Songs like Salve Regina in G Major: IV.Eia ergo by Nicola Porpora
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Vivaldi: Stabat Mater in F Minor, RV 621...
106 bpm • F min • 03:06 • -23db
22% Popularity • 25% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 25% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
106 bpm • G min • 02:51 • -35.4db
10% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Ouverture
106 bpm • F# min • 03:01 • -22db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Nicola Porpora
Polifemo: Recitativo accompagnato - Nere...
107 bpm • E Maj • 00:33 • -16.46db
3% Popularity • 50% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 50% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Anonymous
Qualis avis cui perempta, S. 234: No. 2,...
105 bpm • E min • 01:29 • -19.25db
2% Popularity • 61% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 61% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ib. Ad ped...
107 bpm • B min • 01:21 • -22.64db
31% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Rameau: Platée, Act 2: "Aux langueurs d...
107 bpm • C# Maj • 05:01 • -17.98db
10% Popularity • 41% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel: Dixit Dominus, HWV 232: I. Dixit...
107 bpm • F# min • 05:17 • -17db
10% Popularity • 44% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 44% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cujus animam
105 bpm • G# Maj • 03:07 • -21.02db
37% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Nicola Porpora
Polifemo: Recitativo - Ulisse, Aci
107 bpm • G# min • 00:57 • -15.54db
4% Popularity • 62% Danceability • 21% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 62% Danceability • 21% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Anonymous
Salve Regina, S. 308: No. 6, O clemens
105 bpm • F Maj • 02:48 • -20.37db
3% Popularity • 39% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 39% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Leonardo Vinci
Vinci: Il farnace, Act 2: "Lascerò d'es...
104 bpm • C# Maj • 05:29 • -17db
9% Popularity • 47% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 47% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 35% Positiveness
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Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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William Christie
Purcell : King Arthur : Act 4 "How happy...
104 bpm • F min • 07:15 • -26db
15% Popularity • 28% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 28% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Giovanni Battista Sammartini
Symphony in A Major, J-C 62: II. Andante...
104 bpm • G# min • 02:12 • -24.5db
37% Popularity • 31% Danceability • 5% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
37% Popularity • 31% Danceability • 5% Energy • 12% Liveness
54% Instrumentalness • 12% Positiveness
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Nicola Porpora
Germanico in Germania / Act 3: "Già l�...
104 bpm • A# min • 00:45 • -15.05db
0% Popularity • 51% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 51% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Anonymous
Salve Regina, S. 308: No. 2, Ad te clama...
108 bpm • D min • 01:19 • -19.02db
3% Popularity • 64% Danceability • 21% Energy • 15% Liveness
69% Instrumentalness • 76% Positiveness
3% Popularity • 64% Danceability • 21% Energy • 15% Liveness
69% Instrumentalness • 76% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
20% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
103 bpm • C min • 01:12 • -21db
26% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Antonio Cesti
Orontea: Intorno all'idol mio
104 bpm • E min • 03:48 • -23.66db
22% Popularity • 28% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Nicola Porpora
Polifemo, Act III Final scene: Terzetto:...
104 bpm • C# min • 04:53 • -11.89db
3% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: II. Cujus anima...
103 bpm • G Maj • 02:07 • -16.32db
33% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
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![Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge] cover art](https://i.scdn.co/image/ab67616d00001e029cd4c5bd0fcf8e6c0b3b8f18)
Francesco Durante
Durante / Orch Courbier & Delaforge: Dan...
109 bpm • F# min • 01:33 • -13db
12% Popularity • 51% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 77% Positiveness
12% Popularity • 51% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 77% Positiveness
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George Frideric Handel
Rodelinda / Act 2: Io t'abbraccio
102 bpm • F min • 06:49 • -21.74db
10% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Sonate No. 4 (Six Sonates en symphonies ...
102 bpm • B min • 02:33 • -33.7db
21% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
21% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Nicola Porpora
Sonata for Violoncello and Basso continu...
109 bpm • E Maj • 02:38 • -18.13db
4% Popularity • 35% Danceability • 14% Energy • 23% Liveness
97% Instrumentalness • 43% Positiveness
4% Popularity • 35% Danceability • 14% Energy • 23% Liveness
97% Instrumentalness • 43% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte II, Scène IV: Ré...
111 bpm • G# Maj • 05:13 • -14db
18% Popularity • 38% Danceability • 35% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
18% Popularity • 38% Danceability • 35% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: IV. Quae moereb...
103 bpm • D Maj • 02:04 • -18.98db
27% Popularity • 48% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 48% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater Dolorosa
111 bpm • G min • 02:09 • -18.08db
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rodelinda, HWV 19 - Act 1: "Dove sei ama...
