Songs like Salima's Dance by Roy Hargrove
Based on a tempo of (+/- 10%) and a similar genre
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
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Fred Nardin Trio
Colours
104 bpm • A# min • 04:05 • -9.89db
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
33% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Roy Hargrove
Salima's Dance
104 bpm • C# Maj • 06:52 • -8.3db
13% Popularity • 46% Danceability • 69% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
13% Popularity • 46% Danceability • 69% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
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Roy Hargrove Quintet
When We Were One
105 bpm • F min • 05:54 • -21.52db
15% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
15% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
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Dave Holland Quartet
Processional
104 bpm • C# Maj • 07:16 • -18.16db
12% Popularity • 65% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
12% Popularity • 65% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
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Christian McBride Trio
My Favorite Things
105 bpm • B min • 09:19 • -17.77db
15% Popularity • 40% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 40% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
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Yellowjackets
Inevitable Outcome
105 bpm • C Maj • 05:41 • -9.25db
14% Popularity • 67% Danceability • 73% Energy • 6% Liveness
56% Instrumentalness • 77% Positiveness
14% Popularity • 67% Danceability • 73% Energy • 6% Liveness
56% Instrumentalness • 77% Positiveness
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Ambrose Akinmusire
Henya
103 bpm • E min • 05:21 • -21.87db
12% Popularity • 32% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
12% Popularity • 32% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
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Roy Hargrove
Strasbourg / St. Denis
103 bpm • C# Maj • 04:38 • -10.58db
49% Popularity • 70% Danceability • 44% Energy • 10% Liveness
59% Instrumentalness • 40% Positiveness
49% Popularity • 70% Danceability • 44% Energy • 10% Liveness
59% Instrumentalness • 40% Positiveness
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Lee Morgan
Melancholee - Remastered 2000/Rudy Van G...
105 bpm • F min • 06:14 • -16db
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Horace Silver
Lonely Woman - Remastered 1999/Rudy Van ...
105 bpm • F# Maj • 07:02 • -16db
42% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
42% Popularity • 52% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 13% Positiveness
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Johnny Griffin
The JAMFS Are Coming
105 bpm • G min • 08:57 • -13.76db
0% Popularity • 57% Danceability • 24% Energy • 96% Liveness
38% Instrumentalness • 31% Positiveness
0% Popularity • 57% Danceability • 24% Energy • 96% Liveness
38% Instrumentalness • 31% Positiveness
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Gathering in Jazz
Memory Man
103 bpm • D min • 04:37 • -12.28db
17% Popularity • 45% Danceability • 33% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
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Woody Shaw
There Will Never Be Another You
106 bpm • C min • 06:59 • -14.48db
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 18% Liveness
40% Instrumentalness • 60% Positiveness
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Joran Cariou Trio
Way-Out
102 bpm • G# Maj • 06:28 • -17.76db
10% Popularity • 40% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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The Brecker Brothers
Sozinho (Alone)
106 bpm • D Maj • 07:34 • -13db
10% Popularity • 43% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
10% Popularity • 43% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Joshua Redman Elastic Band
Double Jeopardy
106 bpm • F# min • 04:40 • -6.96db
21% Popularity • 70% Danceability • 51% Energy • 20% Liveness
69% Instrumentalness • 71% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 20% Liveness
69% Instrumentalness • 71% Positiveness
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Cedar Walton
I Mean You
102 bpm • A min • 05:31 • -16.48db
19% Popularity • 59% Danceability • 28% Energy • 26% Liveness
90% Instrumentalness • 44% Positiveness
19% Popularity • 59% Danceability • 28% Energy • 26% Liveness
90% Instrumentalness • 44% Positiveness
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Rayford Griffin
