Songs like Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne by Camille Saint-Saëns
Based on a tempo of (+/- 10%) and a similar genre
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Camille Saint-Saëns
Saint-Saëns: Carnival of the Animals, R...
175 bpm • G Maj • 02:49 • -28.78db
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Clare Hammond
Impromptu No. 3 in G-Flat Major, Op.90, ...
175 bpm • F# Maj • 06:25 • -28.49db
27% Popularity • 17% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
34% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen! (...
174 bpm • F Maj • 03:46 • -28db
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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Edward Elgar
Elgar: Salut d'amour, Op. 12
176 bpm • D Maj • 02:47 • -21.63db
20% Popularity • 15% Danceability • 10% Energy • 13% Liveness
29% Instrumentalness • 22% Positiveness
20% Popularity • 15% Danceability • 10% Energy • 13% Liveness
29% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
175 bpm • G Maj • 03:08 • -36.2db
38% Popularity • 8% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
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Stockholm Chamber Duo
Le carnaval des animaux (The Carnival of...
176 bpm • G Maj • 02:53 • -30db
31% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Nora Mercz
Petite Suite No. 1: En bateau (arr. for ...
173 bpm • G Maj • 04:15 • -27.64db
25% Popularity • 16% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
25% Popularity • 16% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Paul Vidal
Carnival of the Animals: XIII. Le Cygne ...
173 bpm • G Maj • 03:25 • -26db
15% Popularity • 13% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
15% Popularity • 13% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Niccolò Paganini
Cantabile, MS 109/Op. 17 (Arr. for Cello...
172 bpm • D Maj • 03:25 • -11.12db
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 62: VI. Frühling...
172 bpm • A Maj • 02:18 • -27db
24% Popularity • 19% Danceability • 4% Energy • 38% Liveness
30% Instrumentalness • 29% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 38% Liveness
30% Instrumentalness • 29% Positiveness
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Philharmonia Slavonica
Brandenburg Concerto No.3 In G Major, 1s...
172 bpm • G Maj • 06:32 • -18.68db
32% Popularity • 37% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 37% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
179 bpm • C min • 05:33 • -30db
17% Popularity • 36% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
17% Popularity • 36% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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George Frideric Handel
Largo from 'Xerxes'
170 bpm • G Maj • 04:11 • -18db
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
34% Popularity • 12% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Franz Liszt
Liebestraum, S. 541, No. 3
170 bpm • G# Maj • 04:54 • -25.34db
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Joseph Hellmesberger, Jr.
Entr'acte-Valse
181 bpm • E Maj • 02:49 • -32.99db
36% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 13% Positiveness
36% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 13% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Mela Tenenbaum
Kreisler Schön Rosmarin: Fritz Kreisler
169 bpm • G Maj • 01:48 • -23db
15% Popularity • 33% Danceability • 19% Energy • 32% Liveness
11% Instrumentalness • 31% Positiveness
15% Popularity • 33% Danceability • 19% Energy • 32% Liveness
11% Instrumentalness • 31% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Anitra's Dan...
168 bpm • E min • 03:22 • -32db
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
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Niccolò Paganini
24 Caprices for Violin, Op. 1, MS. 25: N...
167 bpm • A min • 04:22 • -19.3db
37% Popularity • 38% Danceability • 10% Energy • 5% Liveness
10% Instrumentalness • 46% Positiveness
37% Popularity • 38% Danceability • 10% Energy • 5% Liveness
10% Instrumentalness • 46% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
184 bpm • G Maj • 02:02 • -19.04db
5% Popularity • 31% Danceability • 27% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
5% Popularity • 31% Danceability • 27% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Michael Nyman
The Piano: The Heart Asks Pleasure First
182 bpm • G Maj • 02:16 • -17db
33% Popularity • 14% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 14% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 10 in G Major: Largo
186 bpm • D Maj • 06:37 • -24.47db
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
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Johann Strauss II
Vienna Blood, Op. 354
165 bpm • C Maj • 07:36 • -22.49db
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 12% Positiveness
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Domenico Scarlatti
Sonata in D Major, Kk.430
200 bpm • D Maj • 03:17 • -22.54db
28% Popularity • 48% Danceability • 17% Energy • 14% Liveness
92% Instrumentalness • 72% Positiveness
28% Popularity • 48% Danceability • 17% Energy • 14% Liveness
92% Instrumentalness • 72% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 5 in A...
150 bpm • A min • 03:09 • -23.45db
42% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
42% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
163 bpm • E Maj • 00:39 • -26.45db
3% Popularity • 28% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 28% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