110 bpm • D# Maj • 06:19 • -16.7db
8% Popularity • 28% Danceability • 14% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Il giardino di rose: "Mentre io godo"
111 bpm • B min • 04:47 • -27db
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Nicola Porpora
Carlo il Calvo: Scena VIII: Recitativo -...
103 bpm • B Maj • 03:35 • -23.16db
0% Popularity • 46% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 46% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VIII. Fac ut ardeat
110 bpm • G min • 02:39 • -18db
34% Popularity • 34% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 34% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act II - "V'adoro...
101 bpm • E Maj • 04:39 • -20db
9% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: I. Stab...
111 bpm • F min • 04:17 • -21.86db
11% Popularity • 25% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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André Campra
Messe de requiem: II. Kyrie
111 bpm • D# min • 03:58 • -19db
10% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
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Nicola Porpora
Polifemo: Tutti: Accendi nuova face
102 bpm • C# Maj • 01:11 • -9.16db
2% Popularity • 35% Danceability • 56% Energy • 20% Liveness
90% Instrumentalness • 42% Positiveness
2% Popularity • 35% Danceability • 56% Energy • 20% Liveness
90% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
La fida ninfa, RV 714, Act I, Scene 3: D...
111 bpm • F Maj • 02:40 • -15.92db
12% Popularity • 48% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 48% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: III. O quam tri...
111 bpm • F# min • 01:58 • -17.75db
30% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
112 bpm • E Maj • 05:44 • -13.11db
13% Popularity • 29% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 29% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Marc'Antonio Ziani
La flora: Trombe d'Ausonia
100 bpm • C# Maj • 01:30 • -13.43db
18% Popularity • 48% Danceability • 30% Energy • 13% Liveness
24% Instrumentalness • 32% Positiveness
18% Popularity • 48% Danceability • 30% Energy • 13% Liveness
24% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Rameau : Hippolyte et Aricie : Overture
113 bpm • C min • 02:46 • -18db
9% Popularity • 34% Danceability • 34% Energy • 42% Liveness
84% Instrumentalness • 55% Positiveness
9% Popularity • 34% Danceability • 34% Energy • 42% Liveness
84% Instrumentalness • 55% Positiveness
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Nicola Porpora
Porpora: Polifemo, Act 2: "Placidetti ze...
110 bpm • G# min • 02:53 • -22.92db
12% Popularity • 33% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 33% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626: Overtu...
100 bpm • B min • 02:13 • -22.03db
27% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
27% Popularity • 45% Danceability • 34% Energy • 24% Liveness
76% Instrumentalness • 38% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VII. Eia Mater
100 bpm • C min • 02:54 • -27db
34% Popularity • 22% Danceability • 4% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
34% Popularity • 22% Danceability • 4% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Acte III, Scène 4: Prélu...
100 bpm • F# min • 07:31 • -28.28db
11% Popularity • 22% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Domenico Sarro
Sarro: Messa a 5 voci: "Laudamus te"
113 bpm • G# min • 03:28 • -16.15db
17% Popularity • 30% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 30% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Nicola Porpora
Gli orti esperidi: “Giusto Amor tu che...
102 bpm • C# Maj • 05:29 • -18.55db
12% Popularity • 40% Danceability • 17% Energy • 9% Liveness
6% Instrumentalness • 29% Positiveness
12% Popularity • 40% Danceability • 17% Energy • 9% Liveness
6% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Stabat Mater RV 621: VIII. Facut
99 bpm • F min • 01:29 • -19.32db
24% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Cavalli
Cavalli: Gli amori d'Apollo e di Dafne, ...
113 bpm • C min • 04:20 • -19.98db
4% Popularity • 37% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 37% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Rameau: Les Boréades: Ouverture
99 bpm • E Maj • 04:50 • -18db
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
114 bpm • D# min • 03:45 • -22.57db
14% Popularity • 50% Danceability • 10% Energy • 14% Liveness
4% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 10% Energy • 14% Liveness
4% Instrumentalness • 31% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VI. Gloria Patri
114 bpm • C# min • 01:07 • -14db
34% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
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Nicola Porpora
Polifemo: Ouverture: Vivo
110 bpm • C# Maj • 02:31 • -18.58db
6% Popularity • 17% Danceability • 18% Energy • 23% Liveness
83% Instrumentalness • 24% Positiveness
6% Popularity • 17% Danceability • 18% Energy • 23% Liveness
83% Instrumentalness • 24% Positiveness
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Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
32% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
114 bpm • C# Maj • 05:45 • -14.52db
16% Popularity • 29% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 28% Positiveness
16% Popularity • 29% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 28% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater RV 621: IV. Quis est Homo
114 bpm • F min • 03:02 • -23db
24% Popularity • 33% Danceability • 5% Energy • 24% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 33% Danceability • 5% Energy • 24% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Alessandro Stradella
San Giovanni Battista: Queste lagrime e ...
