Songs like Sad Songs and Waltzes (with Willie Nelson) by Cody Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
74% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
74% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
69% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Cody Johnson
Where Cowboys Are King
108 bpm • G Maj • 03:04 • -4.01db
47% Popularity • 60% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 60% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Randall King
When My Baby’s In Boots
108 bpm • F Maj • 03:03 • -5.2db
47% Popularity • 69% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 69% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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HARDY
BOOTS
104 bpm • D Maj • 03:13 • -3.83db
63% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Pardi
Cowboy Hat
108 bpm • C# Maj • 03:17 • -2.52db
58% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Randy Rogers Band
Kiss Me In The Dark
108 bpm • A# Maj • 03:48 • -6db
55% Popularity • 55% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 55% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Randall King
Burns Like Her
104 bpm • C# Maj • 03:53 • -5.22db
56% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Johnson
Noise
109 bpm • C Maj • 03:09 • -4.21db
46% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Randall King
You In A Honky Tonk
104 bpm • A Maj • 03:03 • -5.91db
56% Popularity • 63% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 63% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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George Strait
I Can Still Make Cheyenne
110 bpm • D# Maj • 04:16 • -10.23db
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Randy Rogers Band
Buy Myself A Chance
110 bpm • E Maj • 03:41 • -5.38db
53% Popularity • 73% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 73% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Midland
Sunrise Tells The Story
110 bpm • C Maj • 03:27 • -8db
52% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Zach Bryan
From Austin
110 bpm • C Maj • 03:27 • -8db
78% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
78% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
75% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
75% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Luke Combs
The Kind of Love We Make
102 bpm • C# Maj • 03:44 • -4.13db
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Midland
Cheatin’ Songs
110 bpm • E Maj • 03:35 • -6db
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
60% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Cody Johnson
Treasure
101 bpm • F# Maj • 03:14 • -5.51db
44% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Warren Zeiders
Outskirts of Heaven
111 bpm • E Maj • 03:52 • -7.75db
51% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Midland
Drinkin' Problem
102 bpm • A Maj • 03:40 • -6.4db
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Treaty Oak Revival
Ode To Bourbon
112 bpm • G Maj • 04:01 • -3db
68% Popularity • 37% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 37% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
68% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Warren Zeiders
Pretty Little Poison
112 bpm • C# Maj • 03:38 • -4.16db
75% Popularity • 49% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
75% Popularity • 49% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Chase Rice
Drinkin’ Beer. Talkin’ God. Amen.
100 bpm • D Maj • 02:40 • -4.69db
59% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Ray
Whiskey And Rain
100 bpm • G# Maj • 03:26 • -4.56db
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Cody Johnson
That's Texas
100 bpm • C# Maj • 02:43 • -4.1db
53% Popularity • 69% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 69% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Midland
Burn Out
100 bpm • G Maj • 03:08 • -5.61db
68% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Jon Pardi
Starlight
100 bpm • C Maj • 03:21 • -6db
62% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Cody Johnson
Lucky
113 bpm • E Maj • 03:06 • -3.48db
55% Popularity • 59% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 59% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
65% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Brad Paisley
I'm Gonna Miss Her
98 bpm • F# Maj • 03:14 • -9.69db
65% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cody Johnson
Half a Song
99 bpm • D Maj • 03:31 • -6.48db
62% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Muscadine Bloodline
Me On You
98 bpm • B min • 02:47 • -5db
68% Popularity • 72% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 72% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
62% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Cody Johnson
Ride With Me
98 bpm • G Maj • 03:35 • -5db
58% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 63% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ian Munsick
Long Live Cowgirls
97 bpm • A# Maj • 03:05 • -5.98db
62% Popularity • 52% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 52% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
75% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
75% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
85% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
85% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
63% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Cody Johnson
Cowboy Scale of 1 to 10
115 bpm • G# Maj • 02:55 • -5.04db
44% Popularity • 68% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 68% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Cody Jinks
David
117 bpm • B Maj • 04:42 • -7.69db
60% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 55% Positiveness
60% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 55% Positiveness
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Morgan Wallen
Don't Think Jesus
117 bpm • D Maj • 03:45 • -6.81db
63% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Johnson
Texas Kind of Way
116 bpm • G Maj • 04:09 • -6.51db
55% Popularity • 62% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 62% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Lainey Wilson
Wildflowers and Wild Horses (Single Vers...
117 bpm • A# min • 03:36 • -5.79db
73% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Smith
World on Fire
96 bpm • B min • 03:09 • -4.87db
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Pardi
Cowboys and Plowboys
117 bpm • E Maj • 03:28 • -3.47db
49% Popularity • 65% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 65% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Cody Johnson
Give a Cowboy a Kiss
96 bpm • D Maj • 05:05 • -5.04db
52% Popularity • 59% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 59% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Cody Jinks
We Get By
118 bpm • D Maj • 03:54 • -6.1db
54% Popularity • 55% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 55% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Lainey Wilson
Wildflowers and Wild Horses
118 bpm • A# min • 04:10 • -6.26db
64% Popularity • 43% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 43% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
