Songs like SAD (Clap Your Hands) by Young Rising Sons
Based on a tempo of (+/- 10%) and a similar genre
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I DONT KNOW HOW BUT THEY FOUND ME
Do It All The Time
110 bpm • B min • 02:47 • -6.4db
61% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Young Rising Sons
More
110 bpm • C# min • 02:16 • -6.15db
10% Popularity • 62% Danceability • 87% Energy • 38% Liveness
51% Instrumentalness • 69% Positiveness
10% Popularity • 62% Danceability • 87% Energy • 38% Liveness
51% Instrumentalness • 69% Positiveness
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Juniper Vale
Bird Song
110 bpm • D Maj • 03:19 • -5.19db
44% Popularity • 71% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 71% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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The Unlikely Candidates
Grenadine
110 bpm • D min • 02:34 • -8.08db
26% Popularity • 58% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 58% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Polite Fiction
Suzerainty
110 bpm • G min • 03:06 • -6db
42% Popularity • 63% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 63% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Panic! At The Disco
House of Memories
110 bpm • B min • 03:28 • -5.05db
80% Popularity • 51% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
80% Popularity • 51% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Rare Americans
Baggage
110 bpm • B Maj • 02:55 • -7db
51% Popularity • 72% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 72% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Young Rising Sons
La La Lonely
110 bpm • F Maj • 02:25 • -5.31db
21% Popularity • 55% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 55% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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SAINT PHNX
Deadmen
110 bpm • C# Maj • 03:02 • -5db
34% Popularity • 56% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 56% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Penelope Scott
Sweet Hibiscus Tea
110 bpm • F Maj • 02:25 • -7.46db
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Lovejoy
Oh Yeah, You Gonna Cry?
111 bpm • F min • 02:49 • -7db
57% Popularity • 71% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 71% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sub-Radio
Better Than That
109 bpm • G# Maj • 03:06 • -3.59db
41% Popularity • 64% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 64% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Lost Stars
Here's To Being Single
111 bpm • C# Maj • 02:55 • -6.2db
46% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Young Rising Sons
SAD (Clap Your Hands)
110 bpm • C Maj • 02:32 • -4.19db
55% Popularity • 67% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 67% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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The Federal Empire
Bad Habits
112 bpm • D Maj • 04:18 • -3db
42% Popularity • 31% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 31% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Saint Blonde
Shy
108 bpm • C min • 03:13 • -4.22db
45% Popularity • 62% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 62% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Once Monsters
The World That I Love Hates Me
112 bpm • F Maj • 03:32 • -4.66db
39% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Andy Grammer
Sinner
112 bpm • B min • 03:40 • -5.73db
30% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Coral Bones
Queensway
112 bpm • G Maj • 03:21 • -4db
29% Popularity • 74% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 74% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Young Rising Sons
Outta My Head
109 bpm • E Maj • 02:32 • -4.35db
26% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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A Great Big World
Kaleidoscope
108 bpm • G Maj • 03:49 • -5.15db
53% Popularity • 71% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 71% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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First in Flight
Chopsticks and Champagne
108 bpm • B min • 02:45 • -5.94db
33% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Rory Webley
Friendly Neighborhood Poltergeist
108 bpm • C min • 03:01 • -6.12db
50% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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fin
Ship in a Bottle
108 bpm • D Maj • 05:14 • -7.36db
59% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Arcadian Wild
Hey, Runner!
