Songs like Sadko, Scene 4: Song of the Venetian Guest "Gorod kamenny, gorodam vsem mat" by Nikolai Rimsky-Korsakov
Based on a tempo of (+/- 10%) and a similar genre
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
25% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
25% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
The Snow Maiden / Prologue: Introduction...
125 bpm • C Maj • 04:15 • -25.49db
6% Popularity • 18% Danceability • 6% Energy • 46% Liveness
21% Instrumentalness • 4% Positiveness
6% Popularity • 18% Danceability • 6% Energy • 46% Liveness
21% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
24% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: IV. Finale: A...
123 bpm • G Maj • 09:16 • -16db
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 23% Positiveness
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 23% Positiveness
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Carl Orff
Carmina Burana: I. O Fortuna
123 bpm • D Maj • 02:47 • -20db
46% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
46% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Niccolò Paganini
Sonata concertata in A Major, Op. 61, MS...
122 bpm • E Maj • 01:56 • -25db
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
47% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
131 bpm • B min • 01:30 • -21.86db
59% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
59% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Symphony No. 2, Op. 9, "Antar": III. All...
131 bpm • D Maj • 05:15 • -18db
20% Popularity • 25% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
20% Popularity • 25% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Nikolai Rimsky-Korsakov
The Snow Maiden / Prologue: "Sbiralis pt...
121 bpm • B min • 03:53 • -19.95db
0% Popularity • 35% Danceability • 20% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 20% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
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Grażyna Bacewicz
Violin Concerto No. 3: III. Vivo
121 bpm • D Maj • 07:18 • -17.88db
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
33% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
33% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Georges Bizet
Carmen Suite No. 1: 2. Aragonaise
120 bpm • D min • 02:11 • -24db
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Skazaniye o nevidimom grade Kitezhe i de...
131 bpm • B min • 03:02 • -29.17db
18% Popularity • 16% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 5% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Eteri Andjaparidze
Visions Fugitives, Op. 22: XIV. Feroce
133 bpm • C Maj • 01:01 • -27db
48% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
48% Popularity • 47% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Wiener Streichsextett
String Sextet In A Major: II. Rondo Fuga...
119 bpm • A Maj • 04:49 • -20.53db
14% Popularity • 40% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
14% Popularity • 40% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Nikolai Rimsky-Korsakov
Pskovityanka (The Maid of Pskov): Entr'a...
120 bpm • G Maj • 01:40 • -31.25db
23% Popularity • 41% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
23% Popularity • 41% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
34% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
34% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 05:16 • -16db
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Skazaniye o nevidimom grade Kitezhe i de...
133 bpm • F Maj • 04:37 • -22.93db
7% Popularity • 32% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
7% Popularity • 32% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Georges Bizet
Carmen Suite No. 1: 4. Les dragons d'Alc...
117 bpm • G Maj • 01:38 • -39db
25% Popularity • 53% Danceability • 1% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
25% Popularity • 53% Danceability • 1% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
32% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
32% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Henri Vieuxtemps
Concerto For Violin and Orchestra No. 5 ...
138 bpm • A min • 01:11 • -17db
35% Popularity • 42% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
139 bpm • A# Maj • 02:37 • -20.54db
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
42% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
42% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Symphony No. 40 in G Minor, K. 5...
114 bpm • G min • 07:12 • -18.09db
53% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
53% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
The Tsar's Bride - original version Tsar...
114 bpm • D Maj • 07:07 • -18.63db
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Vladimir Fedoseyev
May Night: Overture
140 bpm • G Maj • 07:56 • -14db
18% Popularity • 21% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
18% Popularity • 21% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Claude Debussy
La Mer, L.109: 2. Play of the Waves (Jeu...
113 bpm • E Maj • 06:11 • -22.07db
15% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
