles Farnaby
Farnabys Humour
68 bpm • G Maj • 01:24 • -23db
27% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
27% Popularity • 20% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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Andrea Gabrieli
Maria stabat ad momentum (Concerti, 1587...
70 bpm • F Maj • 04:44 • -24db
8% Popularity • 10% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
8% Popularity • 10% Danceability • 14% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
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Guillaume Dufay
Ave maris stella
70 bpm • A min • 04:46 • -28.4db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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John Dunstable
Puzzle Canon
70 bpm • C# Maj • 01:53 • -22.65db
14% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 20% Liveness
78% Instrumentalness • 15% Positiveness
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Marco Facoli
Tedesca dita "La Proficia"
68 bpm • D# min • 01:30 • -15.39db
13% Popularity • 25% Danceability • 11% Energy • 18% Liveness
4% Instrumentalness • 17% Positiveness
13% Popularity • 25% Danceability • 11% Energy • 18% Liveness
4% Instrumentalness • 17% Positiveness
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Johannes Brahms
Elf Choralvorspiele, Op. 122: Nr. 8 Es i...
70 bpm • F Maj • 02:26 • -40.66db
13% Popularity • 13% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 58% Positiveness
13% Popularity • 13% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 58% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: II. Kyrie
70 bpm • F Maj • 04:37 • -25db
5% Popularity • 8% Danceability • 7% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
5% Popularity • 8% Danceability • 7% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: My Beloved Spake, Z. 28
70 bpm • F Maj • 11:15 • -26.28db
8% Popularity • 25% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Carlo Gesualdo
S'io non miro non moro
67 bpm • C Maj • 04:11 • -20db
16% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Pérotin
Alleluia Nativitas
71 bpm • B Maj • 08:31 • -16.38db
9% Popularity • 19% Danceability • 23% Energy • 17% Liveness
15% Instrumentalness • 16% Positiveness
9% Popularity • 19% Danceability • 23% Energy • 17% Liveness
15% Instrumentalness • 16% Positiveness
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Samuel Scheidt
Wir glauben all an einen Gott
71 bpm • A min • 03:15 • -21db
11% Popularity • 16% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 10% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 10% Positiveness
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Giovanni Gabrieli
Gabrieli, G: Sacrae symphoniae, Liber I:...
71 bpm • F Maj • 03:37 • -15.57db
2% Popularity • 20% Danceability • 19% Energy • 7% Liveness
33% Instrumentalness • 5% Positiveness
2% Popularity • 20% Danceability • 19% Energy • 7% Liveness
33% Instrumentalness • 5% Positiveness
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Johannes Ockeghem
Missa prolationum, Kyrie: Kyrie eleison ...
67 bpm • D# Maj • 01:07 • -20.74db
23% Popularity • 12% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Apostolo glorioso - ...
71 bpm • C Maj • 03:02 • -23.43db
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Carlo Gesualdo
Gesualdo: Ave, Dulcissima Maria
71 bpm • F Maj • 04:21 • -24db
18% Popularity • 9% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Psalm 23, SwWV 310, "Mein Huter und mein...
67 bpm • F# min • 02:48 • -27.44db
14% Popularity • 14% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Nicolas Gombert
Mille regretz
67 bpm • A min • 02:48 • -22.25db
16% Popularity • 20% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Luca Marenzio
Solo e pensoso
71 bpm • E min • 06:21 • -25.27db
8% Popularity • 10% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Andreas Hammerschmidt
Der Tod ist verschlungen
67 bpm • D min • 06:00 • -15.22db
7% Popularity • 16% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 16% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Gabrieli
Dulcis Jesu patris imago a 20
71 bpm • C Maj • 07:35 • -19.39db
2% Popularity • 10% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
2% Popularity • 10% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Heinrich Scheidemann
Praeambulum in D
71 bpm • D min • 03:06 • -19db
13% Popularity • 10% Danceability • 13% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
13% Popularity • 10% Danceability • 13% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Jan Pieterszoon Sweelinck
Allein Gott in der Hoh sei Ehr, SwWV 299...
67 bpm • E Maj • 00:58 • -19db
17% Popularity • 25% Danceability • 16% Energy • 27% Liveness
82% Instrumentalness • 60% Positiveness
17% Popularity • 25% Danceability • 16% Energy • 27% Liveness
82% Instrumentalness • 60% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Kyrie: I. Kyrie
72 bpm • G# Maj • 00:57 • -26.47db
16% Popularity • 25% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Funeral Sentences: Man That Is ...
