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Sally Goodin'
Songs like
Sally Goodin'
by
Matt Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Fireside Collective
Code Switch
127 bpm • F# min • 03:55 • -10.61db
8% Popularity • 57% Danceability • 57% Energy • 14% Liveness
91% Instrumentalness • 84% Positiveness
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Balsam Range
Just to Satisfy You
127 bpm • B Maj • 02:55 • -8.12db
14% Popularity • 52% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 76% Positiveness
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Liam Purcell & Cane Mill Road
Yellow Line
127 bpm • G Maj • 04:41 • -9.95db
10% Popularity • 68% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Hayes
Sally Goodin'
127 bpm • A Maj • 04:06 • -9.52db
0% Popularity • 53% Danceability • 80% Energy • 9% Liveness
87% Instrumentalness • 91% Positiveness
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Dan Menzone, Wyatt Rice, Rickie Simpkins, Ron Rice, Adam Steffey
Pallet On Your Floor
127 bpm • A Maj • 04:13 • -9.11db
10% Popularity • 62% Danceability • 71% Energy • 32% Liveness
46% Instrumentalness • 80% Positiveness
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East Nash Grass
Nothing Else
127 bpm • G Maj • 03:17 • -11.2db
8% Popularity • 53% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Miles Zurawell
Far Afield
127 bpm • A Maj • 04:51 • -12.22db
6% Popularity • 51% Danceability • 60% Energy • 13% Liveness
98% Instrumentalness • 77% Positiveness
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Balsam Range
Marshall McClain
127 bpm • C Maj • 03:02 • -7.62db
14% Popularity • 62% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Broke Mountain Bluegrass Band
Dark Hollow
127 bpm • C Maj • 02:17 • -8.58db
10% Popularity • 56% Danceability • 59% Energy • 19% Liveness
4% Instrumentalness • 75% Positiveness
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Lonesome Ace Stringband
Country Mile
127 bpm • F Maj • 03:00 • -7.06db
17% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Ransomed Bluegrass
In the Twinkling of an Eye
127 bpm • A Maj • 03:19 • -7.6db
10% Popularity • 60% Danceability • 72% Energy • 28% Liveness
10% Instrumentalness • 92% Positiveness
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Matt Hayes
Someday When I'm Old
128 bpm • G Maj • 02:58 • -13.11db
0% Popularity • 44% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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The Caleb Daugherty Band
Looking for a Cure
126 bpm • A Maj • 03:43 • -5.91db
8% Popularity • 58% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Jason Carter
Highway 52
126 bpm • E Maj • 03:19 • -6.47db
8% Popularity • 61% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Charm City Junction
Let Me Roll
128 bpm • A Maj • 02:09 • -8.74db
13% Popularity • 61% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Rock Creek Revival
White Flowers
126 bpm • G Maj • 02:18 • -6.35db
12% Popularity • 74% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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North Fork Crossing
DLL
128 bpm • C Maj • 04:12 • -8.43db
12% Popularity • 56% Danceability • 68% Energy • 11% Liveness
5% Instrumentalness • 84% Positiveness
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Matt Hayes
Saratoga
128 bpm • E min • 05:25 • -12db
0% Popularity • 45% Danceability • 71% Energy • 11% Liveness
75% Instrumentalness • 66% Positiveness
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Bluegrass at the Crossroads
Start Walking Back
128 bpm • F# min • 02:13 • -8.48db
8% Popularity • 59% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Droze
Cry My Life Away
126 bpm • D Maj • 03:19 • -7.07db
15% Popularity • 65% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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The Rice Menzone Alliance
Lonesome Highway
128 bpm • B Maj • 03:23 • -8.13db
11% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Fireside Collective
Dreams of California
128 bpm • A# Maj • 02:59 • -6.06db
18% Popularity • 77% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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North Fork Crossing
I Wasn't True
128 bpm • G Maj • 03:28 • -9.36db
9% Popularity • 56% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
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Matt Hayes
Pursuit
128 bpm • B Maj • 07:07 • -14.18db
0% Popularity • 69% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
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Carson Peters and Iron Mountain
Falling More And More In Love With You
128 bpm • B Maj • 02:52 • -5.41db
11% Popularity • 64% Danceability • 87% Energy • 30% Liveness
