Songs like Same Girl by Tess Henley
Based on a tempo of (+/- 10%) and a similar genre
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Hope Tala
Eden
78 bpm • A min • 03:33 • -9.77db
30% Popularity • 83% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 83% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Patrick Paige II
Voodoo
78 bpm • A# min • 03:41 • -7.73db
35% Popularity • 63% Danceability • 55% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
35% Popularity • 63% Danceability • 55% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
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vbnd
Stop Your Crying
78 bpm • F min • 04:33 • -15.16db
19% Popularity • 65% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 65% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Tess Henley
Same Girl
78 bpm • D Maj • 03:02 • -6db
34% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Nick Dorian
Kumbaya
77 bpm • A min • 03:21 • -12.25db
30% Popularity • 76% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 76% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Smoko Ono
You Are
78 bpm • G# min • 03:57 • -6.21db
32% Popularity • 51% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 51% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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SAULT
Masterpiece (Mixed)
79 bpm • G Maj • 04:46 • -10db
34% Popularity • 67% Danceability • 35% Energy • 64% Liveness
5% Instrumentalness • 91% Positiveness
34% Popularity • 67% Danceability • 35% Energy • 64% Liveness
5% Instrumentalness • 91% Positiveness
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Arjuna Oakes
Old School Heart
79 bpm • B min • 04:49 • -9.9db
24% Popularity • 55% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 55% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Joey Dosik
Inside Voice
79 bpm • C# min • 03:33 • -8.55db
25% Popularity • 32% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 32% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ella Frank
Lime
79 bpm • G# Maj • 02:18 • -10.45db
28% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mathilda Homer
Probably Sorry
77 bpm • G# Maj • 02:45 • -9.36db
30% Popularity • 78% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 78% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Lady Wray
Storms
77 bpm • F min • 03:11 • -8db
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Joanna Teters
Recall
77 bpm • A min • 04:34 • -8.77db
32% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Kenneth Whalum
One More Kiss
77 bpm • C# min • 03:46 • -11.61db
30% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Naomi Sharon
Breeze
77 bpm • C min • 03:12 • -8db
42% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Joey Dosik
Past the Point
77 bpm • B min • 03:42 • -9.41db
16% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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vbnd
Slowly Starting to Take Form
77 bpm • D min • 03:22 • -14.3db
35% Popularity • 86% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 86% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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BODUR
Lovely Lonely
79 bpm • G min • 04:51 • -10.49db
32% Popularity • 71% Danceability • 37% Energy • 10% Liveness
37% Instrumentalness • 9% Positiveness
32% Popularity • 71% Danceability • 37% Energy • 10% Liveness
37% Instrumentalness • 9% Positiveness
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Adi Oasis
Red To Violet - Jamila Woods
79 bpm • G# Maj • 03:22 • -5.12db
40% Popularity • 68% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
40% Popularity • 68% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Nicole Bus
Look Up To The Sky
79 bpm • D min • 03:52 • -7.28db
36% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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India Shawn
CALI LOVE
79 bpm • D# min • 03:16 • -5.3db
31% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Allysha Joy
Watercolours
79 bpm • F# Maj • 04:28 • -9.12db
20% Popularity • 52% Danceability • 69% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
20% Popularity • 52% Danceability • 69% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
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Jerome Thomas
Lovesick
77 bpm • B min • 03:48 • -11.37db
37% Popularity • 56% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 40% Positiveness
37% Popularity • 56% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 40% Positiveness
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Poppy Ajudha
Strong Womxn - Stripped
79 bpm • A min • 03:15 • -6.95db
25% Popularity • 38% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 38% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Radiant Children
Poke Bowl
80 bpm • A# min • 04:31 • -6.67db
36% Popularity • 61% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
36% Popularity • 61% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Pip Millett
Like It Like That
76 bpm • G min • 02:59 • -7.77db
43% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Native Dancer
Currents
80 bpm • F min • 02:41 • -10db
21% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 50% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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SABRI
Wish the Love Never Died
80 bpm • A min • 03:01 • -8.48db
42% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Steve Arrington
Keep Dreamin'
76 bpm • D# Maj • 04:52 • -7.81db
19% Popularity • 58% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
19% Popularity • 58% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Meshell Ndegeocello
Don't Disturb This Groove
80 bpm • B min • 04:37 • -9.22db
35% Popularity • 38% Danceability • 67% Energy • 11% Liveness
30% Instrumentalness • 50% Positiveness
35% Popularity • 38% Danceability • 67% Energy • 11% Liveness
30% Instrumentalness • 50% Positiveness
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Yakul
Getting Late
80 bpm • G Maj • 04:03 • -7.47db
15% Popularity • 73% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 73% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Rose
Just Fine
80 bpm • G Maj • 03:12 • -15db
20% Popularity • 74% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 46% Positiveness
20% Popularity • 74% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 46% Positiveness
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Elli Ingram
