Songs like Salome's Tune by Gene Ammons
Based on a tempo of (+/- 10%) and a similar genre
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Gene Ammons
Salome's Tune
66 bpm • F Maj • 04:13 • -14.48db
23% Popularity • 42% Danceability • 13% Energy • 37% Liveness
39% Instrumentalness • 29% Positiveness
23% Popularity • 42% Danceability • 13% Energy • 37% Liveness
39% Instrumentalness • 29% Positiveness
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Art Pepper Quintet
Maybe Next Year
66 bpm • F Maj • 04:21 • -14.58db
23% Popularity • 61% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
23% Popularity • 61% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 26% Positiveness
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Sonny Rollins Quartet
You Don't Know What Love Is
66 bpm • B min • 06:59 • -14.66db
8% Popularity • 60% Danceability • 14% Energy • 26% Liveness
85% Instrumentalness • 20% Positiveness
8% Popularity • 60% Danceability • 14% Energy • 26% Liveness
85% Instrumentalness • 20% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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John Coltrane Quartet
You Don't Know What Love Is
65 bpm • F min • 05:11 • -12db
41% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
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Phil Woods
Hindsight
65 bpm • G# Maj • 06:31 • -19.41db
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
32% Popularity • 43% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Gene Ammons
Little Girl Blue
65 bpm • D# Maj • 04:56 • -18.48db
14% Popularity • 56% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 33% Positiveness
14% Popularity • 56% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 33% Positiveness
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Monty Alexander
Drown in My Own Tears - Live
67 bpm • G Maj • 04:09 • -19.06db
9% Popularity • 46% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Phil Woods Quartet
In Your Own Sweet Way
64 bpm • G# Maj • 08:05 • -8.88db
33% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 29% Positiveness
33% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 29% Positiveness
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Eddie "Lockjaw" Davis
We'll Be Together Again
64 bpm • C Maj • 05:40 • -23db
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
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Big John Patton
Let 'Em Roll
68 bpm • C Maj • 06:48 • -11.02db
35% Popularity • 53% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Lee Konitz Quartet
Memories Of You
68 bpm • F min • 03:10 • -16.7db
19% Popularity • 51% Danceability • 10% Energy • 12% Liveness
18% Instrumentalness • 16% Positiveness
19% Popularity • 51% Danceability • 10% Energy • 12% Liveness
18% Instrumentalness • 16% Positiveness
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Gene Ammons
Street Of Dreams
67 bpm • A Maj • 03:10 • -16.46db
13% Popularity • 64% Danceability • 14% Energy • 8% Liveness
12% Instrumentalness • 37% Positiveness
13% Popularity • 64% Danceability • 14% Energy • 8% Liveness
12% Instrumentalness • 37% Positiveness
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Billy Taylor
Willow Weep for Me
64 bpm • A# min • 03:31 • -15.48db
20% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
20% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Jimmy Heath
Inside Your Heart
63 bpm • G min • 04:50 • -10.46db
9% Popularity • 42% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Frank Morgan
In A Sentimental Mood
63 bpm • F Maj • 04:20 • -22.4db
15% Popularity • 56% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
15% Popularity • 56% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
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Tina Brooks
Everything Happens To Me
69 bpm • C min • 06:10 • -14.89db
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Gene Ammons
Answer Me, My Love
64 bpm • D# Maj • 04:37 • -18.8db
15% Popularity • 41% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
15% Popularity • 41% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Lester Young
I Guess I'll Have To Change My Plan
69 bpm • G min • 09:29 • -14.38db
40% Popularity • 63% Danceability • 13% Energy • 21% Liveness
70% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 13% Energy • 21% Liveness
70% Instrumentalness • 26% Positiveness
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Richie Cole
Moody's Mood '78
69 bpm • C Maj • 03:04 • -7db
9% Popularity • 55% Danceability • 44% Energy • 29% Liveness
3% Instrumentalness • 42% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 29% Liveness
3% Instrumentalness • 42% Positiveness
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Dakota Staton
The Thrill Is Gone
69 bpm • E min • 03:09 • -15db
23% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jeremy Pelt
Always on My Mind
69 bpm • F min • 06:02 • -18.95db
14% Popularity • 47% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
14% Popularity • 47% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Illinois Jacquet
Harlem Nocturne
63 bpm • F min • 04:31 • -17.84db
36% Popularity • 52% Danceability • 6% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
36% Popularity • 52% Danceability • 6% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
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Kenny Drew
Angie
63 bpm • F Maj • 05:38 • -21.85db
25% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
25% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Frank Morgan
Mood Indigo
62 bpm • F Maj • 06:00 • -22db
14% Popularity • 44% Danceability • 4% Energy • 9% Liveness
40% Instrumentalness • 18% Positiveness
14% Popularity • 44% Danceability • 4% Energy • 9% Liveness
40% Instrumentalness • 18% Positiveness
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Johnny Hodges & His Orchestra
Blues-A-Plenty
70 bpm • C# Maj • 03:23 • -15.18db
29% Popularity • 48% Danceability • 14% Energy • 31% Liveness
15% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 14% Energy • 31% Liveness
15% Instrumentalness • 47% Positiveness
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Gene Ammons
Let It Be You
62 bpm • D# Maj • 03:48 • -23.13db
23% Popularity • 58% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
23% Popularity • 58% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
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Eddie "Lockjaw" Davis
Oh Babee
62 bpm • F Maj • 05:33 • -13db
11% Popularity • 49% Danceability • 29% Energy • 24% Liveness
16% Instrumentalness • 18% Positiveness
11% Popularity • 49% Danceability • 29% Energy • 24% Liveness
16% Instrumentalness • 18% Positiveness
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Eric Reed
Everybody Gets the Blues
70 bpm • F# Maj • 03:49 • -20.13db
35% Popularity • 68% Danceability • 13% Energy • 12% Liveness
22% Instrumentalness • 33% Positiveness
35% Popularity • 68% Danceability • 13% Energy • 12% Liveness
22% Instrumentalness • 33% Positiveness
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Russell Malone
Heartstrings
71 bpm • G min • 06:35 • -19.52db
17% Popularity • 50% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
17% Popularity • 50% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
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James Moody
I'm in the Mood for Love
71 bpm • C Maj • 02:52 • -13.37db
26% Popularity • 45% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
26% Popularity • 45% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
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Hank Mobley
I See Your Face Before Me - Remastered
62 bpm • C min • 05:29 • -11.49db
35% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
35% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Don Byas
Old Folks
71 bpm • F Maj • 03:02 • -14db
40% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
40% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
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Gene Ammons
They Say You're Laughing At Me
71 bpm • D# Maj • 03:59 • -14.33db
5% Popularity • 65% Danceability • 12% Energy • 10% Liveness
14% Instrumentalness • 38% Positiveness
5% Popularity • 65% Danceability • 12% Energy • 10% Liveness
14% Instrumentalness • 38% Positiveness
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Eric Reed
Yesterday ~ Yesterdays
61 bpm • C Maj • 06:07 • -22.26db
9% Popularity • 40% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 40% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Frank Morgan
Neil's Blues
71 bpm • F min • 05:11 • -17.53db
8% Popularity • 59% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
8% Popularity • 59% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Jan Harbeck Quartet
Lighter Shades
72 bpm • G min • 05:48 • -13db
19% Popularity • 51% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
19% Popularity • 51% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Red Garland Quintet
What Is There To Say
72 bpm • C min • 05:59 • -12.69db
8% Popularity • 45% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
8% Popularity • 45% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Gene Ammons
It's The Talk Of The Town
61 bpm • D# Maj • 04:14 • -16.82db
10% Popularity • 45% Danceability • 6% Energy • 17% Liveness
18% Instrumentalness • 34% Positiveness
10% Popularity • 45% Danceability • 6% Energy • 17% Liveness
18% Instrumentalness • 34% Positiveness
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Benny Carter
The Midnight Sun Will Never Set
72 bpm • G min • 03:57 • -12db
42% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
42% Popularity • 35% Danceability • 30% Energy • 16% Liveness
6% Instrumentalness • 32% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Duke Jordan
Star Brite
60 bpm • G Maj • 07:48 • -17db
19% Popularity • 54% Danceability • 6% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
19% Popularity • 54% Danceability • 6% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
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Avishai Cohen
Azalea
73 bpm • F Maj • 03:41 • -21.11db
40% Popularity • 50% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
40% Popularity • 50% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Gene Ammons
I'm Glad There Is You
61 bpm • D# Maj • 06:03 • -19.3db
8% Popularity • 48% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 30% Positiveness
8% Popularity • 48% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 30% Positiveness
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Ornette Coleman
The Blessing
73 bpm • E min • 04:46 • -15.89db
27% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Lester Young
It's The Talk Of The Town
73 bpm • G min • 05:39 • -18.33db
14% Popularity • 58% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 22% Positiveness
14% Popularity • 58% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 22% Positiveness
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Frank Morgan
Nearness Of You, The
59 bpm • G min • 05:21 • -21.94db
14% Popularity • 40% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
14% Popularity • 40% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Illinois Jacquet
Imagination
74 bpm • C min • 04:23 • -17.05db
11% Popularity • 54% Danceability • 12% Energy • 14% Liveness
22% Instrumentalness • 36% Positiveness
11% Popularity • 54% Danceability • 12% Energy • 14% Liveness
22% Instrumentalness • 36% Positiveness
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Freddie Redd
Melanie - Digital Remaster/2007
74 bpm • D min • 05:03 • -8.82db
20% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Gene Ammons
But Beautiful
73 bpm • D# Maj • 04:29 • -17.76db
16% Popularity • 48% Danceability • 7% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
16% Popularity • 48% Danceability • 7% Energy • 12% Liveness
80% Instrumentalness • 31% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Eddie "Lockjaw" Davis
Softly Baby
59 bpm • D Maj • 05:59 • -20.4db
9% Popularity • 50% Danceability • 8% Energy • 11% Liveness
50% Instrumentalness • 19% Positiveness
9% Popularity • 50% Danceability • 8% Energy • 11% Liveness
50% Instrumentalness • 19% Positiveness
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Johnny Hodges & His Orchestra
Honey Hill
74 bpm • G min • 04:03 • -14.39db
13% Popularity • 46% Danceability • 14% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
13% Popularity • 46% Danceability • 14% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
36% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
36% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Gene Ammons
My Foolish Heart
74 bpm • C min • 02:46 • -13db
39% Popularity • 31% Danceability • 12% Energy • 16% Liveness
33% Instrumentalness • 26% Positiveness
39% Popularity • 31% Danceability • 12% Energy • 16% Liveness
33% Instrumentalness • 26% Positiveness
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Bennie Green
Sermonette
75 bpm • C Maj • 04:20 • -15.85db
5% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Pete La Roca
Lazy Afternoon - Remastered 2004
58 bpm • F min • 05:32 • -15.51db
40% Popularity • 26% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
40% Popularity • 26% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
37% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
37% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Stanley Turrentine & The Three Sounds
Where Or When - Remastered/2000
75 bpm • G# Maj • 07:01 • -16db
10% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Count Basie Orchestra
Hello
76 bpm • A# min • 04:35 • -17.29db
17% Popularity • 69% Danceability • 15% Energy • 16% Liveness
55% Instrumentalness • 23% Positiveness
17% Popularity • 69% Danceability • 15% Energy • 16% Liveness
55% Instrumentalness • 23% Positiveness
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Gene Ammons
You Go To My Head
74 bpm • F min • 05:56 • -18db
31% Popularity • 61% Danceability • 8% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
31% Popularity • 61% Danceability • 8% Energy • 14% Liveness
36% Instrumentalness • 30% Positiveness
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Johnny Hodges & His Orchestra
Reeling And Rocking
76 bpm • A# Maj • 09:35 • -14.5db
11% Popularity • 61% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 61% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Kenny Drew
Undercurrent - Rudy Van Gelder Edition/2...
76 bpm • D min • 07:18 • -8db
19% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Benny Carter
Body And Soul
76 bpm • A# min • 04:10 • -11db
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 34% Energy • 12% Liveness
75% Instrumentalness • 31% Positiveness
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Stanley Turrentine & The Three Sounds
Strike Up The Band - Remastered/2000
76 bpm • F min • 05:26 • -14.03db
8% Popularity • 55% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 55% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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James Moody
Yesterdays
76 bpm • D min • 04:01 • -14.84db
13% Popularity • 43% Danceability • 22% Energy • 32% Liveness
85% Instrumentalness • 28% Positiveness
13% Popularity • 43% Danceability • 22% Energy • 32% Liveness
85% Instrumentalness • 28% Positiveness
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Lester Young
That's All
77 bpm • G min • 04:38 • -19db
24% Popularity • 46% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 28% Positiveness
24% Popularity • 46% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 28% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
42% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Benny Carter
Blue Star
77 bpm • G# Maj • 05:20 • -10.99db
30% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
30% Popularity • 33% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 30% Positiveness
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Paul Gonsalves
Dukes Place
77 bpm • C Maj • 05:28 • -10.22db
26% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Stanley Turrentine & The Three Sounds
Blue Hour - Remastered/2000
77 bpm • G min • 05:18 • -14.23db
11% Popularity • 67% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 67% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The Three Sounds
I'm Beginning To See The Light
77 bpm • A# min • 02:29 • -13db
15% Popularity • 68% Danceability • 39% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
15% Popularity • 68% Danceability • 39% Energy • 7% Liveness
92% Instrumentalness • 63% Positiveness
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Jimmy Raney
Yesterdays
78 bpm • G# min • 03:03 • -18db
31% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
31% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
43% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Miles Davis Quartet
Miles Ahead
78 bpm • G min • 04:29 • -14.85db
26% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
26% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
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John Lewis
Two Lyric Pieces
78 bpm • F Maj • 06:13 • -20.35db
11% Popularity • 52% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 52% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Stanley Turrentine & The Three Sounds
Blues In The Closet - Remastered/2000
78 bpm • A# Maj • 05:01 • -15db
14% Popularity • 70% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 70% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Hank Mobley
Uh Huh - Remastered 2005
78 bpm • F min • 10:47 • -10.2db
34% Popularity • 60% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 60% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Duke Pearson
After The Rain
78 bpm • C# min • 04:44 • -14.12db
15% Popularity • 29% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 29% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Cliff Jordan
Laconia
79 bpm • A# Maj • 07:06 • -13.78db
13% Popularity • 55% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
13% Popularity • 55% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Eddie "Lockjaw" Davis
Body and Soul
79 bpm • C# Maj • 04:12 • -20db
10% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
10% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Howard Roberts
Terpsichore
80 bpm • C Maj • 05:50 • -19.91db
12% Popularity • 45% Danceability • 8% Energy • 9% Liveness
46% Instrumentalness • 21% Positiveness
12% Popularity • 45% Danceability • 8% Energy • 9% Liveness
46% Instrumentalness • 21% Positiveness
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Brad Mehldau Trio
These Foolish Things (Remind Me of You)
81 bpm • D# Maj • 06:00 • -17.65db
26% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Eddie "Lockjaw" Davis
Comin' Home Baby
81 bpm • C min • 06:01 • -9.75db
9% Popularity • 61% Danceability • 38% Energy • 14% Liveness
64% Instrumentalness • 54% Positiveness
9% Popularity • 61% Danceability • 38% Energy • 14% Liveness
64% Instrumentalness • 54% Positiveness
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Duke Pearson
Ready Rudy?
81 bpm • F Maj • 05:58 • -9.1db
29% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Benny Carter
We Were In Love
81 bpm • F Maj • 04:26 • -11.09db
9% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Frank Morgan
Autumn Leaves
81 bpm • G min • 03:43 • -25.71db
17% Popularity • 41% Danceability • 1% Energy • 17% Liveness
83% Instrumentalness • 43% Positiveness
17% Popularity • 41% Danceability • 1% Energy • 17% Liveness
83% Instrumentalness • 43% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
