Songs like Saint Bernard by Lincoln
Based on a tempo of (+/- 10%) and a similar genre
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chloe moriondo
Bugbear
100 bpm • A# Maj • 02:53 • -10.12db
54% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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dodie
Monster
100 bpm • A Maj • 04:05 • -7.69db
53% Popularity • 83% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 83% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Lemon Demon
A Mask of My Own Face
100 bpm • C Maj • 03:30 • -11.55db
55% Popularity • 81% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
55% Popularity • 81% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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The Scary Jokes
Icicles
100 bpm • B Maj • 03:54 • -9db
45% Popularity • 66% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 66% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 51% Positiveness
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Cavetown
Devil Town
100 bpm • D# Maj • 02:59 • -8.17db
74% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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The Happy Fits
Dirty Imbecile
100 bpm • D# Maj • 03:59 • -10.45db
55% Popularity • 84% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 84% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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WHOKILLEDXIX
spy?
100 bpm • B min • 02:33 • -5.36db
63% Popularity • 87% Danceability • 56% Energy • 10% Liveness
6% Instrumentalness • 65% Positiveness
63% Popularity • 87% Danceability • 56% Energy • 10% Liveness
6% Instrumentalness • 65% Positiveness
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McCafferty
Bottom
100 bpm • F# min • 03:45 • -7.81db
63% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
63% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Shayfer James
For the Departed
100 bpm • F# min • 03:40 • -7.16db
49% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Everybody's Worried About Owen
Solitary Confinement
100 bpm • D Maj • 03:45 • -3.22db
41% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 60% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Ryan McCartan
Meant to Be Yours
100 bpm • F# Maj • 03:25 • -6.92db
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Lincoln
Saint Bernard
100 bpm • C# Maj • 01:43 • -11.01db
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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hey, nothing
i haunt ur dreams
101 bpm • E Maj • 03:36 • -8.23db
54% Popularity • 62% Danceability • 67% Energy • 47% Liveness
1% Instrumentalness • 91% Positiveness
54% Popularity • 62% Danceability • 67% Energy • 47% Liveness
1% Instrumentalness • 91% Positiveness
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Madilyn Mei
The Milk Carton
101 bpm • C# Maj • 05:10 • -9.03db
59% Popularity • 53% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 53% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Lovejoy
It's Golden Hour Somewhere
99 bpm • G# min • 03:24 • -7.53db
54% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Everybody's Worried About Owen
There Are Leeches In Denton Lake
100 bpm • D# Maj • 05:09 • -7.52db
32% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Will Wood
Outliars and Hyppocrates: a fun fact abo...
98 bpm • A min • 04:12 • -6.55db
52% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Destroy Boys
I Threw Glass at My Friend's Eyes and No...
102 bpm • C# min • 02:37 • -5.28db
63% Popularity • 46% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
63% Popularity • 46% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Stauber's Micropop
Two Time
99 bpm • C Maj • 02:19 • -9.64db
64% Popularity • 83% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
64% Popularity • 83% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Autoheart
Lent
102 bpm • D# Maj • 03:13 • -4db
52% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Mitski
Francis Forever
102 bpm • D Maj • 02:29 • -9.17db
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Everybody's Worried About Owen
Screwing In A Lightbulb
101 bpm • C# min • 03:28 • -5db
41% Popularity • 52% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 52% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Tally Hall
The Whole World and You
98 bpm • F Maj • 01:44 • -9.12db
58% Popularity • 78% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 78% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Jhariah
BAD LUCK!
98 bpm • D Maj • 03:33 • -7.44db
50% Popularity • 29% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Teddy Hyde
Vanilla Curls
98 bpm • C Maj • 04:50 • -17db
44% Popularity • 40% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
44% Popularity • 40% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Penelope Scott
Self Care
103 bpm • A Maj • 01:23 • -15.11db
55% Popularity • 74% Danceability • 53% Energy • 24% Liveness
4% Instrumentalness • 35% Positiveness
55% Popularity • 74% Danceability • 53% Energy • 24% Liveness
4% Instrumentalness • 35% Positiveness
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The Frights
Tongues
97 bpm • B Maj • 03:09 • -5.5db
51% Popularity • 26% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 26% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Everybody's Worried About Owen
To: Myself In Colorado
103 bpm • G# Maj • 03:08 • -8.03db
39% Popularity • 48% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 48% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Destroy Boys
Crybaby
97 bpm • C# Maj • 03:10 • -2.49db
62% Popularity • 42% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 42% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Jhariah
Flight of the Crows
98 bpm • C# Maj • 02:38 • -4.97db
58% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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AJJ
Self Esteem
97 bpm • C Maj • 01:36 • -4.78db
41% Popularity • 48% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 48% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mother Mother
Wrecking Ball
97 bpm • G Maj • 03:14 • -4.47db
67% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Will Wood and the Tapeworms
Thermodynamic Lawyer Esq, G.F.D.
