Songs like Salve Regina in G Minor, FP 110 by Francis Poulenc
Based on a tempo of (+/- 10%) and a similar genre
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Tebe Poem (We Hymn Thee)
141 bpm • C# min • 03:08 • -35.75db
22% Popularity • 14% Danceability • 4% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 4% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
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Francis Poulenc
Salve Regina in G Minor, FP 110
141 bpm • G min • 04:29 • -25.87db
14% Popularity • 20% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
140 bpm • C min • 03:22 • -23.44db
17% Popularity • 14% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 3% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Joseph Haydn
The Creation, Hob.XXI,2: Pt. 1, And God ...
140 bpm • A min • 02:00 • -22.69db
2% Popularity • 43% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 43% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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William Byrd
Diliges Dominum
140 bpm • G Maj • 03:15 • -24.98db
7% Popularity • 15% Danceability • 8% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 8% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
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Francis Poulenc
Fantasia, FP 174
141 bpm • G Maj • 01:36 • -28db
6% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Giovanni Pierluigi da Palestrina
Angelus Domini descendit
143 bpm • F min • 08:05 • -23.18db
28% Popularity • 17% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 17% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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The Sixteen
Five Flower Songs: The Evening Primrose ...
139 bpm • B Maj • 02:50 • -38.52db
9% Popularity • 15% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Francis Poulenc
Sextet, FP 100: Divertissement: Andantin...
142 bpm • F min • 04:14 • -24db
13% Popularity • 24% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Lauda Jerusalem (Salmo 147), RV 609
138 bpm • E min • 06:28 • -15db
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Francis Poulenc
Concerto for Organ, Strings and Percussi...
139 bpm • C Maj • 07:06 • -24db
1% Popularity • 14% Danceability • 3% Energy • 19% Liveness
84% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 3% Energy • 19% Liveness
84% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
23% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
23% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Justorum Animae
145 bpm • G Maj • 03:55 • -30.94db
10% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Dobrinka Tabakova
Arise Lord into Thy Rest
136 bpm • C Maj • 05:47 • -20.07db
24% Popularity • 20% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: La courte paille, FP 178: No. 2...
138 bpm • F Maj • 01:04 • -19.13db
0% Popularity • 51% Danceability • 13% Energy • 17% Liveness
1% Instrumentalness • 14% Positiveness
0% Popularity • 51% Danceability • 13% Energy • 17% Liveness
1% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Liturgy of St John Chrysostom, Op. 31: 1...
136 bpm • D# Maj • 02:23 • -33.77db
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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James MacMillan
Strathclyde Motets: Factus est repente
135 bpm • C Maj • 02:37 • -24.42db
7% Popularity • 16% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Balfour Gardiner
Evening Hymn
135 bpm • D Maj • 06:44 • -25.22db
16% Popularity • 15% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Francis Poulenc
Sonata for Clarinet and Bassoon: III. Fi...
138 bpm • C Maj • 02:53 • -19.33db
0% Popularity • 35% Danceability • 6% Energy • 20% Liveness
36% Instrumentalness • 34% Positiveness
0% Popularity • 35% Danceability • 6% Energy • 20% Liveness
36% Instrumentalness • 34% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Versicle/Response: Deus in adjutorium/Do...
135 bpm • D# Maj • 01:59 • -14db
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Le Bal Masqué - Poèmes de Max Jacob: 6...
137 bpm • F min • 04:20 • -22db
6% Popularity • 46% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
6% Popularity • 46% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Pavel Chesnokov
Blagoslovi, dushe moya, Ghospoda (Bless ...
134 bpm • G Maj • 02:27 • -25.37db
16% Popularity • 19% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Salve Regina, FP 110
136 bpm • G min • 03:59 • -25.65db
7% Popularity • 22% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem: Pie Jesu - Live
133 bpm • A# Maj • 03:21 • -29db
19% Popularity • 19% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Edgar Leslie Bainton
And I Saw A New Heaven
133 bpm • G Maj • 05:14 • -23db
15% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Sonata for Two Clarinets, FP 7:...
132 bpm • A min • 02:49 • -32.38db
4% Popularity • 18% Danceability • 0% Energy • 7% Liveness
8% Instrumentalness • 34% Positiveness
4% Popularity • 18% Danceability • 0% Energy • 7% Liveness
8% Instrumentalness • 34% Positiveness
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Kiev Chamber Choir
To Thee We Sing - S.Rachmaninoff Version
132 bpm • D# Maj • 03:21 • -21.33db
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Sixteen
Agnus Dei from Missa Puer Natus
132 bpm • G# Maj • 08:59 • -27db
2% Popularity • 16% Danceability • 6% Energy • 8% Liveness
40% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 6% Energy • 8% Liveness
40% Instrumentalness • 4% Positiveness
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Thomas Morley
April is in My Mistress’ Face
132 bpm • F min • 01:22 • -28.57db
16% Popularity • 21% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 21% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Hubert Parry
My Soul There Is A Country
133 bpm • G Maj • 04:00 • -24.86db
15% Popularity • 18% Danceability • 16% Energy • 5% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 16% Energy • 5% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
William Byrd
Vigilate
131 bpm • F min • 04:02 • -20.87db
7% Popularity • 19% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 19% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Paul Éluard
Cinq Poèmes: Peut-il se reposer
131 bpm • C# Maj • 01:40 • -20.68db
0% Popularity • 40% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 7% Positiveness
0% Popularity • 40% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 7% Positiveness
► Preview
Robert Pearsall
Lay a Garland
131 bpm • D Maj • 03:14 • -26db
18% Popularity • 16% Danceability • 10% Energy • 10% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 10% Energy • 10% Liveness
59% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Requiem Op. 48
131 bpm • A# Maj • 03:14 • -31.97db
7% Popularity • 16% Danceability • 2% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 2% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Piano Sextet, S. 100: I. Allegro vivace....
131 bpm • E min • 08:48 • -23.09db
6% Popularity • 32% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
6% Popularity • 32% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Maddalena Casulana
Morir non può il mio core
131 bpm • G Maj • 01:56 • -29.13db
14% Popularity • 18% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Giovanni Battista Pergolesi
Salve Regina in F minor: Et Jesum
131 bpm • G Maj • 02:11 • -24db
10% Popularity • 23% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
10% Popularity • 23% Danceability • 4% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
James MacMillan
Strathclyde Motets: Benedicimus Deum cae...
130 bpm • C Maj • 02:28 • -25.44db
7% Popularity • 18% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
7% Popularity • 18% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
► Preview
Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
4 Motets pour un temps de pénitence, FP...
130 bpm • G min • 03:31 • -30.49db
2% Popularity • 19% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
2% Popularity • 19% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Sfogava con le stelle un infermo d'amore...
129 bpm • D min • 03:06 • -21db
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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James MacMillan
Stabat Mater (Plainsong)
130 bpm • G Maj • 04:56 • -32db
7% Popularity • 30% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 30% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
22% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Henry Purcell
Service in B-Flat Major (Z. 230): Nunc d...
129 bpm • B Maj • 02:05 • -23.44db
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Dolcissimi legami di parole amorose
129 bpm • G min • 03:06 • -18.33db
14% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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James MacMillan
Miserere
129 bpm • E min • 12:34 • -26db
22% Popularity • 17% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: La courte paille, FP 178: No. 3...
129 bpm • E min • 01:20 • -26.76db
0% Popularity • 38% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 38% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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James MacMillan
Strathclyde Motets: Lux aeterna
128 bpm • A min • 03:47 • -27.84db
7% Popularity • 18% Danceability • 7% Energy • 6% Liveness
29% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 7% Energy • 6% Liveness
29% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness