Songs like Same Jeans by The View
Based on a tempo of (+/- 10%) and a similar genre
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The Snuts
All Your Friends
135 bpm • E Maj • 03:28 • -3db
36% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Catfish and the Bottlemen
Soundcheck
135 bpm • D Maj • 04:21 • -5.79db
58% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
58% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
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Milburn
The Genius And The Tramp
135 bpm • E Maj • 04:11 • -3.29db
17% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Gerry Cinnamon
Canter
135 bpm • A# Maj • 04:26 • -6.83db
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Bell X1
The Great Defector
135 bpm • G Maj • 04:40 • -4.91db
43% Popularity • 63% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 70% Positiveness
43% Popularity • 63% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 70% Positiveness
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The Pigeon Detectives
Keep On Your Dress
135 bpm • C# min • 04:51 • -2.72db
11% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Snuts
Maybe California
135 bpm • E Maj • 02:21 • -4.73db
49% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The View
Same Jeans
135 bpm • C Maj • 03:33 • -2.45db
54% Popularity • 48% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 48% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Marr
Easy Money
135 bpm • F# min • 04:03 • -4.05db
46% Popularity • 51% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 51% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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The Sunshine Underground
Borders
135 bpm • A Maj • 04:02 • -4.9db
35% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Stereophonics
Handbags And Gladrags
135 bpm • D# Maj • 04:37 • -3.94db
58% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Viola Beach
Boys That Sing
136 bpm • B min • 03:16 • -6.46db
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Snuts
Glasgow
135 bpm • B Maj • 04:26 • -1db
49% Popularity • 22% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 22% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The Stone Roses
Mersey Paradise - Remastered
136 bpm • G Maj • 02:46 • -3.18db
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 41% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Pigeon Detectives
Stop and Go
134 bpm • A min • 03:12 • -2.17db
16% Popularity • 50% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 50% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Kyle Falconer
Stress Ball
134 bpm • C Maj • 03:40 • -3.48db
19% Popularity • 60% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 60% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The View
Happy
134 bpm • E min • 04:12 • -3.81db
15% Popularity • 45% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 45% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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David Brent
Freelove Freeway
134 bpm • C Maj • 03:08 • -8.87db
39% Popularity • 74% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
39% Popularity • 74% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
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The Lathums
I Know That Much
134 bpm • B min • 03:21 • -4db
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Mystery Jets
Young Love
136 bpm • E Maj • 03:22 • -5.19db
50% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Pigeon Detectives
This Is An Emergency
136 bpm • G Maj • 03:10 • -3.19db
26% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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The Ordinary Boys
I Luv U
136 bpm • C# Maj • 03:14 • -7.72db
30% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Dylan John Thomas
Fever
137 bpm • C# Maj • 03:00 • -6.99db
43% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Levellers
What a Beautiful Day
136 bpm • F# min • 04:03 • -4.63db
43% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Catfish and the Bottlemen
Twice
137 bpm • C Maj • 03:16 • -5db
55% Popularity • 41% Danceability • 82% Energy • 40% Liveness
3% Instrumentalness • 29% Positiveness
55% Popularity • 41% Danceability • 82% Energy • 40% Liveness
3% Instrumentalness • 29% Positiveness
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Ocean Colour Scene
Travellers Tune
137 bpm • G# Maj • 03:40 • -6db
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Vaccines
Post Break-Up Sex
137 bpm • F Maj • 02:54 • -4db
58% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Idlewild
You Held the World in Your Arms
133 bpm • C# min • 03:22 • -3db
39% Popularity • 38% Danceability • 91% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
39% Popularity • 38% Danceability • 91% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Kyle Falconer
Last Bus Home
132 bpm • D Maj • 02:54 • -7.8db
9% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Catfish and the Bottlemen
Cocoon
133 bpm • G min • 03:56 • -4db
68% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The View
Blondie
132 bpm • D min • 03:36 • -4.48db
18% Popularity • 57% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 57% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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The Lathums
The Great Escape
132 bpm • G Maj • 03:48 • -4db
50% Popularity • 50% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 50% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Embrace
Ashes
138 bpm • D Maj • 04:22 • -8db
49% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 42% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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Kyle Falconer
Family Tree
138 bpm • C Maj • 04:06 • -5.14db