99 bpm • E min • 04:42 • -20db
12% Popularity • 20% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Nicola Porpora
Porpora: Semiramide riconosciuta, Act II...
101 bpm • D# min • 03:31 • -13.55db
9% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Henry Purcell
If music be the food of love, Z.379
99 bpm • E Maj • 02:15 • -17db
23% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
► Preview
Niccolò Jommelli
Requiem, Introitus: Requiem æternam
114 bpm • D# Maj • 05:26 • -33.34db
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 3. O quam tristis
114 bpm • F# min • 01:48 • -21.32db
27% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: 10. Qui sedes...
114 bpm • A# min • 02:01 • -14.97db
8% Popularity • 55% Danceability • 38% Energy • 18% Liveness
64% Instrumentalness • 55% Positiveness
8% Popularity • 55% Danceability • 38% Energy • 18% Liveness
64% Instrumentalness • 55% Positiveness
► Preview
Nicola Porpora
Porpora: Ifigenia in Aulide: Nel già br...
112 bpm • B min • 08:30 • -21.05db
5% Popularity • 32% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
5% Popularity • 32% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 9% Positiveness
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Henry Purcell
The Indian Queen, Z. 630: "I attempt fro...
98 bpm • D Maj • 02:03 • -13db
11% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a / Act 1: "Cara sposa, am...
114 bpm • D# min • 08:48 • -13db
12% Popularity • 26% Danceability • 23% Energy • 13% Liveness
24% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 23% Energy • 13% Liveness
24% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 3 Et i...
114 bpm • A# min • 02:50 • -27.32db
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Philipp Krieger
Die ausgesöhnte Eifersucht oder Cephalu...
98 bpm • C# Maj • 08:37 • -20.86db
18% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue: Ou...
114 bpm • F# Maj • 02:32 • -19.21db
8% Popularity • 28% Danceability • 19% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
8% Popularity • 28% Danceability • 19% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
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Nicola Porpora
Sonata for Violoncello and Basso continu...
101 bpm • E Maj • 01:24 • -20.06db
5% Popularity • 14% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
5% Popularity • 14% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Francesco Cavalli
Cavalli: L'Eliogabalo: Sinfonia
98 bpm • G min • 02:18 • -20db
14% Popularity • 23% Danceability • 13% Energy • 14% Liveness
6% Instrumentalness • 35% Positiveness
14% Popularity • 23% Danceability • 13% Energy • 14% Liveness
6% Instrumentalness • 35% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
114 bpm • E Maj • 03:24 • -15db
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
115 bpm • F# Maj • 01:05 • -10.7db
12% Popularity • 40% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 40% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: De torrente in vi...
98 bpm • D# min • 02:49 • -32.07db
19% Popularity • 32% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 32% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Zelenka: Barbara, dira effera, ZWV 164: ...
115 bpm • B Maj • 03:56 • -9.72db
11% Popularity • 48% Danceability • 56% Energy • 29% Liveness
76% Instrumentalness • 80% Positiveness
11% Popularity • 48% Danceability • 56% Energy • 29% Liveness
76% Instrumentalness • 80% Positiveness
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Nicola Porpora
La festa d'Imeneo: Vaghi amori, grazie a...
100 bpm • G Maj • 09:20 • -20db
13% Popularity • 29% Danceability • 12% Energy • 37% Liveness
19% Instrumentalness • 11% Positiveness
13% Popularity • 29% Danceability • 12% Energy • 37% Liveness
19% Instrumentalness • 11% Positiveness
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Francesco Cavalli
Cavalli: La Rosinda, Act 3: "Vieni, vien...
98 bpm • G min • 03:39 • -17.75db
17% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Francesco Provenzale
Provenzale: Lo schiavo di sua moglie: "L...
98 bpm • C# Maj • 03:20 • -18.47db
10% Popularity • 23% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 23% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
115 bpm • A# Maj • 05:59 • -22.73db
32% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Nicola Porpora
Polifemo: Duetto: Tacito movi e tardo - ...
100 bpm • F# Maj • 05:57 • -14.92db
2% Popularity • 30% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 30% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Riccardo Broschi
Idaspe, Act II Scene 11: Aria "Ombra fed...
97 bpm • C# Maj • 09:43 • -20.15db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
19% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
19% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
116 bpm • C# Maj • 05:51 • -20.07db
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
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Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: III....
97 bpm • F# min • 06:10 • -23.25db
13% Popularity • 31% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 31% Danceability • 3% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Nicola Porpora
Carlo il Calvo: Scena IV: Recitativo - A...
100 bpm • C# Maj • 01:15 • -21.14db
1% Popularity • 56% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 56% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Jean-Philippe Rameau
Hippolyte et Aricie, RCT 43, Acte I, Sc�...
116 bpm • C# Maj • 02:45 • -17.12db
12% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 29% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness