Songs like Saint Eustache by Raphaël Beau
Based on a tempo of (+/- 10%) and a similar genre
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Martynas
Piano Sonata No. 11 in A, K.331 -"Alla T...
76 bpm • E min • 02:29 • -8.52db
15% Popularity • 81% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 90% Positiveness
15% Popularity • 81% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 90% Positiveness
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Camille Saint-Saëns
Carnaval des Animaux, Aquarium
76 bpm • A min • 02:14 • -19db
19% Popularity • 28% Danceability • 27% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 27% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
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Bruno Coulais
La mort de Lapkha
76 bpm • F min • 03:40 • -14.8db
25% Popularity • 44% Danceability • 37% Energy • 14% Liveness
27% Instrumentalness • 47% Positiveness
25% Popularity • 44% Danceability • 37% Energy • 14% Liveness
27% Instrumentalness • 47% Positiveness
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Mathieu Lamboley
Valse d'Emma
76 bpm • E min • 01:22 • -16.41db
15% Popularity • 36% Danceability • 13% Energy • 19% Liveness
84% Instrumentalness • 38% Positiveness
15% Popularity • 36% Danceability • 13% Energy • 19% Liveness
84% Instrumentalness • 38% Positiveness
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Dick Walter
Mini Andante
76 bpm • F Maj • 01:02 • -16.54db
29% Popularity • 50% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
29% Popularity • 50% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
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Christopher Spelman
Walking Home
77 bpm • A min • 01:14 • -22.13db
38% Popularity • 56% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
38% Popularity • 56% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Ara Malikian
El Vals de Kairo
75 bpm • G Maj • 04:54 • -9.69db
28% Popularity • 37% Danceability • 26% Energy • 10% Liveness
27% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 26% Energy • 10% Liveness
27% Instrumentalness • 26% Positiveness
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Amine Bouhafa
Football Without A Ball
75 bpm • A min • 02:01 • -16db
29% Popularity • 22% Danceability • 22% Energy • 22% Liveness
89% Instrumentalness • 11% Positiveness
29% Popularity • 22% Danceability • 22% Energy • 22% Liveness
89% Instrumentalness • 11% Positiveness
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Philharmonix
Swing On Beethoven
75 bpm • C min • 02:18 • -20.23db
20% Popularity • 47% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
20% Popularity • 47% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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Zhen Chen
Turpan Tango
77 bpm • C min • 03:29 • -12.12db
13% Popularity • 59% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
13% Popularity • 59% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
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Khaled Mouzanar
Zaghloul el Hamam
75 bpm • G min • 02:13 • -16.36db
36% Popularity • 42% Danceability • 11% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
36% Popularity • 42% Danceability • 11% Energy • 10% Liveness
60% Instrumentalness • 7% Positiveness
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Raphaël Beau
Saint Eustache
74 bpm • C Maj • 01:24 • -18.59db
14% Popularity • 42% Danceability • 5% Energy • 12% Liveness
18% Instrumentalness • 5% Positiveness
14% Popularity • 42% Danceability • 5% Energy • 12% Liveness
18% Instrumentalness • 5% Positiveness
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Elliot Goldenthal
Still Life
74 bpm • G min • 01:31 • -25db
35% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 46% Positiveness
35% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 46% Positiveness
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Nonemis
Solitary Meditation
74 bpm • E min • 01:03 • -18.92db
39% Popularity • 16% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
39% Popularity • 16% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Alberto Iglesias
Casa con ventanas y libros
79 bpm • B min • 01:55 • -13.19db
26% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
26% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
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Saycet
Toccata & Fugue in D Minor, BWV 565 - S ...
73 bpm • D min • 01:37 • -16.01db
33% Popularity • 32% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
33% Popularity • 32% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Gabriel Yared
Rearranging Furniture
79 bpm • E min • 02:37 • -19.62db
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Raphaël Beau
Code C4
74 bpm • C min • 01:44 • -24.22db
2% Popularity • 17% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
2% Popularity • 17% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Vincenzo Lamagna
Akram Khan's Giselle (After A. Adam): Ce...