72 bpm • C min • 02:39 • -23.45db
14% Popularity • 12% Danceability • 11% Energy • 14% Liveness
51% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 11% Energy • 14% Liveness
51% Instrumentalness • 5% Positiveness
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Claudin de Sermisy
Tant que vivrai
72 bpm • F Maj • 02:17 • -24db
19% Popularity • 37% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Giovanni Gabrieli
Gabrieli, G: Sacrae symphoniae, Liber I:...
72 bpm • C Maj • 01:59 • -25.52db
1% Popularity • 21% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
1% Popularity • 21% Danceability • 14% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Jan Pieterszoon Sweelinck
Echo fantasia in Dorian mode, SwWV 261
71 bpm • G# min • 04:32 • -24.58db
9% Popularity • 22% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 11% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 11% Positiveness
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Juan del Encina
Triste Espana sin ventura
66 bpm • D min • 03:44 • -26.85db
9% Popularity • 6% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
9% Popularity • 6% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Concerto No. 3 in F Major, Op. 8, RV 293...
66 bpm • F# min • 01:28 • -36.6db
27% Popularity • 14% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: VIII. Daleth
72 bpm • G# min • 01:26 • -23db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Pierre de la Rue
O salutaris hostia
72 bpm • F Maj • 03:08 • -31db
15% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Canzon seconda
66 bpm • G# Maj • 02:48 • -25db
11% Popularity • 21% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
11% Popularity • 21% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
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Alexander Därr
Am Morgen
66 bpm • F Maj • 02:19 • -33.36db
8% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Also hat Gott die Welt geliebt, SWV 380
72 bpm • F min • 02:38 • -17.41db
9% Popularity • 24% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 24% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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John Dowland
Come away, come, sweet love
73 bpm • F# Maj • 02:12 • -15.19db
13% Popularity • 32% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 32% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Cre...
73 bpm • C# min • 02:10 • -17.17db
22% Popularity • 22% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 22% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Giovanni Gabrieli
Surrexit Christus (a 11), C66
73 bpm • C Maj • 04:11 • -23.74db
1% Popularity • 19% Danceability • 7% Energy • 16% Liveness
68% Instrumentalness • 14% Positiveness
1% Popularity • 19% Danceability • 7% Energy • 16% Liveness
68% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Wie schön leuchtet der Morgenstern, BWV...
66 bpm • F Maj • 07:20 • -15.18db
8% Popularity • 28% Danceability • 23% Energy • 25% Liveness
63% Instrumentalness • 20% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 25% Liveness
63% Instrumentalness • 20% Positiveness
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Johannes Brahms
Elf Choralvorspiele, Op. 122: Nr. 6 O wi...
73 bpm • D min • 01:35 • -33.14db
11% Popularity • 18% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
► Preview
Heinrich Schütz
Psalmen Davids samt etlichen Moteten und...
73 bpm • G min • 08:07 • -23.77db
13% Popularity • 22% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Christoph Bach
Sei getreu bis in den Tod
73 bpm • A Maj • 03:55 • -24.36db
13% Popularity • 25% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 25% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Andrea Gabrieli
Ricercar del XII tuono
65 bpm • C# Maj • 02:52 • -20db
12% Popularity • 22% Danceability • 7% Energy • 5% Liveness
74% Instrumentalness • 49% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 5% Liveness
74% Instrumentalness • 49% Positiveness
► Preview
Heinrich Isaac
Fanfare des Médicis: Palle, palle (Inst...
73 bpm • F Maj • 02:08 • -17.7db
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
► Preview
Thomas Weelkes
Strike it up, Tabor
65 bpm • F# Maj • 01:44 • -10.62db
8% Popularity • 53% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 53% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
John Taverner
Taverner: Missa Corona spinea - 10. Agnu...
65 bpm • D# Maj • 03:56 • -23db
10% Popularity • 19% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Psalmen Davids: VI. An den Wassern zu Ba...
73 bpm • A# min • 05:00 • -22.97db
8% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Johann Michael Bach
Herr, du lässest mich erfahren
73 bpm • G Maj • 04:28 • -23.66db
9% Popularity • 14% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Horns in F Major, RV 539:...
74 bpm • F Maj • 01:54 • -32.06db
10% Popularity • 27% Danceability • 0% Energy • 11% Liveness
63% Instrumentalness • 12% Positiveness
10% Popularity • 27% Danceability • 0% Energy • 11% Liveness
63% Instrumentalness • 12% Positiveness
► Preview
Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Giovanni Gabrieli
Sacrae symphoniae (arr. T. Higgins for b...
74 bpm • D min • 03:57 • -25.01db
5% Popularity • 13% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
5% Popularity • 13% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Johann Pachelbel
Allein zu dir, Herr Jesu Christ, P13
74 bpm • A min • 02:46 • -28.51db
7% Popularity • 6% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
7% Popularity • 6% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Colijn Buis
Dance of Joy
64 bpm • A# min • 01:43 • -15.33db
9% Popularity • 21% Danceability • 16% Energy • 24% Liveness
74% Instrumentalness • 25% Positiveness
9% Popularity • 21% Danceability • 16% Energy • 24% Liveness
74% Instrumentalness • 25% Positiveness
► Preview
Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Thomas Morley
Now is the gentle season
64 bpm • F Maj • 01:27 • -30db
15% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 18% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
15% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
► Preview
Giovanni Gabrieli
Sonata XIII a otto voci
74 bpm • A# min • 02:58 • -11.01db
5% Popularity • 32% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
5% Popularity • 32% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye I
75 bpm • C# min • 01:03 • -15.16db
20% Popularity • 7% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
20% Popularity • 7% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
20% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Io Mi Son Giovinetta
75 bpm • G# min • 02:19 • -26db
13% Popularity • 19% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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John Dowland
The Earle of Essex Galiard
64 bpm • D# min • 01:15 • -23.69db
13% Popularity • 37% Danceability • 3% Energy • 14% Liveness
98% Instrumentalness • 52% Positiveness
13% Popularity • 37% Danceability • 3% Energy • 14% Liveness
98% Instrumentalness • 52% Positiveness
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Marcel Dupré
8 Short Preludes on Gregorian Themes, Op...
75 bpm • A# Maj • 01:44 • -37.71db
20% Popularity • 17% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 13% Positiveness
20% Popularity • 17% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Jesu Meine Freude, BWV 358
75 bpm • C# min • 01:06 • -26.88db
13% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Kodály: Missa brevis: III. Gloria
63 bpm • F# min • 03:59 • -21.81db
9% Popularity • 9% Danceability • 7% Energy • 8% Liveness
61% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 7% Energy • 8% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Gabrieli, G.: Canzon 3 a 6
75 bpm • G min • 03:09 • -19.86db
0% Popularity • 21% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Antonio Caldara
Stabat Mater: VIII. Virgo virginum
75 bpm • D Maj • 01:28 • -24.09db
28% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Martin Malto
Te Deum - hobo kwartet
75 bpm • D Maj • 01:37 • -14.34db
8% Popularity • 52% Danceability • 15% Energy • 27% Liveness
87% Instrumentalness • 75% Positiveness
8% Popularity • 52% Danceability • 15% Energy • 27% Liveness
87% Instrumentalness • 75% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Michel Richard Delalande
Deitatis Majestatem: I. Deitatis Majesta...
75 bpm • C min • 04:39 • -20db
10% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
10% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Wie schön leuchtet der Morgenstern, BWV...
76 bpm • E Maj • 01:36 • -21.63db
9% Popularity • 24% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
9% Popularity • 24% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Nicola Vicentino
Canzon da sonar, "La bella"
75 bpm • D min • 03:18 • -27.44db
9% Popularity • 24% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
9% Popularity • 24% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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László Lajtha
3 Hymnes pour la Ste Vierge (3 Hymns for...
76 bpm • E Maj • 05:22 • -29.72db
9% Popularity • 14% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Henry Purcell
Purcell: Funeral Sentences for the Death...
76 bpm • B min • 01:50 • -17.8db
9% Popularity • 28% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
9% Popularity • 28% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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John Dunstable
Quam pulchra es - 1987 Remastered Versio...
76 bpm • C# Maj • 02:47 • -27db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben
76 bpm • D min • 08:17 • -23.87db
13% Popularity • 15% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
