Songs like Samba de Orfeu by Luiz Bonfá
Based on a tempo of (+/- 10%) and a similar genre
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Alper Tuzcu
Facilmente
105 bpm • D Maj • 03:02 • -10.32db
37% Popularity • 81% Danceability • 34% Energy • 33% Liveness
1% Instrumentalness • 30% Positiveness
37% Popularity • 81% Danceability • 34% Energy • 33% Liveness
1% Instrumentalness • 30% Positiveness
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Garoto
Choro Triste N 1
105 bpm • D# min • 02:31 • -26db
40% Popularity • 73% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 55% Positiveness
40% Popularity • 73% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 55% Positiveness
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Luiz Bonfá
Samba de Orfeu
105 bpm • E min • 03:36 • -18db
54% Popularity • 72% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 65% Positiveness
54% Popularity • 72% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 65% Positiveness
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Toninho Horta
Moonstone
105 bpm • A Maj • 03:56 • -25.42db
30% Popularity • 44% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
30% Popularity • 44% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Roberto Menescal E Seu Conjunto
Baiãozinho
106 bpm • G min • 02:03 • -13db
40% Popularity • 62% Danceability • 41% Energy • 10% Liveness
75% Instrumentalness • 68% Positiveness
40% Popularity • 62% Danceability • 41% Energy • 10% Liveness
75% Instrumentalness • 68% Positiveness
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Guinga
Cheio de Dedos
105 bpm • G Maj • 02:21 • -15.42db
28% Popularity • 55% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
28% Popularity • 55% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
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Anat Cohen
Mumurando
106 bpm • D Maj • 04:50 • -6.21db
14% Popularity • 61% Danceability • 71% Energy • 32% Liveness
86% Instrumentalness • 84% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 32% Liveness
86% Instrumentalness • 84% Positiveness
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Toots Thielemans
Felicia and Bianca
106 bpm • D min • 02:59 • -18.58db
20% Popularity • 57% Danceability • 27% Energy • 10% Liveness
34% Instrumentalness • 63% Positiveness
20% Popularity • 57% Danceability • 27% Energy • 10% Liveness
34% Instrumentalness • 63% Positiveness
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Luiz Bonfá
Sambolero
105 bpm • F# min • 02:53 • -25.02db
39% Popularity • 60% Danceability • 2% Energy • 11% Liveness
63% Instrumentalness • 59% Positiveness
39% Popularity • 60% Danceability • 2% Energy • 11% Liveness
63% Instrumentalness • 59% Positiveness
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Garoto
Nosso Choro
106 bpm • C min • 03:44 • -23db
31% Popularity • 67% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
31% Popularity • 67% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Cesar Camargo Mariano & Romero Lubambo
O Que É, o Que É
106 bpm • F Maj • 06:06 • -15.82db
9% Popularity • 69% Danceability • 32% Energy • 7% Liveness
89% Instrumentalness • 66% Positiveness
9% Popularity • 69% Danceability • 32% Energy • 7% Liveness
89% Instrumentalness • 66% Positiveness
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Bill Evans
I Do It For Your Love
104 bpm • B min • 07:24 • -14db
21% Popularity • 45% Danceability • 28% Energy • 11% Liveness
21% Instrumentalness • 8% Positiveness
21% Popularity • 45% Danceability • 28% Energy • 11% Liveness
21% Instrumentalness • 8% Positiveness
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Dave Brubeck
Bossa Nova U.S.A.
106 bpm • F Maj • 02:24 • -19.49db
42% Popularity • 62% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
42% Popularity • 62% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Toots Thielemans
Retrato em Branco e Preto
106 bpm • E min • 03:16 • -20.74db
15% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 6% Positiveness
15% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 6% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Luiz Bonfá
A Brazilian in New York
104 bpm • E min • 05:05 • -18.3db
24% Popularity • 50% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 25% Positiveness
24% Popularity • 50% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 25% Positiveness
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Gustavo Marques & Pororocas
Lamentos
106 bpm • B min • 03:07 • -11.56db
30% Popularity • 54% Danceability • 71% Energy • 7% Liveness
87% Instrumentalness • 72% Positiveness
30% Popularity • 54% Danceability • 71% Energy • 7% Liveness
87% Instrumentalness • 72% Positiveness
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Biréli Lagrène
How Insensitive Insensatez
104 bpm • G# Maj • 07:12 • -25.07db
29% Popularity • 60% Danceability • 16% Energy • 11% Liveness
71% Instrumentalness • 36% Positiveness
29% Popularity • 60% Danceability • 16% Energy • 11% Liveness
71% Instrumentalness • 36% Positiveness
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Ruben Gonzalez
MelodÃa del RÃo
107 bpm • C Maj • 04:42 • -15.59db
43% Popularity • 63% Danceability • 28% Energy • 18% Liveness
86% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 28% Energy • 18% Liveness
86% Instrumentalness • 49% Positiveness
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Maysa
Meu Mundo Caiu
103 bpm • G# min • 03:21 • -9.03db
50% Popularity • 39% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 39% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Antônio Carlos Jobim
Manhã De Carnaval (Solo Guitar Version ...
