Songs like Salvador Once More by Frank Gambale
Based on a tempo of (+/- 10%) and a similar genre
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Dave LaRue
Bomblast
120 bpm • E min • 03:12 • -10.17db
8% Popularity • 69% Danceability • 63% Energy • 18% Liveness
85% Instrumentalness • 74% Positiveness
8% Popularity • 69% Danceability • 63% Energy • 18% Liveness
85% Instrumentalness • 74% Positiveness
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Gregg Bissonette
Marbles
120 bpm • B min • 06:48 • -7.7db
5% Popularity • 69% Danceability • 74% Energy • 2% Liveness
87% Instrumentalness • 79% Positiveness
5% Popularity • 69% Danceability • 74% Energy • 2% Liveness
87% Instrumentalness • 79% Positiveness
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Allen Hinds
Pedro and Marta
120 bpm • A min • 05:34 • -6.88db
9% Popularity • 45% Danceability • 83% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
9% Popularity • 45% Danceability • 83% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
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Doug Johns
Uum Continue
120 bpm • E Maj • 02:59 • -12.92db
19% Popularity • 74% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
19% Popularity • 74% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
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Gary Willis
Do The Math
120 bpm • G Maj • 04:15 • -10.13db
14% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
14% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
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Cosmosquad
Swink
120 bpm • B Maj • 03:58 • -5.38db
15% Popularity • 66% Danceability • 91% Energy • 61% Liveness
61% Instrumentalness • 60% Positiveness
15% Popularity • 66% Danceability • 91% Energy • 61% Liveness
61% Instrumentalness • 60% Positiveness
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Luca Mantovanelli
Bluex
120 bpm • F min • 05:35 • -8db
23% Popularity • 58% Danceability • 80% Energy • 24% Liveness
73% Instrumentalness • 82% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 24% Liveness
73% Instrumentalness • 82% Positiveness
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Drift Lab
M-I-M-M-A
120 bpm • C Maj • 04:13 • -11.13db
22% Popularity • 58% Danceability • 73% Energy • 34% Liveness
81% Instrumentalness • 63% Positiveness
22% Popularity • 58% Danceability • 73% Energy • 34% Liveness
81% Instrumentalness • 63% Positiveness
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Guthrie Govan
The Cost of Loving
120 bpm • B min • 02:13 • -7.01db
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Cristiano Parato
Midnight Soldier
120 bpm • C# min • 02:40 • -13.59db
31% Popularity • 74% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
31% Popularity • 74% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
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Jeff Kollman
Journey Through Life
120 bpm • F# min • 04:52 • -11.59db
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
18% Popularity • 54% Danceability • 81% Energy • 33% Liveness
87% Instrumentalness • 55% Positiveness
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Adam Nitti
Nine-Eleven
120 bpm • C# Maj • 05:57 • -8.31db
8% Popularity • 57% Danceability • 89% Energy • 6% Liveness
79% Instrumentalness • 47% Positiveness
8% Popularity • 57% Danceability • 89% Energy • 6% Liveness
79% Instrumentalness • 47% Positiveness
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Doug Johns
Just Play
120 bpm • B min • 01:29 • -14db
33% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Drift Lab
King of Nothing
120 bpm • E min • 05:11 • -11db
24% Popularity • 61% Danceability • 71% Energy • 31% Liveness
84% Instrumentalness • 58% Positiveness
24% Popularity • 61% Danceability • 71% Energy • 31% Liveness
84% Instrumentalness • 58% Positiveness
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Chick Corea Elektric Band
Time Track
120 bpm • C# Maj • 05:04 • -13.09db
29% Popularity • 63% Danceability • 48% Energy • 7% Liveness
75% Instrumentalness • 54% Positiveness
29% Popularity • 63% Danceability • 48% Energy • 7% Liveness
75% Instrumentalness • 54% Positiveness
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Greg Howe
Throw Down
120 bpm • A min • 04:25 • -4.31db
19% Popularity • 51% Danceability • 95% Energy • 29% Liveness
80% Instrumentalness • 65% Positiveness
19% Popularity • 51% Danceability • 95% Energy • 29% Liveness
80% Instrumentalness • 65% Positiveness
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Guthrie Govan
Uptown
120 bpm • G Maj • 02:19 • -7.02db
43% Popularity • 55% Danceability • 67% Energy • 9% Liveness
31% Instrumentalness • 61% Positiveness
43% Popularity • 55% Danceability • 67% Energy • 9% Liveness
31% Instrumentalness • 61% Positiveness
