Songs like Salome, Op. 54, TrV 215: Scene 4: Tanz fur mich, Salome (Herodes, Herodias, Salome, Jochanaan) by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: I. Trau...
86 bpm • C# min • 12:52 • -20.8db
42% Popularity • 18% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
42% Popularity • 18% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 3. Alleg...
86 bpm • G Maj • 01:25 • -31db
41% Popularity • 24% Danceability • 2% Energy • 19% Liveness
71% Instrumentalness • 9% Positiveness
41% Popularity • 24% Danceability • 2% Energy • 19% Liveness
71% Instrumentalness • 9% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude
86 bpm • A Maj • 10:33 • -22.77db
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
86 bpm • A# Maj • 01:50 • -12.01db
22% Popularity • 25% Danceability • 24% Energy • 15% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 25% Danceability • 24% Energy • 15% Liveness
98% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • C Maj • 03:09 • -24db
30% Popularity • 38% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
30% Popularity • 38% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
40% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
40% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 13. Roma...
87 bpm • G# Maj • 03:24 • -31db
32% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 9% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 3: "Ist ...
86 bpm • D Maj • 06:40 • -22db
8% Popularity • 17% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Hugo von Hofmannsthal
Elektra: X. Wenn das rechte Blutopfer…
87 bpm • D# Maj • 04:42 • -22.43db
1% Popularity • 23% Danceability • 21% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 23% Danceability • 21% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Richard Strauss
Eine Alpensinfonie: X. Nacht
86 bpm • A# min • 02:22 • -45db
25% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: II. ...
87 bpm • G Maj • 08:42 • -19db
0% Popularity • 13% Danceability • 13% Energy • 21% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 13% Energy • 21% Liveness
10% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
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Richard Strauss
Elektra: Xv. Nun muss es hier von uns ge...
85 bpm • A# min • 02:14 • -21.01db
1% Popularity • 24% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 24% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 11. Alle...
85 bpm • D Maj • 01:01 • -18.87db
41% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
41% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
36% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
36% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Claude Debussy
La mer, L. 109: II. Jeux de vagues
84 bpm • E Maj • 07:05 • -24.21db
33% Popularity • 14% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Hugo von Hofmannsthal
Elektra: Xvi. Wie stark du bist!
85 bpm • D# Maj • 05:04 • -20.2db
0% Popularity • 19% Danceability • 22% Energy • 75% Liveness
4% Instrumentalness • 9% Positiveness
0% Popularity • 19% Danceability • 22% Energy • 75% Liveness
4% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
85 bpm • C Maj • 08:05 • -26.1db
24% Popularity • 12% Danceability • 5% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 5% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Richard Strauss
Ariadne auf Naxos, Op. 60 / Opera: Ein S...
84 bpm • F min • 07:01 • -21.65db
7% Popularity • 19% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Hugo von Hofmannsthal
Elektra: Viii. Die Götter
88 bpm • F# Maj • 08:04 • -25.77db
1% Popularity • 14% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
1% Popularity • 14% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Richard Strauss
Intermezzo, Op. 72, TrV 246: Symphonic I...
84 bpm • G# Maj • 07:57 • -17.13db
8% Popularity • 15% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Hugo von Hofmannsthal
Elektra: Ii. Allein! Weh, ganz allein
83 bpm • A# min • 09:28 • -19.27db
2% Popularity • 25% Danceability • 21% Energy • 43% Liveness
6% Instrumentalness • 4% Positiveness
2% Popularity • 25% Danceability • 21% Energy • 43% Liveness
6% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
13% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
13% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • A# min • 04:05 • -8.21db
34% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
34% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 5. Moder...
83 bpm • C min • 02:32 • -28.97db
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 3: "Du bist verfl...
84 bpm • G# Maj • 05:08 • -15db
12% Popularity • 18% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
La Mer, L.109: 3. Dialogue Of The Wind A...
83 bpm • C# Maj • 07:57 • -20db
15% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: IV. A...
83 bpm • C Maj • 10:50 • -13.36db
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Xviii. Was willst du fremder Me...
83 bpm • A# Maj • 07:07 • -21.28db
0% Popularity • 15% Danceability • 18% Energy • 64% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 18% Energy • 64% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite (1919 Version): Infer...
83 bpm • E min • 03:56 • -13.05db
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
► Preview
Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
42% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Xxv. He! Lichter!
90 bpm • D# Maj • 04:34 • -22.29db
0% Popularity • 22% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 22% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 4: "Sie ist ein U...
89 bpm • A# min • 01:17 • -15db
9% Popularity • 33% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 33% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
82 bpm • D# Maj • 02:41 • -18db
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 2: "Ich will nich...
90 bpm • F# min • 01:41 • -20.09db
14% Popularity • 25% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: II....
90 bpm • E Maj • 03:03 • -21db
20% Popularity • 18% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Strauss: Capriccio, Op. 85: Einleitung
82 bpm • F Maj • 09:37 • -26.14db
15% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Richard Strauss
Arabella, Op. 79, TrV 263: Das war sehr ...
82 bpm • G# min • 08:00 • -15.34db
11% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
11% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloe: Part III: Bacchanale
82 bpm • A# min • 04:44 • -17.44db
23% Popularity • 31% Danceability • 37% Energy • 28% Liveness
73% Instrumentalness • 6% Positiveness
23% Popularity • 31% Danceability • 37% Energy • 28% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
String Quartet No. 14 in C Sharp Minor, ...
91 bpm • G# min • 01:52 • -27.76db
26% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 3: "Er ist schrec...
82 bpm • E Maj • 02:02 • -22.2db
12% Popularity • 29% Danceability • 7% Energy • 28% Liveness
3% Instrumentalness • 5% Positiveness
12% Popularity • 29% Danceability • 7% Energy • 28% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