Cherokee
106 bpm • A# min • 06:07 • -10.02db
1% Popularity • 58% Danceability • 70% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
1% Popularity • 58% Danceability • 70% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Roy Hargrove Quintet
Valse Hot
102 bpm • G# Maj • 06:56 • -13.69db
11% Popularity • 45% Danceability • 35% Energy • 29% Liveness
21% Instrumentalness • 54% Positiveness
11% Popularity • 45% Danceability • 35% Energy • 29% Liveness
21% Instrumentalness • 54% Positiveness
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Joe Lovano
The Summary (A Suite For Pops)
106 bpm • G# Maj • 05:16 • -16.81db
9% Popularity • 50% Danceability • 20% Energy • 16% Liveness
36% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 20% Energy • 16% Liveness
36% Instrumentalness • 37% Positiveness
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Dave Glasser
Bye-Yard
106 bpm • F min • 04:45 • -7.52db
1% Popularity • 57% Danceability • 67% Energy • 14% Liveness
15% Instrumentalness • 62% Positiveness
1% Popularity • 57% Danceability • 67% Energy • 14% Liveness
15% Instrumentalness • 62% Positiveness
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Tommy Flanagan Trio
Beat's Up
106 bpm • F min • 04:22 • -11.57db
31% Popularity • 57% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
31% Popularity • 57% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Horace Silver Quintet
Cool Eyes
102 bpm • D# Maj • 05:56 • -9.59db
11% Popularity • 53% Danceability • 44% Energy • 20% Liveness
16% Instrumentalness • 74% Positiveness
11% Popularity • 53% Danceability • 44% Energy • 20% Liveness
16% Instrumentalness • 74% Positiveness
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The RH Factor
Interlude
102 bpm • B min • 00:59 • -13.22db
38% Popularity • 67% Danceability • 66% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
38% Popularity • 67% Danceability • 66% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
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Roy Hargrove Quintet
The Left Side
102 bpm • A Maj • 06:48 • -13.74db
11% Popularity • 44% Danceability • 45% Energy • 97% Liveness
22% Instrumentalness • 38% Positiveness
11% Popularity • 44% Danceability • 45% Energy • 97% Liveness
22% Instrumentalness • 38% Positiveness
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Joel Ross
Ill Relations
102 bpm • F# Maj • 04:52 • -8.69db
11% Popularity • 46% Danceability • 56% Energy • 17% Liveness
73% Instrumentalness • 40% Positiveness
11% Popularity • 46% Danceability • 56% Energy • 17% Liveness
73% Instrumentalness • 40% Positiveness
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Jackie McLean
Blues Function
107 bpm • D# Maj • 07:18 • -13.92db
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Hargrove
Proclamation
101 bpm • F# Maj • 06:12 • -9.76db
13% Popularity • 64% Danceability • 58% Energy • 8% Liveness
41% Instrumentalness • 84% Positiveness
13% Popularity • 64% Danceability • 58% Energy • 8% Liveness
41% Instrumentalness • 84% Positiveness
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Tom Harrell
Autumn In New York
101 bpm • F Maj • 07:49 • -14.08db
13% Popularity • 44% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
13% Popularity • 44% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
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Aaron Parks
Rising Mind
107 bpm • G# Maj • 04:21 • -11.43db
32% Popularity • 32% Danceability • 71% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
32% Popularity • 32% Danceability • 71% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Bud Powell
Polka Dots And Moonbeams - 1994 Remaster
101 bpm • D min • 04:03 • -17.63db
45% Popularity • 56% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Charlie Hunter
Ashby Man
108 bpm • G Maj • 05:27 • -10.57db
12% Popularity • 61% Danceability • 50% Energy • 7% Liveness
70% Instrumentalness • 61% Positiveness
12% Popularity • 61% Danceability • 50% Energy • 7% Liveness
70% Instrumentalness • 61% Positiveness
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Terence Blanchard
On The Verge
108 bpm • G Maj • 08:43 • -9db
9% Popularity • 56% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
9% Popularity • 56% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 53% Positiveness
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Sonny Rollins Quartet
When Your Lover Has Gone
108 bpm • F min • 06:09 • -13.39db
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
30% Popularity • 59% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 40% Positiveness
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Brad Mehldau Trio
Great Day
108 bpm • E min • 05:54 • -15db
21% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
21% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Ravi Coltrane
Marilyn & Tammy
100 bpm • C# Maj • 05:42 • -12.02db
9% Popularity • 43% Danceability • 48% Energy • 12% Liveness
46% Instrumentalness • 25% Positiveness
9% Popularity • 43% Danceability • 48% Energy • 12% Liveness
46% Instrumentalness • 25% Positiveness
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Trichotomy
Chase
108 bpm • G# Maj • 05:02 • -15db
16% Popularity • 67% Danceability • 44% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
16% Popularity • 67% Danceability • 44% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
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Cedar Walton
Off Minor
100 bpm • D Maj • 09:01 • -19.33db
26% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
26% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
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Eric Reed
Martha's Prize
108 bpm • F min • 07:49 • -11.96db
8% Popularity • 50% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
8% Popularity • 50% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
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Joshua Redman Elastic Band
Lonely Woman
108 bpm • D Maj • 06:11 • -10db
13% Popularity • 43% Danceability • 48% Energy • 8% Liveness
32% Instrumentalness • 10% Positiveness
13% Popularity • 43% Danceability • 48% Energy • 8% Liveness
32% Instrumentalness • 10% Positiveness
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Christian McBride Trio
Sand Dune
108 bpm • E min • 09:06 • -17.1db
12% Popularity • 42% Danceability • 25% Energy • 65% Liveness
93% Instrumentalness • 24% Positiveness
12% Popularity • 42% Danceability • 25% Energy • 65% Liveness
93% Instrumentalness • 24% Positiveness
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The RH Factor
Pastor "T"
108 bpm • A min • 05:44 • -10.16db
31% Popularity • 73% Danceability • 62% Energy • 24% Liveness
73% Instrumentalness • 70% Positiveness
31% Popularity • 73% Danceability • 62% Energy • 24% Liveness
73% Instrumentalness • 70% Positiveness
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Ambrose Akinmusire
Ayneh (Campbell)
108 bpm • B min • 01:36 • -28db
26% Popularity • 30% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
26% Popularity • 30% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Troy Roberts
Chiver-Town
100 bpm • F Maj • 02:01 • -9.91db
27% Popularity • 62% Danceability • 42% Energy • 33% Liveness
74% Instrumentalness • 49% Positiveness
27% Popularity • 62% Danceability • 42% Energy • 33% Liveness
74% Instrumentalness • 49% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
30% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Branford Marsalis Quartet
Cianna
100 bpm • D# Maj • 07:32 • -9.44db
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
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Robert Glasper Trio
Think Of One
100 bpm • A# min • 09:11 • -12.05db
18% Popularity • 46% Danceability • 44% Energy • 11% Liveness
72% Instrumentalness • 52% Positiveness
18% Popularity • 46% Danceability • 44% Energy • 11% Liveness
72% Instrumentalness • 52% Positiveness
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Brad Mehldau Trio
Jam
100 bpm • A Maj • 05:26 • -13.52db
20% Popularity • 54% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
20% Popularity • 54% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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Blue Mitchell
Fungii Mama - Remastered 2004/Rudy Van G...
109 bpm • D min • 07:48 • -10.1db
20% Popularity • 64% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
20% Popularity • 64% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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Christian McBride Trio
Fried Pies
109 bpm • D# min • 09:13 • -15.79db
23% Popularity • 53% Danceability • 32% Energy • 68% Liveness
92% Instrumentalness • 54% Positiveness
23% Popularity • 53% Danceability • 32% Energy • 68% Liveness
92% Instrumentalness • 54% Positiveness
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Jeremy Pelt
Watercolors
109 bpm • C# Maj • 05:57 • -16.3db
10% Popularity • 42% Danceability • 26% Energy • 10% Liveness
34% Instrumentalness • 15% Positiveness
10% Popularity • 42% Danceability • 26% Energy • 10% Liveness
34% Instrumentalness • 15% Positiveness
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D'Angelo
Studio Talk / Water Get No Enemy - Instr...