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Frank Gambale
Gaudi
120 bpm • F# Maj • 05:51 • -11.23db
6% Popularity • 71% Danceability • 62% Energy • 4% Liveness
90% Instrumentalness • 81% Positiveness
6% Popularity • 71% Danceability • 62% Energy • 4% Liveness
90% Instrumentalness • 81% Positiveness
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Steve Smith
(What Lies) Beyond
120 bpm • C Maj • 07:09 • -8.88db
3% Popularity • 60% Danceability • 62% Energy • 25% Liveness
2% Instrumentalness • 18% Positiveness
3% Popularity • 60% Danceability • 62% Energy • 25% Liveness
2% Instrumentalness • 18% Positiveness
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Allen Hinds
Yonder Hills
120 bpm • A Maj • 04:58 • -5.82db
9% Popularity • 52% Danceability • 86% Energy • 29% Liveness
72% Instrumentalness • 41% Positiveness
9% Popularity • 52% Danceability • 86% Energy • 29% Liveness
72% Instrumentalness • 41% Positiveness
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Adam Nitti
Oakwood
120 bpm • D Maj • 07:47 • -10.16db
9% Popularity • 70% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Mark Lettieri
Big Duck
120 bpm • G Maj • 04:52 • -6.84db
12% Popularity • 55% Danceability • 82% Energy • 15% Liveness
84% Instrumentalness • 74% Positiveness
12% Popularity • 55% Danceability • 82% Energy • 15% Liveness
84% Instrumentalness • 74% Positiveness
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Senri Kawaguchi
The Phoenix
120 bpm • C min • 05:55 • -13.34db
9% Popularity • 37% Danceability • 44% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
9% Popularity • 37% Danceability • 44% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Frank Gambale
Bondi Beach
120 bpm • C# Maj • 04:45 • -12.11db
7% Popularity • 70% Danceability • 61% Energy • 5% Liveness
91% Instrumentalness • 89% Positiveness
7% Popularity • 70% Danceability • 61% Energy • 5% Liveness
91% Instrumentalness • 89% Positiveness
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Virgil Fanny
Pill - Acoustic Version
120 bpm • B Maj • 05:22 • -8.63db
17% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Dave Weckl Band
Mixed Bag
120 bpm • G# Maj • 06:37 • -8.63db
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
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Eric Johnson
East Wes - Instrumental
119 bpm • A Maj • 03:27 • -13.42db
32% Popularity • 60% Danceability • 44% Energy • 32% Liveness
20% Instrumentalness • 58% Positiveness
32% Popularity • 60% Danceability • 44% Energy • 32% Liveness
20% Instrumentalness • 58% Positiveness
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Dave LaRue
Hub City Kid
121 bpm • B min • 06:21 • -9.1db
8% Popularity • 60% Danceability • 72% Energy • 6% Liveness
80% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 72% Energy • 6% Liveness
80% Instrumentalness • 53% Positiveness
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Tal Wilkenfeld
BC
119 bpm • D Maj • 06:21 • -6.25db
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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Frank Gambale
Salvador Once More
120 bpm • A Maj • 09:57 • -14.44db
7% Popularity • 36% Danceability • 59% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
7% Popularity • 36% Danceability • 59% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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Chick Corea Elektric Band
Beneath The Mask
121 bpm • D Maj • 03:33 • -7.14db
28% Popularity • 73% Danceability • 78% Energy • 20% Liveness
74% Instrumentalness • 82% Positiveness
28% Popularity • 73% Danceability • 78% Energy • 20% Liveness
74% Instrumentalness • 82% Positiveness
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John Patitucci
Change Of Season
121 bpm • D Maj • 03:53 • -18.4db
10% Popularity • 43% Danceability • 40% Energy • 11% Liveness
85% Instrumentalness • 38% Positiveness
10% Popularity • 43% Danceability • 40% Energy • 11% Liveness
85% Instrumentalness • 38% Positiveness
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Richie Kotzen
Tilt
121 bpm • D Maj • 05:27 • -6.57db
16% Popularity • 58% Danceability • 94% Energy • 2% Liveness
75% Instrumentalness • 72% Positiveness
16% Popularity • 58% Danceability • 94% Energy • 2% Liveness
75% Instrumentalness • 72% Positiveness
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Return To Forever
Sorceress - Instrumental
119 bpm • A# min • 07:33 • -11.16db
34% Popularity • 42% Danceability • 62% Energy • 21% Liveness
44% Instrumentalness • 72% Positiveness
34% Popularity • 42% Danceability • 62% Energy • 21% Liveness
44% Instrumentalness • 72% Positiveness
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Greg Howe
Jump Start
121 bpm • C# min • 04:42 • -8.37db
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
29% Popularity • 56% Danceability • 92% Energy • 24% Liveness
