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Sacramentals
Songs like
Sacramentals
by
Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Craig Armstrong
Dead Myrtle
73 bpm • C# Maj • 04:07 • -27.51db
16% Popularity • 6% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
37% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Heather McIntosh
Electricity
73 bpm • E Maj • 06:07 • -28.95db
8% Popularity • 7% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Carter Burwell
Mildred Pierce Opening Titles
73 bpm • D min • 01:42 • -19db
28% Popularity • 23% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Alan Silvestri
"All That Is or Ever Was or Ever Will Be...
73 bpm • C Maj • 01:35 • -16db
32% Popularity • 23% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 3% Positiveness
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John Murphy
Kiss of Death (Requiem in D Minor)
73 bpm • D min • 02:52 • -14.85db
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Ingo Ludwig Frenzel
Nursing the Barber Surgeon
73 bpm • A min • 01:56 • -25.67db
14% Popularity • 24% Danceability • 2% Energy • 7% Liveness
66% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
Alpha
73 bpm • C Maj • 02:16 • -22db
43% Popularity • 10% Danceability • 15% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Brian Tyler
Requiem
73 bpm • C min • 02:53 • -19.91db
28% Popularity • 13% Danceability • 11% Energy • 19% Liveness
87% Instrumentalness • 3% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
35% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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David Hirschfelder
The Dressmaker Closing Credits
74 bpm • D min • 05:17 • -18db
27% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Angelo Milli
Seven Days Seven Seconds
74 bpm • B min • 02:28 • -32.29db
23% Popularity • 14% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Johnny Klimek
Piano
71 bpm • E Maj • 01:01 • -27.09db
17% Popularity • 46% Danceability • 0% Energy • 13% Liveness
87% Instrumentalness • 12% Positiveness
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Amie Doherty
Large Ventricles
75 bpm • E min • 03:17 • -18.01db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Jeff Beal
The Ring
74 bpm • G Maj • 02:52 • -20.09db
27% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Reinhold Heil
Al Speaks with Caroline / Fisherman's Ha...
71 bpm • E min • 02:19 • -28.93db
5% Popularity • 18% Danceability • 4% Energy • 35% Liveness
16% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in F# Minor: Trebuchets
71 bpm • F# Maj • 01:56 • -23.07db
39% Popularity • 16% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Clint Mansell
Make Thee an Ark
71 bpm • A min • 05:09 • -12.93db
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Johnny Klimek
Exit the Pod
75 bpm • G# Maj • 02:48 • -13.62db
12% Popularity • 29% Danceability • 54% Energy • 18% Liveness
89% Instrumentalness • 9% Positiveness
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Stephan Zacharias
Der Krieg ist aus
75 bpm • D min • 03:07 • -22.87db
17% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Heartbeat to a Gunshot
71 bpm • C min • 04:28 • -24.4db
12% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Reinhold Heil
Trixie Accosts Hearst
75 bpm • B min • 01:43 • -29db
8% Popularity • 22% Danceability • 4% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Alan Silvestri
You Can't Sit Here
76 bpm • C Maj • 02:23 • -26db
36% Popularity • 7% Danceability • 3% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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Johnny Klimek
Der Armenier
75 bpm • A# Maj • 04:26 • -17.45db
11% Popularity • 25% Danceability • 28% Energy • 33% Liveness
94% Instrumentalness • 7% Positiveness
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Jeff Beal
I Know What I Have To Do
71 bpm • G# Maj • 02:43 • -23.55db
34% Popularity • 23% Danceability • 11% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Angelo Badalamenti
Main Title / The Trenches
70 bpm • E min • 04:54 • -17.59db
15% Popularity • 11% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
31% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Christopher Spelman
The First Goodbye
76 bpm • C# min • 02:33 • -21.04db
19% Popularity • 34% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Johnny Klimek
Lotte Einsam
75 bpm • G# Maj • 04:07 • -16.58db
15% Popularity • 24% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Jason Hill
Main Titles - Mindhunter
76 bpm • F# Maj • 03:14 • -29db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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David Buckley
Papillon
70 bpm • F# min • 02:08 • -19.14db
17% Popularity • 21% Danceability • 8% Energy • 6% Liveness
98% Instrumentalness • 3% Positiveness
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Peter Gregson
Travelling to Marly
76 bpm • B min • 03:23 • -25.99db
19% Popularity • 9% Danceability • 2% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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Patrick Cassidy
But I Will Go On
70 bpm • A# min • 02:40 • -14.82db
14% Popularity • 18% Danceability • 23% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Carter Burwell
Prologue
70 bpm • C min • 01:16 • -25db
35% Popularity • 34% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Johnny Klimek
Getting Help
70 bpm • E min • 01:39 • -20.58db
4% Popularity • 20% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Kissing Through Glass
69 bpm • C Maj • 02:07 • -12.98db
12% Popularity • 16% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Don Davis
Trinity Definitely
69 bpm • A# min • 04:15 • -27.13db
18% Popularity • 13% Danceability • 8% Energy • 38% Liveness
86% Instrumentalness • 3% Positiveness
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Alan Silvestri
The Primer
69 bpm • D Maj • 06:20 • -31.54db
33% Popularity • 6% Danceability • 4% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Johnny Klimek
Praezision
76 bpm • D min • 04:05 • -13.55db
12% Popularity • 37% Danceability • 34% Energy • 32% Liveness
24% Instrumentalness • 7% Positiveness
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David Arnold
Death of Vesper
77 bpm • E min • 02:50 • -24.41db
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Junkie XL
Strictly Criminal
69 bpm • C min • 04:55 • -12.27db
9% Popularity • 6% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Elia Cmiral
The Ronin Myth
78 bpm • C Maj • 02:55 • -29.33db
13% Popularity • 18% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Johnny Klimek
Splitting Up
77 bpm • E min • 02:52 • -27.51db
2% Popularity • 24% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Craig Armstrong
That Night He Told Me Everything
69 bpm • C Maj • 04:50 • -26.63db
21% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Alan Silvestri
Cosmos Main Title
68 bpm • G Maj • 01:38 • -21db
25% Popularity • 7% Danceability • 6% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
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Michael Giacchino
Parting Words
68 bpm • C# Maj • 05:31 • -18.46db
27% Popularity • 6% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Return to Your Ghost
68 bpm • G Maj • 03:55 • -18.95db
16% Popularity • 8% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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J. Ralph
Is It or Isn't It Happening?