Strange How Good Things Change
80 bpm • C Maj • 03:21 • -8.99db
36% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Cleo Sol
Rose in the Dark
80 bpm • G# Maj • 03:46 • -8.5db
49% Popularity • 61% Danceability • 56% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
49% Popularity • 61% Danceability • 56% Energy • 22% Liveness
1% Instrumentalness • 49% Positiveness
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Lohai
Baby I Know You Will
80 bpm • E Maj • 04:11 • -8.67db
23% Popularity • 67% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 67% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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McClenney
just stay
76 bpm • E Maj • 03:11 • -10.21db
20% Popularity • 73% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 73% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Joomanji
Sweet Music
80 bpm • E min • 03:16 • -14db
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
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Jackson Lundy
9 to 5
76 bpm • G# min • 03:02 • -6.28db
27% Popularity • 81% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
27% Popularity • 81% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Bryony Jarman-Pinto
Sun Kissed
80 bpm • C# Maj • 04:18 • -8db
31% Popularity • 69% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 69% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Tess Henley
FYI
81 bpm • F Maj • 03:15 • -7.69db
3% Popularity • 43% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 43% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Joey Dosik
Running Away
75 bpm • A# Maj • 04:31 • -8.56db
35% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Futurelics
Down N' Out
75 bpm • B min • 06:24 • -10.13db
29% Popularity • 63% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 51% Positiveness
29% Popularity • 63% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 51% Positiveness
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Lady Wray
Come On In
81 bpm • F min • 03:38 • -6db
48% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Emily Elbert
True Power
81 bpm • G min • 04:07 • -11.3db
14% Popularity • 69% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 69% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Cleo Sol
Sweet Blue
81 bpm • F# min • 04:13 • -14.76db
59% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Deva Mahal
I Want You (For All Time)
81 bpm • F min • 03:38 • -6.83db
32% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Akemi Fox
Lemon Tea
81 bpm • G min • 03:25 • -16.62db
37% Popularity • 76% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 76% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Gregory Porter
Everything You Touch Is Gold
75 bpm • E Maj • 06:03 • -7.77db
47% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Nai Palm
Crossfire / So Into You
81 bpm • A Maj • 04:28 • -8.46db
43% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 48% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Quadron
Sea Salt
75 bpm • E Maj • 03:08 • -9.46db
35% Popularity • 79% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
35% Popularity • 79% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Ben L'Oncle Soul
Two Trees
75 bpm • G Maj • 04:10 • -6.71db
42% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Beard
Enjoy The Ride
75 bpm • F# min • 03:39 • -11db
48% Popularity • 79% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
48% Popularity • 79% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
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Jordan Rakei
My Time
75 bpm • B Maj • 02:17 • -9.12db
36% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Emmaline
Ladylike
81 bpm • E min • 03:50 • -11.82db
16% Popularity • 78% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 78% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Radiant Children
Gently
81 bpm • C min • 03:23 • -8.95db
23% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Royce Wood Junior
With You Now For This
82 bpm • F# min • 03:54 • -8db
22% Popularity • 58% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 58% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jonah Yano
delicate
74 bpm • G min • 03:16 • -9.66db
35% Popularity • 59% Danceability • 44% Energy • 23% Liveness
12% Instrumentalness • 75% Positiveness
35% Popularity • 59% Danceability • 44% Energy • 23% Liveness
12% Instrumentalness • 75% Positiveness
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Ella Frank
Kettle
82 bpm • C# Maj • 04:24 • -10db
28% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Jonathan Singletary
Just a Man
82 bpm • F# min • 04:13 • -6.14db
14% Popularity • 67% Danceability • 82% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
14% Popularity • 67% Danceability • 82% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
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Shura
elevator girl ft. Ivy Sole
82 bpm • A# min • 03:26 • -9.51db
36% Popularity • 67% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 67% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Otis Junior
One Time
82 bpm • F# min • 03:30 • -6db
37% Popularity • 67% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 67% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Joanna Teters
Zero to a Hundred
82 bpm • C# Maj • 03:05 • -8db
25% Popularity • 60% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Debra Debs
More Than a Minute
82 bpm • F# Maj • 03:38 • -9.85db
20% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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PIE
Apathy
82 bpm • C# min • 03:25 • -7db
31% Popularity • 79% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 79% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Eloise
Subside
82 bpm • G# Maj • 03:08 • -6db
56% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Yakul
Realigned
74 bpm • G# min • 04:54 • -7.93db
18% Popularity • 48% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 48% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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JNR WILLIAMS
Here B4
74 bpm • C Maj • 03:53 • -12.58db
34% Popularity • 72% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 57% Positiveness
34% Popularity • 72% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 57% Positiveness
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Mayer Hawthorne
M.O.