103 bpm • A min • 01:33 • -14.27db
19% Popularity • 70% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
19% Popularity • 70% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Luiz Bonfá
Brasilia
106 bpm • G Maj • 02:17 • -16db
18% Popularity • 74% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 93% Positiveness
18% Popularity • 74% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 93% Positiveness
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Milt Jackson
Jazz Bossa Nova
107 bpm • D min • 03:03 • -14.21db
23% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Turibio Santos
Graúna
107 bpm • A# Maj • 02:26 • -11.72db
33% Popularity • 53% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
33% Popularity • 53% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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Sambalanca Trio
Sam Blues
107 bpm • G# min • 02:13 • -14db
26% Popularity • 42% Danceability • 64% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
26% Popularity • 42% Danceability • 64% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
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Mop Mop
Three Times Bossa
103 bpm • A# min • 03:23 • -10.37db
38% Popularity • 79% Danceability • 68% Energy • 28% Liveness
75% Instrumentalness • 73% Positiveness
38% Popularity • 79% Danceability • 68% Energy • 28% Liveness
75% Instrumentalness • 73% Positiveness
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Roberto Menescal E Seu Conjunto
Samba Torto
103 bpm • G# Maj • 01:44 • -16db
32% Popularity • 60% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 60% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Fabiano do Nascimento
Brasilerinho
102 bpm • G Maj • 02:37 • -11.03db
28% Popularity • 61% Danceability • 69% Energy • 12% Liveness
69% Instrumentalness • 80% Positiveness
28% Popularity • 61% Danceability • 69% Energy • 12% Liveness
69% Instrumentalness • 80% Positiveness
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The Ipanemas
Passa o Ponto
103 bpm • B min • 02:46 • -9.49db
40% Popularity • 62% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
40% Popularity • 62% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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The Paul Moura & Cliff Korman Duo
Porque Choras, Saxofone
102 bpm • G Maj • 06:10 • -14.68db
11% Popularity • 61% Danceability • 28% Energy • 64% Liveness
44% Instrumentalness • 72% Positiveness
11% Popularity • 61% Danceability • 28% Energy • 64% Liveness
44% Instrumentalness • 72% Positiveness
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Nara Leão
Este Seu Olhar
108 bpm • G Maj • 02:32 • -15.96db
55% Popularity • 48% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 33% Positiveness
55% Popularity • 48% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 33% Positiveness
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Toots Thielemans
Visão
102 bpm • G min • 02:52 • -12.53db
10% Popularity • 45% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Roberto Menescal E Seu Conjunto
Você E Eu
103 bpm • C Maj • 01:50 • -13.77db
41% Popularity • 56% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Jacob Do Bandolim
Noites Cariocas
102 bpm • G Maj • 03:01 • -12.71db
28% Popularity • 63% Danceability • 59% Energy • 21% Liveness
94% Instrumentalness • 96% Positiveness
28% Popularity • 63% Danceability • 59% Energy • 21% Liveness
94% Instrumentalness • 96% Positiveness
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The Ipanemas
Mangue
108 bpm • C# Maj • 03:03 • -12db
38% Popularity • 69% Danceability • 58% Energy • 14% Liveness
93% Instrumentalness • 71% Positiveness
38% Popularity • 69% Danceability • 58% Energy • 14% Liveness
93% Instrumentalness • 71% Positiveness
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Rosalia De Souza
Sambinha
102 bpm • A# min • 03:14 • -7.28db
30% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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João Donato
Só Danço Samba
102 bpm • A# Maj • 02:04 • -13.36db
36% Popularity • 69% Danceability • 58% Energy • 10% Liveness
93% Instrumentalness • 95% Positiveness
36% Popularity • 69% Danceability • 58% Energy • 10% Liveness
93% Instrumentalness • 95% Positiveness
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Luiz Bonfá
Zomba
108 bpm • A min • 03:10 • -14.98db
14% Popularity • 66% Danceability • 30% Energy • 10% Liveness
44% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 30% Energy • 10% Liveness
44% Instrumentalness • 61% Positiveness
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João Gilberto
Aquarela do Brasil (Participação espec...
