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Salut Madame
Songs like
Salut Madame
by
Casar
Based on a tempo of (+/- 10%) and a similar genre
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Ego
District
174 bpm • E min • 02:49 • -5.64db
21% Popularity • 62% Danceability • 84% Energy • 76% Liveness
0% Instrumentalness • 47% Positiveness
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Casar
Salut Madame
175 bpm • F# min • 03:47 • -6.21db
17% Popularity • 73% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Talha
Kein Sidechick
176 bpm • A Maj • 02:46 • -5.96db
13% Popularity • 72% Danceability • 70% Energy • 9% Liveness
13% Instrumentalness • 36% Positiveness
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FAUSTBATAL
Enemies Reloaded
174 bpm • E min • 03:06 • -8.22db
9% Popularity • 69% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Doezis
Katakomben
172 bpm • D Maj • 02:19 • -4.97db
18% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Arab
A.R.A.B
172 bpm • C# Maj • 02:49 • -7db
13% Popularity • 76% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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DONDEGA
Papa hat gesagt
179 bpm • C min • 03:10 • -4.42db
19% Popularity • 62% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Casar
Mama versteh mich
179 bpm • G min • 03:39 • -9.85db
16% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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GRiNGO
Piranhas
170 bpm • C# Maj • 03:15 • -5.62db
27% Popularity • 53% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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DILOMAN
Lo Dilo
180 bpm • B Maj • 02:53 • -5.09db
9% Popularity • 72% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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MRE57
Kafalesh
180 bpm • C# Maj • 02:53 • -8.4db
30% Popularity • 40% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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AK 33
En Masse
180 bpm • D Maj • 02:50 • -5.09db
42% Popularity • 53% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ego
Alcantara
170 bpm • C# Maj • 03:13 • -4.96db
14% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Casar
AUS UND VORBEI
170 bpm • F# min • 02:38 • -7.45db
33% Popularity • 62% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Faroon
Keine Liebe
170 bpm • F# min • 02:49 • -8.11db
42% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Mois
Alo
166 bpm • F# min • 02:30 • -6.37db
19% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cemo
Chile
168 bpm • G# min • 02:52 • -11.43db
20% Popularity • 59% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kilomatik
VON OFFENBACH NORD BIS SÃœD
165 bpm • B min • 02:31 • -5.88db
24% Popularity • 78% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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NK44
Neukölln La Nezo
186 bpm • C# Maj • 02:55 • -5.27db
18% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Casar
Ghetto Kriminal
182 bpm • C# Maj • 02:32 • -4.93db
16% Popularity • 66% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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SadiQ
2006
164 bpm • B Maj • 02:48 • -6db
25% Popularity • 53% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Azan
Mach dir kein Kopf
188 bpm • C# min • 02:51 • -4.99db
15% Popularity • 76% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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O.G.
Bandit
188 bpm • G# min • 03:01 • -6.45db
26% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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MEL
Banana Clip
188 bpm • G Maj • 02:17 • -5.7db
5% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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HK
E.S.G. 2 (Es stand geschrieben 2)
162 bpm • E min • 02:59 • -6.45db
32% Popularity • 75% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Casar
Drück nicht ab
186 bpm • F# Maj • 02:33 • -5.62db
14% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sarhad
Willkommen
190 bpm • G# Maj • 03:00 • -5.38db
32% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Azan
Keine Chance
188 bpm • G# min • 02:56 • -7.4db
41% Popularity • 70% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Brecho
Dinero
190 bpm • A min • 02:46 • -5.66db
8% Popularity • 62% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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DRiBBLA
AMINA
160 bpm • G Maj • 02:25 • -6db
29% Popularity • 74% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Eazim
Racks on Racks
160 bpm • D# min • 02:39 • -9.06db
30% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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DILOMAN
Machbar ist alles
191 bpm • B min • 02:22 • -10db
28% Popularity • 50% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Azero
Von A nach B
160 bpm • C# Maj • 03:12 • -3.31db
17% Popularity • 84% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Undacava
Bring Dich Um
160 bpm • G Maj • 03:18 • -5db
31% Popularity • 69% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kilomatik
KIPPE
160 bpm • E min • 02:38 • -10.87db
13% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Diamant
Trink
192 bpm • A min • 02:39 • -8.97db
21% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Hammad 361
Solange das Geld stimmt
193 bpm • C# Maj • 02:09 • -5.28db
9% Popularity • 52% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Dani
Psycho Krank
158 bpm • C min • 03:04 • -8.53db
14% Popularity • 86% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Azan
Pepsi
158 bpm • G# min • 03:20 • -6.59db
26% Popularity • 78% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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VITO
Unterwegs
159 bpm • C# min • 02:37 • -11.35db
14% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Milano
SLS
158 bpm • F min • 02:28 • -9.92db
31% Popularity • 77% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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AJÉ
Hyaluron
156 bpm • C# Maj • 02:28 • -7.03db
28% Popularity • 79% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Faroon
Burberry
155 bpm • D Maj • 02:41 • -8.11db
34% Popularity • 83% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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De Facto
QNIMM
196 bpm • G# Maj • 03:06 • -7.98db
26% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Albozz
MULA
154 bpm • C# min • 03:14 • -9.03db
26% Popularity • 74% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Eazim
Nike Sandalen
154 bpm • G# min • 02:57 • -8.57db
31% Popularity • 75% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Shiko
Palmen aus Haschisch
154 bpm • A Maj • 02:34 • -5.8db
13% Popularity • 79% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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18 Karat
Narco Trafficante
200 bpm • A# min • 02:36 • -6.18db
30% Popularity • 75% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mstf
Travis Scott
150 bpm • G# Maj • 03:02 • -4.46db
9% Popularity • 80% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Edis
Latina
153 bpm • C Maj • 03:37 • -6.55db
20% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Joker Bra
Killa
150 bpm • B Maj • 02:50 • -3.36db
33% Popularity • 87% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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SEFKAN
La Police
150 bpm • F# min • 02:35 • -9.93db
17% Popularity • 83% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lio
Intensiver
150 bpm • F# min • 01:58 • -9.32db
30% Popularity • 80% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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STK
Stewardess
150 bpm • A Maj • 02:43 • -8.34db
4% Popularity • 76% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mstf
Bugatti Veyron
150 bpm • D# min • 02:41 • -6db
14% Popularity • 90% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Yusuf & Yasin
Liebe und Hass
149 bpm • C# min • 02:51 • -7.1db
22% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Salut Madame