79 bpm • G Maj • 09:13 • -18.08db
14% Popularity • 53% Danceability • 25% Energy • 26% Liveness
56% Instrumentalness • 16% Positiveness
14% Popularity • 53% Danceability • 25% Energy • 26% Liveness
56% Instrumentalness • 16% Positiveness
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Bruno Coulais
Norbu (Cordes)
73 bpm • F min • 01:43 • -24.54db
32% Popularity • 9% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
32% Popularity • 9% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Quartango
Androgyne
79 bpm • A min • 04:29 • -15db
32% Popularity • 21% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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Nicola Piovani
Caro Diario: Il Campo Di Pallone
79 bpm • D min • 01:08 • -20db
49% Popularity • 44% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
49% Popularity • 44% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
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Gabriel Yared
Des orages pour la nuit
79 bpm • G min • 03:17 • -25db
29% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
29% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
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Shigeru Umebayashi
Trishna and Jay II
72 bpm • B min • 03:46 • -18.38db
14% Popularity • 22% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Divan Gattamorta
Aquecimento
80 bpm • D Maj • 04:17 • -18.17db
9% Popularity • 72% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 56% Positiveness
9% Popularity • 72% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 56% Positiveness
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Amine Bouhafa
The Spiritual Dance
73 bpm • D min • 02:39 • -15.2db
26% Popularity • 25% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
26% Popularity • 25% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Oliver Davis
Airborne Dances: I
80 bpm • G min • 02:03 • -17.42db
16% Popularity • 39% Danceability • 25% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
16% Popularity • 39% Danceability • 25% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
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Elliot Goldenthal
Coyacan And Variations
80 bpm • A min • 02:34 • -20.49db
26% Popularity • 24% Danceability • 14% Energy • 19% Liveness
5% Instrumentalness • 8% Positiveness
26% Popularity • 24% Danceability • 14% Energy • 19% Liveness
5% Instrumentalness • 8% Positiveness
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Bruno Coulais
Tinle et l'enfant
72 bpm • F min • 02:26 • -14.85db
21% Popularity • 43% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 43% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Lino Cannavacciuolo
Ca' barbaro
72 bpm • D Maj • 06:01 • -7.85db
13% Popularity • 17% Danceability • 63% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 63% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Alberto Iglesias
Las vecinas
81 bpm • C min • 01:34 • -19.58db
14% Popularity • 44% Danceability • 22% Energy • 8% Liveness
82% Instrumentalness • 38% Positiveness
14% Popularity • 44% Danceability • 22% Energy • 8% Liveness
82% Instrumentalness • 38% Positiveness
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Gabriel Yared
Découverte de Paris
81 bpm • G Maj • 02:13 • -16db
13% Popularity • 29% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
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Maxime Rodriguez
D'Artagnan
81 bpm • D min • 04:57 • -10db
17% Popularity • 21% Danceability • 39% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 39% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
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Paweł Nowak
La Noyée z filmu "Amélia"
82 bpm • G Maj • 02:18 • -12.51db
37% Popularity • 21% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 40% Positiveness
37% Popularity • 21% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 40% Positiveness
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Kevin Sport
Brushes, Two Feel
82 bpm • C Maj • 01:39 • -10.49db
18% Popularity • 79% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
18% Popularity • 79% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
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Nicola Piovani
Palombella Rossa: Le Mamme Ci Asciugavan...
82 bpm • G min • 02:39 • -18db
34% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
34% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Raphaël Beau
Rêves d'amour
70 bpm • G Maj • 03:56 • -16.85db
4% Popularity • 27% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 27% Positiveness
4% Popularity • 27% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 27% Positiveness
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Cirque du Soleil
Reveil
82 bpm • F# min • 03:20 • -11.95db
18% Popularity • 20% Danceability • 37% Energy • 58% Liveness
41% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 37% Energy • 58% Liveness
41% Instrumentalness • 4% Positiveness
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Orchestra Eleni Karaindrou
To Vals - Remastered
83 bpm • F# min • 02:12 • -24.59db
32% Popularity • 44% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
32% Popularity • 44% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
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Oleg Ponomarev
Metel (the Snowstorm): Romance
84 bpm • C min • 03:08 • -9.59db
14% Popularity • 19% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
14% Popularity • 19% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Renaud Garcia-Fons
La demoiselle de Ceret
84 bpm • D min • 01:38 • -13db
43% Popularity • 32% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 39% Positiveness
43% Popularity • 32% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 39% Positiveness
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Nicola Piovani
La Messa E' Finita: Il Valzer Della Cioc...
83 bpm • D min • 02:24 • -21.57db
28% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Raphaël Beau
Face à face
84 bpm • F min • 02:04 • -13.54db
0% Popularity • 37% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
0% Popularity • 37% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Steve Horner
French Toast
69 bpm • F min • 01:31 • -10.61db
33% Popularity • 80% Danceability • 34% Energy • 8% Liveness
73% Instrumentalness • 83% Positiveness
33% Popularity • 80% Danceability • 34% Energy • 8% Liveness
73% Instrumentalness • 83% Positiveness
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Klezmer Juice
Oyfn Pripetshik (On the hearth)
85 bpm • C Maj • 03:52 • -8.45db
18% Popularity • 42% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
18% Popularity • 42% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Paweł Nowak
La Valse d'Ameli z filmu "Amelia"
68 bpm • A min • 02:01 • -14.5db
26% Popularity • 28% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 24% Positiveness
26% Popularity • 28% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 24% Positiveness
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Alessandra Celletti
Erik Satie: Gnossienne N° 1 (Drums & Pi...
85 bpm • F min • 04:04 • -11.88db
18% Popularity • 34% Danceability • 30% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 34% Danceability • 30% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Philip Glass
Japura River
68 bpm • F min • 04:05 • -17db
23% Popularity • 29% Danceability • 28% Energy • 17% Liveness
92% Instrumentalness • 52% Positiveness
23% Popularity • 29% Danceability • 28% Energy • 17% Liveness
92% Instrumentalness • 52% Positiveness
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Raphaël Beau
Little Song For A Big Hug
69 bpm • C Maj • 02:23 • -14.23db
2% Popularity • 58% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
2% Popularity • 58% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Cirque Plume
Some Clouds
85 bpm • G# Maj • 03:46 • -15.06db
13% Popularity • 25% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
13% Popularity • 25% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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Roby Lakatos & his Gipsy Band
Otchi Tchornye
85 bpm • A min • 03:54 • -6.66db
15% Popularity • 38% Danceability • 59% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
15% Popularity • 38% Danceability • 59% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
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Rachel Portman
Three Women - Instrumental
85 bpm • G Maj • 01:01 • -29.18db
45% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
45% Popularity • 48% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Brice Davoli
Timeless Waltz
67 bpm • D min • 01:49 • -11.88db
23% Popularity • 42% Danceability • 36% Energy • 23% Liveness
91% Instrumentalness • 34% Positiveness
23% Popularity • 42% Danceability • 36% Energy • 23% Liveness
91% Instrumentalness • 34% Positiveness
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Les Yeux Noirs
Les duex oiseaux
86 bpm • G min • 04:15 • -15.86db
7% Popularity • 31% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
7% Popularity • 31% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
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Raphaël Beau
Erreur de frappe
84 bpm • F Maj • 01:15 • -23.73db
1% Popularity • 20% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Mathias Duplessy
Comme ça
87 bpm • G min • 02:58 • -7.63db
13% Popularity • 47% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 33% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 33% Positiveness
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Charlie Chaplin
Charlie's Dance
87 bpm • F min • 01:30 • -11.24db
19% Popularity • 48% Danceability • 29% Energy • 14% Liveness
56% Instrumentalness • 37% Positiveness
19% Popularity • 48% Danceability • 29% Energy • 14% Liveness
56% Instrumentalness • 37% Positiveness
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Laurent Aknin
Bienvenue Maxime
88 bpm • C min • 00:58 • -34.41db
35% Popularity • 27% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
35% Popularity • 27% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Angèle Dubeau
The Kiss
87 bpm • C Maj • 02:55 • -15.09db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
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Lino Cannavacciuolo
Se tu m'ami
88 bpm • F min • 03:47 • -13.67db
12% Popularity • 19% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Raphaël Beau
Ça bûche
66 bpm • B Maj • 01:07 • -21.85db
2% Popularity • 20% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Alberto Iglesias
Sábana santa
66 bpm • B min • 01:04 • -24.96db
33% Popularity • 11% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
33% Popularity • 11% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
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Shigeru Umebayashi
On The Lake
88 bpm • C min • 01:53 • -18.4db
21% Popularity • 69% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 38% Positiveness
21% Popularity • 69% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 38% Positiveness
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Karl Jenkins
Concert Grosso for String Orchestra "Pal...
88 bpm • D min • 03:53 • -13.99db
33% Popularity • 43% Danceability • 41% Energy • 15% Liveness
93% Instrumentalness • 47% Positiveness
33% Popularity • 43% Danceability • 41% Energy • 15% Liveness
93% Instrumentalness • 47% Positiveness
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Boris Kovac
Begin for Julia
88 bpm • A# min • 03:55 • -10.87db
16% Popularity • 30% Danceability • 29% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
16% Popularity • 30% Danceability • 29% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Cirque du Soleil
Jeux d'enfants
65 bpm • G min • 02:24 • -9.66db
26% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Elliot Goldenthal
The Journey
89 bpm • A# Maj • 02:56 • -15.01db
31% Popularity • 22% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
31% Popularity • 22% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Vivaldi, De Courson & Le Berre: Il sonno...
89 bpm • E Maj • 04:10 • -13.25db
10% Popularity • 24% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 5% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Klezmer Juice
Librescu Tango
90 bpm • G min • 03:22 • -6.3db
27% Popularity • 50% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 84% Positiveness
27% Popularity • 50% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 84% Positiveness
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Guy Skornik
Know How
90 bpm • C Maj • 02:17 • -13.46db
36% Popularity • 48% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 30% Positiveness
36% Popularity • 48% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 30% Positiveness
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Amen
To Warn the World
90 bpm • E min • 02:30 • -14db
11% Popularity • 52% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
11% Popularity • 52% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Hugues Le Bars
Dérap
90 bpm • A# min • 02:38 • -6.43db
9% Popularity • 83% Danceability • 90% Energy • 6% Liveness
14% Instrumentalness • 86% Positiveness
9% Popularity • 83% Danceability • 90% Energy • 6% Liveness
14% Instrumentalness • 86% Positiveness
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Elisabeth Skornik
Time Machine / Tempo Guisto
90 bpm • C min • 01:24 • -16.44db
44% Popularity • 72% Danceability • 33% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
44% Popularity • 72% Danceability • 33% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Divan Gattamorta
Zabumbazul
90 bpm • A# min • 03:11 • -13.01db
28% Popularity • 80% Danceability • 33% Energy • 8% Liveness
85% Instrumentalness • 47% Positiveness
28% Popularity • 80% Danceability • 33% Energy • 8% Liveness
85% Instrumentalness • 47% Positiveness
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Kerry Muzzey
Architect of the Mind
90 bpm • E min • 04:55 • -9.57db
21% Popularity • 52% Danceability • 55% Energy • 28% Liveness
90% Instrumentalness • 53% Positiveness
21% Popularity • 52% Danceability • 55% Energy • 28% Liveness
90% Instrumentalness • 53% Positiveness
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Cantovano and His Orchestra
George Valentin - The Artist
90 bpm • A min • 02:12 • -8.13db
34% Popularity • 74% Danceability • 42% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
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London Dance Collective
Fives 45
90 bpm • B min • 04:13 • -11.22db
19% Popularity • 76% Danceability • 71% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
19% Popularity • 76% Danceability • 71% Energy • 4% Liveness
93% Instrumentalness • 55% Positiveness
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Laurent Aknin
La dégustation
90 bpm • F min • 00:56 • -29.19db
25% Popularity • 91% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 46% Positiveness
25% Popularity • 91% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 46% Positiveness
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Barcelona Gipsy Klezmer Orchestra
Joseph Joseph - Yossel Yossel
90 bpm • A min • 03:10 • -7.29db
24% Popularity • 65% Danceability • 49% Energy • 7% Liveness
86% Instrumentalness • 46% Positiveness
24% Popularity • 65% Danceability • 49% Energy • 7% Liveness
86% Instrumentalness • 46% Positiveness
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Shigeru Umebayashi
2046 Main Theme
91 bpm • G Maj • 04:41 • -9.26db
31% Popularity • 37% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 27% Positiveness
31% Popularity • 37% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 27% Positiveness
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Vladimir Cosma
Sirba
91 bpm • F Maj • 02:06 • -14db
37% Popularity • 74% Danceability • 47% Energy • 14% Liveness
95% Instrumentalness • 91% Positiveness
37% Popularity • 74% Danceability • 47% Energy • 14% Liveness
95% Instrumentalness • 91% Positiveness
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Luigi Boccherini
Minuet from String Quintet No.1 in E Maj...
91 bpm • A Maj • 03:38 • -27.75db
30% Popularity • 54% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Zbigniew Preisner
Les marionnettes
92 bpm • A min • 02:29 • -23db
40% Popularity • 31% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
40% Popularity • 31% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Laurent Aknin
Un petit aller-retour
92 bpm • E min • 02:02 • -11.9db
39% Popularity • 24% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
39% Popularity • 24% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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David Hirschfelder
The Dressmaker Opening Titles
93 bpm • G min • 03:13 • -18.43db
14% Popularity • 39% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
14% Popularity • 39% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Sophie Solomon
Easy Virtue Tango
93 bpm • A min • 02:41 • -14.86db
16% Popularity • 29% Danceability • 22% Energy • 16% Liveness
8% Instrumentalness • 28% Positiveness
16% Popularity • 29% Danceability • 22% Energy • 16% Liveness
8% Instrumentalness • 28% Positiveness
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Olivier Daviaud
Je veux faire ma Bar Mitsva
93 bpm • G min • 02:10 • -17db
42% Popularity • 33% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
42% Popularity • 33% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Rachel Portman
Passage of Time
94 bpm • E min • 02:32 • -22db
34% Popularity • 41% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 19% Positiveness
34% Popularity • 41% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 19% Positiveness
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Barbatuques
Barbapapa's Groove
94 bpm • C# Maj • 03:17 • -9.32db
27% Popularity • 81% Danceability • 87% Energy • 26% Liveness
55% Instrumentalness • 40% Positiveness
27% Popularity • 81% Danceability • 87% Energy • 26% Liveness
55% Instrumentalness • 40% Positiveness
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Raphaël Beau
Réunion au sommet
94 bpm • F Maj • 02:29 • -25.51db
3% Popularity • 46% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
3% Popularity • 46% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Cirque du Soleil
Vai Vedrai
94 bpm • E min • 04:34 • -11.94db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Chaplin
Lunch Time / Charlie in the Machine
94 bpm • G Maj • 05:26 • -9.39db
3% Popularity • 39% Danceability • 52% Energy • 10% Liveness
76% Instrumentalness • 33% Positiveness
3% Popularity • 39% Danceability • 52% Energy • 10% Liveness
76% Instrumentalness • 33% Positiveness
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John Powell
Assassin’s Tango from "Mr. & Mrs. Smit...
94 bpm • G# Maj • 05:17 • -18.77db
22% Popularity • 59% Danceability • 11% Energy • 5% Liveness
37% Instrumentalness • 19% Positiveness
22% Popularity • 59% Danceability • 11% Energy • 5% Liveness
37% Instrumentalness • 19% Positiveness
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Laurent Aknin
L'étudiante et Monsieur Henri: ouvertur...
94 bpm • C min • 01:13 • -18.53db
56% Popularity • 48% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
56% Popularity • 48% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Marc Perrone
Serenade Valse
95 bpm • A min • 01:02 • -15.98db
32% Popularity • 34% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 34% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Henry Torgue & Serge Houppin
Le Concile des Zoogs
95 bpm • D Maj • 02:51 • -10db
20% Popularity • 87% Danceability • 22% Energy • 10% Liveness
31% Instrumentalness • 82% Positiveness
20% Popularity • 87% Danceability • 22% Energy • 10% Liveness
31% Instrumentalness • 82% Positiveness
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Roby Lakatos
Klezmer Csardas
95 bpm • G min • 04:04 • -9db
13% Popularity • 40% Danceability • 55% Energy • 34% Liveness
43% Instrumentalness • 64% Positiveness
13% Popularity • 40% Danceability • 55% Energy • 34% Liveness
43% Instrumentalness • 64% Positiveness
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Henry Mancini
The Inspector Clouseau Theme
96 bpm • A min • 03:13 • -23.35db
23% Popularity • 86% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
23% Popularity • 86% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness