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Saint Rose
Songs like
Saint Rose
by
Julian Lage
Based on a tempo of (+/- 10%) and a similar genre
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Avishai Cohen
The Things You Tell Me
126 bpm • C Maj • 03:11 • -15.45db
13% Popularity • 55% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Aaron Parks
Attention, Earthlings
126 bpm • C# min • 05:59 • -12db
25% Popularity • 37% Danceability • 59% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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Jeff Parker
Pinecone
126 bpm • G Maj • 04:09 • -21.39db
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Fred Hersch
When I'm Sixty Four
126 bpm • G min • 05:02 • -21.98db
10% Popularity • 56% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Julian Lage
Saint Rose
126 bpm • F Maj • 04:35 • -7.59db
24% Popularity • 63% Danceability • 53% Energy • 10% Liveness
87% Instrumentalness • 87% Positiveness
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Nels Cline
Freesia / The Bond
126 bpm • G Maj • 10:28 • -21.01db
11% Popularity • 40% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Billy Martin
Brother Bru
126 bpm • A min • 03:03 • -6.12db
13% Popularity • 62% Danceability • 68% Energy • 31% Liveness
69% Instrumentalness • 72% Positiveness
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Nubya Garcia
Before Us: In Demerara & Caura [Ms MAURI...
127 bpm • G# Maj • 08:00 • -9.01db
17% Popularity • 46% Danceability • 67% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
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Jamie Saft
Little Harbor
127 bpm • F min • 04:30 • -18.2db
17% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
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Fred Hersch
Down Home
127 bpm • G Maj • 05:54 • -12.41db
11% Popularity • 52% Danceability • 31% Energy • 67% Liveness
92% Instrumentalness • 36% Positiveness
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Matthew Halsall
Colour Yes - Special Edition
127 bpm • A min • 08:41 • -12.47db
31% Popularity • 40% Danceability • 33% Energy • 17% Liveness
89% Instrumentalness • 28% Positiveness
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Julian Lage
The Windup
126 bpm • C Maj • 04:03 • -10.66db
17% Popularity • 52% Danceability • 61% Energy • 8% Liveness
86% Instrumentalness • 56% Positiveness
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Arturo O'Farrill
Dreaming In Lions: How I Love
125 bpm • F# Maj • 04:31 • -12.85db
6% Popularity • 47% Danceability • 60% Energy • 18% Liveness
58% Instrumentalness • 88% Positiveness
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Dave Holland
Bring It Back Home
128 bpm • D# Maj • 05:59 • -21.31db
10% Popularity • 79% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
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Scary Goldings
Hi Ho Silverstein
128 bpm • A# min • 03:10 • -7db
21% Popularity • 62% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 78% Positiveness
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Avishai Cohen
Intertwined
128 bpm • C min • 05:40 • -16db
27% Popularity • 36% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
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Paolo Fresu
Obscene Boundaries
124 bpm • G# Maj • 04:33 • -12.71db
13% Popularity • 76% Danceability • 34% Energy • 9% Liveness
73% Instrumentalness • 58% Positiveness
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Julian Lage
Tributary
124 bpm • G Maj • 05:47 • -16.25db
36% Popularity • 54% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Julius Rodriguez
Where Grace Abounds
128 bpm • C Maj • 04:21 • -17.49db
26% Popularity • 57% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Kris Davis
Brainfeel - Live
124 bpm • C Maj • 07:29 • -20.7db
4% Popularity • 52% Danceability • 28% Energy • 94% Liveness
46% Instrumentalness • 18% Positiveness
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Anthony Wilson
Seasons, A Song Cycle for Guitar Quartet...
124 bpm • A Maj • 07:30 • -16.5db
1% Popularity • 45% Danceability • 34% Energy • 66% Liveness
91% Instrumentalness • 44% Positiveness
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Jeremy Cunningham
The Breaks
123 bpm • A# min • 02:22 • -10.68db
13% Popularity • 46% Danceability • 67% Energy • 36% Liveness
46% Instrumentalness • 32% Positiveness
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Maya Dunietz
Opus 1
129 bpm • C# Maj • 06:17 • -15db
17% Popularity • 44% Danceability • 35% Energy • 15% Liveness
70% Instrumentalness • 22% Positiveness
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Julian Lage
Atlantic Limited
128 bpm • G Maj • 03:51 • -12db
27% Popularity • 59% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Joey Alexander
Remembering
129 bpm • F min • 05:44 • -14.75db
20% Popularity • 40% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 30% Positiveness
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Aaron Parks
Kid
123 bpm • F min • 07:21 • -11db
27% Popularity • 37% Danceability • 68% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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The Bad Plus
You Won't See Me Before I Come Back
129 bpm • A min • 06:26 • -8.34db
17% Popularity • 48% Danceability • 45% Energy • 10% Liveness
36% Instrumentalness • 34% Positiveness
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Adrien Moignard
Three views of a secret
123 bpm • A Maj • 05:16 • -12.46db
12% Popularity • 51% Danceability • 52% Energy • 16% Liveness
52% Instrumentalness • 43% Positiveness
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GoGo Penguin
Open
123 bpm • F min • 04:47 • -11db
30% Popularity • 39% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Julian Lage
General Thunder
128 bpm • A# min • 05:25 • -10.36db
17% Popularity • 61% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
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Matthew Halsall
Me and You - Special Edition
123 bpm • B Maj • 06:44 • -15.97db
27% Popularity • 43% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Anthony Wilson
Seasons, A Song Cycle for Guitar Quartet...
130 bpm • A Maj • 08:23 • -15.79db
1% Popularity • 42% Danceability • 27% Energy • 67% Liveness
88% Instrumentalness • 28% Positiveness
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The Bad Plus
Not Even Close To Far Off
123 bpm • C# Maj • 05:49 • -7.2db
17% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Fred Hersch
Heartland
122 bpm • C Maj • 04:57 • -16.79db
10% Popularity • 45% Danceability • 19% Energy • 68% Liveness
92% Instrumentalness • 16% Positiveness
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Kansas Smitty's
The Carpenter
122 bpm • A Maj • 03:40 • -12.79db
23% Popularity • 66% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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Julian Lage
Familiar Flower
128 bpm • A min • 03:59 • -8db
21% Popularity • 35% Danceability • 74% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Lis Wessberg
The Strip
122 bpm • D min • 04:36 • -15.38db
11% Popularity • 50% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Mark Lockheart
Jagdish
130 bpm • G Maj • 02:27 • -14db
16% Popularity • 50% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Joe Pass
Django
130 bpm • A# min • 03:20 • -15.58db
36% Popularity • 56% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 30% Positiveness
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Joey DeFrancesco
Free
130 bpm • C min • 03:39 • -9.39db
15% Popularity • 54% Danceability • 62% Energy • 11% Liveness
63% Instrumentalness • 60% Positiveness
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Kenny Burrell
Wavy Gravy - Remastered
130 bpm • D min • 05:47 • -13.1db
35% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Julian Lage
Persian Rug
124 bpm • C# min • 02:23 • -7.67db
31% Popularity • 59% Danceability • 45% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
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Medeski, Martin & Wood
Note Bleu
122 bpm • A# min • 03:01 • -10.99db
27% Popularity • 57% Danceability • 58% Energy • 16% Liveness
86% Instrumentalness • 94% Positiveness
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Kit Downes
Sister, Sister
131 bpm • C# Maj • 04:21 • -28db
22% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Ron Carter
595
121 bpm • G Maj • 07:10 • -15.06db
7% Popularity • 46% Danceability • 32% Energy • 15% Liveness
44% Instrumentalness • 24% Positiveness
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Espen Eriksen Trio
Back To Base
131 bpm • D# Maj • 04:30 • -17.32db
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Nicholas Payton
Hangin' in and Jivin'
121 bpm • G# Maj • 07:43 • -10.96db
9% Popularity • 60% Danceability • 42% Energy • 24% Liveness
85% Instrumentalness • 53% Positiveness
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Julian Lage
Word For Word
130 bpm • C min • 03:15 • -11.38db
32% Popularity • 42% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. II
121 bpm • B min • 02:33 • -11.53db
38% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Chris Potter
Ladies Of the Canyon - Bonus
121 bpm • D Maj • 06:42 • -10.55db
12% Popularity • 50% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 21% Positiveness
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Robben Ford
Passaic
131 bpm • C Maj • 06:11 • -10.06db
8% Popularity • 52% Danceability • 52% Energy • 9% Liveness
61% Instrumentalness • 46% Positiveness
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Oded Tzur
Noam
121 bpm • A# Maj • 06:37 • -17.47db
19% Popularity • 29% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
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Chip Wickham
Double Cross
121 bpm • D# Maj • 05:30 • -9.71db
10% Popularity • 56% Danceability • 78% Energy • 19% Liveness
63% Instrumentalness • 68% Positiveness
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Julian Lage
Presley
121 bpm • A Maj • 04:12 • -10.17db
22% Popularity • 47% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Black Art Jazz Collective
Mr. Willis
121 bpm • A# min • 04:16 • -8.57db
10% Popularity • 53% Danceability • 67% Energy • 10% Liveness
84% Instrumentalness • 40% Positiveness
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Aaron Parks
Here
132 bpm • D# Maj • 05:44 • -12db
36% Popularity • 65% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Matthew Stevens
Baron
121 bpm • E min • 02:14 • -8db
24% Popularity • 58% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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The Bad Plus
Sun Wall
132 bpm • A min • 05:17 • -5.61db
18% Popularity • 34% Danceability • 89% Energy • 22% Liveness
85% Instrumentalness • 55% Positiveness
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Donny McCaslin
Stadium Jazz
120 bpm • E Maj • 07:17 • -8.74db
23% Popularity • 44% Danceability • 85% Energy • 24% Liveness
35% Instrumentalness • 26% Positiveness
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Keith Jarrett
'Long As You Know You're Living Yours
132 bpm • F Maj • 06:10 • -14.98db
45% Popularity • 60% Danceability • 38% Energy • 12% Liveness
21% Instrumentalness • 95% Positiveness
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The Dharma Moon Orchestra
Samba for Julio
132 bpm • B min • 06:29 • -6.68db
2% Popularity • 56% Danceability • 68% Energy • 38% Liveness
58% Instrumentalness • 48% Positiveness
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Julian Lage
I’m Getting Sentimental Over You
132 bpm • C Maj • 04:06 • -13.33db
18% Popularity • 47% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Kansas Smitty's
Sunday Davidson
132 bpm • A# min • 05:48 • -8.88db
9% Popularity • 44% Danceability • 63% Energy • 8% Liveness
48% Instrumentalness • 60% Positiveness
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Aaron Parks
The Shadow & The Self
120 bpm • A# min • 07:20 • -14.5db
19% Popularity • 63% Danceability • 29% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Matthew Halsall
Canopy & Stars
120 bpm • F min • 07:51 • -13db
30% Popularity • 66% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Nels Cline
Beam/Spiral
120 bpm • A Maj • 08:48 • -9.67db
9% Popularity • 48% Danceability • 46% Energy • 30% Liveness
61% Instrumentalness • 7% Positiveness
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Brian Blade & The Fellowship Band
Stoner Hill
120 bpm • A min • 03:19 • -12.58db
37% Popularity • 55% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Terence Blanchard
Dark Horse
120 bpm • D Maj • 07:17 • -14.09db
8% Popularity • 52% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
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Joey DeFrancesco
Soul Dancing
120 bpm • A# min • 06:36 • -9.12db
17% Popularity • 66% Danceability • 59% Energy • 14% Liveness
79% Instrumentalness • 54% Positiveness
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Mary Halvorson
With A Little Help From My Friends
120 bpm • A Maj • 03:08 • -13.37db
15% Popularity • 57% Danceability • 38% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
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Delvon Lamarr Organ Trio
Right Place, Right Time
120 bpm • C# Maj • 04:33 • -8.45db
17% Popularity • 61% Danceability • 68% Energy • 37% Liveness
89% Instrumentalness • 97% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
35% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Derrick Hodge
World Go Round
133 bpm • C# Maj • 04:28 • -18db
25% Popularity • 84% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 69% Positiveness
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Melissa Aldana
Los Ojos de Chile
119 bpm • F Maj • 05:41 • -12.85db
10% Popularity • 46% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 37% Positiveness
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Dave Holland Quintet
Prime Directive
119 bpm • C Maj • 07:42 • -17db
14% Popularity • 49% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Julian Lage
Etude
133 bpm • D Maj • 02:27 • -15db
43% Popularity • 43% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Grant Green
'Round About Midnight - Remastered 2002/...
119 bpm • G# Maj • 07:03 • -18.99db
38% Popularity • 57% Danceability • 15% Energy • 11% Liveness
58% Instrumentalness • 26% Positiveness
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Kris Davis
Dolores - Live - Take 2
119 bpm • D Maj • 10:43 • -18.56db
2% Popularity • 39% Danceability • 52% Energy • 96% Liveness
81% Instrumentalness • 50% Positiveness
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Aaron Parks
Unknown
119 bpm • G# Maj • 06:57 • -11.22db
16% Popularity • 56% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Ambrose Akinmusire
Yessss
134 bpm • D Maj • 05:44 • -13.38db
13% Popularity • 37% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Kansas Smitty's
Ganjam
134 bpm • G# Maj • 04:57 • -9.74db
11% Popularity • 49% Danceability • 52% Energy • 32% Liveness
85% Instrumentalness • 27% Positiveness
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Julian Lage
Emily
119 bpm • C Maj • 05:28 • -17.02db
29% Popularity • 45% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 22% Positiveness
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John Abercrombie
Backward Glance
134 bpm • B min • 04:35 • -24.79db
16% Popularity • 36% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Espen Eriksen Trio
1974
134 bpm • D# Maj • 08:42 • -12.03db
13% Popularity • 54% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 24% Positiveness
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Avishai Cohen
Hidden Chamber
134 bpm • A min • 04:42 • -11.99db
14% Popularity • 35% Danceability • 43% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
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Snorre Kirk
Blues Arabesque
118 bpm • C# Maj • 04:40 • -17.56db
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
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Kansas Smitty's
Riders
134 bpm • E min • 04:12 • -12db
25% Popularity • 56% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Johnathan Blake
LLL
118 bpm • D min • 06:10 • -11.53db
11% Popularity • 41% Danceability • 56% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Slowly Rolling Camera
The Afternoon of Human Life
118 bpm • A# min • 07:03 • -10.65db
19% Popularity • 31% Danceability • 63% Energy • 12% Liveness
19% Instrumentalness • 10% Positiveness
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Emily Remler
Daahound
118 bpm • F# Maj • 05:15 • -19.29db
27% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
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Ron Miles
The Rumor
134 bpm • E min • 04:30 • -14db
23% Popularity • 56% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Nate Smith
Street Lamp
118 bpm • F# min • 06:18 • -9db
23% Popularity • 45% Danceability • 64% Energy • 8% Liveness
69% Instrumentalness • 44% Positiveness
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Walter Smith III
Loping
118 bpm • A min • 05:07 • -8.14db
3% Popularity • 52% Danceability • 46% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
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Julian Lage
Heart Is A Drum
135 bpm • D min • 03:31 • -13db
29% Popularity • 45% Danceability • 34% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Avishai Cohen
Videogame
118 bpm • D# Maj • 04:14 • -15.07db
24% Popularity • 37% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Emily Remler
Strollin'
134 bpm • A# min • 05:31 • -19.79db
23% Popularity • 62% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 32% Positiveness
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Aaron Parks
Roadside Distraction
135 bpm • F min • 02:44 • -15db
44% Popularity • 67% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 71% Positiveness
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Avishai Cohen
Honey Fountain
135 bpm • C# min • 04:34 • -14.36db
18% Popularity • 64% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Petter Eldh
EAST CROYDON James Maddren
135 bpm • A# min • 06:22 • -8.66db
17% Popularity • 63% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 68% Positiveness
► Preview
Julian Lage
The Layers
135 bpm • C Maj • 03:43 • -14db
24% Popularity • 62% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Saint Rose