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Songs like
Safe
by
Nick Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Nick Wilson
Safe
94 bpm • A Maj • 03:24 • -5.68db
9% Popularity • 45% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Ross Harris
SAY IT BACK
94 bpm • C min • 03:29 • -12.54db
30% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Saint Claire
Enough for You
94 bpm • A Maj • 03:14 • -13.23db
30% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cole Norton
Coaster
94 bpm • C# Maj • 02:57 • -16.7db
30% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Dean Lewis
Stay Awake - Acoustic
94 bpm • D Maj • 03:18 • -9.38db
38% Popularity • 60% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Black Match
Always
94 bpm • C# Maj • 03:50 • -8.8db
12% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Plested
First Time
94 bpm • E Maj • 03:25 • -6.99db
25% Popularity • 45% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Wilson
Coming up Slowly
95 bpm • D Maj • 04:19 • -10.89db
20% Popularity • 22% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Emily Burns
Limbo
95 bpm • A Maj • 03:33 • -9db
20% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
46% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Late Night Thoughts
What Love Truly Means
95 bpm • E Maj • 03:25 • -13.33db
24% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Aaron Smith
Your Turn Now
95 bpm • G Maj • 03:59 • -9.5db
20% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Plested
Backup Plan
93 bpm • F# min • 02:46 • -5db
22% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Nick Wilson
Darkest Hour
95 bpm • D# Maj • 04:52 • -13.63db
11% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Shoffy
Cool Again - Stripped
95 bpm • F# min • 03:03 • -11db
42% Popularity • 70% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Jonny West
All The Words
93 bpm • C Maj • 03:30 • -7.87db
30% Popularity • 47% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
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Aquilo
I Wanna See You Smile
92 bpm • C Maj • 03:19 • -12db
39% Popularity • 38% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Chris Lanzon
Iris
96 bpm • B Maj • 02:52 • -15.47db
54% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Isak Danielson
She's Always a Woman
96 bpm • D# Maj • 03:20 • -13.26db
32% Popularity • 56% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Nick Wilson
After the Rain
95 bpm • C Maj • 05:35 • -15.33db
23% Popularity • 57% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Rhys Lewis
Lonely Place
92 bpm • D Maj • 03:24 • -8.38db
14% Popularity • 41% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Sam MacPherson
Solar Flare
96 bpm • E Maj • 03:22 • -12.57db
32% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Elina
Free
92 bpm • A# Maj • 03:19 • -13db
46% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Patrick Droney
The Wire - Alternate Version
96 bpm • C Maj • 03:41 • -7.77db
34% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lennon Stella
Like Everybody Else - Acoustic
96 bpm • A# min • 03:14 • -15.23db
46% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kev Kelly
Soon
92 bpm • D# Maj • 02:00 • -14.65db
17% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Lanzon
72 Days
91 bpm • D Maj • 05:24 • -12.07db
18% Popularity • 27% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
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Black Match
Won’t Let Go
97 bpm • E Maj • 04:03 • -9.55db
30% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ed Patrick
Eyes on You
97 bpm • F# Maj • 03:07 • -14.71db
44% Popularity • 63% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 43% Positiveness
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Belle Mt.
Hydra
98 bpm • A# Maj • 05:08 • -13.17db
24% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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McKenna Breinholt
Up in Fire
97 bpm • A# Maj • 04:35 • -11.09db
27% Popularity • 39% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Twin Tides
You're the Only Reason Why
98 bpm • A Maj • 04:27 • -11.59db
21% Popularity • 41% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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René Le Feuvre
Here for You
90 bpm • G min • 03:35 • -9.32db
19% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Chelsea Cutler
please
98 bpm • F# min • 03:39 • -15.82db
53% Popularity • 72% Danceability • 17% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Honest Men
Rose
98 bpm • G Maj • 04:07 • -12.91db
32% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Nick Wilson
Love Can Be So Lonely, Sometimes
98 bpm • C Maj • 03:45 • -13.47db
13% Popularity • 34% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Into The Ivy
Do You Love Me, I Need to Know
98 bpm • E Maj • 03:12 • -11.62db
8% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hayden Everett
For I Fear
90 bpm • D Maj • 04:16 • -9.91db
12% Popularity • 50% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Walden
Caught Her Dancing
90 bpm • C Maj • 05:07 • -13.16db
14% Popularity • 49% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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SAILR
Sleep
90 bpm • F# Maj • 03:38 • -13.59db
30% Popularity • 33% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Eluera
Good When We Fight - Alt Version
90 bpm • C# min • 03:23 • -7.81db
16% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Wilson
Built For This
90 bpm • D Maj • 02:35 • -7.6db
26% Popularity • 53% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Parker Rose
Felt
90 bpm • D Maj • 03:12 • -12.14db
19% Popularity • 54% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 48% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ewan J Phillips
I Wish I Was the Moon
99 bpm • C# min • 03:38 • -12db
42% Popularity • 40% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
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Chance Peña
With the Lights Out
89 bpm • A# Maj • 03:20 • -9.89db
39% Popularity • 36% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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REUNIØN
out in the wild
89 bpm • G min • 03:51 • -13db
23% Popularity • 20% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Nick Wilson
Black and Blue
89 bpm • G Maj • 02:58 • -14.07db
13% Popularity • 26% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Joe Dolman
If You Were Mine
100 bpm • G Maj • 03:25 • -10db
25% Popularity • 60% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Vallier
