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Salvation
Songs like
Salvation
by
Tash Sultana
Based on a tempo of (+/- 10%) and a similar genre
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Tash Sultana
Salvation
164 bpm • F min • 04:19 • -8db
38% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Chet Faker
Whatever Tomorrow
165 bpm • G Maj • 04:23 • -8.08db
43% Popularity • 40% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 25% Positiveness
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Boo Seeka
Kingdom Leader
162 bpm • A min • 03:34 • -4db
52% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Howard
Hot Heavy Summer
162 bpm • B Maj • 03:49 • -15db
53% Popularity • 62% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 62% Positiveness
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James Blake
Barefoot In The Park
162 bpm • A min • 03:31 • -8.34db
58% Popularity • 56% Danceability • 63% Energy • 20% Liveness
10% Instrumentalness • 52% Positiveness
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Biig Piig
Oh No
166 bpm • G Maj • 02:44 • -9.15db
59% Popularity • 70% Danceability • 41% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Mansionair
Technicolour
160 bpm • D min • 03:20 • -8db
21% Popularity • 61% Danceability • 59% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
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Shag Rock
Champagne
168 bpm • B Maj • 03:25 • -16.63db
50% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ocean Alley
Tombstone
169 bpm • F Maj • 04:00 • -11.2db
54% Popularity • 33% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Broken Bells
Good Luck
170 bpm • D min • 03:26 • -7.44db
60% Popularity • 62% Danceability • 51% Energy • 11% Liveness
40% Instrumentalness • 62% Positiveness
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Josh Cashman
When A Friend Becomes A Lover
170 bpm • B min • 04:50 • -8db
16% Popularity • 62% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness
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The Palms
Levitate
170 bpm • C# Maj • 03:49 • -6db
46% Popularity • 60% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
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Michael Kiwanuka
Love & Hate
170 bpm • G min • 07:07 • -7.85db
66% Popularity • 28% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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DOPE LEMON
Kids Fallin' In Love
170 bpm • G Maj • 03:47 • -8.41db
60% Popularity • 57% Danceability • 66% Energy • 15% Liveness
82% Instrumentalness • 93% Positiveness
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Tash Sultana
Cigarettes
158 bpm • B min • 05:22 • -5db
48% Popularity • 56% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Portugal. The Man
Feel It Still - Medasin Remix
158 bpm • E Maj • 03:14 • -10.62db
50% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jordan Mackampa
Yours to Keep
171 bpm • C# Maj • 03:22 • -8db
52% Popularity • 44% Danceability • 52% Energy • 38% Liveness
5% Instrumentalness • 22% Positiveness
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Aaron Taylor
Lesson Learnt
172 bpm • G# min • 02:18 • -6.55db
66% Popularity • 66% Danceability • 76% Energy • 6% Liveness
37% Instrumentalness • 90% Positiveness
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Mumford & Sons
Woman
157 bpm • C# min • 04:34 • -10.5db
59% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
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Matt Corby
If I Never Say A Word
156 bpm • F# min • 03:42 • -8db
34% Popularity • 53% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Muroki
For Better or Worse
156 bpm • G Maj • 02:21 • -11.76db
42% Popularity • 72% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
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Allan Rayman
13
156 bpm • C Maj • 04:02 • -9.08db
45% Popularity • 62% Danceability • 53% Energy • 34% Liveness
7% Instrumentalness • 63% Positiveness
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Daily J
Space
155 bpm • B min • 03:30 • -10.34db
48% Popularity • 67% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 66% Positiveness
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Tash Sultana
Murder to the Mind - Instrumental
174 bpm • A# min • 04:18 • -7db
21% Popularity • 64% Danceability • 54% Energy • 16% Liveness
93% Instrumentalness • 56% Positiveness
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Parcels
Older
155 bpm • D# Maj • 03:27 • -5.49db
52% Popularity • 75% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Josh Cashman
Wishful Imagery
174 bpm • B min • 03:35 • -5db
17% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Crooked Colours
Plymouth
174 bpm • D Maj • 03:50 • -7db
27% Popularity • 68% Danceability • 70% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Allan Rayman
Tennessee
174 bpm • F# Maj • 03:10 • -5.65db
48% Popularity • 74% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Arlo Parks
Eugene
174 bpm • G min • 03:43 • -7.19db
61% Popularity • 62% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 90% Positiveness
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Dennis Lloyd
Leftovers
154 bpm • A# min • 03:12 • -11.46db
59% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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FARR
Bulletproof
176 bpm • C min • 03:31 • -7.17db
60% Popularity • 47% Danceability • 47% Energy • 12% Liveness
24% Instrumentalness • 25% Positiveness
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Lime Cordiale
Robbery
153 bpm • D# min • 03:43 • -7.56db
64% Popularity • 68% Danceability • 75% Energy • 18% Liveness
10% Instrumentalness • 88% Positiveness
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Crooked Colours
Come Down
175 bpm • D Maj • 03:34 • -13.6db
42% Popularity • 65% Danceability • 48% Energy • 35% Liveness
60% Instrumentalness • 9% Positiveness
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Black Sea Dahu
In Case I Fall for You
153 bpm • D min • 05:04 • -10db
52% Popularity • 44% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Zero 7
Swimmers
152 bpm • F# Maj • 03:57 • -11.81db
52% Popularity • 65% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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Lewis Del Mar
Live That Long
152 bpm • D Maj • 04:45 • -9db
45% Popularity • 61% Danceability • 53% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
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Mansionair
Alibi
152 bpm • F min • 03:39 • -8db
31% Popularity • 52% Danceability • 62% Energy • 61% Liveness
9% Instrumentalness • 77% Positiveness
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Mako Road
The Green Superintendent
152 bpm • F# min • 03:03 • -5.5db
57% Popularity • 70% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Cunningham
Minimum
178 bpm • C min • 03:14 • -9.18db
61% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Allan Rayman
Lucy The Tease
178 bpm • C min • 03:02 • -5.78db
48% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
54% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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James Vincent McMorrow
Get Low
150 bpm • F Maj • 04:10 • -12.91db
33% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dekker
The Love
150 bpm • C min • 02:38 • -12.17db
63% Popularity • 70% Danceability • 47% Energy • 10% Liveness
49% Instrumentalness • 51% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
77% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Cub Sport
Come On Mess Me Up
150 bpm • E Maj • 03:23 • -5.6db
52% Popularity • 33% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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DOPE LEMON
Every Day Is A Holiday
180 bpm • C# Maj • 05:53 • -7.64db
48% Popularity • 55% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Ocean Alley
Baby Come Back - triple j Like A Version
149 bpm • G# Maj • 04:49 • -9.13db
56% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
37% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Corby
No Ordinary Life
148 bpm • A# Maj • 03:58 • -7.21db
38% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Charlie Cunningham
Permanent Way
147 bpm • G# Maj • 04:12 • -17.42db
56% Popularity • 56% Danceability • 55% Energy • 9% Liveness
48% Instrumentalness • 45% Positiveness
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Tame Impala
Lost In Yesterday
183 bpm • C# Maj • 04:09 • -4.12db
69% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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DOPE LEMON
Stonecutters
149 bpm • D Maj • 04:30 • -6.49db
63% Popularity • 43% Danceability • 73% Energy • 15% Liveness
59% Instrumentalness • 33% Positiveness
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Ocean Alley
Lemonworld
149 bpm • E min • 03:14 • -6.34db
61% Popularity • 46% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Mako Road
The Sun Comes Up
147 bpm • A min • 04:14 • -10.25db
57% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Glass Animals
Gooey
183 bpm • B min • 04:49 • -13.42db
71% Popularity • 49% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Tash Sultana
Jungle
146 bpm • C# min • 05:15 • -6db
69% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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James Vincent McMorrow
Rising Water
146 bpm • A# Maj • 04:56 • -10.54db
28% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
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Maribou State
Slow Heat
146 bpm • F min • 04:34 • -9db
45% Popularity • 65% Danceability • 59% Energy • 11% Liveness
24% Instrumentalness • 76% Positiveness
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Ocean Alley
Infinity
182 bpm • E min • 03:53 • -9.71db
44% Popularity • 47% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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NoMBe
Summer's Gone
146 bpm • A Maj • 03:32 • -7.77db
59% Popularity • 60% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Pip Millett
Make Me Cry
184 bpm • D min • 02:42 • -8.13db
55% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tash Sultana
Notion
184 bpm • E min • 05:40 • -6.59db
61% Popularity • 24% Danceability • 42% Energy • 19% Liveness
1% Instrumentalness • 7% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Maribou State
Vale
145 bpm • B min • 04:07 • -8.86db
66% Popularity • 69% Danceability • 67% Energy • 15% Liveness
77% Instrumentalness • 72% Positiveness
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Josh Cashman
Dandelion
144 bpm • G Maj • 03:02 • -8.25db
25% Popularity • 56% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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The Butlers
No Good Nina
142 bpm • F# min • 04:33 • -8.3db
41% Popularity • 43% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mako Road
Ride
144 bpm • F# min • 04:49 • -6.28db
52% Popularity • 71% Danceability • 60% Energy • 12% Liveness
4% Instrumentalness • 53% Positiveness
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Lime Cordiale
Naturally
142 bpm • B Maj • 02:50 • -6db
56% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Tash Sultana
Blackbird
141 bpm • G# Maj • 09:34 • -8.59db
41% Popularity • 36% Danceability • 65% Energy • 11% Liveness
54% Instrumentalness • 21% Positiveness
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Tom Misch
Tidal Wave
141 bpm • E min • 04:09 • -8.79db
56% Popularity • 53% Danceability • 49% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Ocean Alley
Confidence
141 bpm • B min • 04:13 • -9.61db
77% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chet Faker
Talk Is Cheap
140 bpm • C min • 03:38 • -7.89db
54% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Allan Rayman
25.22
140 bpm • G Maj • 03:09 • -10.71db
44% Popularity • 70% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 26% Positiveness
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L'aupaire
Rollercoaster Girl
140 bpm • F Maj • 04:52 • -9.15db
50% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Flume
This Song Is Not About A Girl
140 bpm • D min • 04:14 • -6.98db
56% Popularity • 76% Danceability • 67% Energy • 18% Liveness
21% Instrumentalness • 61% Positiveness
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Yellow Days
Gap in the Clouds
140 bpm • A Maj • 04:40 • -8.39db
54% Popularity • 58% Danceability • 54% Energy • 31% Liveness
1% Instrumentalness • 20% Positiveness
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Tash Sultana
Gemini
140 bpm • G# Maj • 04:08 • -8.42db
45% Popularity • 32% Danceability • 44% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
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Chet Faker
Gold
140 bpm • C# Maj • 04:41 • -9.44db
47% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Holy Holy
True Lovers
139 bpm • B min • 04:19 • -5.09db
51% Popularity • 43% Danceability • 75% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Gang of Youths
Let Me Down Easy
139 bpm • D Maj • 05:19 • -6.88db
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
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Maverick Sabre
Slow Down
204 bpm • E min • 03:31 • -9.84db
48% Popularity • 57% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Gone Gone Beyond
By the Sea
210 bpm • C Maj • 04:02 • -11.49db
51% Popularity • 58% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Salvation