78 bpm • G# Maj • 01:31 • -15.78db
34% Popularity • 38% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Christopher Young
Runaway Jury
68 bpm • F min • 05:37 • -20.82db
23% Popularity • 8% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Reinhold Heil
All Bleeding Stops Eventually / Tomorrow...
78 bpm • A Maj • 02:25 • -25.26db
6% Popularity • 17% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Nicholas Britell
Song of Hal: Strings in C# Minor
78 bpm • C# min • 05:12 • -19.06db
39% Popularity • 7% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Johnny Klimek
Peaceful Paddling
78 bpm • A Maj • 01:09 • -22.5db
3% Popularity • 20% Danceability • 12% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Jeff Russo
The Long Road Home (Paint Cans)
68 bpm • D min • 02:15 • -22.46db
18% Popularity • 12% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Head of the Family
68 bpm • D min • 02:41 • -23.87db
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Clint Mansell
The Last Man
79 bpm • D min • 06:09 • -25.37db
40% Popularity • 8% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Roque Baños
Farewell
79 bpm • F Maj • 02:47 • -23.89db
20% Popularity • 12% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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John Murphy
Frank's Death - Soldiers (Requiem in D M...
67 bpm • D min • 02:41 • -13.48db
33% Popularity • 6% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Johnny Klimek
Enter IO
68 bpm • G min • 03:09 • -20.3db
11% Popularity • 7% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Our Soldiers' Letters
79 bpm • A min • 02:43 • -18db
7% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Stephan Zacharias
Eva Brauns letzter Brief
79 bpm • F min • 03:35 • -24db
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Reinhold Heil
Hearst Enters the Wedding
79 bpm • A Maj • 01:54 • -32.33db
5% Popularity • 7% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Johnny Klimek
Falling Behind
67 bpm • D Maj • 02:02 • -29.94db
3% Popularity • 25% Danceability • 4% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Armstrong
Boats Against The Current And Daisy's Th...
67 bpm • C# Maj • 05:09 • -21.79db
25% Popularity • 8% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
49% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Éric Serra
Protect Life
80 bpm • B min • 02:33 • -22db
37% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
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Carter Burwell
Dressing for Death
67 bpm • D min • 01:11 • -21.07db
32% Popularity • 18% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Nick Cave & Warren Ellis
What Must Be Done
80 bpm • C min • 01:57 • -15.75db
34% Popularity • 19% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Anne Dudley
American History X
80 bpm • D min • 03:30 • -16db
12% Popularity • 15% Danceability • 12% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
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Johnny Klimek
Set and Setting
67 bpm • D Maj • 02:33 • -25.45db
12% Popularity • 18% Danceability • 10% Energy • 5% Liveness
88% Instrumentalness • 11% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
33% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Marco Beltrami
The Lane Family
80 bpm • F# min • 02:47 • -11.5db
17% Popularity • 9% Danceability • 27% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
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Steven Price
Machine
66 bpm • C min • 03:21 • -23.54db
30% Popularity • 18% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Johnny Klimek
Berliner Luft
80 bpm • G min • 05:52 • -16.96db
16% Popularity • 32% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Belief
66 bpm • A# Maj • 03:03 • -21db
35% Popularity • 22% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Anne Nikitin
Birth Of The Solar System
66 bpm • A# min • 01:42 • -20.74db
49% Popularity • 20% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Clint Mansell
First Snow
66 bpm • A min • 03:08 • -18db
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Jeff Beal
Peter And Christina
81 bpm • E min • 03:12 • -15.09db
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Johnny Klimek
Dunkles Babel
80 bpm • D# Maj • 04:59 • -14.4db
18% Popularity • 32% Danceability • 35% Energy • 36% Liveness
89% Instrumentalness • 19% Positiveness
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West Dylan Thordson
Origin Story
80 bpm • G min • 09:48 • -15db
23% Popularity • 34% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 21% Positiveness
► Preview
Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Clint Eastwood
Jimmy's Anguish
81 bpm • C Maj • 03:09 • -19.98db
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Junkie XL
My Name Is Max - Extended Version
66 bpm • A min • 04:43 • -14.23db
19% Popularity • 16% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Sacramentals