38% Instrumentalness • 96% Positiveness
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East Nash Grass
Why Did You Call
126 bpm • D# Maj • 02:54 • -9.03db
10% Popularity • 54% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Backline
He's The One
126 bpm • A Maj • 03:27 • -5.69db
8% Popularity • 74% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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The Way Down Wanderers
Travis' theme
128 bpm • E min • 02:01 • -7.2db
17% Popularity • 70% Danceability • 87% Energy • 31% Liveness
92% Instrumentalness • 96% Positiveness
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North Fork Crossing
Ode to Steel Creek
126 bpm • D Maj • 06:07 • -14.09db
9% Popularity • 60% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Travelin' McCourys
Runaway Train
128 bpm • C Maj • 04:20 • -5.76db
26% Popularity • 61% Danceability • 79% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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Matt Hayes
Bill Cheatham
126 bpm • A Maj • 03:19 • -9.82db
0% Popularity • 57% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
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Carson Peters and Iron Mountain
All I Ever Loved Was You
128 bpm • B Maj • 03:34 • -6.3db
7% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Wood Box Heroes
Remember This Part
128 bpm • B min • 03:54 • -7.16db
14% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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The Po' Ramblin' Boys
I Like to Hear ‘Em Preach It
128 bpm • C Maj • 03:03 • -8.79db
8% Popularity • 68% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Lonesome Ace Stringband
Lonesome Ace #1
126 bpm • G Maj • 02:52 • -7.96db
19% Popularity • 68% Danceability • 71% Energy • 10% Liveness
14% Instrumentalness • 79% Positiveness
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Volume Five
Restless Heart and a Rambler's Soul
126 bpm • C Maj • 02:33 • -10.37db
15% Popularity • 67% Danceability • 65% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
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Matt Hayes
I'll Never Shed Another Tear
128 bpm • G Maj • 02:59 • -8.57db
0% Popularity • 53% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Fretliners
Dreaming of the Dawn
126 bpm • B min • 03:19 • -10.4db
18% Popularity • 61% Danceability • 51% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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Wyatt Ellis
Sandy Gap
126 bpm • C Maj • 03:31 • -9.78db
12% Popularity • 43% Danceability • 74% Energy • 6% Liveness
92% Instrumentalness • 96% Positiveness
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Michael Prewitt
Tombstone Junction
129 bpm • G Maj • 05:08 • -12.25db
8% Popularity • 47% Danceability • 62% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
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George Jackson
Fire on the Mountain
126 bpm • A Maj • 02:10 • -6.77db
7% Popularity • 50% Danceability • 82% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
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Jim Lauderdale
You Fell Off The Face Of The Earth
125 bpm • A# Maj • 02:51 • -11.09db
11% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Hayes
Whistling Rufus
129 bpm • G Maj • 03:26 • -8.97db
0% Popularity • 49% Danceability • 71% Energy • 12% Liveness
92% Instrumentalness • 94% Positiveness
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The Rice Menzone Alliance
I'll Sail My Ship Alone
125 bpm • A# Maj • 02:16 • -8.03db
12% Popularity • 66% Danceability • 63% Energy • 32% Liveness
2% Instrumentalness • 96% Positiveness
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Stevie O'Connor
Fair Them Hills
125 bpm • D# Maj • 03:06 • -12.52db
19% Popularity • 57% Danceability • 48% Energy • 23% Liveness
6% Instrumentalness • 66% Positiveness
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The Fly Birds
It Ain’t Me Babe
125 bpm • A Maj • 02:33 • -5.9db
13% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The King James Boys
I Can Hear the Savior
125 bpm • E Maj • 02:21 • -6.54db
20% Popularity • 61% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Unspoken Tradition
Carolina and Tennessee
125 bpm • G Maj • 03:31 • -7.82db
9% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Authentic Unlimited
Benfield Line
125 bpm • G Maj • 03:27 • -9.8db
13% Popularity • 64% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 67% Positiveness
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Dan Menzone, Wyatt Rice, Rickie Simpkins, Ron Rice, Adam Steffey
Blue Night
125 bpm • B Maj • 02:43 • -7.66db
10% Popularity • 66% Danceability • 68% Energy • 20% Liveness
7% Instrumentalness • 81% Positiveness
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Brand New Box of Matches
Work All Day Blues
125 bpm • G Maj • 03:55 • -7.66db
11% Popularity • 65% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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John Balch with Jack Pearson
Cotton Chop
125 bpm • D min • 02:48 • -12.19db
9% Popularity • 61% Danceability • 65% Energy • 15% Liveness
90% Instrumentalness • 73% Positiveness
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Amanda Cook
New Star
125 bpm • A# Maj • 04:14 • -11.4db
13% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Wolfpen Branch
Roger's Song
125 bpm • A Maj • 02:09 • -8.08db
8% Popularity • 71% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Tree City Travelers
Pennsyltucky Queen
125 bpm • B Maj • 04:17 • -8.6db
9% Popularity • 60% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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The Lucky Ones
Two-Step Medley
125 bpm • G Maj • 02:36 • -9.82db
15% Popularity • 53% Danceability • 69% Energy • 30% Liveness
7% Instrumentalness • 96% Positiveness
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Jake Eddy
Forked Deer
129 bpm • F Maj • 01:44 • -12.21db
14% Popularity • 35% Danceability • 52% Energy • 18% Liveness
89% Instrumentalness • 95% Positiveness
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Forbes Family
Heaven On My Kness
124 bpm • D Maj • 03:09 • -13.05db
10% Popularity • 57% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Garden Of Delight
Save the Last Dance
130 bpm • E Maj • 01:36 • -8.04db
21% Popularity • 50% Danceability • 45% Energy • 38% Liveness
87% Instrumentalness • 60% Positiveness
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The Price Sisters
Tuel's Landing
124 bpm • G Maj • 03:00 • -6.44db
8% Popularity • 60% Danceability • 75% Energy • 24% Liveness
82% Instrumentalness • 92% Positiveness
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Liam Purcell & Cane Mill Road
Crooked As You Go
130 bpm • D Maj • 02:42 • -10.65db
6% Popularity • 60% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Dan Menzone, Wyatt Rice, Rickie Simpkins, Ron Rice, Adam Steffey
Frostbite
130 bpm • E Maj • 03:41 • -10.7db
9% Popularity • 55% Danceability • 70% Energy • 33% Liveness
93% Instrumentalness • 88% Positiveness
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Nefesh Mountain
Red Staggerwing
124 bpm • D Maj • 04:23 • -5.8db
9% Popularity • 60% Danceability • 85% Energy • 29% Liveness
4% Instrumentalness • 69% Positiveness
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J.R.Leonard
Freeborn Man
130 bpm • A Maj • 03:06 • -7.35db
8% Popularity • 64% Danceability • 83% Energy • 34% Liveness
84% Instrumentalness • 82% Positiveness
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Rebecca Frazier
Make Hay While the Moon Shines
130 bpm • G Maj • 02:51 • -6.77db
26% Popularity • 67% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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The Tennessee Bluegrass Band
Life in the Country
130 bpm • G Maj • 02:30 • -7db
10% Popularity • 58% Danceability • 79% Energy • 43% Liveness
11% Instrumentalness • 78% Positiveness
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Matt Hayes
Surrender
130 bpm • C Maj • 08:29 • -12.23db
0% Popularity • 74% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 2% Positiveness
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Magoo
Sick Dawg
130 bpm • G Maj • 04:03 • -6.04db
8% Popularity • 60% Danceability • 82% Energy • 17% Liveness
89% Instrumentalness • 89% Positiveness
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Authentic Unlimited
Big Wheels
130 bpm • G Maj • 02:55 • -6.68db
16% Popularity • 68% Danceability • 73% Energy • 32% Liveness
7% Instrumentalness • 66% Positiveness
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Blue Highway
Why Did I Wait So Long
124 bpm • G Maj • 02:57 • -7.38db
15% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lineage
Ernest T Grass
130 bpm • A Maj • 03:13 • -9.98db
10% Popularity • 56% Danceability • 80% Energy • 13% Liveness
91% Instrumentalness • 96% Positiveness
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North Fork Crossing
Darlin'
124 bpm • A Maj • 03:34 • -9.69db
10% Popularity • 57% Danceability • 57% Energy • 35% Liveness
1% Instrumentalness • 91% Positiveness
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Matt Hayes
Domain
130 bpm • B Maj • 06:51 • -12.12db
0% Popularity • 64% Danceability • 95% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
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Darren Nicholson
Ain't No Sin
124 bpm • E min • 02:52 • -7.41db
17% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Lori King & Junction 63
