Songs like Salve Pater optime by The Rose Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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The Newton Brothers
Were You There
115 bpm • D# Maj • 02:56 • -22.57db
23% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
30% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
30% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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The Rose Ensemble
Ay, Santa María
115 bpm • F min • 01:12 • -25.6db
19% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Salvador Bacarisse
Concertino for Guitar and Orchestra in A...
116 bpm • A Maj • 06:16 • -16.3db
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Mark Padmore
Venezia
116 bpm • G min • 02:15 • -18.14db
15% Popularity • 34% Danceability • 10% Energy • 20% Liveness
50% Instrumentalness • 17% Positiveness
15% Popularity • 34% Danceability • 10% Energy • 20% Liveness
50% Instrumentalness • 17% Positiveness
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The Hiram Olsen Group
Hukia Mai
116 bpm • C Maj • 02:50 • -13.34db
9% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Capella de Ministrers
Ave generosa
116 bpm • E min • 08:34 • -19.39db
8% Popularity • 29% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 29% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Jordi Savall
Paavin Of Albarti (Alberti)
114 bpm • F Maj • 02:38 • -22.79db
28% Popularity • 34% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
28% Popularity • 34% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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The Rose Ensemble
Pua Onaona
114 bpm • C Maj • 03:12 • -22.43db
14% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alessandro Scarlatti
La Giuditta: Part II: Lullaby: Dormi, o ...
117 bpm • C# Maj • 03:27 • -30db
22% Popularity • 40% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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John Playford
The Dancing Master: Newcastle
114 bpm • G Maj • 01:54 • -24.8db
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Jonathan Rathbone
Mozart: Così fan tutte, K. 588, Act 1 S...
117 bpm • D# Maj • 02:58 • -23.45db
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Guillaume Dufay
Salve Sancte Pater
113 bpm • A min • 02:03 • -24.81db
3% Popularity • 24% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
3% Popularity • 24% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
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Ruth Barrett
Calum Crubach, Fionnlagh Ag Innearach
117 bpm • A Maj • 03:51 • -10.98db
22% Popularity • 45% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 45% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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Jean d'Estrée
Les buffons
117 bpm • C Maj • 02:56 • -18.18db
12% Popularity • 66% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 83% Positiveness
12% Popularity • 66% Danceability • 17% Energy • 15% Liveness
94% Instrumentalness • 83% Positiveness
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Lady MacGregor
Griogal Cridhe "Gregor’s Lament"
118 bpm • D# Maj • 04:00 • -31db
8% Popularity • 17% Danceability • 0% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 0% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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The Rose Ensemble
Pohaku Kahiko
111 bpm • A# Maj • 01:47 • -18.16db
11% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Previte
Communion
112 bpm • C min • 12:06 • -9.41db
0% Popularity • 17% Danceability • 72% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 72% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Mateo Flecha
El Fuego
120 bpm • F# min • 09:25 • -16.89db
8% Popularity • 37% Danceability • 14% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 46% Liveness
0% Instrumentalness • 18% Positiveness
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The Newton Brothers
Lead Kindly Light
120 bpm • D# Maj • 02:31 • -22.12db
20% Popularity • 32% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 32% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Trio Mediæval
Du är den första
110 bpm • G Maj • 04:06 • -23.43db
19% Popularity • 50% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 37% Positiveness
19% Popularity • 50% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 37% Positiveness
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16th century
La Folia
110 bpm • F Maj • 02:14 • -28db
10% Popularity • 38% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
10% Popularity • 38% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Bob Marley & The Wailers
Redemption Song (Arr. Kanneh-Mason)
120 bpm • G Maj • 03:53 • -16.85db
27% Popularity • 37% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
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Bobby Previte
Kyrie
119 bpm • E min • 07:34 • -16.53db
0% Popularity • 20% Danceability • 10% Energy • 15% Liveness
4% Instrumentalness • 6% Positiveness
0% Popularity • 20% Danceability • 10% Energy • 15% Liveness
4% Instrumentalness • 6% Positiveness
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Nonesuch Explorer Series
Polegnala E Todora (Theodora Is Dozing)
120 bpm • C# Maj • 02:56 • -19db
19% Popularity • 28% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 28% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Karl Jenkins
Chorale: Hymn
110 bpm • C Maj • 04:09 • -17.18db
15% Popularity • 21% Danceability • 13% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
15% Popularity • 21% Danceability • 13% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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The Rose Ensemble
Hawai'i Aloha
110 bpm • G# Maj • 03:47 • -22db
30% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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S. Serafimovich
Blessed Is The Man (Znamenny Chant, Harm...
