Songs like Safe & Sound by William Joseph
Based on a tempo of (+/- 10%) and a similar genre
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Thad Fiscella
Mayapple Road
73 bpm • A Maj • 04:32 • -19.61db
28% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
28% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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William Joseph
Safe & Sound
73 bpm • G Maj • 04:01 • -14.05db
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Samuel Joseph
Beauty and the Beast - Piano Version
73 bpm • D Maj • 04:06 • -19db
32% Popularity • 45% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
32% Popularity • 45% Danceability • 11% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Thomas Bergersen
Remember Me
73 bpm • C Maj • 04:29 • -10.83db
39% Popularity • 20% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Louis Landon
I Can't Make You Love Me
73 bpm • A# Maj • 04:28 • -18.34db
37% Popularity • 44% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
37% Popularity • 44% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Philip Wesley
Less Traveled
73 bpm • D min • 02:05 • -18.23db
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Samyula
Infinity
73 bpm • G# Maj • 04:45 • -16.74db
32% Popularity • 22% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 22% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Danny Wright
Pachelbel's Canon in D
73 bpm • D Maj • 03:37 • -16.45db
47% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
47% Popularity • 28% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Steve Horner
Stronger Together
73 bpm • C# Maj • 02:13 • -23.14db
49% Popularity • 32% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
49% Popularity • 32% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Steven Sharp Nelson
New World
73 bpm • C# Maj • 06:33 • -12.24db
26% Popularity • 13% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
26% Popularity • 13% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
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Louis Landon
Imagine
73 bpm • C Maj • 05:01 • -20db
36% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
36% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Philip Wesley
Racing Against the Sunset
73 bpm • B min • 04:52 • -23db
31% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
31% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Robert Mendoza
When We Were Young
72 bpm • A# Maj • 04:22 • -6.9db
33% Popularity • 23% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
33% Popularity • 23% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Camilyn Morrison
Beautifully Broken
74 bpm • D Maj • 03:41 • -25.12db
2% Popularity • 37% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 27% Positiveness
2% Popularity • 37% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 27% Positiveness
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Mark Schultz
Autumn
72 bpm • F# Maj • 03:16 • -14.94db
30% Popularity • 36% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 36% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Robin Spielberg
In My Dreams
72 bpm • G min • 05:09 • -18db
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mr & Mrs Cello
Someone You Loved - Arr. For Two Cellos
72 bpm • C Maj • 03:27 • -14.9db
37% Popularity • 21% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
37% Popularity • 21% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
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Roberto Jonata
Risvegli
74 bpm • F Maj • 01:44 • -26.9db
49% Popularity • 32% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
49% Popularity • 32% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Louis Landon
Self-Assured
74 bpm • A# Maj • 04:37 • -24.84db
36% Popularity • 32% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
36% Popularity • 32% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Philip Wesley
In Your Eyes
74 bpm • B Maj • 04:26 • -20.94db
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Yiruma
River Flows in You - Orchestra Version
74 bpm • E min • 04:45 • -14db
55% Popularity • 9% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
55% Popularity • 9% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Gary Girouard
The Thinker
75 bpm • C min • 04:12 • -23.52db
21% Popularity • 35% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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SYML
Where's My Love - Piano and Viola Versio...
75 bpm • D# Maj • 03:43 • -11db
47% Popularity • 16% Danceability • 21% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
47% Popularity • 16% Danceability • 21% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
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Kris Baines
All She Left Behind
75 bpm • D min • 02:50 • -20.36db
33% Popularity • 43% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
33% Popularity • 43% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Louis Landon
Reaching for the Sky
71 bpm • G# Maj • 04:46 • -22.86db
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 39% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Ben Laver
Hallelujah
71 bpm • G min • 02:45 • -24.84db
54% Popularity • 38% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
54% Popularity • 38% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Rachel Pierce
Safe and Sound
75 bpm • E min • 03:46 • -11.97db
20% Popularity • 35% Danceability • 23% Energy • 19% Liveness
78% Instrumentalness • 28% Positiveness
20% Popularity • 35% Danceability • 23% Energy • 19% Liveness
78% Instrumentalness • 28% Positiveness
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Factor Eight
The Beginning
75 bpm • C# Maj • 08:19 • -13.49db
28% Popularity • 29% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
28% Popularity • 29% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Kathryn Toyama
The Light
75 bpm • C# min • 01:49 • -16db
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Philip Wesley
Distant Memory
75 bpm • C Maj • 03:49 • -16.24db
30% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Eternal Eclipse
True Love's Last Kiss
70 bpm • F Maj • 03:17 • -14db
48% Popularity • 20% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 20% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Louis Landon
Innocence
70 bpm • G Maj • 03:02 • -19.32db
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Rosevelt
O, America
70 bpm • C min • 03:46 • -9.74db
2% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Kyle Warr
Hidden Answers
76 bpm • A min • 02:34 • -16.78db
37% Popularity • 23% Danceability • 18% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
37% Popularity • 23% Danceability • 18% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Kathryn Toyama
Hope
71 bpm • E Maj • 01:53 • -17.17db
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Philip Wesley
Tears of the East
76 bpm • A min • 05:48 • -21.08db
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Lucas King
Last Leaf Falls (Piano Solo)
70 bpm • F Maj • 03:23 • -30.5db
24% Popularity • 36% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 36% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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William Joseph
Within
70 bpm • D min • 03:00 • -13db
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
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Thad Fiscella
Together Again
70 bpm • D Maj • 04:00 • -19.03db
30% Popularity • 41% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
30% Popularity • 41% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Steven Sharp Nelson
Tender Mercies
70 bpm • A Maj • 07:00 • -7.94db
31% Popularity • 6% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 6% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Atlys
Perfect
70 bpm • G Maj • 04:19 • -22db
47% Popularity • 14% Danceability • 6% Energy • 12% Liveness
60% Instrumentalness • 6% Positiveness
47% Popularity • 14% Danceability • 6% Energy • 12% Liveness
60% Instrumentalness • 6% Positiveness
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Kathryn Toyama
Faith
70 bpm • C# Maj • 03:24 • -16.57db
42% Popularity • 34% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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George Davidson
Castle On A Cloud
70 bpm • A min • 02:24 • -19.02db
33% Popularity • 38% Danceability • 11% Energy • 4% Liveness
88% Instrumentalness • 22% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 4% Liveness
88% Instrumentalness • 22% Positiveness
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William Joseph
Be Still My Soul
77 bpm • F Maj • 04:42 • -16.64db
20% Popularity • 30% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 30% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
30% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Yiruma
Dance
77 bpm • G Maj • 04:05 • -24.5db
43% Popularity • 25% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 25% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Tim Neumark
Tapestry
69 bpm • C# Maj • 06:15 • -19.22db
18% Popularity • 24% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Lucas King
The Last Leaf Falls
69 bpm • F Maj • 03:58 • -19db
21% Popularity • 29% Danceability • 9% Energy • 28% Liveness
65% Instrumentalness • 12% Positiveness
21% Popularity • 29% Danceability • 9% Energy • 28% Liveness
65% Instrumentalness • 12% Positiveness
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Steven Sharp Nelson
Unaccompanied Cello Suite No. 1 in G Maj...
78 bpm • G Maj • 02:43 • -18db
34% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
34% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Thad Fiscella
Bittersweet September
69 bpm • F min • 03:48 • -19.26db
32% Popularity • 35% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 35% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Yiruma
Love Me
77 bpm • F Maj • 04:05 • -21.67db
50% Popularity • 41% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
50% Popularity • 41% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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Roberto Cacciapaglia
Floating
78 bpm • A min • 03:26 • -16.2db
33% Popularity • 20% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Nick Farr
And So It Is
78 bpm • G min • 02:50 • -13.88db
29% Popularity • 20% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
29% Popularity • 20% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Nazareno Aversa
The Gladiator (Main Theme)
78 bpm • F# min • 02:50 • -20.35db
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Christoph Pagel
Die Spree
68 bpm • G Maj • 02:54 • -11.16db
31% Popularity • 24% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 24% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
39% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
39% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Yiruma
Yearning
78 bpm • F Maj • 03:42 • -25.52db
41% Popularity • 32% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 32% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Evalian Massey
Petrichor
78 bpm • C Maj • 01:19 • -26.64db
58% Popularity • 24% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
58% Popularity • 24% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Rhonda Mackert
Night Song
68 bpm • A min • 04:58 • -25db
34% Popularity • 19% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
34% Popularity • 19% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Daniele Leoni
Memories - Piano Version
79 bpm • B Maj • 03:11 • -17db
37% Popularity • 34% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
37% Popularity • 34% Danceability • 32% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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Philip Wesley
Beneath the Same Sky
79 bpm • F Maj • 04:09 • -19.87db
26% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
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Danny Wright
Colors Of The Wind
68 bpm • G min • 03:25 • -21.24db
43% Popularity • 47% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
43% Popularity • 47% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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92 Keys
Remembrance
67 bpm • C Maj • 05:01 • -22.33db
25% Popularity • 34% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 5% Positiveness
25% Popularity • 34% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 5% Positiveness
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Tim Janis
A Look Into The Ages
67 bpm • E min • 02:50 • -13.22db
27% Popularity • 19% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Jaime Córdoba
Drops of Jupiter
80 bpm • C Maj • 01:03 • -11db
58% Popularity • 50% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
58% Popularity • 50% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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PHILDEL
The Kiss
80 bpm • C Maj • 02:46 • -11.37db
34% Popularity • 53% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
34% Popularity • 53% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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BrunuhVille
Black Heart
80 bpm • G min • 04:58 • -11db
33% Popularity • 53% Danceability • 30% Energy • 21% Liveness
4% Instrumentalness • 9% Positiveness
33% Popularity • 53% Danceability • 30% Energy • 21% Liveness
4% Instrumentalness • 9% Positiveness
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Steven Cravis
The Letter Unopened
80 bpm • G Maj • 02:51 • -21.98db
35% Popularity • 64% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 64% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Ryan Stewart
Old Irish Piano
80 bpm • B min • 02:47 • -20.45db
37% Popularity • 40% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 40% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Secret Garden
The Pilot
80 bpm • C Maj • 04:04 • -9.29db
32% Popularity • 20% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 40% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Francesco Digilio
Con te partirò - Piano Solo
66 bpm • G Maj • 04:45 • -25.32db
29% Popularity • 39% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
29% Popularity • 39% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 10% Positiveness
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Sarah Joy
Send My Love (To Your New Lover) - Cello...