74 bpm • F min • 03:36 • -3.46db
32% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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KIRBY
Velvet
74 bpm • A# Maj • 03:36 • -5.76db
45% Popularity • 66% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 24% Positiveness
45% Popularity • 66% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 24% Positiveness
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Tom Bailey
Love And Happiness
74 bpm • G Maj • 02:35 • -9.24db
19% Popularity • 51% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 47% Positiveness
19% Popularity • 51% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 47% Positiveness
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Aaron Frazer
Done Lyin’
82 bpm • C min • 03:09 • -7.63db
35% Popularity • 76% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 76% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Tess Henley
Paramount
74 bpm • B Maj • 02:44 • -6.25db
3% Popularity • 41% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 41% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 12% Positiveness
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Terrace Martin
Freeze Tag
83 bpm • B Maj • 03:11 • -6.93db
57% Popularity • 65% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 65% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Durand Jones & The Indications
More Than Ever
83 bpm • A min • 03:15 • -11.05db
38% Popularity • 62% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 62% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Jaime Woods
Talk to Me
83 bpm • C# Maj • 04:34 • -11.75db
21% Popularity • 80% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 80% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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KAMAUU
MANGO
83 bpm • D min • 04:05 • -7.61db
60% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Sipprell
Journey
83 bpm • C# Maj • 03:02 • -10.54db
28% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tess Henley
Good For Me
74 bpm • D# Maj • 03:07 • -7.75db
5% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Rakei
Midnight Mischief
83 bpm • C Maj • 05:22 • -10.81db
36% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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DORJ
ALAMAIM
73 bpm • A min • 03:43 • -8.26db
27% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Otis Junior
Rising with It
83 bpm • A# min • 03:12 • -6.19db
27% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Potatohead People
Morning Sun
83 bpm • F Maj • 03:53 • -6.6db
33% Popularity • 55% Danceability • 47% Energy • 24% Liveness
1% Instrumentalness • 36% Positiveness
33% Popularity • 55% Danceability • 47% Energy • 24% Liveness
1% Instrumentalness • 36% Positiveness
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Mayer Hawthorne
Over
73 bpm • B Maj • 02:55 • -3.96db
32% Popularity • 82% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 82% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Temani Hill
Power
84 bpm • F Maj • 04:02 • -9.89db
34% Popularity • 64% Danceability • 38% Energy • 10% Liveness
8% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 38% Energy • 10% Liveness
8% Instrumentalness • 70% Positiveness
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Nia Andrews
Linger
73 bpm • C# min • 03:34 • -12.47db
20% Popularity • 56% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
20% Popularity • 56% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Robert Glasper
Fuck Yo Feelings
84 bpm • A# min • 02:30 • -6.82db
36% Popularity • 49% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 49% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Tess Henley
Joy Somewhere
84 bpm • G Maj • 04:07 • -7.43db
2% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Parisalexa
Gardens
72 bpm • F# Maj • 03:25 • -8.54db
33% Popularity • 74% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 74% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Linda Diaz
Green Tea Ice Cream
84 bpm • A# Maj • 03:51 • -6.62db
31% Popularity • 57% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
31% Popularity • 57% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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SOPHIETHEHOMIE
home demo - Single
84 bpm • D# min • 03:05 • -8.04db
43% Popularity • 86% Danceability • 50% Energy • 14% Liveness
16% Instrumentalness • 48% Positiveness
43% Popularity • 86% Danceability • 50% Energy • 14% Liveness
16% Instrumentalness • 48% Positiveness
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Joyce Wrice
Good Morning (Mndsgn Remix)
84 bpm • G# min • 03:25 • -10.76db
38% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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James Tillman
Shangri La
84 bpm • D min • 03:33 • -12.05db
36% Popularity • 31% Danceability • 50% Energy • 11% Liveness
32% Instrumentalness • 52% Positiveness
36% Popularity • 31% Danceability • 50% Energy • 11% Liveness
32% Instrumentalness • 52% Positiveness
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Ruck P
As Long As I Got You
84 bpm • G# Maj • 03:37 • -9db
33% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Arrington
The Joys of Love
84 bpm • F# Maj • 05:06 • -7.36db
20% Popularity • 66% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 66% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Amber Navran
Letter 7/Say Yes
84 bpm • C# min • 03:29 • -12.57db
15% Popularity • 70% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
15% Popularity • 70% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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KIRBY
We Don't Funk
84 bpm • A# Maj • 02:02 • -7db
52% Popularity • 71% Danceability • 86% Energy • 63% Liveness
1% Instrumentalness • 37% Positiveness
52% Popularity • 71% Danceability • 86% Energy • 63% Liveness
1% Instrumentalness • 37% Positiveness
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Amy Winehouse
Half Time
84 bpm • E min • 03:50 • -8db
59% Popularity • 62% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 62% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Jaguar Wright
Self Love
84 bpm • G Maj • 09:15 • -11db
25% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