109 bpm • A Maj • 02:07 • -28db
15% Popularity • 37% Danceability • 7% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
15% Popularity • 37% Danceability • 7% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
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Nektarius Eginskij
Agni parthene - Hymnos akahistos
109 bpm • D min • 02:39 • -31db
21% Popularity • 18% Danceability • 1% Energy • 5% Liveness
48% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 1% Energy • 5% Liveness
48% Instrumentalness • 4% Positiveness
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Bobby Previte
Introit
119 bpm • A Maj • 05:42 • -11.1db
0% Popularity • 24% Danceability • 56% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 56% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
109 bpm • D Maj • 05:41 • -33db
16% Popularity • 16% Danceability • 1% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 1% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
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Johannes Brahms
3 Gesänge, Op. 42: No. 2. Vineta
122 bpm • B Maj • 03:23 • -24.36db
9% Popularity • 22% Danceability • 11% Energy • 26% Liveness
35% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 11% Energy • 26% Liveness
35% Instrumentalness • 7% Positiveness
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The Rose Ensemble
Aia lā 'o Pele
121 bpm • C# Maj • 02:26 • -15.12db
12% Popularity • 74% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
12% Popularity • 74% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Chorus Angelicus
Who Can Sail?
108 bpm • E min • 02:03 • -21.84db
7% Popularity • 22% Danceability • 11% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 11% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
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Alexander Tikhonovich Gretchaninoff
Liturgy of St. John Chrysostom No. 2, Op...
108 bpm • B Maj • 05:56 • -20.14db
7% Popularity • 16% Danceability • 24% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 24% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Bobby Previte
Sanctus
120 bpm • G Maj • 07:02 • -7.06db
0% Popularity • 19% Danceability • 48% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 48% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Johann Joseph Fux
Salve Salus Mundi
123 bpm • F Maj • 04:16 • -22.5db
2% Popularity • 20% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera II
122 bpm • G Maj • 02:57 • -24.66db
8% Popularity • 19% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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The Rose Ensemble
Lei Gardenia
122 bpm • D# Maj • 02:13 • -16.29db
10% Popularity • 35% Danceability • 19% Energy • 15% Liveness
53% Instrumentalness • 16% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 15% Liveness
53% Instrumentalness • 16% Positiveness
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Mikołaj Zieleński
Motetto de Sancto Alberto
107 bpm • C Maj • 02:34 • -16.38db
1% Popularity • 18% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 18% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Nóirín Ní Riain
Magnificent cum Alleluia (Song of Praise...
107 bpm • G min • 03:58 • -19.75db
14% Popularity • 25% Danceability • 14% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 14% Liveness
16% Instrumentalness • 4% Positiveness
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Marin Marais
Sonnerie de Ste. Geneviève du Mont-de-P...
124 bpm • G# min • 07:52 • -15.87db
35% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Monks Choir of Kyiv Pechersk Monastery
Fall Asleep by the Flash
107 bpm • C Maj • 02:07 • -16db
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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The Rose Ensemble
Saltarello
122 bpm • B min • 03:31 • -20.16db
3% Popularity • 60% Danceability • 32% Energy • 21% Liveness
98% Instrumentalness • 96% Positiveness
3% Popularity • 60% Danceability • 32% Energy • 21% Liveness
98% Instrumentalness • 96% Positiveness
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Passereau
Il est bel et bon
107 bpm • G# min • 01:19 • -19.88db
12% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Filippo Azzaiolo
Ti partir cor mio caro
124 bpm • D Maj • 01:36 • -18.31db
18% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 47% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Pablo Casals
Nigra sum (I am black)
124 bpm • E Maj • 04:15 • -29.79db
10% Popularity • 20% Danceability • 4% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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David Lang
Alleluia Amen: II. amen
124 bpm • G min • 02:39 • -29.96db
10% Popularity • 17% Danceability • 5% Energy • 18% Liveness
62% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 18% Liveness
62% Instrumentalness • 3% Positiveness
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The Rose Ensemble
Pua Roselani
107 bpm • D Maj • 02:51 • -20.24db
7% Popularity • 24% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
7% Popularity • 24% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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子羊の群れキリスト教会
いつもいつものアレルヤ
124 bpm • D min • 06:07 • -25.55db
11% Popularity • 24% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Victor Zupanc
Jacobum Dei Famulem
106 bpm • F Maj • 03:04 • -17.87db
1% Popularity • 26% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 3% Positiveness
1% Popularity • 26% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 3% Positiveness
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The Newton Brothers
O Sons and Daughters
125 bpm • G min • 03:35 • -20.47db
25% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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The Swingle Singers
Ode to Joy
125 bpm • D Maj • 02:05 • -21.78db
12% Popularity • 23% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
12% Popularity • 23% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
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Georgs Pelēcis
Pelécis : Concertino bianco for Piano i...
125 bpm • C Maj • 04:51 • -23.99db
9% Popularity • 49% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 27% Positiveness
9% Popularity • 49% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 27% Positiveness
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Juan Garcia de Zespedes
Hermoso amor que forxas tus flechas
125 bpm • D# min • 03:30 • -18.35db
0% Popularity • 25% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
0% Popularity • 25% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
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Peter Gregson
1.3 Courante
106 bpm • G Maj • 02:26 • -14.72db
28% Popularity • 39% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 61% Positiveness
28% Popularity • 39% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 61% Positiveness
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Bengt Ollén
Trilo
106 bpm • D# Maj • 05:53 • -16.48db
12% Popularity • 16% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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authentic Kiev chant
Thy Resurrection-(authentic Kiev chant)
106 bpm • C# min • 04:28 • -13.77db
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
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The Rose Ensemble
No Luna i ka Halekai No ka Ma'alewa
125 bpm • C# Maj • 02:43 • -16.88db
18% Popularity • 66% Danceability • 37% Energy • 11% Liveness
9% Instrumentalness • 46% Positiveness
18% Popularity • 66% Danceability • 37% Energy • 11% Liveness
9% Instrumentalness • 46% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch´io pianga (Le...