80 bpm • D Maj • 03:34 • -12.9db
39% Popularity • 39% Danceability • 27% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
39% Popularity • 39% Danceability • 27% Energy • 9% Liveness
57% Instrumentalness • 78% Positiveness
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Louis Landon
Make You Feel My Love
80 bpm • G Maj • 03:46 • -20.18db
46% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
46% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Thad Fiscella
The Rose
80 bpm • C# Maj • 03:26 • -21.17db
33% Popularity • 46% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
33% Popularity • 46% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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David Tolk
Eternity
81 bpm • A Maj • 05:45 • -15.5db
32% Popularity • 23% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
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Caroline Campbell
La Vie En Rose
81 bpm • C Maj • 03:42 • -15.31db
19% Popularity • 20% Danceability • 26% Energy • 17% Liveness
37% Instrumentalness • 10% Positiveness
19% Popularity • 20% Danceability • 26% Energy • 17% Liveness
37% Instrumentalness • 10% Positiveness
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Steve Petrunak
Chandelier
81 bpm • C# Maj • 03:33 • -9.12db
45% Popularity • 36% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
45% Popularity • 36% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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William Joseph
Kashmir
81 bpm • D Maj • 03:44 • -7.04db
19% Popularity • 65% Danceability • 65% Energy • 8% Liveness
5% Instrumentalness • 51% Positiveness
19% Popularity • 65% Danceability • 65% Energy • 8% Liveness
5% Instrumentalness • 51% Positiveness
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Davide De Angelis
Winter Night
81 bpm • E min • 03:35 • -16.08db
35% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
35% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Elijah Bossenbroek
Try To Keep Up
81 bpm • F# min • 03:45 • -18.9db
20% Popularity • 25% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Yiruma
Farewell
81 bpm • C Maj • 02:30 • -25.45db
38% Popularity • 13% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Jon Schmidt
Death of Dumbledore
66 bpm • F# min • 04:32 • -22.88db
16% Popularity • 41% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 15% Positiveness
16% Popularity • 41% Danceability • 1% Energy • 10% Liveness
77% Instrumentalness • 15% Positiveness
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Ryan L Stewart
Autumn
66 bpm • F min • 02:46 • -20.67db
30% Popularity • 16% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
30% Popularity • 16% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Jun Sung Ahn
I'm Not the Only One
82 bpm • F Maj • 03:59 • -7.95db
39% Popularity • 58% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
39% Popularity • 58% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Alexis Ffrench
Last Song
65 bpm • E Maj • 01:55 • -23.96db
51% Popularity • 43% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
51% Popularity • 43% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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Brand X Music
Into The Light
65 bpm • C min • 02:55 • -14db
43% Popularity • 17% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
43% Popularity • 17% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Kathryn Toyama
True Friends
82 bpm • G min • 01:32 • -16.26db
50% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
50% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
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92 Keys
I See Fire
83 bpm • A# min • 03:48 • -10.1db
26% Popularity • 19% Danceability • 41% Energy • 37% Liveness
26% Instrumentalness • 12% Positiveness
26% Popularity • 19% Danceability • 41% Energy • 37% Liveness
26% Instrumentalness • 12% Positiveness
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Jun Sung Ahn
FOUND
82 bpm • A Maj • 03:03 • -6.18db
30% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Roberto Cacciapaglia
Oceano
82 bpm • G min • 04:11 • -11.95db
46% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
46% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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James Spiteri
A Walk in the Snow
83 bpm • F# min • 05:36 • -17.85db
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
