Songs like Safety by Football, Etc.
Based on a tempo of (+/- 10%) and a similar genre
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Swordfish
Ghost Song
140 bpm • F Maj • 02:42 • -6.58db
15% Popularity • 50% Danceability • 74% Energy • 17% Liveness
2% Instrumentalness • 37% Positiveness
15% Popularity • 50% Danceability • 74% Energy • 17% Liveness
2% Instrumentalness • 37% Positiveness
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Marietta
Chase, I Hardly Know Ya
140 bpm • D Maj • 03:40 • -8.85db
31% Popularity • 38% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
31% Popularity • 38% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Tawny Peaks
With Steps
140 bpm • E min • 04:13 • -6db
9% Popularity • 39% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 39% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Football, Etc.
Safety
140 bpm • A min • 03:47 • -4.69db
30% Popularity • 40% Danceability • 72% Energy • 58% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 40% Danceability • 72% Energy • 58% Liveness
0% Instrumentalness • 14% Positiveness
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Good Sleepy
My Word
140 bpm • A# Maj • 03:30 • -10.22db
20% Popularity • 47% Danceability • 59% Energy • 18% Liveness
49% Instrumentalness • 37% Positiveness
20% Popularity • 47% Danceability • 59% Energy • 18% Liveness
49% Instrumentalness • 37% Positiveness
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empire! empire! (i was a lonely estate)
How to Make Love Stay
140 bpm • F# min • 04:24 • -11.31db
33% Popularity • 58% Danceability • 44% Energy • 8% Liveness
46% Instrumentalness • 9% Positiveness
33% Popularity • 58% Danceability • 44% Energy • 8% Liveness
46% Instrumentalness • 9% Positiveness
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Stars Hollow
You Just Won't Be the Same
140 bpm • G# Maj • 02:35 • -4.55db
21% Popularity • 35% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 35% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Brave Bird
Healthy
140 bpm • A Maj • 04:46 • -8.08db
13% Popularity • 53% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 53% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Dikembe
24 Karats
140 bpm • G Maj • 03:05 • -9.32db
12% Popularity • 45% Danceability • 86% Energy • 58% Liveness
70% Instrumentalness • 60% Positiveness
12% Popularity • 45% Danceability • 86% Energy • 58% Liveness
70% Instrumentalness • 60% Positiveness
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Emo Side Project
A letter
140 bpm • C Maj • 03:30 • -4.2db
14% Popularity • 44% Danceability • 64% Energy • 15% Liveness
10% Instrumentalness • 38% Positiveness
14% Popularity • 44% Danceability • 64% Energy • 15% Liveness
10% Instrumentalness • 38% Positiveness
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Rainer Maria
Tinfoil
140 bpm • F# Maj • 04:55 • -7.44db
27% Popularity • 22% Danceability • 67% Energy • 12% Liveness
22% Instrumentalness • 21% Positiveness
27% Popularity • 22% Danceability • 67% Energy • 12% Liveness
22% Instrumentalness • 21% Positiveness
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Football, Etc.
Sunday
140 bpm • C Maj • 02:43 • -5.91db
11% Popularity • 45% Danceability • 74% Energy • 13% Liveness
41% Instrumentalness • 30% Positiveness
11% Popularity • 45% Danceability • 74% Energy • 13% Liveness
41% Instrumentalness • 30% Positiveness
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Dads
Chewing Ghosts
140 bpm • G Maj • 03:35 • -6.04db
15% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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You Blew It!