Mercy of A Train
124 bpm • B Maj • 03:09 • -8.86db
7% Popularity • 67% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Dan Menzone
Deck Speed
124 bpm • D Maj • 03:33 • -12db
10% Popularity • 61% Danceability • 57% Energy • 23% Liveness
91% Instrumentalness • 95% Positiveness
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The Caleb Daugherty Band
Sing an Old Fashioned Song
124 bpm • G Maj • 03:49 • -9.39db
8% Popularity • 60% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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The Fretliners
Shadows of My Past
130 bpm • E min • 03:09 • -9.4db
14% Popularity • 65% Danceability • 61% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Matt Hayes
You owe me
130 bpm • A Maj • 06:02 • -11.43db
0% Popularity • 79% Danceability • 55% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Full Cord
Rogue River Valley
130 bpm • E Maj • 02:21 • -10.57db
19% Popularity • 51% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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John Lee
Step Out
124 bpm • A# Maj • 03:02 • -5.22db
7% Popularity • 67% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Wyatt Ellis
Whites Creek
130 bpm • E min • 04:56 • -12.15db
11% Popularity • 54% Danceability • 62% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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The Mountain Grass Unit
Where I Land - Audiotree Live version
131 bpm • A min • 03:50 • -6.63db
14% Popularity • 59% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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East Nash Grass
I've Got the Right to Know
124 bpm • G Maj • 02:54 • -9.73db
9% Popularity • 50% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Matt Hayes
Where the Soul of Man Never Dies
130 bpm • E Maj • 04:53 • -12.25db
0% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Fireside Collective
Rainbow in the Dark
123 bpm • E min • 03:45 • -11.19db
9% Popularity • 65% Danceability • 61% Energy • 10% Liveness
40% Instrumentalness • 80% Positiveness
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Kyle Tuttle
Not Quite Spring
131 bpm • G Maj • 02:58 • -7.79db
13% Popularity • 50% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Junior Sisk
These Are They
123 bpm • E Maj • 02:20 • -10.19db
14% Popularity • 67% Danceability • 62% Energy • 29% Liveness
12% Instrumentalness • 76% Positiveness
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Becky Buller
Alone
123 bpm • A# Maj • 04:37 • -14.83db
14% Popularity • 62% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 66% Positiveness
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Justin Moses
Watershed
131 bpm • A min • 02:56 • -12.12db
10% Popularity • 50% Danceability • 47% Energy • 30% Liveness
92% Instrumentalness • 77% Positiveness
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JigJam
The Robin
123 bpm • B Maj • 03:12 • -8.73db
14% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Seth Mulder & Midnight Run
The Mountains Are Calling
123 bpm • E Maj • 03:05 • -5.79db
13% Popularity • 67% Danceability • 61% Energy • 37% Liveness
7% Instrumentalness • 86% Positiveness
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George Jackson
Policeman
123 bpm • A Maj • 02:17 • -6.82db
9% Popularity • 51% Danceability • 77% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
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Broke Mountain Bluegrass Band
Cabin In The Hills
123 bpm • D Maj • 02:43 • -7.27db
13% Popularity • 58% Danceability • 73% Energy • 9% Liveness
16% Instrumentalness • 67% Positiveness
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Volume Five
You Don't Care For Me Enough to Cry
132 bpm • D# Maj • 04:03 • -12.2db
9% Popularity • 64% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Tout
Chicken
122 bpm • F min • 01:58 • -12.56db
27% Popularity • 69% Danceability • 44% Energy • 21% Liveness
29% Instrumentalness • 81% Positiveness
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Carson Peters and Iron Mountain
All The Gold In California
132 bpm • D Maj • 03:11 • -3.91db
8% Popularity • 70% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Blue Highway
Emerson
132 bpm • G Maj • 03:36 • -6.9db
16% Popularity • 52% Danceability • 78% Energy • 31% Liveness
94% Instrumentalness • 72% Positiveness
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Jake Eddy
Liquor Cellar
132 bpm • D Maj • 02:17 • -14.02db
9% Popularity • 44% Danceability • 56% Energy • 25% Liveness
86% Instrumentalness • 98% Positiveness
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Troy Engle
Outrun The Pain
122 bpm • E Maj • 02:50 • -10.55db
8% Popularity • 63% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Sally Goodin'