102 bpm • E min • 06:31 • -17.66db
56% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Desmond
Mrs. Robinson
102 bpm • C# Maj • 02:40 • -15.24db
49% Popularity • 53% Danceability • 37% Energy • 14% Liveness
53% Instrumentalness • 72% Positiveness
49% Popularity • 53% Danceability • 37% Energy • 14% Liveness
53% Instrumentalness • 72% Positiveness
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Luis Salinas
Salsa Pa' Coco
109 bpm • G Maj • 01:50 • -16.87db
33% Popularity • 67% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 95% Positiveness
33% Popularity • 67% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 95% Positiveness
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Johnny Alf
Rapaz de Bem
109 bpm • F Maj • 02:35 • -9db
30% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Raul De Souza
Bossa Eterna
101 bpm • F Maj • 05:52 • -15.48db
18% Popularity • 69% Danceability • 34% Energy • 17% Liveness
88% Instrumentalness • 57% Positiveness
18% Popularity • 69% Danceability • 34% Energy • 17% Liveness
88% Instrumentalness • 57% Positiveness
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Joe Henderson
Felicidade
101 bpm • A min • 04:44 • -16.49db
42% Popularity • 68% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 61% Positiveness
42% Popularity • 68% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 61% Positiveness
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Jorge Autuori
Autorizando
109 bpm • C# Maj • 01:32 • -9db
43% Popularity • 63% Danceability • 94% Energy • 25% Liveness
86% Instrumentalness • 97% Positiveness
43% Popularity • 63% Danceability • 94% Energy • 25% Liveness
86% Instrumentalness • 97% Positiveness
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Tamba 4
Samba Blim
109 bpm • C Maj • 02:37 • -17.2db
45% Popularity • 60% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 86% Positiveness
45% Popularity • 60% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 86% Positiveness
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Maria Toledo
Boticario
109 bpm • D Maj • 02:24 • -24.71db
37% Popularity • 62% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
37% Popularity • 62% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
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Ary Barroso
Maracangalha
109 bpm • G# Maj • 02:15 • -14db
37% Popularity • 61% Danceability • 67% Energy • 14% Liveness
84% Instrumentalness • 90% Positiveness
37% Popularity • 61% Danceability • 67% Energy • 14% Liveness
84% Instrumentalness • 90% Positiveness
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Quarteto Jobim-Morelenbaum
Meditação
110 bpm • E min • 04:29 • -12db
25% Popularity • 55% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
25% Popularity • 55% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Noa Stroeter
Varanda
101 bpm • F min • 05:45 • -13.85db
10% Popularity • 48% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 46% Positiveness
10% Popularity • 48% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 46% Positiveness
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Elizeth Cardoso
Manha De Carnaval
110 bpm • C Maj • 02:57 • -15.25db
35% Popularity • 47% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 47% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Luiz Bonfá
Quebra Mar [The Seawall]
110 bpm • G Maj • 02:38 • -25.51db
31% Popularity • 61% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
31% Popularity • 61% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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The Ipanemas
Aqui Dá Tudo Certo
110 bpm • F# min • 02:59 • -10.02db
37% Popularity • 75% Danceability • 72% Energy • 12% Liveness
78% Instrumentalness • 90% Positiveness
37% Popularity • 75% Danceability • 72% Energy • 12% Liveness
78% Instrumentalness • 90% Positiveness
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Coleman Hawkins
Rosita
110 bpm • E Maj • 05:02 • -15.81db
43% Popularity • 59% Danceability • 26% Energy • 9% Liveness
53% Instrumentalness • 31% Positiveness
43% Popularity • 59% Danceability • 26% Energy • 9% Liveness
53% Instrumentalness • 31% Positiveness
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Tamba 4
The Dolphin
100 bpm • E min • 02:25 • -19.68db
36% Popularity • 49% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 21% Positiveness
36% Popularity • 49% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 21% Positiveness
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Rosalia De Souza
Carolina Carol Bela
100 bpm • G Maj • 03:10 • -9.65db
42% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 75% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Maria Toledo
Pierrot
100 bpm • B min • 01:31 • -16.67db
26% Popularity • 30% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 30% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Bossacucanova
Previsão
100 bpm • C# Maj • 03:00 • -7.96db
48% Popularity • 67% Danceability • 86% Energy • 14% Liveness
48% Instrumentalness • 57% Positiveness
48% Popularity • 67% Danceability • 86% Energy • 14% Liveness
