Songs like Salome, Op. 54, TrV 215 / Scene 3: "Lass mich deinen Mund küssen, Jochanaan!" by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig van Beethoven
String Quartet No. 14 in C Sharp Minor, ...
91 bpm • G# min • 01:52 • -27.76db
25% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
31% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
31% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Richard Strauss
Strauss, R: Don Quixote, Op. 35: Variati...
91 bpm • D# Maj • 02:26 • -19.96db
2% Popularity • 24% Danceability • 24% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
2% Popularity • 24% Danceability • 24% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
91 bpm • A# Maj • 03:23 • -24.69db
10% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620: Overture
90 bpm • D# Maj • 06:41 • -20db
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
52% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus "Letzte Blät...
92 bpm • G Maj • 02:52 • -22db
16% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
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Claude Debussy
Beau soir, L. 6 (L. 84) (Arr. Heifetz fo...
92 bpm • F# min • 02:14 • -28.57db
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
55% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
19% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
89 bpm • C Maj • 10:34 • -16.56db
11% Popularity • 26% Danceability • 25% Energy • 20% Liveness
88% Instrumentalness • 36% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 20% Liveness
88% Instrumentalness • 36% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
21% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
37% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
53% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
53% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Hugo von Hofmannsthal
Elektra: Viii. Die Götter
88 bpm • F# Maj • 08:04 • -25.77db
1% Popularity • 14% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
1% Popularity • 14% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: Brentano Lieder, Op. 68: No....
88 bpm • G Maj • 03:16 • -18.28db
23% Popularity • 41% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
23% Popularity • 41% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Jean Sibelius
Symphony No. 5 in E-Flat Major, Op. 82: ...
94 bpm • G# Maj • 08:01 • -21db
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
42% Popularity • 16% Danceability • 14% Energy • 22% Liveness
92% Instrumentalness • 9% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra: Vi. Was heulst du?
94 bpm • C# Maj • 02:15 • -20.25db
1% Popularity • 29% Danceability • 22% Energy • 83% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 29% Danceability • 22% Energy • 83% Liveness
0% Instrumentalness • 15% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
94 bpm • A min • 13:40 • -18.06db
50% Popularity • 30% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
50% Popularity • 30% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
37% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
37% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
21% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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César Franck
Symphony In D Minor: 2. Allegretto
95 bpm • F# Maj • 09:44 • -26db
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
► Preview
Richard Strauss
Strauss, R: 6 Lieder, Op. 17: No. 2, St�...
94 bpm • F# Maj • 02:34 • -21.09db
15% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
46% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
46% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
► Preview
Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 2, Septemb...
95 bpm • D Maj • 04:25 • -18.72db
1% Popularity • 18% Danceability • 15% Energy • 6% Liveness
10% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 15% Energy • 6% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Gaspard de la nuit, M. 55: III. Scarbo
95 bpm • G# Maj • 09:27 • -24.62db
16% Popularity • 29% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 29% Danceability • 6% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: X. Wenn das rechte Blutopfer…
87 bpm • D# Maj • 04:42 • -22.43db
1% Popularity • 23% Danceability • 21% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 23% Danceability • 21% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Richard Strauss
Ariadne auf Naxos / Prologue: "Ein Augen...
95 bpm • E Maj • 03:48 • -19.1db
8% Popularity • 23% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: Prelude
86 bpm • A Maj • 10:33 • -22.77db
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
25% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
21% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: Don Quixote, Op. 35: Variati...
87 bpm • F# Maj • 08:10 • -20.26db
2% Popularity • 19% Danceability • 14% Energy • 62% Liveness
66% Instrumentalness • 6% Positiveness
2% Popularity • 19% Danceability • 14% Energy • 62% Liveness
66% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
45% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
45% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
96 bpm • G Maj • 01:30 • -19.68db
11% Popularity • 53% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 53% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
86 bpm • F Maj • 03:10 • -34db
30% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
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Claude Debussy
Nocturnes, L. 91: I. Nuages (Arr. by Den...
86 bpm • C Maj • 08:03 • -40.37db
18% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: X. Nacht
86 bpm • A# min • 02:22 • -45db
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
53% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
53% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
14% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
14% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Requiem: III. Tuba Mirum
97 bpm • C# min • 03:26 • -20.62db
32% Popularity • 25% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
32% Popularity • 25% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 2: "Rofr...
96 bpm • F# Maj • 08:19 • -16.15db
0% Popularity • 20% Danceability • 17% Energy • 25% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 17% Energy • 25% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Hugo von Hofmannsthal
Strauss, R: Der Rosenkavalier, Op. 59, A...
97 bpm • D min • 07:25 • -14.22db
1% Popularity • 21% Danceability • 20% Energy • 26% Liveness
89% Instrumentalness • 22% Positiveness
1% Popularity • 21% Danceability • 20% Energy • 26% Liveness
89% Instrumentalness • 22% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: IV. A...
84 bpm • E Maj • 09:35 • -21db
28% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
28% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