Better to Best
140 bpm • F# Maj • 04:30 • -6.9db
22% Popularity • 45% Danceability • 83% Energy • 17% Liveness
18% Instrumentalness • 41% Positiveness
22% Popularity • 45% Danceability • 83% Energy • 17% Liveness
18% Instrumentalness • 41% Positiveness
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CSTVT
Stranger, You Know
140 bpm • F# Maj • 04:49 • -8.49db
21% Popularity • 30% Danceability • 70% Energy • 14% Liveness
30% Instrumentalness • 6% Positiveness
21% Popularity • 30% Danceability • 70% Energy • 14% Liveness
30% Instrumentalness • 6% Positiveness
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Oliver Houston
Holy Toast
141 bpm • A Maj • 03:09 • -6.88db
14% Popularity • 34% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 34% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Marietta
Beater
141 bpm • A Maj • 03:42 • -9.87db
23% Popularity • 34% Danceability • 57% Energy • 20% Liveness
51% Instrumentalness • 22% Positiveness
23% Popularity • 34% Danceability • 57% Energy • 20% Liveness
51% Instrumentalness • 22% Positiveness
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Football, Etc.
Fair
141 bpm • G Maj • 03:04 • -5.96db
4% Popularity • 46% Danceability • 77% Energy • 11% Liveness
24% Instrumentalness • 44% Positiveness
4% Popularity • 46% Danceability • 77% Energy • 11% Liveness
24% Instrumentalness • 44% Positiveness
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Dads
Heavy to the Touch (think about tonight,...
140 bpm • D Maj • 04:18 • -8.19db
14% Popularity • 32% Danceability • 50% Energy • 8% Liveness
22% Instrumentalness • 27% Positiveness
14% Popularity • 32% Danceability • 50% Energy • 8% Liveness
22% Instrumentalness • 27% Positiveness
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Dad Thighs
Going To The Dump To Watch The Bears, Pa...
142 bpm • C Maj • 02:37 • -5.7db
9% Popularity • 42% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 42% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Pity Sex
Drawstring
142 bpm • C Maj • 01:28 • -5.97db
28% Popularity • 57% Danceability • 96% Energy • 37% Liveness
91% Instrumentalness • 90% Positiveness
28% Popularity • 57% Danceability • 96% Energy • 37% Liveness
91% Instrumentalness • 90% Positiveness
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Adventures
Absolution, Warmth Requited
142 bpm • F# Maj • 02:57 • -4.57db
18% Popularity • 50% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 50% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Hightide Hotel
Life Is Precious, and God, and the Bible
138 bpm • A Maj • 02:48 • -7.34db
7% Popularity • 20% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 20% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Football, Etc.
Woodwork
141 bpm • C Maj • 02:38 • -9.22db
3% Popularity • 55% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 56% Positiveness
3% Popularity • 55% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 56% Positiveness
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Dads
If Your Song Title Has The Word "Beach" ...
138 bpm • D Maj • 02:37 • -9.13db
31% Popularity • 50% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 33% Positiveness
31% Popularity • 50% Danceability • 51% Energy • 13% Liveness
2% Instrumentalness • 33% Positiveness
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Perspective, a Lovely Hand to Hold
Thick as Thieves
142 bpm • G# Maj • 01:43 • -5.98db
19% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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I Love Your Lifestyle
Spider Monkey
143 bpm • F# Maj • 03:10 • -11.36db
11% Popularity • 26% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 26% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Marietta
Cinco De Mayo Shit Show
138 bpm • C Maj • 04:31 • -8.9db
45% Popularity • 28% Danceability • 64% Energy • 68% Liveness
2% Instrumentalness • 40% Positiveness
45% Popularity • 28% Danceability • 64% Energy • 68% Liveness
2% Instrumentalness • 40% Positiveness
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Glocca Morra
Theories On Relativity By David Nicholas...
143 bpm • A Maj • 01:44 • -6.48db
34% Popularity • 24% Danceability • 63% Energy • 62% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 24% Danceability • 63% Energy • 62% Liveness
0% Instrumentalness • 60% Positiveness
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Football, Etc.