48% Instrumentalness • 57% Positiveness
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Paul Desmond
Samba With Some Barbecue
100 bpm • A# min • 04:30 • -19.49db
33% Popularity • 63% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
33% Popularity • 63% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Luiz Bonfá
Uma Prece [A Prayer]
110 bpm • B min • 02:36 • -22.29db
32% Popularity • 63% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
32% Popularity • 63% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Tamba 4
Weekend
100 bpm • F Maj • 01:57 • -23db
40% Popularity • 64% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
40% Popularity • 64% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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Rosalia De Souza
Candomblè
100 bpm • G Maj • 04:25 • -11.4db
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Bebel Gilberto
Bim Bom
111 bpm • C Maj • 02:43 • -13.22db
30% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Quarteto Jobim-Morelenbaum
Mantiqueira Range
100 bpm • C Maj • 02:58 • -8.16db
22% Popularity • 40% Danceability • 68% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
22% Popularity • 40% Danceability • 68% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
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João Donato
A Rã
100 bpm • A# min • 02:15 • -11.4db
52% Popularity • 72% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
52% Popularity • 72% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Maria Toledo
Baroco
111 bpm • D Maj • 02:54 • -24.15db
30% Popularity • 67% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
30% Popularity • 67% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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Zé Paulo Becker
Serelepe
111 bpm • G Maj • 04:00 • -9.13db
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
94% Instrumentalness • 92% Positiveness
25% Popularity • 71% Danceability • 53% Energy • 7% Liveness
94% Instrumentalness • 92% Positiveness
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Rosalia De Souza
Onde Anda O Meu Amor
100 bpm • E min • 03:36 • -8.3db
34% Popularity • 69% Danceability • 78% Energy • 42% Liveness
7% Instrumentalness • 54% Positiveness
34% Popularity • 69% Danceability • 78% Energy • 42% Liveness
7% Instrumentalness • 54% Positiveness
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Luiz Bonfá
Meu Nome É Ninguém (My Name Is Nobody)
99 bpm • C Maj • 01:45 • -23db
25% Popularity • 58% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 68% Positiveness
25% Popularity • 58% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 68% Positiveness
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Piero Umiliani
Ricordandoti
99 bpm • G min • 02:55 • -15.31db
54% Popularity • 46% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
54% Popularity • 46% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Trio De Janeiro
Apanhei-Te Cavaquinho
99 bpm • D Maj • 02:18 • -11db
31% Popularity • 55% Danceability • 66% Energy • 20% Liveness
89% Instrumentalness • 94% Positiveness
31% Popularity • 55% Danceability • 66% Energy • 20% Liveness
89% Instrumentalness • 94% Positiveness
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Raul De Souza
Ilha do Mel
99 bpm • A# Maj • 03:33 • -15.79db
27% Popularity • 58% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
27% Popularity • 58% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Elizeth Cardoso
Outra Vez
99 bpm • B Maj • 01:53 • -14.99db
53% Popularity • 59% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 59% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Turibio Santos
Reboliço
99 bpm • A# Maj • 02:42 • -16db
34% Popularity • 56% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
34% Popularity • 56% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Luiz Bonfá
Sambalero
99 bpm • A Maj • 02:13 • -19.3db
28% Popularity • 57% Danceability • 16% Energy • 10% Liveness
61% Instrumentalness • 62% Positiveness
28% Popularity • 57% Danceability • 16% Energy • 10% Liveness
61% Instrumentalness • 62% Positiveness
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Bossa Brothers
Mediação
111 bpm • E min • 02:31 • -15.9db
36% Popularity • 55% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 47% Positiveness
36% Popularity • 55% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 47% Positiveness
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Márcio Faraco
Perdão
99 bpm • D Maj • 04:30 • -14.37db
26% Popularity • 78% Danceability • 46% Energy • 11% Liveness
81% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 46% Energy • 11% Liveness
81% Instrumentalness • 76% Positiveness
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Stan Getz
Menina Flor
112 bpm • E min • 04:08 • -17.21db
36% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Garoto
Voltarei
112 bpm • A Maj • 02:15 • -18.33db
31% Popularity • 56% Danceability • 10% Energy • 15% Liveness
94% Instrumentalness • 10% Positiveness
31% Popularity • 56% Danceability • 10% Energy • 15% Liveness
94% Instrumentalness • 10% Positiveness
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Letieres Leite Quinteto
Casa do Pai
99 bpm • C Maj • 07:36 • -15.17db
21% Popularity • 59% Danceability • 29% Energy • 31% Liveness
84% Instrumentalness • 46% Positiveness
21% Popularity • 59% Danceability • 29% Energy • 31% Liveness
84% Instrumentalness • 46% Positiveness
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Luiz Bonfá
Moonlight In Rio
111 bpm • G Maj • 02:41 • -13.87db
31% Popularity • 49% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
31% Popularity • 49% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
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Abel Ferreira
No ParaÃso Das Mulatas
112 bpm • F Maj • 01:47 • -10.65db
29% Popularity • 72% Danceability • 46% Energy • 37% Liveness
86% Instrumentalness • 89% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 37% Liveness
86% Instrumentalness • 89% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
34% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
34% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Danny Mandalay
Mandalay Bay
99 bpm • C Maj • 02:37 • -14db
31% Popularity • 50% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 49% Positiveness
31% Popularity • 50% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 49% Positiveness
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Paul Desmond
Samba Cepeda
98 bpm • A# min • 05:06 • -21.98db
22% Popularity • 45% Danceability • 19% Energy • 18% Liveness
87% Instrumentalness • 44% Positiveness
22% Popularity • 45% Danceability • 19% Energy • 18% Liveness
87% Instrumentalness • 44% Positiveness
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Bebel Gilberto
Samba E Amor
112 bpm • B min • 03:28 • -13.22db
43% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Luiz Bonfá
Carnaval de ontem
99 bpm • F# Maj • 02:38 • -23.13db
11% Popularity • 56% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Rio 65 Trio
Upa, Neguinho
112 bpm • D Maj • 02:08 • -15db
38% Popularity • 68% Danceability • 39% Energy • 10% Liveness
83% Instrumentalness • 90% Positiveness
38% Popularity • 68% Danceability • 39% Energy • 10% Liveness
83% Instrumentalness • 90% Positiveness
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Helio Delmiro
Alabastro
113 bpm • D Maj • 02:49 • -16.91db
21% Popularity • 58% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 47% Positiveness
21% Popularity • 58% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 47% Positiveness
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João Erbetta
Morning Song
98 bpm • D# Maj • 02:05 • -12.26db
46% Popularity • 75% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
46% Popularity • 75% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 58% Positiveness
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Guinga
Igreja da Penha
113 bpm • C Maj • 02:41 • -22.38db
40% Popularity • 44% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
40% Popularity • 44% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Roberto Menescal E Seu Conjunto
Surfboard
113 bpm • C Maj • 02:08 • -13db
36% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Luiz Bonfá
Calypso Minor
99 bpm • A min • 01:47 • -18.15db
27% Popularity • 66% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 67% Positiveness
27% Popularity • 66% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 67% Positiveness
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Toots Thielemans
Coracao Vagabundo
98 bpm • G# Maj • 04:29 • -20.17db
20% Popularity • 58% Danceability • 5% Energy • 7% Liveness
16% Instrumentalness • 13% Positiveness
20% Popularity • 58% Danceability • 5% Energy • 7% Liveness
16% Instrumentalness • 13% Positiveness
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Toninho Horta
Aquelas Coisas Todas
113 bpm • E min • 05:40 • -12.38db
29% Popularity • 38% Danceability • 71% Energy • 22% Liveness
4% Instrumentalness • 58% Positiveness
29% Popularity • 38% Danceability • 71% Energy • 22% Liveness
4% Instrumentalness • 58% Positiveness
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Luis Do Monte
Alma Brasileira
113 bpm • C Maj • 02:55 • -14db
17% Popularity • 71% Danceability • 64% Energy • 9% Liveness
89% Instrumentalness • 93% Positiveness
17% Popularity • 71% Danceability • 64% Energy • 9% Liveness
89% Instrumentalness • 93% Positiveness
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Paul Desmond
Bossa Antigua
97 bpm • F min • 04:44 • -18.2db
50% Popularity • 52% Danceability • 29% Energy • 8% Liveness
79% Instrumentalness • 56% Positiveness
50% Popularity • 52% Danceability • 29% Energy • 8% Liveness
79% Instrumentalness • 56% Positiveness
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João Donato
Ê Lalá Lay-Ê
113 bpm • D Maj • 03:20 • -16.18db
50% Popularity • 51% Danceability • 28% Energy • 19% Liveness
82% Instrumentalness • 22% Positiveness
50% Popularity • 51% Danceability • 28% Energy • 19% Liveness
82% Instrumentalness • 22% Positiveness