105 bpm • D Maj • 03:52 • -22.39db
24% Popularity • 31% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Juliette Pochin
Veni Creator Spiritus
126 bpm • G# Maj • 02:13 • -22db
38% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Timothy C. Takach
Il-Presepju Tal-Milied
126 bpm • C min • 04:57 • -20.9db
0% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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The Newton Brothers
Holy God We Praise Thy Name
126 bpm • F Maj • 06:02 • -13.16db
26% Popularity • 27% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 27% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Rose Ensemble
Stabat Iuxta Christi Crucem
126 bpm • F# Maj • 07:09 • -27.62db
3% Popularity • 22% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 22% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
126 bpm • D Maj • 02:24 • -14.55db
25% Popularity • 55% Danceability • 31% Energy • 12% Liveness
21% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 31% Energy • 12% Liveness
21% Instrumentalness • 24% Positiveness
► Preview
Harry Hagan OSB
Pange Lingua Gloriosi, Sing of Glory
127 bpm • C Maj • 02:53 • -25.68db
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Petrus Wilhelmi De Grudencz
Audi tellus (Leich)
127 bpm • C# min • 02:30 • -21.86db
14% Popularity • 24% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 24% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Pulefano
Ta'a Roa
127 bpm • F Maj • 02:18 • -15.31db
10% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Rose Ensemble
Aloha 'Oe
105 bpm • G Maj • 04:22 • -22db
31% Popularity • 27% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 27% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Victor Zupanc
Dum Pater Familias
128 bpm • F min • 03:20 • -22.96db
1% Popularity • 22% Danceability • 7% Energy • 20% Liveness
69% Instrumentalness • 3% Positiveness
1% Popularity • 22% Danceability • 7% Energy • 20% Liveness
69% Instrumentalness • 3% Positiveness
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Portsmouth Cathedral Choir
The Advent Prose (Arr. S. Cleobury)
128 bpm • D min • 04:59 • -23.97db
7% Popularity • 20% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
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Suffrage Sinfonia
March Of The Women
104 bpm • G Maj • 03:15 • -15.12db
8% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cantoría
Sus, sus, sus
104 bpm • B min • 01:51 • -17.55db
9% Popularity • 40% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 40% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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The Rose Ensemble
Fidelis Servus
104 bpm • G Maj • 01:18 • -22.43db
24% Popularity • 36% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 40% Positiveness
24% Popularity • 36% Danceability • 4% Energy • 9% Liveness
72% Instrumentalness • 40% Positiveness
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Marin Marais
De Visée, Marais / Arr. Pluhar: Improvi...
103 bpm • A min • 06:21 • -20.43db
14% Popularity • 42% Danceability • 19% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
14% Popularity • 42% Danceability • 19% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
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Josquin des Prez
Salve Regina a5
128 bpm • G min • 07:31 • -19.91db
2% Popularity • 18% Danceability • 16% Energy • 6% Liveness
37% Instrumentalness • 5% Positiveness
2% Popularity • 18% Danceability • 16% Energy • 6% Liveness
37% Instrumentalness • 5% Positiveness
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Antonio de Salazar
Un ciego que contrabajo canta
128 bpm • B Maj • 05:08 • -22.86db
0% Popularity • 33% Danceability • 12% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 12% Energy • 11% Liveness
11% Instrumentalness • 19% Positiveness
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Giovanni Paisiello
Il barbiere di Siviglia (The Barber of S...
103 bpm • A# Maj • 04:10 • -21.84db
25% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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John Dowland
Now, Oh Now I Needs Must Part
103 bpm • G Maj • 03:57 • -24db
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Rose Ensemble
Alme presul et beate
104 bpm • A min • 04:55 • -18.83db
3% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 5% Positiveness
3% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 5% Positiveness
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Bartolomé Cárceres
Riu, Riu, Chiu
128 bpm • D min • 01:16 • -22.97db
22% Popularity • 64% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 92% Positiveness
22% Popularity • 64% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 92% Positiveness
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Josquin des Prez
Praeter rerum seriem: II. Secunda pars
128 bpm • D min • 03:36 • -22.42db
13% Popularity • 19% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 14% Positiveness
13% Popularity • 19% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 14% Positiveness
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Trio Mediæval
Sulla lulla
103 bpm • E Maj • 02:16 • -35.04db
13% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Victor Zupanc
Laudent Deum
128 bpm • C# Maj • 03:24 • -17.16db
6% Popularity • 23% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 23% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Bobby Previte
Alleluia
103 bpm • C Maj • 07:09 • -13.18db
0% Popularity • 16% Danceability • 48% Energy • 18% Liveness
45% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 48% Energy • 18% Liveness
45% Instrumentalness • 4% Positiveness
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Mikołaj Zieleński
Beata es Virgo Maria
128 bpm • G# min • 04:01 • -15.14db
3% Popularity • 21% Danceability • 24% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 24% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Pēteris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
15% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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J. David Moore
Annua Gaudia (2)
129 bpm • C# min • 03:31 • -17.77db
7% Popularity • 26% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 26% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