52% Instrumentalness • 52% Positiveness
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Frank Gambale
Cybernaughts
119 bpm • A# Maj • 06:06 • -8.06db
7% Popularity • 61% Danceability • 71% Energy • 5% Liveness
55% Instrumentalness • 70% Positiveness
7% Popularity • 61% Danceability • 71% Energy • 5% Liveness
55% Instrumentalness • 70% Positiveness
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Steve Smith
The Challenger
121 bpm • A Maj • 06:33 • -9.16db
4% Popularity • 67% Danceability • 80% Energy • 27% Liveness
85% Instrumentalness • 75% Positiveness
4% Popularity • 67% Danceability • 80% Energy • 27% Liveness
85% Instrumentalness • 75% Positiveness
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Tribal Tech
After Hours
119 bpm • E min • 07:23 • -10.29db
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
76% Instrumentalness • 53% Positiveness
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
76% Instrumentalness • 53% Positiveness
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Uzeb
Mister Moe
122 bpm • F# Maj • 04:14 • -14.49db
11% Popularity • 65% Danceability • 81% Energy • 3% Liveness
89% Instrumentalness • 67% Positiveness
11% Popularity • 65% Danceability • 81% Energy • 3% Liveness
89% Instrumentalness • 67% Positiveness
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Cristiano Parato
Benny
118 bpm • G Maj • 03:36 • -4.67db
27% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
27% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
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Jeff Kollman
Shedding Skin
122 bpm • E min • 04:58 • -10.61db
20% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
20% Popularity • 56% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Frank Gambale
Dali
119 bpm • G Maj • 05:58 • -15.47db
5% Popularity • 71% Danceability • 42% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
5% Popularity • 71% Danceability • 42% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Steve Smith
The Spirit of Dundun
121 bpm • E min • 02:32 • -11.63db
17% Popularity • 69% Danceability • 78% Energy • 13% Liveness
93% Instrumentalness • 68% Positiveness
17% Popularity • 69% Danceability • 78% Energy • 13% Liveness
93% Instrumentalness • 68% Positiveness
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Gary Willis
Hipmotize
118 bpm • D min • 05:29 • -13.37db
19% Popularity • 56% Danceability • 45% Energy • 12% Liveness
67% Instrumentalness • 30% Positiveness
19% Popularity • 56% Danceability • 45% Energy • 12% Liveness
67% Instrumentalness • 30% Positiveness
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Tribal Tech
Big Girl Blues
119 bpm • C# Maj • 06:15 • -10.94db
13% Popularity • 53% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 47% Positiveness
13% Popularity • 53% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 47% Positiveness
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Greg Howe
In Step
118 bpm • B min • 04:50 • -10.69db
18% Popularity • 60% Danceability • 80% Energy • 14% Liveness
41% Instrumentalness • 66% Positiveness
18% Popularity • 60% Danceability • 80% Energy • 14% Liveness
41% Instrumentalness • 66% Positiveness
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Tony MacAlpine
Just Perfect
123 bpm • C Maj • 05:05 • -11.25db
11% Popularity • 57% Danceability • 67% Energy • 37% Liveness
37% Instrumentalness • 81% Positiveness
11% Popularity • 57% Danceability • 67% Energy • 37% Liveness
37% Instrumentalness • 81% Positiveness
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Frank Gambale
Faster Than an Arrow
118 bpm • F# min • 04:37 • -5.67db
7% Popularity • 54% Danceability • 51% Energy • 8% Liveness
10% Instrumentalness • 70% Positiveness
7% Popularity • 54% Danceability • 51% Energy • 8% Liveness
10% Instrumentalness • 70% Positiveness
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Steve Smith
Soul Principle
122 bpm • F# Maj • 08:58 • -9.52db
3% Popularity • 49% Danceability • 90% Energy • 69% Liveness
76% Instrumentalness • 77% Positiveness
3% Popularity • 49% Danceability • 90% Energy • 69% Liveness
76% Instrumentalness • 77% Positiveness
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Doug Johns
The Claw
117 bpm • D Maj • 01:56 • -10.45db
27% Popularity • 75% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
27% Popularity • 75% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
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Uzeb
Loose
123 bpm • F min • 07:18 • -13.15db
9% Popularity • 46% Danceability • 49% Energy • 7% Liveness
77% Instrumentalness • 56% Positiveness
9% Popularity • 46% Danceability • 49% Energy • 7% Liveness
77% Instrumentalness • 56% Positiveness
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Jean-Luc Ponty
The Struggle of the Turtle to the Sea, P...
123 bpm • C# Maj • 06:03 • -13db
20% Popularity • 36% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
20% Popularity • 36% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Dave Weckl Band
Big B Little B
117 bpm • G# Maj • 06:31 • -12.1db
19% Popularity • 67% Danceability • 70% Energy • 3% Liveness
91% Instrumentalness • 83% Positiveness
19% Popularity • 67% Danceability • 70% Energy • 3% Liveness
91% Instrumentalness • 83% Positiveness
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Frank Gambale
Song for My Family
122 bpm • B min • 05:10 • -17db
4% Popularity • 56% Danceability • 43% Energy • 21% Liveness
68% Instrumentalness • 38% Positiveness
4% Popularity • 56% Danceability • 43% Energy • 21% Liveness
68% Instrumentalness • 38% Positiveness
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Steve Smith
Sink
123 bpm • E Maj • 04:33 • -10.02db
10% Popularity • 71% Danceability • 60% Energy • 28% Liveness
83% Instrumentalness • 23% Positiveness
10% Popularity • 71% Danceability • 60% Energy • 28% Liveness
83% Instrumentalness • 23% Positiveness
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Bill Bruford
Joe Frazier
117 bpm • E Maj • 04:45 • -17.4db
22% Popularity • 46% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
22% Popularity • 46% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Dixie Dregs
Sleeveless in Seattle
123 bpm • F Maj • 05:10 • -12.97db
9% Popularity • 38% Danceability • 36% Energy • 23% Liveness
94% Instrumentalness • 13% Positiveness
9% Popularity • 38% Danceability • 36% Energy • 23% Liveness
94% Instrumentalness • 13% Positiveness
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Maurizio Colonna
Bon Voyage
123 bpm • G Maj • 04:52 • -8.91db
2% Popularity • 80% Danceability • 58% Energy • 19% Liveness
80% Instrumentalness • 92% Positiveness
2% Popularity • 80% Danceability • 58% Energy • 19% Liveness
80% Instrumentalness • 92% Positiveness
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Charlotte Rodin
Summer Solstice
124 bpm • F min • 02:00 • -11.55db
12% Popularity • 80% Danceability • 68% Energy • 7% Liveness
93% Instrumentalness • 91% Positiveness
12% Popularity • 80% Danceability • 68% Energy • 7% Liveness
93% Instrumentalness • 91% Positiveness
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Frank Gambale
D-Day
123 bpm • D Maj • 04:03 • -9.38db
15% Popularity • 64% Danceability • 68% Energy • 9% Liveness
81% Instrumentalness • 65% Positiveness
15% Popularity • 64% Danceability • 68% Energy • 9% Liveness
81% Instrumentalness • 65% Positiveness
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Jan Cyrka
Aching Heart
124 bpm • A# Maj • 01:47 • -8.79db
35% Popularity • 50% Danceability • 36% Energy • 6% Liveness
57% Instrumentalness • 38% Positiveness
35% Popularity • 50% Danceability • 36% Energy • 6% Liveness
57% Instrumentalness • 38% Positiveness
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Steve Smith
First Look
124 bpm • C Maj • 08:37 • -11.42db
10% Popularity • 59% Danceability • 78% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
10% Popularity • 59% Danceability • 78% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Shawn Lane
Minarets
124 bpm • E Maj • 03:30 • -7.2db
14% Popularity • 37% Danceability • 77% Energy • 14% Liveness
81% Instrumentalness • 52% Positiveness
14% Popularity • 37% Danceability • 77% Energy • 14% Liveness
81% Instrumentalness • 52% Positiveness
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Tribal Tech
Face First
124 bpm • G Maj • 07:04 • -10db
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
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Alain Caron
D-Code
116 bpm • C Maj • 05:05 • -13db
22% Popularity • 76% Danceability • 74% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
22% Popularity • 76% Danceability • 74% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
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Frank Gambale
Humid Beings
123 bpm • F# min • 05:20 • -5.24db
8% Popularity • 64% Danceability • 83% Energy • 16% Liveness
55% Instrumentalness • 64% Positiveness
8% Popularity • 64% Danceability • 83% Energy • 16% Liveness
55% Instrumentalness • 64% Positiveness
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Dennis Chambers
Virtual Life
116 bpm • F min • 07:19 • -8.51db
20% Popularity • 67% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
20% Popularity • 67% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
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Greg Howe
Side Note
116 bpm • G Maj • 07:14 • -5.85db
12% Popularity • 45% Danceability • 89% Energy • 14% Liveness
29% Instrumentalness • 38% Positiveness
12% Popularity • 45% Danceability • 89% Energy • 14% Liveness
29% Instrumentalness • 38% Positiveness
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Jazz Pistols
Special Treatment
124 bpm • B Maj • 07:24 • -12.61db
11% Popularity • 44% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
11% Popularity • 44% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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Steve Smith
The Perfect Date
124 bpm • C# Maj • 06:36 • -5.33db
3% Popularity • 50% Danceability • 91% Energy • 67% Liveness
67% Instrumentalness • 53% Positiveness
3% Popularity • 50% Danceability • 91% Energy • 67% Liveness
67% Instrumentalness • 53% Positiveness
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Shawn Lane
Black Market - Live
116 bpm • A# Maj • 08:54 • -9.53db
12% Popularity • 42% Danceability • 76% Energy • 81% Liveness
74% Instrumentalness • 55% Positiveness
12% Popularity • 42% Danceability • 76% Energy • 81% Liveness
74% Instrumentalness • 55% Positiveness
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Frank Gambale
Circular Quay
124 bpm • D# Maj • 05:41 • -6.88db
9% Popularity • 61% Danceability • 85% Energy • 8% Liveness
86% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 85% Energy • 8% Liveness
86% Instrumentalness • 72% Positiveness
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Stuart Hamm
Prelude in C
115 bpm • C Maj • 02:31 • -19.59db
12% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
12% Popularity • 53% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
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Estevao Lima
Mambolerumba
125 bpm • C Maj • 06:58 • -9.48db
1% Popularity • 42% Danceability • 81% Energy • 30% Liveness
81% Instrumentalness • 57% Positiveness
1% Popularity • 42% Danceability • 81% Energy • 30% Liveness
81% Instrumentalness • 57% Positiveness
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Al Di Meola
Egyptian Danza
125 bpm • F# Maj • 05:56 • -13.83db
26% Popularity • 37% Danceability • 75% Energy • 9% Liveness
68% Instrumentalness • 42% Positiveness
26% Popularity • 37% Danceability • 75% Energy • 9% Liveness
68% Instrumentalness • 42% Positiveness
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Steve Smith
Isle of Few
115 bpm • A Maj • 01:36 • -15.77db
24% Popularity • 45% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
24% Popularity • 45% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Vital Techtones
Puhtainin' Tuh
125 bpm • C# min • 05:17 • -9.59db
10% Popularity • 75% Danceability • 44% Energy • 15% Liveness
81% Instrumentalness • 50% Positiveness
10% Popularity • 75% Danceability • 44% Energy • 15% Liveness
81% Instrumentalness • 50% Positiveness
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Frank Gambale
Lazy Passion
124 bpm • G# Maj • 06:04 • -12.01db
9% Popularity • 68% Danceability • 56% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
9% Popularity • 68% Danceability • 56% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
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Tal Wilkenfeld
Serendipity
115 bpm • G Maj • 05:02 • -6db
32% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 82% Positiveness
32% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 82% Positiveness
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Jeff Kollman
Where's The One
115 bpm • A# min • 03:57 • -10db
8% Popularity • 64% Danceability • 83% Energy • 18% Liveness
72% Instrumentalness • 68% Positiveness
8% Popularity • 64% Danceability • 83% Energy • 18% Liveness
72% Instrumentalness • 68% Positiveness
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Cristiano Parato
Sunset Fly
115 bpm • D Maj • 01:40 • -21.69db
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Adam Nitti
Cosmic Underground
115 bpm • G Maj • 06:37 • -10db
28% Popularity • 61% Danceability • 75% Energy • 35% Liveness
91% Instrumentalness • 64% Positiveness
28% Popularity • 61% Danceability • 75% Energy • 35% Liveness
91% Instrumentalness • 64% Positiveness
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Cosmosquad
Epapo Funk
115 bpm • G Maj • 07:00 • -12db
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
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Frank Gambale
Another Alternative
124 bpm • B min • 08:12 • -9.56db
9% Popularity • 57% Danceability • 80% Energy • 23% Liveness
62% Instrumentalness • 63% Positiveness
9% Popularity • 57% Danceability • 80% Energy • 23% Liveness
62% Instrumentalness • 63% Positiveness
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Virgil Donati
Ruination
115 bpm • G# Maj • 05:03 • -6.37db
16% Popularity • 65% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
16% Popularity • 65% Danceability • 90% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
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Jeff Kollman
Cosmo Ray Vaughn
115 bpm • G Maj • 05:29 • -8db
14% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
14% Popularity • 65% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Cristiano Parato
Funny Bunny
115 bpm • A min • 04:57 • -7db
22% Popularity • 76% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 98% Positiveness
22% Popularity • 76% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 98% Positiveness
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Chick Corea Elektric Band
One Of Us Is Over 40
125 bpm • A Maj • 04:57 • -7.07db
23% Popularity • 70% Danceability • 72% Energy • 16% Liveness
35% Instrumentalness • 95% Positiveness
23% Popularity • 70% Danceability • 72% Energy • 16% Liveness
35% Instrumentalness • 95% Positiveness
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Vital Information
Once in a Lifetime
125 bpm • D Maj • 10:43 • -10.26db
17% Popularity • 41% Danceability • 79% Energy • 6% Liveness
87% Instrumentalness • 43% Positiveness
17% Popularity • 41% Danceability • 79% Energy • 6% Liveness
87% Instrumentalness • 43% Positiveness
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Frank Gambale
Nunzio's Near
124 bpm • A Maj • 05:19 • -12.68db
12% Popularity • 78% Danceability • 59% Energy • 16% Liveness
92% Instrumentalness • 72% Positiveness
12% Popularity • 78% Danceability • 59% Energy • 16% Liveness
92% Instrumentalness • 72% Positiveness
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Uzeb
Noisy Nights
115 bpm • C# min • 04:30 • -15.24db
15% Popularity • 64% Danceability • 68% Energy • 5% Liveness
69% Instrumentalness • 78% Positiveness
15% Popularity • 64% Danceability • 68% Energy • 5% Liveness
69% Instrumentalness • 78% Positiveness
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Scott Henderson
Solemn
125 bpm • D# min • 02:56 • -15.31db
17% Popularity • 50% Danceability • 40% Energy • 9% Liveness
49% Instrumentalness • 24% Positiveness
17% Popularity • 50% Danceability • 40% Energy • 9% Liveness
49% Instrumentalness • 24% Positiveness
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Maurizio Colonna
Camaiore (Live)
126 bpm • A min • 04:53 • -13.63db
1% Popularity • 66% Danceability • 70% Energy • 97% Liveness
80% Instrumentalness • 84% Positiveness
1% Popularity • 66% Danceability • 70% Energy • 97% Liveness
80% Instrumentalness • 84% Positiveness
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Per Mathisen
Floating Fretless Dreams
126 bpm • C Maj • 04:36 • -6.91db
22% Popularity • 45% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
22% Popularity • 45% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Senri Kawaguchi
ACRONYM
126 bpm • G# Maj • 03:19 • -8.72db
9% Popularity • 36% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 59% Positiveness
9% Popularity • 36% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 59% Positiveness
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Frank Gambale
Dawn over the Nullarbor
116 bpm • B min • 04:43 • -15.88db
4% Popularity • 66% Danceability • 41% Energy • 4% Liveness
90% Instrumentalness • 33% Positiveness
4% Popularity • 66% Danceability • 41% Energy • 4% Liveness
90% Instrumentalness • 33% Positiveness
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Steve Smith
Geo 100
126 bpm • F# min • 09:06 • -7.8db
4% Popularity • 61% Danceability • 85% Energy • 8% Liveness
87% Instrumentalness • 50% Positiveness
4% Popularity • 61% Danceability • 85% Energy • 8% Liveness
87% Instrumentalness • 50% Positiveness
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Scott Henderson
Actual Proof
125 bpm • D Maj • 10:15 • -9.14db
18% Popularity • 48% Danceability • 80% Energy • 10% Liveness
55% Instrumentalness • 46% Positiveness
18% Popularity • 48% Danceability • 80% Energy • 10% Liveness
55% Instrumentalness • 46% Positiveness