Changes
100 bpm • G min • 03:00 • -9db
19% Popularity • 63% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Hayden Calnin
We Can Take Our Time
100 bpm • E Maj • 04:10 • -14db
39% Popularity • 56% Danceability • 29% Energy • 17% Liveness
6% Instrumentalness • 28% Positiveness
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Rhys Lewis
Seasons
100 bpm • G# Maj • 03:19 • -15.36db
34% Popularity • 39% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Gerry
Outline
100 bpm • G Maj • 03:54 • -10.89db
23% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Nick Wilson
Bright Eyes
100 bpm • E Maj • 04:24 • -8.25db
8% Popularity • 43% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Adam Ragsdale
The Kiss
100 bpm • C Maj • 03:30 • -20.27db
13% Popularity • 23% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 9% Positiveness
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The Careful Ones
playing with fire (loving you)
88 bpm • F# Maj • 03:06 • -17.18db
11% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Saint Claire
Haunted
102 bpm • A Maj • 03:06 • -12db
23% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Lanzon
Still
87 bpm • F# min • 03:43 • -9.34db
29% Popularity • 55% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Ten Towers
Heart Made of Stone
87 bpm • D Maj • 03:58 • -10.15db
16% Popularity • 35% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Nick Wilson
All I Ever Wanted Was You
100 bpm • G Maj • 03:40 • -14.1db
26% Popularity • 61% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Will Killen
The Outside
87 bpm • C Maj • 03:32 • -7.51db
21% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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James Gillespie
Home
87 bpm • G# Maj • 04:14 • -7.03db
24% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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ELLIANA
Thinking (Stripped)
102 bpm • D Maj • 02:52 • -9.32db
25% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Josie Dunne
Same (Alternate Version)
86 bpm • D# Maj • 02:46 • -9db
27% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Luz
we’ll be fine - acoustic
103 bpm • B Maj • 04:56 • -13db
35% Popularity • 50% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Rhys Lewis
Hold On To Happiness
86 bpm • B min • 03:38 • -10db
38% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Nick Wilson
Without
86 bpm • F Maj • 03:53 • -10.74db
12% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Belle
When the End Comes (Hushed)
86 bpm • G Maj • 05:20 • -13db
26% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Black Match
Nowhere
103 bpm • G# min • 04:46 • -9.13db
37% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Toby Johnson
Tiny Fires
86 bpm • C# min • 04:16 • -12db
31% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Hudson
Give Up On Us
85 bpm • F# Maj • 02:38 • -10db
29% Popularity • 71% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Oscar Blue
Silhouettes
85 bpm • A Maj • 03:54 • -11db
34% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Wilson
Carry Your Light
85 bpm • D Maj • 03:37 • -12.35db
23% Popularity • 42% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Ross Copperman
Stars Are on Your Side
85 bpm • C Maj • 03:38 • -8.31db
41% Popularity • 26% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Chance Peña
bad days
85 bpm • D# Maj • 03:34 • -10db
44% Popularity • 37% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Dermot Kennedy
Shelter
85 bpm • C# Maj • 04:30 • -14.88db
37% Popularity • 37% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Boundary Run
Bulletproof
84 bpm • F Maj • 03:18 • -11.62db
28% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Walden
Free
105 bpm • A Maj • 03:24 • -12.26db
17% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Katelyn Tarver
Somebody Else
105 bpm • B Maj • 03:25 • -8.18db
35% Popularity • 57% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 10% Positiveness
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Rhys Lewis
What If
84 bpm • C# min • 03:12 • -7.29db
36% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Forest Blakk
Tread Lightly
105 bpm • A# Maj • 03:18 • -10db
23% Popularity • 65% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Jake Etheridge
Just Let Go
84 bpm • B Maj • 03:57 • -12.28db
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Jordan Hart
I Don't Want to Let You Go
84 bpm • A Maj • 03:35 • -12.7db
42% Popularity • 40% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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push baby
Aegean
106 bpm • A Maj • 04:28 • -13.06db
24% Popularity • 42% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Cooper & Gatlin
Fragile
83 bpm • E min • 03:23 • -9.98db
33% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Walker Burroughs
The Moon Song
106 bpm • F Maj • 04:47 • -16db
35% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jacob Dye
Strings
106 bpm • B Maj • 04:09 • -12.18db
19% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Adam Ragsdale
Ghost Town
83 bpm • A# min • 06:54 • -15.21db
13% Popularity • 11% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 23% Positiveness
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Rhys Lewis
The Sun Will Rise
106 bpm • A# Maj • 03:03 • -11.9db
37% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jon Bryant
Wilderness
83 bpm • D# Maj • 04:29 • -16.67db
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Will Heggadon
sinking in - stripped
107 bpm • F# Maj • 03:48 • -9.22db
13% Popularity • 38% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jack Vallier
Sorry for Loving You
107 bpm • A# Maj • 03:56 • -9.79db
19% Popularity • 58% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Euan Allison
Lego Bricks
82 bpm • A Maj • 03:55 • -10.73db
32% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Wilson
Stop Your Love
82 bpm • D Maj • 03:43 • -10.73db
16% Popularity • 44% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Garrett Kato
Distant Land
82 bpm • C# Maj • 03:21 • -11.91db
41% Popularity • 54% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Oliver Riot
Hallucinate
82 bpm • G Maj • 03:26 • -14db
43% Popularity • 53% Danceability • 30% Energy • 8% Liveness
50% Instrumentalness • 10% Positiveness
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Will Heggadon
falling up
82 bpm • F Maj • 03:46 • -12.12db
19% Popularity • 27% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Johnny Stimson
I'll Be Fine
82 bpm • E Maj • 03:08 • -10db
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Safe