108 bpm • D Maj • 03:58 • -10.54db
45% Popularity • 72% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 72% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Young Rising Sons
Ellison
108 bpm • C Maj • 02:48 • -2.35db
20% Popularity • 65% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 65% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Air Traffic Controller
This Is Love
112 bpm • E Maj • 02:43 • -5.51db
58% Popularity • 62% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 62% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Seb Adams
Nightmares & Flare Guns
108 bpm • F# min • 03:24 • -7.05db
42% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 68% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Ian McConnell
EP. 4: Important
112 bpm • D# Maj • 02:07 • -6db
45% Popularity • 64% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 64% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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fin
Abandon Ship
108 bpm • D min • 03:49 • -8.62db
52% Popularity • 61% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 61% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Mom Rock
Grand Romantic Life
108 bpm • E Maj • 03:18 • -10.85db
39% Popularity • 72% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 72% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Artist Vs Poet
Kids Again
113 bpm • A# Maj • 03:36 • -7.59db
46% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Wonderlands
Danced Herself to Death
107 bpm • E min • 03:00 • -8.54db
38% Popularity • 64% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 64% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Honest Men
Mad Love
107 bpm • B Maj • 03:03 • -6db
43% Popularity • 64% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 64% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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half•alive
creature
113 bpm • B Maj • 05:35 • -9.21db
56% Popularity • 48% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 48% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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The Hoosiers
A Sadness Runs Through Him
113 bpm • B min • 03:12 • -4.82db
42% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Unlikely Candidates
Final Destination
114 bpm • C# min • 02:56 • -5db
32% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Olen
I Don't Wanna Know
106 bpm • G# Maj • 02:11 • -4.5db
31% Popularity • 67% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 67% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Call Me Karizma
Rebels
114 bpm • A# min • 02:15 • -11.77db
57% Popularity • 93% Danceability • 45% Energy • 12% Liveness
18% Instrumentalness • 32% Positiveness
57% Popularity • 93% Danceability • 45% Energy • 12% Liveness
18% Instrumentalness • 32% Positiveness
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Jonah Green
Now You Know
114 bpm • A min • 03:12 • -6db
41% Popularity • 74% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 74% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Friday Pilots Club
Glory
114 bpm • G# min • 03:29 • -4.21db
46% Popularity • 53% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 53% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Set It Off
Who’s In Control
106 bpm • G# Maj • 03:05 • -3.45db
48% Popularity • 62% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 62% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Panic! At The Disco
Crazy = Genius
114 bpm • D Maj • 03:18 • -4.46db
62% Popularity • 46% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 46% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Birds of Bellwoods
The Fifth
115 bpm • E min • 03:49 • -5.81db
31% Popularity • 54% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 54% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Twenty One Pilots
House of Gold
115 bpm • C Maj • 02:43 • -7.23db
70% Popularity • 68% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
70% Popularity • 68% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Rare Americans
Hullabaloo
115 bpm • B min • 03:17 • -4.46db
51% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Young Rising Sons
In My Room
115 bpm • A# Maj • 03:17 • -8.13db
26% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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half•alive
Everything Machine
115 bpm • C Maj • 03:17 • -3db
44% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 77% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Vian Izak
Song I Believe In
115 bpm • G# Maj • 03:15 • -5.53db
36% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mother Mother
Get Up
105 bpm • E Maj • 03:24 • -6db
42% Popularity • 73% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 73% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Set It Off
Why Worry
105 bpm • C# min • 03:19 • -5db
59% Popularity • 67% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 67% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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lovelytheband
make you feel pretty
105 bpm • F# Maj • 03:50 • -6.13db
47% Popularity • 67% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 67% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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MIKA
Promiseland - Bonus Track
105 bpm • E min • 02:59 • -7db
42% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 80% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Young Rising Sons
Passenger
105 bpm • D# Maj • 03:27 • -6.61db
25% Popularity • 54% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Little Hurt
It's Ok Not to Be Ok
105 bpm • D Maj • 03:14 • -6.08db
30% Popularity • 59% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 59% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Mad IQs
105 bpm • G# min • 03:02 • -5.07db
54% Popularity • 73% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 73% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 94% Positiveness
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American Authors
Pocket Full Of Gold
116 bpm • B Maj • 03:00 • -3.86db
52% Popularity • 61% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 61% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Chxrlotte
Come With Me
116 bpm • C# Maj • 02:36 • -8.74db
53% Popularity • 72% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 72% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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The Happy Fits
Two of Many
116 bpm • A# Maj • 02:20 • -5db
42% Popularity • 82% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 82% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Patent Pending
Six Feet
116 bpm • A min • 03:20 • -6.77db
43% Popularity • 70% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 70% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Weathers
Happy Pills
116 bpm • E min • 03:23 • -4.93db
67% Popularity • 52% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 34% Positiveness
67% Popularity • 52% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 34% Positiveness
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Olen
Honda Civic - Work Tape
116 bpm • A Maj • 02:31 • -3db
28% Popularity • 64% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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The Ghost Club
Same Graves
116 bpm • E min • 03:29 • -6db
47% Popularity • 68% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
47% Popularity • 68% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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The Unlikely Candidates
Novocaine
116 bpm • D min • 04:04 • -9.38db
50% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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MAGIC GIANT
Window
116 bpm • F Maj • 03:29 • -5.55db
47% Popularity • 40% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 40% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Dom Fera
Monster Song (Demo)
116 bpm • G Maj • 02:54 • -10.65db
44% Popularity • 74% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 74% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Derivakat
Ain't No Crying
104 bpm • G# min • 02:36 • -8.25db
52% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The People's Thieves
Diamond Walls
116 bpm • G Maj • 05:02 • -5.85db
31% Popularity • 51% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 51% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Leave Me Alone
104 bpm • C Maj • 03:35 • -2.67db
54% Popularity • 54% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 54% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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The Unlikely Candidates
Call My Name
104 bpm • F# min • 03:02 • -4.08db
47% Popularity • 61% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 61% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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New Politics
Comeback Kid
104 bpm • F# Maj • 03:30 • -4db
37% Popularity • 70% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 70% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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COIN
Talk Too Much
104 bpm • E Maj • 03:07 • -5.12db
69% Popularity • 60% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 60% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Autoheart
Moscow
104 bpm • C Maj • 03:54 • -8db
49% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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half•alive
Summerland
104 bpm • D Maj • 03:49 • -4.99db
49% Popularity • 71% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 71% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Finish Ticket
Dream Song
104 bpm • B min • 03:38 • -4.45db
36% Popularity • 58% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 58% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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BoyWithUke
Prairies
104 bpm • C# min • 03:11 • -5.84db
63% Popularity • 72% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 72% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Saint Motel
Preach
117 bpm • D Maj • 03:04 • -3.09db
50% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Young Rising Sons
Meloyelo
117 bpm • E Maj • 02:20 • -6.95db
21% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Ocean Park Standoff
Lost Boys
117 bpm • A Maj • 03:49 • -6db
45% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Anthony Amorim
She Doesn't Sleep
117 bpm • C Maj • 03:29 • -8.55db
49% Popularity • 73% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 73% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Dom Fera
Breathe
118 bpm • D Maj • 03:21 • -5.84db
43% Popularity • 60% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 60% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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One Flew West
Semi Kinda Right
103 bpm • C# min • 02:56 • -2.99db
30% Popularity • 57% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 57% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Saint Motel
Sweet Talk
117 bpm • C# Maj • 03:12 • -4.31db
63% Popularity • 67% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
63% Popularity • 67% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Young Rising Sons
House Of Cards
117 bpm • B Maj • 03:37 • -5.58db
11% Popularity • 62% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 51% Positiveness
11% Popularity • 62% Danceability • 64% Energy • 35% Liveness
2% Instrumentalness • 51% Positiveness
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The Oh Hellos
Soldier, Poet, King
118 bpm • G# Maj • 02:45 • -7.75db
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sunday Avenue
Sweet Dreams
118 bpm • C# Maj • 03:01 • -3.83db
24% Popularity • 81% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 81% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Orion Experience
Obsessed With You
118 bpm • F Maj • 03:26 • -6.1db
57% Popularity • 78% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Scotty Sire
Mister Glassman
118 bpm • C Maj • 03:41 • -6.85db
44% Popularity • 88% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 88% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Saint Motel
You're Nobody Till Somebody Wants You De...
117 bpm • G Maj • 03:42 • -6.33db
43% Popularity • 69% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 69% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Young Rising Sons
Famous On The Internet
102 bpm • A Maj • 02:47 • -5.54db
21% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Scott
Dancing in the Dawn
102 bpm • E Maj • 02:56 • -4.89db
47% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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DREAMERS
Die Happy
102 bpm • C Maj • 03:06 • -3.84db
51% Popularity • 57% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 57% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Autoheart
Lent
102 bpm • D# Maj • 03:13 • -4db
52% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Panicland
The Edge
102 bpm • E Maj • 03:32 • -5db
48% Popularity • 68% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 68% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Will Jay
Never Been in Love
119 bpm • B Maj • 02:50 • -5.52db
44% Popularity • 79% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 79% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Young Rising Sons
Ghost Of Me
117 bpm • E Maj • 03:25 • -3.26db
14% Popularity • 56% Danceability • 91% Energy • 33% Liveness
1% Instrumentalness • 59% Positiveness
14% Popularity • 56% Danceability • 91% Energy • 33% Liveness
1% Instrumentalness • 59% Positiveness
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HumorUs
Paranormal
120 bpm • B min • 02:29 • -9.74db
30% Popularity • 65% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 65% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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HARBOUR
Runaway Kids
101 bpm • G Maj • 03:44 • -6.66db
48% Popularity • 51% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 51% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
