Songs like Salve Regina à trois voix pareilles, H. 23 by Marc-Antoine Charpentier

167 bpm • C# min • 02:11 • -28db

8% Popularity • 12% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness

168 bpm • F# min • 06:04 • -35.26db

19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness

168 bpm • D# min • 01:06 • -18.49db

32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness

169 bpm • D# min • 02:25 • -28.95db

16% Popularity • 18% Danceability • 1% Energy • 34% Liveness
2% Instrumentalness • 14% Positiveness

172 bpm • F# Maj • 05:18 • -20.87db

34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness

172 bpm • F# min • 04:06 • -17.74db

8% Popularity • 34% Danceability • 21% Energy • 52% Liveness
1% Instrumentalness • 50% Positiveness

167 bpm • D# min • 07:17 • -15.66db

7% Popularity • 11% Danceability • 19% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness

165 bpm • B Maj • 04:45 • -28.81db

20% Popularity • 19% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness

170 bpm • G# Maj • 02:05 • -20.77db

19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness

172 bpm • G Maj • 05:11 • -22db

18% Popularity • 26% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness

173 bpm • A# min • 01:42 • -19db

23% Popularity • 13% Danceability • 6% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness

176 bpm • G min • 03:41 • -18db

18% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness

168 bpm • F# Maj • 02:27 • -27.84db

1% Popularity • 13% Danceability • 2% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness

169 bpm • F min • 08:31 • -13.7db

7% Popularity • 16% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness

178 bpm • B Maj • 02:40 • -23db

8% Popularity • 16% Danceability • 14% Energy • 67% Liveness
16% Instrumentalness • 32% Positiveness

181 bpm • G# Maj • 01:31 • -23db

45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness

151 bpm • A Maj • 02:11 • -18db

10% Popularity • 42% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness

151 bpm • C# Maj • 01:02 • -17db

14% Popularity • 33% Danceability • 12% Energy • 20% Liveness
69% Instrumentalness • 63% Positiveness

168 bpm • B Maj • 02:39 • -21.43db

6% Popularity • 10% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness

174 bpm • F# min • 02:19 • -22.35db

21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
38% Instrumentalness • 10% Positiveness

185 bpm • F# Maj • 02:04 • -20.92db

17% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness

148 bpm • C min • 01:46 • -28db

35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness

146 bpm • D Maj • 01:27 • -18.12db

30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness

143 bpm • G# Maj • 03:39 • -19.7db

14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness

166 bpm • B Maj • 01:05 • -23db

22% Popularity • 19% Danceability • 17% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness

150 bpm • B Maj • 01:32 • -31db

39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness

169 bpm • F Maj • 01:04 • -21.65db

2% Popularity • 24% Danceability • 8% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness

165 bpm • C# min • 07:58 • -27.35db

2% Popularity • 16% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness

171 bpm • C Maj • 01:49 • -14.11db

6% Popularity • 20% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness

172 bpm • D# Maj • 01:33 • -18.24db

1% Popularity • 27% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness

172 bpm • B Maj • 03:08 • -22.02db

4% Popularity • 22% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness

172 bpm • C Maj • 01:14 • -19.31db

2% Popularity • 29% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness

162 bpm • G# min • 06:45 • -23.91db

0% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness

173 bpm • C Maj • 01:22 • -16db

9% Popularity • 34% Danceability • 23% Energy • 17% Liveness
84% Instrumentalness • 26% Positiveness

174 bpm • A Maj • 02:08 • -23db

2% Popularity • 8% Danceability • 6% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness

174 bpm • C Maj • 01:17 • -18.23db

2% Popularity • 27% Danceability • 16% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness

180 bpm • C# Maj • 03:22 • -30.43db

16% Popularity • 15% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness

152 bpm • C# Maj • 01:59 • -19.47db

9% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness

149 bpm • C Maj • 01:19 • -14.89db

12% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness

147 bpm • B Maj • 02:17 • -11.13db

29% Popularity • 36% Danceability • 31% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness

146 bpm • A# Maj • 01:41 • -20.67db

14% Popularity • 28% Danceability • 20% Energy • 41% Liveness
30% Instrumentalness • 67% Positiveness

146 bpm • E Maj • 00:46 • -25.67db

2% Popularity • 18% Danceability • 5% Energy • 13% Liveness
14% Instrumentalness • 8% Positiveness

144 bpm • F# min • 02:11 • -34db

40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness

142 bpm • E Maj • 00:44 • -25.96db

15% Popularity • 14% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 24% Positiveness