Songs like Sacramentals by Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Carter Burwell
I Didn't Want to Die
84 bpm • E min • 01:35 • -19db
20% Popularity • 17% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 17% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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David Arnold
Appledore
84 bpm • C Maj • 03:38 • -23.07db
18% Popularity • 25% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Johnny Klimek
Allein
84 bpm • D# Maj • 03:42 • -15.01db
16% Popularity • 11% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Craig Armstrong
Storm
84 bpm • C min • 03:00 • -9db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
36% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
36% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Éric Serra
I Feel Everything
85 bpm • D min • 02:09 • -27.65db
27% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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David Arnold
The East Wind
85 bpm • D min • 04:00 • -18.59db
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Carter Burwell
Prickly Ash
85 bpm • G min • 01:52 • -22.15db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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B.S.O. Varios
The Skies Do Not Fall
83 bpm • E min • 04:09 • -12.47db
13% Popularity • 16% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Johnny Klimek
Entfesselt
83 bpm • A# Maj • 05:33 • -11.45db
21% Popularity • 28% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Reinhold Heil
Charlie's Funeral
86 bpm • F Maj • 02:43 • -24.41db
14% Popularity • 14% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Benjamin Wallfisch
Bicycle
83 bpm • C# min • 01:59 • -17.03db
14% Popularity • 11% Danceability • 27% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 27% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Dario Marianelli
Atonement
85 bpm • A Maj • 05:18 • -25.17db
35% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Fiona's Story
86 bpm • A# min • 03:43 • -21.9db
17% Popularity • 9% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Johnny Klimek
Babylon Berlin
83 bpm • C Maj • 01:00 • -16.68db
30% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Éric Serra
Leeloominai
86 bpm • B min • 01:41 • -24.1db
35% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Adam Taylor
River Walk
82 bpm • C# Maj • 01:51 • -27.89db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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David Wingo
At The Beach
86 bpm • E min • 02:20 • -10.55db
20% Popularity • 10% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Johnny Klimek
Der Schatz der Sorokins
85 bpm • G min • 04:17 • -18.46db
13% Popularity • 9% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
13% Popularity • 9% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Reinhold Heil
Big Daddy
82 bpm • G Maj • 02:26 • -18.87db
3% Popularity • 18% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 4% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Brook
Goodbye Eilis
86 bpm • A# Maj • 05:07 • -12.46db
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
55% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
55% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Anne Dudley
Little Psycho
82 bpm • G min • 01:49 • -18.11db
16% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Constant
87 bpm • F Maj • 03:52 • -20.78db
21% Popularity • 9% Danceability • 9% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 9% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Steven Price
Above Earth
87 bpm • G min • 01:50 • -30db
27% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Marcel Barsotti
Pope Joan (Main Theme)
87 bpm • G min • 02:34 • -19.14db
16% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Stuart Earl
Journeys
87 bpm • C min • 02:02 • -15.7db
11% Popularity • 14% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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H. Scott Salinas
Epilogue
81 bpm • D min • 02:30 • -20.81db
15% Popularity • 34% Danceability • 18% Energy • 8% Liveness
70% Instrumentalness • 9% Positiveness
15% Popularity • 34% Danceability • 18% Energy • 8% Liveness
70% Instrumentalness • 9% Positiveness
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Elliot Goldenthal
The Gift
81 bpm • C# min • 01:41 • -15.56db
12% Popularity • 8% Danceability • 25% Energy • 40% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 25% Energy • 40% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Gathering
87 bpm • C# Maj • 04:19 • -19.05db
22% Popularity • 10% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
22% Popularity • 10% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
25% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Jeff Beal
Peter And Christina
81 bpm • E min • 03:12 • -15.09db
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Christopher Spelman
Homecoming
87 bpm • C# min • 01:48 • -15.54db
12% Popularity • 15% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Antonio Pinto
Ava's Arms
87 bpm • E Maj • 02:00 • -18.19db
16% Popularity • 26% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Johnny Klimek
Allein Reprise
81 bpm • D# Maj • 04:18 • -17.96db
14% Popularity • 15% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
39% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Angelo Milli
Seven Names
81 bpm • A Maj • 03:53 • -24.45db
16% Popularity • 7% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Dario Marianelli
Evey Reborn
80 bpm • F min • 03:50 • -18db
41% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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Johnny Klimek
Meeting Trinity
88 bpm • C Maj • 01:49 • -33.62db
14% Popularity • 16% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
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Craig Armstrong
The Great Misunderstanding
88 bpm • C# min • 02:24 • -23.06db
27% Popularity • 32% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
27% Popularity • 32% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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Nick Cave & Warren Ellis
What Must Be Done
80 bpm • C min • 01:57 • -15.75db
34% Popularity • 19% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
34% Popularity • 19% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Éric Serra
Human Nature
88 bpm • B min • 02:02 • -26.56db
34% Popularity • 18% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 18% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Dominik Scherrer
The Beating of Her Wings
88 bpm • E min • 05:11 • -19.97db
10% Popularity • 11% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
10% Popularity • 11% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Johnny Klimek
Berliner Luft
80 bpm • G min • 05:52 • -16.96db
16% Popularity • 32% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 32% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Alex Heffes
The Waterhole & Enter the Queen
89 bpm • D min • 02:22 • -20.18db
22% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
22% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Éric Serra
Protect Life
80 bpm • B min • 02:33 • -22db
36% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 9% Energy • 32% Liveness
39% Instrumentalness • 4% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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David Wingo
Maggie Opening
89 bpm • D# min • 04:09 • -27.46db
9% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Johnny Klimek
Dunkles Babel
80 bpm • D# Maj • 04:59 • -14.4db
18% Popularity • 32% Danceability • 35% Energy • 36% Liveness
89% Instrumentalness • 19% Positiveness
18% Popularity • 32% Danceability • 35% Energy • 36% Liveness
89% Instrumentalness • 19% Positiveness
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Reinhold Heil
Hearst Enters the Wedding
79 bpm • A Maj • 01:54 • -32.33db
5% Popularity • 7% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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VÃctor Reyes
Farewell
89 bpm • E min • 02:24 • -19db
13% Popularity • 15% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Stephan Zacharias
Eva Brauns letzter Brief
79 bpm • F min • 03:35 • -24db
13% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Jackman
A Grave Situation
79 bpm • D min • 04:47 • -23.8db
13% Popularity • 8% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Johnny Klimek
Agfa Montage
80 bpm • F# Maj • 01:43 • -25.65db
16% Popularity • 43% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 43% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
44% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Angelo Badalamenti
Our Soldiers' Letters
79 bpm • A min • 02:43 • -18db
7% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 18% Energy • 20% Liveness
84% Instrumentalness • 3% Positiveness
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Danny Bensi
Tilden
79 bpm • G min • 01:23 • -24.61db
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
28% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Gregson
What Happened
89 bpm • C min • 02:06 • -22.41db
29% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
29% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
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Burkhard Dallwitz
Flashback
90 bpm • C Maj • 01:20 • -28.35db
28% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mychael Danna
God Storm
79 bpm • A# min • 03:42 • -13.96db
20% Popularity • 16% Danceability • 42% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 42% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Adam Taylor
Moira and June Escape
90 bpm • C# Maj • 01:51 • -17db
14% Popularity • 13% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Jeff Beal
Flowers For Claire
90 bpm • F Maj • 02:52 • -20db
25% Popularity • 17% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Nicholas Britell
Song of Hal: Strings in C# Minor
78 bpm • C# min • 05:12 • -19.06db
39% Popularity • 7% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
39% Popularity • 7% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Klaus Badelt
Sorrow
78 bpm • G# Maj • 01:26 • -23.41db
48% Popularity • 17% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Morris
Henry Dreams Of Death
78 bpm • F Maj • 01:34 • -20.39db
31% Popularity • 21% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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J. Ralph
Is It or Isn't It Happening?
78 bpm • G# Maj • 01:31 • -15.78db
33% Popularity • 38% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
33% Popularity • 38% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Reinhold Heil
All Bleeding Stops Eventually / Tomorrow...
78 bpm • A Maj • 02:25 • -25.26db
6% Popularity • 17% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
6% Popularity • 17% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Atticus Ross
The Purpose
90 bpm • F min • 01:59 • -18.08db
24% Popularity • 15% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Johnny Klimek
I Can't Be Her
90 bpm • F min • 02:40 • -19.46db
19% Popularity • 15% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Gregson
Sabine
90 bpm • C min • 02:41 • -31.17db
27% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
27% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Fabian Römer
Alle Ehre
91 bpm • C min • 02:06 • -27.07db
21% Popularity • 12% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 3% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Christopher Willis
A Life Well Written
91 bpm • C Maj • 03:17 • -14db
26% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
26% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
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Benjamin Wallfisch
Rusalka
78 bpm • A min • 04:52 • -14.1db
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
35% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
35% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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The Prestige
Colorado Springs
91 bpm • A min • 04:15 • -24.21db
24% Popularity • 26% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
24% Popularity • 26% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Elia Cmiral
The Ronin Myth
78 bpm • C Maj • 02:55 • -29.33db
14% Popularity • 18% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