99 bpm • A# min • 13:05 • -10.3db
4% Popularity • 82% Danceability • 66% Energy • 16% Liveness
59% Instrumentalness • 72% Positiveness
4% Popularity • 82% Danceability • 66% Energy • 16% Liveness
59% Instrumentalness • 72% Positiveness
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Greg Osby
Ashes
109 bpm • D Maj • 08:02 • -15.47db
7% Popularity • 44% Danceability • 24% Energy • 10% Liveness
39% Instrumentalness • 23% Positiveness
7% Popularity • 44% Danceability • 24% Energy • 10% Liveness
39% Instrumentalness • 23% Positiveness
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Charles Lloyd Quartet
Caroline, No
109 bpm • C# Maj • 04:02 • -10.95db
24% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
24% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
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Blue Mitchell
Avars
109 bpm • G# Maj • 04:05 • -16db
26% Popularity • 52% Danceability • 24% Energy • 12% Liveness
57% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 24% Energy • 12% Liveness
57% Instrumentalness • 68% Positiveness
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Lee Morgan
Speedball
99 bpm • C# Maj • 05:30 • -10.65db
17% Popularity • 61% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
17% Popularity • 61% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
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Roy Hargrove Quintet
Caryisms
109 bpm • F# Maj • 07:02 • -14.3db
13% Popularity • 58% Danceability • 37% Energy • 15% Liveness
70% Instrumentalness • 52% Positiveness
13% Popularity • 58% Danceability • 37% Energy • 15% Liveness
70% Instrumentalness • 52% Positiveness
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Chad Lefkowitz-Brown
Alone Together
109 bpm • D Maj • 06:05 • -8.36db
9% Popularity • 48% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 48% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Harrell
Remembering Mingus at Music Inn
109 bpm • D Maj • 04:43 • -11.02db
16% Popularity • 53% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
16% Popularity • 53% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 48% Positiveness
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Herbie Hancock
The Sorcerer - Live At Massey Hall / 200...
110 bpm • A Maj • 08:54 • -10.18db
16% Popularity • 52% Danceability • 52% Energy • 96% Liveness
59% Instrumentalness • 36% Positiveness
16% Popularity • 52% Danceability • 52% Energy • 96% Liveness
59% Instrumentalness • 36% Positiveness
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Roy Hargrove
Divine
110 bpm • B min • 05:10 • -17.8db
22% Popularity • 40% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
22% Popularity • 40% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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Lee Morgan
Candy - Rudy Van Gelder Edition / 2007 /...
99 bpm • G min • 07:06 • -7.69db
27% Popularity • 65% Danceability • 64% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
27% Popularity • 65% Danceability • 64% Energy • 7% Liveness
62% Instrumentalness • 65% Positiveness
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Bill Charlap
The Nearness Of You
99 bpm • G Maj • 07:27 • -17.76db
49% Popularity • 38% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
49% Popularity • 38% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
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Branford Marsalis Quartet
In The Crease
110 bpm • F min • 06:46 • -10.08db
10% Popularity • 52% Danceability • 67% Energy • 30% Liveness
90% Instrumentalness • 65% Positiveness
10% Popularity • 52% Danceability • 67% Energy • 30% Liveness
90% Instrumentalness • 65% Positiveness
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McCoy Tyner Trio
Blues for Gwen - 2018 Digitally Remaster...
110 bpm • F min • 04:25 • -17.47db
21% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Cyrus Chestnut
Golliwog's Cakewalk
110 bpm • G min • 05:01 • -18.8db
11% Popularity • 52% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
11% Popularity • 52% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Blue Mitchell
Chick's Tune - Remastered 2004/Rudy Van ...
110 bpm • G# Maj • 09:35 • -10.27db
14% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Roy Hargrove
A Day In Vienna
110 bpm • C Maj • 05:27 • -9.18db
20% Popularity • 55% Danceability • 60% Energy • 25% Liveness
68% Instrumentalness • 41% Positiveness
20% Popularity • 55% Danceability • 60% Energy • 25% Liveness
68% Instrumentalness • 41% Positiveness
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Lee Morgan
Ill Wind
110 bpm • F Maj • 07:59 • -20.14db
29% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
29% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Brian Blade Fellowship
Perceptual
110 bpm • D Maj • 06:28 • -15.32db
17% Popularity • 40% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
17% Popularity • 40% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
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Brad Mehldau Trio
Where Do You Start
98 bpm • C# Maj • 04:06 • -23db
45% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
45% Popularity • 41% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
21% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
21% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Kenny Barron & Dave Holland
Segment
98 bpm • A# min • 05:59 • -23.03db
13% Popularity • 58% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
13% Popularity • 58% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
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Roy Hargrove
I'm Glad There Is You
110 bpm • F Maj • 05:56 • -15.37db
17% Popularity • 30% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
17% Popularity • 30% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Woody Shaw
Organ Grinder
111 bpm • D# Maj • 05:31 • -14.52db
22% Popularity • 43% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
22% Popularity • 43% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Christian McBride Trio
I Have Dreamed
97 bpm • F Maj • 08:27 • -21.2db
36% Popularity • 30% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 30% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Red Garland
I Know Why (And So Do You)
111 bpm • C min • 04:47 • -16.58db
53% Popularity • 53% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
53% Popularity • 53% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Ambrose Akinmusire
As We Fight (Willie Penrose)
111 bpm • C# Maj • 06:23 • -10.03db
14% Popularity • 43% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
14% Popularity • 43% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Christian Scott aTunde Adjuah
Caught Up
112 bpm • A# min • 05:32 • -18.73db
8% Popularity • 48% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
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Roy Hargrove
Pas De Trois
112 bpm • C Maj • 08:39 • -18.57db
7% Popularity • 43% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
7% Popularity • 43% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
35% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
35% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Christian McBride Trio
Easy Walker
111 bpm • A# Maj • 06:42 • -21.2db
13% Popularity • 59% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
13% Popularity • 59% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Joshua Redman Elastic Band
Blowing Changes
97 bpm • C# min • 02:08 • -14.8db
16% Popularity • 29% Danceability • 40% Energy • 19% Liveness
86% Instrumentalness • 31% Positiveness
16% Popularity • 29% Danceability • 40% Energy • 19% Liveness
86% Instrumentalness • 31% Positiveness
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Adam Shulman Sextet
Yeah...So
97 bpm • G# Maj • 05:24 • -9.09db
9% Popularity • 62% Danceability • 48% Energy • 13% Liveness
75% Instrumentalness • 60% Positiveness
9% Popularity • 62% Danceability • 48% Energy • 13% Liveness
75% Instrumentalness • 60% Positiveness
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Roy Hargrove Quintet
Pinocchio
112 bpm • E min • 04:53 • -14.47db
10% Popularity • 48% Danceability • 34% Energy • 26% Liveness
36% Instrumentalness • 39% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 26% Liveness
36% Instrumentalness • 39% Positiveness
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Theo Croker
Roy Allan
112 bpm • G# Maj • 04:53 • -8.32db
10% Popularity • 55% Danceability • 70% Energy • 84% Liveness
37% Instrumentalness • 62% Positiveness
10% Popularity • 55% Danceability • 70% Energy • 84% Liveness
37% Instrumentalness • 62% Positiveness
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Roy Hargrove
Starmaker
112 bpm • G Maj • 07:54 • -13.7db
28% Popularity • 46% Danceability • 26% Energy • 9% Liveness
74% Instrumentalness • 14% Positiveness
28% Popularity • 46% Danceability • 26% Energy • 9% Liveness
74% Instrumentalness • 14% Positiveness
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Billy Childs
Backwards Bop
112 bpm • C# Maj • 06:37 • -10.08db
9% Popularity • 53% Danceability • 68% Energy • 6% Liveness
46% Instrumentalness • 66% Positiveness
9% Popularity • 53% Danceability • 68% Energy • 6% Liveness
46% Instrumentalness • 66% Positiveness
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Horace Silver
Sister Sadie
96 bpm • G Maj • 06:19 • -7.43db
34% Popularity • 54% Danceability • 54% Energy • 16% Liveness
6% Instrumentalness • 50% Positiveness
34% Popularity • 54% Danceability • 54% Energy • 16% Liveness
6% Instrumentalness • 50% Positiveness
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Blue Mitchell
When I Fall In Love
96 bpm • F Maj • 05:40 • -21db
25% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
25% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Wes Montgomery Trio
Jingles
112 bpm • E min • 05:31 • -18.84db
29% Popularity • 40% Danceability • 36% Energy • 24% Liveness
13% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 36% Energy • 24% Liveness
13% Instrumentalness • 34% Positiveness
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Roy Hargrove Quintet
Soppin' The Biscuit
96 bpm • G Maj • 07:58 • -13db
20% Popularity • 56% Danceability • 36% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
20% Popularity • 56% Danceability • 36% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Michael Brecker Quartet
Madame Toulouse
96 bpm • A# Maj • 05:19 • -12.86db
10% Popularity • 53% Danceability • 40% Energy • 10% Liveness
49% Instrumentalness • 71% Positiveness
10% Popularity • 53% Danceability • 40% Energy • 10% Liveness
49% Instrumentalness • 71% Positiveness