104 bpm • C Maj • 03:39 • -3.13db
57% Popularity • 33% Danceability • 94% Energy • 83% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 33% Danceability • 94% Energy • 83% Liveness
0% Instrumentalness • 47% Positiveness
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They Might Be Giants
Stuff Is Way
104 bpm • C Maj • 01:37 • -10.5db
54% Popularity • 87% Danceability • 34% Energy • 16% Liveness
3% Instrumentalness • 50% Positiveness
54% Popularity • 87% Danceability • 34% Energy • 16% Liveness
3% Instrumentalness • 50% Positiveness
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Miniature Tigers
Like or Like Like
96 bpm • D Maj • 02:38 • -5db
66% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Glass Animals
Pork Soda
96 bpm • G Maj • 04:13 • -7.83db
63% Popularity • 70% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 70% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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AJJ
Getting Naked, Playing with Guns
103 bpm • C Maj • 03:18 • -10db
38% Popularity • 69% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 69% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Mother Mother
Problems
104 bpm • C# Maj • 03:27 • -3.65db
66% Popularity • 63% Danceability • 85% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
66% Popularity • 63% Danceability • 85% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
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Sir Chloe
Squaring Up
104 bpm • A# Maj • 03:00 • -7db
55% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
55% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Tally Hall
&
96 bpm • B Maj • 03:14 • -5.12db
62% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
62% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Dazey and the Scouts
Wet
96 bpm • A min • 02:51 • -5.6db
69% Popularity • 51% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
69% Popularity • 51% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
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Rio Romeo
Over & Over
96 bpm • A# Maj • 01:40 • -9db
57% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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FIDLAR
Sober
105 bpm • G Maj • 02:26 • -2.66db
33% Popularity • 60% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Mother Mother
Hayloft
96 bpm • A min • 03:01 • -2.67db
75% Popularity • 53% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 53% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Wilbur Soot
Your New Boyfriend
105 bpm • G Maj • 03:59 • -13.04db
60% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jazmin Bean
Hello Kitty
105 bpm • A min • 02:31 • -5.11db
62% Popularity • 45% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 45% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 11% Positiveness
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The Scary Jokes
Catabolic Seed
105 bpm • F# Maj • 02:34 • -11db
43% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Mad IQs
105 bpm • G# min • 03:02 • -5.07db
54% Popularity • 73% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 73% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 94% Positiveness
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Lemon Demon
Amnesia Was Her Name
105 bpm • G Maj • 04:03 • -11.48db
56% Popularity • 86% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 74% Positiveness
56% Popularity • 86% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 74% Positiveness
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Everybody's Worried About Owen
How Do You Talk To A Star?
105 bpm • E Maj • 03:08 • -9.9db
33% Popularity • 39% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 39% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Crane Wives
Never Love an Anchor
105 bpm • C Maj • 03:48 • -8.2db
57% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Chase Petra
Bildungsroman
105 bpm • F# Maj • 03:53 • -9.63db
31% Popularity • 49% Danceability • 66% Energy • 53% Liveness
22% Instrumentalness • 45% Positiveness
31% Popularity • 49% Danceability • 66% Energy • 53% Liveness
22% Instrumentalness • 45% Positiveness
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The Scary Jokes
Community Gardens
95 bpm • A# Maj • 02:44 • -12db
44% Popularity • 69% Danceability • 31% Energy • 84% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 69% Danceability • 31% Energy • 84% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Stauber's Micropop
Tea Errors
95 bpm • C Maj • 03:50 • -6.38db
57% Popularity • 65% Danceability • 53% Energy • 29% Liveness
3% Instrumentalness • 74% Positiveness
57% Popularity • 65% Danceability • 53% Energy • 29% Liveness
3% Instrumentalness • 74% Positiveness
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The Blake Robinson Synthetic Orchestra
An Unhealthy Obsession
95 bpm • C# min • 02:58 • -9.46db
61% Popularity • 76% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 76% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Teddy Hyde
Tallboys
95 bpm • F Maj • 03:51 • -11.51db
34% Popularity • 74% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Will Wood and the Tapeworms
Cotard's Solution (Anatta, Dukkha, Anicc...