Overtime
141 bpm • F Maj • 02:57 • -5.43db
2% Popularity • 49% Danceability • 90% Energy • 14% Liveness
6% Instrumentalness • 59% Positiveness
2% Popularity • 49% Danceability • 90% Energy • 14% Liveness
6% Instrumentalness • 59% Positiveness
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Dads
My Crass Patch
143 bpm • B min • 04:16 • -8.18db
13% Popularity • 29% Danceability • 83% Energy • 5% Liveness
29% Instrumentalness • 34% Positiveness
13% Popularity • 29% Danceability • 83% Energy • 5% Liveness
29% Instrumentalness • 34% Positiveness
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Retirement Party
Conclusions
137 bpm • E Maj • 02:37 • -7.92db
15% Popularity • 50% Danceability • 89% Energy • 45% Liveness
4% Instrumentalness • 40% Positiveness
15% Popularity • 50% Danceability • 89% Energy • 45% Liveness
4% Instrumentalness • 40% Positiveness
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Hightide Hotel
Weekends
144 bpm • C Maj • 02:41 • -8.11db
8% Popularity • 22% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 22% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Everyone Everywhere
Fld Ovr
144 bpm • E Maj • 04:59 • -6.73db
15% Popularity • 30% Danceability • 84% Energy • 10% Liveness
3% Instrumentalness • 27% Positiveness
15% Popularity • 30% Danceability • 84% Energy • 10% Liveness
3% Instrumentalness • 27% Positiveness
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You Blew It!
The One with David
144 bpm • G# Maj • 03:19 • -4.9db
23% Popularity • 52% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 52% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Football, Etc.
Advantage
138 bpm • D Maj • 02:52 • -5.02db
2% Popularity • 51% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
2% Popularity • 51% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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Dowsing
Where're Here To Basketball
136 bpm • G Maj • 02:49 • -5.81db
8% Popularity • 46% Danceability • 95% Energy • 40% Liveness
2% Instrumentalness • 50% Positiveness
8% Popularity • 46% Danceability • 95% Energy • 40% Liveness
2% Instrumentalness • 50% Positiveness
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Dikembe
Tony Kukush
144 bpm • E Maj • 02:22 • -7.23db
34% Popularity • 41% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 41% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
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Snowing
Why Am I Not Going Underwater?
145 bpm • A Maj • 02:57 • -8.6db
22% Popularity • 38% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 38% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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The World Is A Beautiful Place & I Am No Longer Afraid To Die
Thanks
145 bpm • C Maj • 01:47 • -7.41db
26% Popularity • 41% Danceability • 87% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
26% Popularity • 41% Danceability • 87% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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You Blew It!
The Fifties
136 bpm • C# Maj • 02:18 • -6.66db
37% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Two Knights
Devonte's Inferno
145 bpm • D Maj • 01:32 • -9.44db
14% Popularity • 33% Danceability • 24% Energy • 19% Liveness
8% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 24% Energy • 19% Liveness
8% Instrumentalness • 14% Positiveness
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Football, Etc.
Halftime
142 bpm • D Maj • 03:37 • -4.66db
7% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 45% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Their / They're / There
572 Cuthbert Blvd
145 bpm • G# Maj • 02:06 • -10.56db
29% Popularity • 59% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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empire! empire! (i was a lonely estate)
Water
145 bpm • G# Maj • 03:10 • -5.84db
16% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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I Love Your Lifestyle
My Yard
135 bpm • E Maj • 02:22 • -4.68db
24% Popularity • 36% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 36% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Brave Bird
The Worst Things Happen to Me
145 bpm • F# Maj • 04:42 • -7.58db
12% Popularity • 32% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 32% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Kittyhawk
Welcome Home
145 bpm • C# Maj • 03:27 • -7.04db
7% Popularity • 42% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 42% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Football, Etc.
Return
138 bpm • C Maj • 04:44 • -8.92db
2% Popularity • 56% Danceability • 46% Energy • 7% Liveness
73% Instrumentalness • 24% Positiveness
2% Popularity • 56% Danceability • 46% Energy • 7% Liveness
73% Instrumentalness • 24% Positiveness
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Short Fictions
Living in Places Like These Can Be Bad f...
