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Safe and Sound
Songs like
Safe and Sound
by
Christian Leave
Based on a tempo of (+/- 10%) and a similar genre
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
59% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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mimi bay
I Will Be Okay
155 bpm • C Maj • 02:05 • -10db
39% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Christian Leave
Safe and Sound
155 bpm • G Maj • 03:35 • -8db
41% Popularity • 38% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Briston Maroney
Rose
155 bpm • E Maj • 06:11 • -8.41db
46% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Alexander Wren
Days Like These
156 bpm • D Maj • 04:26 • -13.18db
13% Popularity • 40% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Matt Maeson
The Hearse (Stripped) - Bonus Track
156 bpm • B min • 03:31 • -8.06db
37% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Miki Ratsula
Black Holes - Demo Version
156 bpm • C min • 05:18 • -27.31db
11% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jacob Whitesides
The Letter
158 bpm • C Maj • 03:08 • -11db
17% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Dean Lewis
Waves - Guitar Acoustic
152 bpm • B min • 04:08 • -9.92db
44% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Christian Leave
Beside You
151 bpm • B Maj • 04:34 • -8.54db
18% Popularity • 35% Danceability • 43% Energy • 9% Liveness
23% Instrumentalness • 6% Positiveness
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Ed Prosek
Weak Heart
151 bpm • C# min • 04:01 • -11db
28% Popularity • 53% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Shannon Saunders
Creatures - Acoustic
151 bpm • A# min • 04:00 • -15db
21% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ritt Momney
Command V
160 bpm • B min • 03:41 • -11.1db
40% Popularity • 53% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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little image
Prin
150 bpm • A# Maj • 04:32 • -11.95db
22% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Leave
You
159 bpm • G Maj • 01:21 • -17.42db
22% Popularity • 55% Danceability • 30% Energy • 29% Liveness
1% Instrumentalness • 35% Positiveness
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Evergreen
Cosmic Lottery
150 bpm • B Maj • 03:15 • -9db
27% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kevin Garrett
Faith You Might
150 bpm • D Maj • 04:12 • -12db
38% Popularity • 52% Danceability • 46% Energy • 9% Liveness
26% Instrumentalness • 62% Positiveness
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Ashton Edminster
Shades of Blue
150 bpm • F Maj • 04:13 • -12db
30% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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The Maine
Black Butterflies & Déjà Vu (Acoustic)
161 bpm • F Maj • 03:48 • -7.25db
28% Popularity • 51% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Imaginary Future
All My Love - Acoustic
148 bpm • F# Maj • 02:43 • -16.93db
34% Popularity • 50% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ollie MN
Evening Blue
148 bpm • B Maj • 05:19 • -10.23db
22% Popularity • 62% Danceability • 60% Energy • 60% Liveness
9% Instrumentalness • 12% Positiveness
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Alexander 23
When I Die
148 bpm • A Maj • 02:37 • -7.54db
30% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
this is what a rough childhood feels lik...
147 bpm • C Maj • 03:21 • -10db
22% Popularity • 57% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Peter McPoland
Romeo & Juliet - Acoustic
149 bpm • C# Maj • 02:14 • -9.76db
36% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lewis Capaldi
Headspace
147 bpm • B Maj • 05:06 • -9.18db
51% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Imaginary Future
Feels Like We Only Go Backwards
147 bpm • E min • 02:39 • -15.31db
44% Popularity • 50% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Ollie MN
Until I See You Again
164 bpm • D# Maj • 03:57 • -12db
25% Popularity • 57% Danceability • 50% Energy • 9% Liveness
16% Instrumentalness • 40% Positiveness
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Matt Maeson
The Mask - Stripped
146 bpm • D Maj • 03:18 • -10.89db
31% Popularity • 46% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
54% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Van
love/hate
146 bpm • F min • 02:46 • -11.88db
34% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Thirdstory
On And On
146 bpm • G Maj • 04:49 • -15db
35% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Imaginary Future
Up We Go
147 bpm • B min • 03:27 • -9.13db
26% Popularity • 33% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Graham Riley
Pain on My Mind
165 bpm • B min • 04:07 • -9db
24% Popularity • 48% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Lostboycrow
San Junipero
146 bpm • F Maj • 03:57 • -12.76db
29% Popularity • 32% Danceability • 41% Energy • 34% Liveness
2% Instrumentalness • 26% Positiveness
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Ed Prosek
Give It All
145 bpm • D# Maj • 03:56 • -11db
26% Popularity • 51% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jack in Water
Noise - Acoustic
145 bpm • A min • 03:56 • -12.3db
10% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Absofacto
Dissolve - acoustic
166 bpm • F# min • 02:48 • -11.28db
45% Popularity • 59% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Charlie Burg
Letter From Last Summer
145 bpm • D# Maj • 02:36 • -18.5db
38% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Anson Seabra
I Can't Carry This Anymore
167 bpm • D# Maj • 03:20 • -16.82db
59% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Bellion
Stupid Deep - Acoustic
167 bpm • D Maj • 02:39 • -7.81db
40% Popularity • 25% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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RELIC
3 AM
144 bpm • G Maj • 05:29 • -13.09db
32% Popularity • 45% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
69% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Jessica Ricca
Sweet Connection
167 bpm • G Maj • 03:20 • -19.56db
20% Popularity • 31% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Greyson Chance
Seasons
144 bpm • D Maj • 03:42 • -8db
37% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Alexander 23
Track 9
167 bpm • G Maj • 02:23 • -13db
30% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron Smith
Unspoken
143 bpm • D Maj • 03:30 • -13db
43% Popularity • 38% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Maeson
Tribulation - Stripped
143 bpm • G# min • 03:05 • -8.15db
40% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Sky McCreery
My Heart Bleeds
168 bpm • E min • 03:00 • -12db
35% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Winnetka Bowling League
are you okay?
168 bpm • G# Maj • 04:13 • -10db
35% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Alfie Indra
Darling I'm Gone
142 bpm • C Maj • 02:26 • -17.1db
20% Popularity • 59% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Miki Ratsula
Red - Demo
169 bpm • F# min • 05:00 • -23.07db
22% Popularity • 40% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
63% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Conan Gray
The Story
142 bpm • C Maj • 04:05 • -10.38db
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Imaginary Future
Fire Escape - Acoustic
142 bpm • F# Maj • 03:38 • -12.71db
22% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Clinton Kane
this is what anxiety feels like
142 bpm • C min • 03:48 • -10.21db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Leave
Days Like Lost Dogs
170 bpm • B Maj • 03:45 • -6.61db
29% Popularity • 41% Danceability • 80% Energy • 59% Liveness
7% Instrumentalness • 47% Positiveness
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Palmer
stay inside
170 bpm • A Maj • 03:39 • -16.99db
28% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Honeywater
Old Eden
141 bpm • A# Maj • 05:20 • -9.21db
41% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Melchor
The Archer
170 bpm • D Maj • 04:20 • -11.9db
38% Popularity • 26% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Imaginary Future
Issues
141 bpm • G min • 03:47 • -16.48db
14% Popularity • 56% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Pilar
Wilted Flower
141 bpm • C# Maj • 02:54 • -9.72db
27% Popularity • 32% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Chloe Lilac
Jesus Couldn't Love Me
141 bpm • B min • 03:17 • -10db
25% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Honeywater
Southern Wild
141 bpm • C Maj • 05:21 • -12.23db
25% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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AJ Abdullah
Falling in Love
141 bpm • F Maj • 04:26 • -15.72db
23% Popularity • 46% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Anthony Amorim
Class Clown
140 bpm • F# min • 04:09 • -17.69db
24% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Maeson
Tread On Me - Stripped
140 bpm • E Maj • 03:38 • -9.06db
34% Popularity • 49% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Will Heggadon
island
140 bpm • F Maj • 03:14 • -9.93db
28% Popularity • 49% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Carly Nikbakht
323
140 bpm • A# Maj • 03:00 • -16db
16% Popularity • 61% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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young friend
crying all the time
140 bpm • D Maj • 02:25 • -10db
16% Popularity • 74% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Oliver Riot
Ivory Black
139 bpm • C Maj • 04:27 • -13db
43% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Jordan
Talking Slow
139 bpm • D Maj • 04:19 • -10.11db
31% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
31% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Honeywater
Am I Your Man
138 bpm • C Maj • 05:20 • -7.25db
19% Popularity • 42% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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spookyghostboy
Just Fine
174 bpm • E Maj • 03:25 • -13.52db
39% Popularity • 40% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Christian Leave
Never
174 bpm • G Maj • 03:46 • -9.34db
32% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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mimi bay
Someday
138 bpm • C min • 03:18 • -14.6db
20% Popularity • 67% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Sara Kays
No Matter the Season
138 bpm • D Maj • 03:32 • -8.89db
40% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ollie MN
Song for the Sleepless
138 bpm • G# Maj • 02:44 • -15db
35% Popularity • 48% Danceability • 14% Energy • 46% Liveness
6% Instrumentalness • 42% Positiveness
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Jess Benko
Maybe You Miss Me
138 bpm • A min • 02:48 • -17.83db
35% Popularity • 45% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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asking for a friend
I Need Someone
175 bpm • G Maj • 03:04 • -10.86db
33% Popularity • 40% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Aquilo
Sorry
175 bpm • D Maj • 04:15 • -11.36db
47% Popularity • 32% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Peter McPoland
Lady Bird
138 bpm • A Maj • 04:01 • -7.87db
37% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
80% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Christian Leave
Ain't No Reason
175 bpm • G Maj • 02:04 • -5.84db
20% Popularity • 19% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Rightfield from College
I Can't Believe
137 bpm • A Maj • 03:27 • -18db
19% Popularity • 39% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Bruno Major
Just The Same
176 bpm • F Maj • 03:25 • -8db
48% Popularity • 43% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Henry Verus
Alone!
136 bpm • D Maj • 03:00 • -11.36db
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Maeson
Dancing After Death
176 bpm • C# min • 03:57 • -6.35db
50% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Honeywater
Evergreen
136 bpm • C Maj • 05:00 • -11.41db
29% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Christian Leave
I Know There's No More
137 bpm • B min • 03:09 • -6.91db
18% Popularity • 61% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
► Preview
Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
47% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Safe and Sound