95 bpm • C min • 05:06 • -3.99db
52% Popularity • 22% Danceability • 93% Energy • 58% Liveness
26% Instrumentalness • 42% Positiveness
52% Popularity • 22% Danceability • 93% Energy • 58% Liveness
26% Instrumentalness • 42% Positiveness
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Bo Burnham
Welcome to The Internet
95 bpm • D min • 04:35 • -8.59db
68% Popularity • 66% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
68% Popularity • 66% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Mal Blum
New Year's Eve
106 bpm • G Maj • 06:34 • -9.54db
36% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Destroy Boys
Muzzle
106 bpm • A# Maj • 01:05 • -2.39db
60% Popularity • 38% Danceability • 97% Energy • 28% Liveness
7% Instrumentalness • 55% Positiveness
60% Popularity • 38% Danceability • 97% Energy • 28% Liveness
7% Instrumentalness • 55% Positiveness
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The Crane Wives
The Garden
95 bpm • E min • 04:02 • -8.47db
51% Popularity • 63% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 63% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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Lincoln
Downhill
106 bpm • F Maj • 04:14 • -6.76db
44% Popularity • 52% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 52% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Garneau
Dirty Night Clowns
94 bpm • F Maj • 03:05 • -6.93db
48% Popularity • 81% Danceability • 42% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
48% Popularity • 81% Danceability • 42% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Fish in a Birdcage
Rule #4 - Fish in a Birdcage
106 bpm • F min • 03:01 • -9.6db
64% Popularity • 84% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
64% Popularity • 84% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
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Mitski
Washing Machine Heart
106 bpm • A Maj • 02:08 • -4.09db
83% Popularity • 61% Danceability • 82% Energy • 43% Liveness
51% Instrumentalness • 57% Positiveness
83% Popularity • 61% Danceability • 82% Energy • 43% Liveness
51% Instrumentalness • 57% Positiveness
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Rio Romeo
Fuck It
106 bpm • B Maj • 01:48 • -7.45db
49% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The Brobecks
Visitation Of The Ghost
94 bpm • G min • 04:23 • -9.31db
52% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Lincoln
Handsy
106 bpm • A Maj • 01:35 • -9.38db
20% Popularity • 63% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
20% Popularity • 63% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Lovejoy
Consequences
94 bpm • C# Maj • 03:10 • -4.65db
53% Popularity • 54% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Everybody's Worried About Owen
The Soccer Journals
107 bpm • G Maj • 02:33 • -9db
45% Popularity • 48% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 48% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Disco Inc.
Frankenstein
94 bpm • E Maj • 03:55 • -6db
34% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Chase Petra
Nature vs. Nurture
93 bpm • C Maj • 03:34 • -4.12db
40% Popularity • 57% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 57% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Human Kitten
I Don't Want to Be Sad
93 bpm • A min • 01:48 • -7db
33% Popularity • 49% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 49% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Lincoln
Saint Bernard 2
107 bpm • C Maj • 02:29 • -6.93db
39% Popularity • 26% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 26% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Rio Romeo
Inarticulation
93 bpm • B Maj • 02:43 • -8.04db
62% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Everybody's Worried About Owen
The Soccer Journals
107 bpm • G Maj • 02:46 • -8.81db
36% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Harley Poe
Eat Shit and Die
93 bpm • D min • 05:55 • -6.45db
43% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Wilbur Soot
Saline Solution
107 bpm • A min • 03:18 • -18.13db
54% Popularity • 57% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
54% Popularity • 57% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
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The Stupendium
Vending Machine of Love
93 bpm • A# min • 04:23 • -2.82db
60% Popularity • 71% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 71% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lincoln
Life, The Universe, and Everything
107 bpm • C Maj • 04:06 • -7.53db
20% Popularity • 40% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 40% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Crawlers
Come Over (Again)
93 bpm • D Maj • 04:14 • -7.74db
59% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Adventure Time
Remember You
108 bpm • F Maj • 02:15 • -16.15db
58% Popularity • 37% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
58% Popularity • 37% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Will Wood
The Main Character
108 bpm • C Maj • 04:25 • -4.33db
61% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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The Oozes
Bitchboy
107 bpm • F min • 01:47 • -9.62db
59% Popularity • 63% Danceability • 75% Energy • 84% Liveness
0% Instrumentalness • 80% Positiveness
59% Popularity • 63% Danceability • 75% Energy • 84% Liveness
0% Instrumentalness • 80% Positiveness
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fin
Ship in a Bottle
108 bpm • D Maj • 05:14 • -7.36db
59% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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carpetgarden
Can I Have a Ride Home? I'm at a Party a...
108 bpm • D Maj • 01:51 • -9.37db
49% Popularity • 77% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 77% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Modern Baseball
Re-Do
93 bpm • A Maj • 02:11 • -6db
59% Popularity • 60% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 60% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Mal Blum
Fine!
108 bpm • C Maj • 03:34 • -13.76db
36% Popularity • 68% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 68% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Crane Wives
Allies or Enemies
108 bpm • C Maj • 03:02 • -10.3db
55% Popularity • 54% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 54% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Penelope Scott
Born2Run
108 bpm • G Maj • 02:34 • -14db
50% Popularity • 47% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 47% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Taxpayers
I Love You Like An Alcoholic
108 bpm • E min • 03:35 • -6.49db
66% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
66% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mother Mother
Ghosting
92 bpm • B Maj • 04:45 • -5.1db
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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AJJ
Terrifyer
109 bpm • F Maj • 02:28 • -7db
44% Popularity • 53% Danceability • 87% Energy • 12% Liveness
5% Instrumentalness • 47% Positiveness
44% Popularity • 53% Danceability • 87% Energy • 12% Liveness
5% Instrumentalness • 47% Positiveness
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Mal Blum
Better Go
109 bpm • A# Maj • 03:13 • -7.33db
42% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Pigeon Pit
Nights Like These
92 bpm • D Maj • 02:01 • -13.94db
55% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Insane Clown Posse
My Axe
109 bpm • F# Maj • 03:52 • -4.17db
50% Popularity • 92% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 92% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Jack Stauber
Oh Klahoma
109 bpm • G Maj • 03:05 • -10.22db
70% Popularity • 70% Danceability • 40% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
70% Popularity • 70% Danceability • 40% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