21% Popularity • 51% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 51% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Stereophonics
Goldfish Bowl
138 bpm • G Maj • 03:02 • -4.94db
36% Popularity • 52% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 52% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Catfish and the Bottlemen
Kathleen
138 bpm • B min • 02:40 • -4.76db
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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The Stone Roses
Made of Stone - Remastered
132 bpm • G Maj • 04:14 • -5.01db
60% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
60% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
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Blur
Parklife - 2012 Remaster
139 bpm • E Maj • 03:05 • -6.09db
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The View
Street Lights
131 bpm • E min • 02:57 • -3.37db
25% Popularity • 40% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 40% Danceability • 92% Energy • 84% Liveness
0% Instrumentalness • 42% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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JAMIE WEBSTER
Days Unknown
139 bpm • F# Maj • 03:12 • -2.44db
42% Popularity • 50% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 50% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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The Stone Roses
Sally Cinnamon - Single Mix
131 bpm • G Maj • 02:53 • -13db
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Courteeners
Not Nineteen Forever
140 bpm • D Maj • 04:01 • -2.95db
56% Popularity • 41% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 41% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Little Man Tate
Man I Hate Your Band
140 bpm • F Maj • 03:36 • -3.91db
26% Popularity • 47% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 47% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Jake Bugg
Messed Up Kids
130 bpm • F# Maj • 02:59 • -4.08db
42% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Enemy
Like a Dancer
140 bpm • C# Maj • 03:09 • -1.92db
17% Popularity • 47% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 47% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Cast
Alright
140 bpm • C# Maj • 03:37 • -8db
48% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 40% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Thrills
Big Sur
130 bpm • A min • 03:07 • -4.17db
46% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 55% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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The Proclaimers
Life With You
140 bpm • F Maj • 03:22 • -6db
45% Popularity • 61% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 61% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The View
Voodoo Doll
130 bpm • D# Maj • 03:32 • -5.09db
20% Popularity • 70% Danceability • 90% Energy • 72% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 70% Danceability • 90% Energy • 72% Liveness
0% Instrumentalness • 91% Positiveness
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Liam Gallagher
Now That I've Found You
130 bpm • C Maj • 03:20 • -3db
46% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Enemy
2 Kids
140 bpm • B Maj • 03:56 • -3.23db
16% Popularity • 50% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 50% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Doves
Pounding
130 bpm • C# Maj • 04:45 • -4.1db
47% Popularity • 55% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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The Ordinary Boys
Lonely at the Top
140 bpm • A# min • 03:10 • -4db
20% Popularity • 55% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 55% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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The Fratellis
Ole Black 'n' Blue Eyes
129 bpm • A# Maj • 03:16 • -4db
39% Popularity • 50% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 50% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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The View
Don't Tell Me
140 bpm • G Maj • 03:22 • -2.64db
19% Popularity • 38% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 38% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Stone Roses
Sally Cinnamon - 12" Single Mix
129 bpm • G Maj • 03:27 • -13.21db
44% Popularity • 42% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 42% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Biffy Clyro
The Captain
129 bpm • C Maj • 03:43 • -6.26db
31% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Zutons
Always Right Behind You
141 bpm • F# min • 03:31 • -3.58db
26% Popularity • 34% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 34% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Riptide Movement
All Works Out
129 bpm • C Maj • 03:54 • -3.78db
35% Popularity • 54% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 54% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Automatic
Monster
141 bpm • E min • 03:39 • -7db
52% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The View
Covers
129 bpm • C Maj • 03:23 • -6db
41% Popularity • 68% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 68% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Paolo Nutini
10/10
129 bpm • C Maj • 02:56 • -6.74db
54% Popularity • 71% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 71% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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The Stone Roses
I Am the Resurrection - Remastered
129 bpm • E Maj • 08:12 • -6.32db
58% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
58% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Shambolics
When She Goes Home (Demo)
129 bpm • B Maj • 05:15 • -3db
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Jake Bugg
Slumville Sunrise
129 bpm • D Maj • 02:59 • -2.54db
38% Popularity • 55% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 55% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Shed Seven
Getting Better
142 bpm • D Maj • 04:12 • -4.47db
32% Popularity • 31% Danceability • 97% Energy • 11% Liveness
29% Instrumentalness • 36% Positiveness
32% Popularity • 31% Danceability • 97% Energy • 11% Liveness
29% Instrumentalness • 36% Positiveness
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The View
Double Yellow Lines
142 bpm • D Maj • 04:09 • -1.5db
28% Popularity • 49% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 49% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Supergrass
Grace
142 bpm • D Maj • 02:29 • -4.05db
37% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 38% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Cribs
I'm a Realist
142 bpm • A Maj • 03:03 • -4db
29% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Wombats
Techno Fan
142 bpm • D Maj • 03:59 • -5.5db
40% Popularity • 51% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 51% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Shed Seven
On Standby
129 bpm • C# Maj • 03:51 • -5db
40% Popularity • 41% Danceability • 89% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
40% Popularity • 41% Danceability • 89% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
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Embrace
Gravity
142 bpm • D# Maj • 04:40 • -7db
50% Popularity • 48% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 17% Positiveness
50% Popularity • 48% Danceability • 57% Energy • 11% Liveness
19% Instrumentalness • 17% Positiveness
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Catfish and the Bottlemen
Homesick
142 bpm • C# Maj • 02:28 • -6.33db
62% Popularity • 70% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
62% Popularity • 70% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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The View
Tragic Magic
142 bpm • A Maj • 04:00 • -4.38db
28% Popularity • 47% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 47% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Jam
That's Entertainment
142 bpm • C min • 03:32 • -11.52db
61% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
61% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The Lathums
Say My Name
128 bpm • A min • 03:51 • -3db
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gerry Cinnamon
Sun Queen
128 bpm • C Maj • 04:07 • -9db
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Terrorvision
Tequila
128 bpm • D Maj • 03:52 • -2db
34% Popularity • 58% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 58% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 81% Positiveness
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Primal Scream
Rocks
128 bpm • G Maj • 03:36 • -4.16db
55% Popularity • 62% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 62% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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The Enemy
Don't Break the Red Tape
142 bpm • G Maj • 03:42 • -4.7db
28% Popularity • 47% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 47% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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The View
Claudia
143 bpm • G Maj • 02:40 • -3.82db
20% Popularity • 42% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 42% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Shambolics
Dreams, Schemes & Young Teams
143 bpm • F# Maj • 03:10 • -6.22db
32% Popularity • 39% Danceability • 77% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
32% Popularity • 39% Danceability • 77% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Little Man Tate
Court Report
143 bpm • D Maj • 03:44 • -4.78db
15% Popularity • 44% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 44% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Pigeon Detectives
Wait for Me
127 bpm • E Maj • 02:12 • -2.35db
17% Popularity • 35% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 35% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Arctic Monkeys
Fake Tales Of San Francisco
127 bpm • A Maj • 02:57 • -4.23db
65% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Ocean Colour Scene
You've Got It Bad
143 bpm • A# Maj • 04:26 • -7db
35% Popularity • 42% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 42% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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The View
Typical Time 2
127 bpm • G Maj • 01:36 • -6.81db
17% Popularity • 73% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 73% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Gerry Cinnamon
Belter
127 bpm • A min • 03:14 • -9.68db
64% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Manic Street Preachers
Your Love Alone Is Not Enough
127 bpm • D Maj • 03:55 • -3.05db
49% Popularity • 34% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 34% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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The Pigeon Detectives
You Know I Love You
127 bpm • F Maj • 03:03 • -2.19db
16% Popularity • 45% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 45% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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The Ordinary Boys
Boys Will Be Boys
144 bpm • B min • 02:40 • -5db
41% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Dodgy
Staying Out For The Summer
144 bpm • G Maj • 03:12 • -6.23db
47% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Stone Roses
This Is the One - Remastered
127 bpm • A Maj • 04:59 • -7db
56% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
56% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