135 bpm • G Maj • 03:28 • -6.24db
14% Popularity • 39% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 39% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Dowsing
What Did You Ever Do?
145 bpm • A# Maj • 02:14 • -6.37db
18% Popularity • 45% Danceability • 83% Energy • 11% Liveness
64% Instrumentalness • 71% Positiveness
18% Popularity • 45% Danceability • 83% Energy • 11% Liveness
64% Instrumentalness • 71% Positiveness
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Pity Sex
Flower Girl
145 bpm • A Maj • 03:55 • -3.78db
20% Popularity • 24% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
20% Popularity • 24% Danceability • 61% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Brave Bird
Whittle Down the Days
135 bpm • G Maj • 03:09 • -6.47db
19% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Benton Falls
Sad Like Winter Leaves
134 bpm • G Maj • 05:39 • -9.99db
17% Popularity • 42% Danceability • 61% Energy • 7% Liveness
9% Instrumentalness • 40% Positiveness
17% Popularity • 42% Danceability • 61% Energy • 7% Liveness
9% Instrumentalness • 40% Positiveness
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Football, Etc.
Touchdown (Dance)
142 bpm • F# min • 04:10 • -6.85db
1% Popularity • 35% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
1% Popularity • 35% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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The Gloria Record
A Lull In Traffic
146 bpm • E Maj • 04:05 • -6.68db
21% Popularity • 31% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 31% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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I Love Your Lifestyle
Jazz Nights
146 bpm • E Maj • 01:54 • -4.59db
25% Popularity • 31% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 31% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Charmer
Nurse Joy
146 bpm • C Maj • 02:31 • -5.89db
29% Popularity • 27% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 27% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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CSTVT
When a Movie Is Made in France, It's Cal...
134 bpm • A# Maj • 07:22 • -8.52db
12% Popularity • 32% Danceability • 72% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
12% Popularity • 32% Danceability • 72% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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I'm Glad It's You
Curbside
146 bpm • F# Maj • 03:14 • -6.97db
40% Popularity • 29% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 29% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Football, Etc.
Vision - UKG Remix
137 bpm • G Maj • 04:29 • -6.59db
0% Popularity • 59% Danceability • 88% Energy • 94% Liveness
19% Instrumentalness • 47% Positiveness
0% Popularity • 59% Danceability • 88% Energy • 94% Liveness
19% Instrumentalness • 47% Positiveness
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Joie De Vivre
I Was Sixteen Ten Years Ago
134 bpm • D Maj • 02:34 • -7.11db
12% Popularity • 43% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 43% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Rainer Maria
Rise
134 bpm • B Maj • 04:18 • -11.03db
20% Popularity • 33% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
20% Popularity • 33% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Crash Of Rhinos
Lifewood
133 bpm • C Maj • 03:27 • -7.58db
14% Popularity • 26% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 26% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The World Is A Beautiful Place & I Am No Longer Afraid To Die
Heartbeat in the Brain
147 bpm • E Maj • 05:41 • -7.55db
41% Popularity • 50% Danceability • 67% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
41% Popularity • 50% Danceability • 67% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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Casper Elgin
My Pipes Are Primo Champ
148 bpm • C# Maj • 03:17 • -5.46db
18% Popularity • 27% Danceability • 71% Energy • 25% Liveness
28% Instrumentalness • 31% Positiveness
18% Popularity • 27% Danceability • 71% Energy • 25% Liveness
28% Instrumentalness • 31% Positiveness
► Preview
Football, Etc.
Vision
137 bpm • C Maj • 02:55 • -7.55db
2% Popularity • 51% Danceability • 68% Energy • 38% Liveness
48% Instrumentalness • 50% Positiveness
2% Popularity • 51% Danceability • 68% Energy • 38% Liveness
48% Instrumentalness • 50% Positiveness
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Algernon Cadwallader
Some Kind of Cadwallader
148 bpm • C# min • 02:25 • -6.36db
36% Popularity • 37% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 37% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Hotelier
Discomfort Revisited
148 bpm • G# Maj • 03:59 • -6.48db
35% Popularity • 47% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 47% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Charmer
Roy's Our Boy
133 bpm • C Maj • 02:48 • -5.33db
34% Popularity • 42% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 42% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Secret Stuff
You Make Me Touch Your Hands For Stupid ...
148 bpm • C Maj • 02:57 • -2db
13% Popularity • 38% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 38% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Crash Of Rhinos
Asleep
148 bpm • A min • 07:30 • -8.61db
11% Popularity • 24% Danceability • 86% Energy • 36% Liveness
84% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 86% Energy • 36% Liveness
84% Instrumentalness • 12% Positiveness
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Football, Etc.
Caught Sleeping
144 bpm • A min • 03:16 • -8.02db
2% Popularity • 51% Danceability • 47% Energy • 11% Liveness
41% Instrumentalness • 14% Positiveness
2% Popularity • 51% Danceability • 47% Energy • 11% Liveness
41% Instrumentalness • 14% Positiveness
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You Blew It!
Medal of Honor
148 bpm • C# Maj • 02:52 • -4.28db
31% Popularity • 47% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 47% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Brave Bird
Killer Velocity
148 bpm • D Maj • 02:37 • -5.24db
10% Popularity • 29% Danceability • 88% Energy • 38% Liveness
9% Instrumentalness • 55% Positiveness
10% Popularity • 29% Danceability • 88% Energy • 38% Liveness
9% Instrumentalness • 55% Positiveness
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Dowsing
Wired for Success
132 bpm • F min • 02:13 • -6.6db
14% Popularity • 56% Danceability • 74% Energy • 10% Liveness
5% Instrumentalness • 71% Positiveness
14% Popularity • 56% Danceability • 74% Energy • 10% Liveness
5% Instrumentalness • 71% Positiveness
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Algernon Cadwallader
I Wanna Go to the Beach
132 bpm • D Maj • 02:41 • -6db
23% Popularity • 36% Danceability • 83% Energy • 28% Liveness
10% Instrumentalness • 55% Positiveness
23% Popularity • 36% Danceability • 83% Energy • 28% Liveness
10% Instrumentalness • 55% Positiveness
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Glocca Morra
Broken Cigarettes
132 bpm • E Maj • 03:19 • -7.77db
29% Popularity • 26% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
29% Popularity • 26% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Football, Etc.
Hut 1
144 bpm • C Maj • 03:39 • -6.55db
2% Popularity • 46% Danceability • 73% Energy • 9% Liveness
60% Instrumentalness • 28% Positiveness
2% Popularity • 46% Danceability • 73% Energy • 9% Liveness
60% Instrumentalness • 28% Positiveness
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You Blew It!
The One with Marc
132 bpm • A Maj • 03:14 • -5.94db
21% Popularity • 50% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 50% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Prawn
Runner's Body
149 bpm • F Maj • 04:15 • -4.99db
21% Popularity • 48% Danceability • 97% Energy • 13% Liveness
37% Instrumentalness • 31% Positiveness
21% Popularity • 48% Danceability • 97% Energy • 13% Liveness
37% Instrumentalness • 31% Positiveness
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Adventures
Tension
131 bpm • A Maj • 02:22 • -6.28db
20% Popularity • 54% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 54% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Donovan Wolfington
John Cena
149 bpm • E Maj • 02:37 • -5.74db
9% Popularity • 30% Danceability • 92% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
9% Popularity • 30% Danceability • 92% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
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Glocca Morra
Ya'll Boots Hats? (Die Angry)
149 bpm • A Maj • 02:08 • -7db
44% Popularity • 24% Danceability • 90% Energy • 73% Liveness
2% Instrumentalness • 44% Positiveness
44% Popularity • 24% Danceability • 90% Energy • 73% Liveness
2% Instrumentalness • 44% Positiveness
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Olde Pine
Foreskin Jetpack
132 bpm • A# Maj • 03:14 • -3.96db
15% Popularity • 21% Danceability • 94% Energy • 5% Liveness
10% Instrumentalness • 38% Positiveness
15% Popularity • 21% Danceability • 94% Energy • 5% Liveness
10% Instrumentalness • 38% Positiveness
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Football, Etc.
Goal
145 bpm • C Maj • 03:15 • -7.01db
4% Popularity • 51% Danceability • 60% Energy • 11% Liveness
8% Instrumentalness • 42% Positiveness
4% Popularity • 51% Danceability • 60% Energy • 11% Liveness
8% Instrumentalness • 42% Positiveness
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Oliver Houston
Tom Quad
131 bpm • C# Maj • 03:29 • -5.14db
18% Popularity • 33% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 33% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Joie De Vivre
High School Me Would Have Been Pumped
131 bpm • C# Maj • 02:50 • -6.97db
12% Popularity • 32% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Mineral
Unfinished
131 bpm • D Maj • 06:07 • -6.27db
27% Popularity • 35% Danceability • 80% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 80% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
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Glocca Morra
Why Am I Not Going Under Walter?
131 bpm • F# min • 02:15 • -6.12db
30% Popularity • 35% Danceability • 89% Energy • 19% Liveness
57% Instrumentalness • 59% Positiveness
30% Popularity • 35% Danceability • 89% Energy • 19% Liveness
57% Instrumentalness • 59% Positiveness
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Casper Elgin
Mierzwiak
131 bpm • C# min • 03:35 • -5.02db
18% Popularity • 34% Danceability • 91% Energy • 8% Liveness
5% Instrumentalness • 26% Positiveness
18% Popularity • 34% Danceability • 91% Energy • 8% Liveness
5% Instrumentalness • 26% Positiveness
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Football, Etc.
Blackout
135 bpm • C Maj • 03:10 • -8.5db
2% Popularity • 55% Danceability • 59% Energy • 6% Liveness
65% Instrumentalness • 50% Positiveness
2% Popularity • 55% Danceability • 59% Energy • 6% Liveness
65% Instrumentalness • 50% Positiveness
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CSTVT
Chilsen
131 bpm • A Maj • 03:14 • -11.73db
11% Popularity • 57% Danceability • 46% Energy • 9% Liveness
39% Instrumentalness • 18% Positiveness
11% Popularity • 57% Danceability • 46% Energy • 9% Liveness
39% Instrumentalness • 18% Positiveness
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Marietta
Hawaii 5-0 Noseblunt
150 bpm • D# Maj • 04:07 • -12.06db
22% Popularity • 27% Danceability • 52% Energy • 9% Liveness
21% Instrumentalness • 28% Positiveness
22% Popularity • 27% Danceability • 52% Energy • 9% Liveness
21% Instrumentalness • 28% Positiveness
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Deer Leap
We Are Not Who We Are
131 bpm • A Maj • 04:20 • -7.72db
12% Popularity • 41% Danceability • 57% Energy • 15% Liveness
80% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 57% Energy • 15% Liveness
80% Instrumentalness • 34% Positiveness
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Rainer Maria
Half Past April
150 bpm • B Maj • 04:21 • -10.45db
18% Popularity • 32% Danceability • 42% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
18% Popularity • 32% Danceability • 42% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
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Penfold
M
150 bpm • D Maj • 04:23 • -5.66db
24% Popularity • 26% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 26% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Football, Etc.
Time Out
146 bpm • C Maj • 02:21 • -7.65db
3% Popularity • 40% Danceability • 72% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
3% Popularity • 40% Danceability • 72% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
