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Same Old Train
Songs like
Same Old Train
by
Marty Stuart
Based on a tempo of (+/- 10%) and a similar genre
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Sturgill Simpson
Life Ain’t Fair and the World Is Mean
108 bpm • E Maj • 02:00 • -7db
53% Popularity • 76% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Randy Travis
1982
108 bpm • A Maj • 02:59 • -8db
54% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Emmylou Harris
Montana Cowgirl - Live
108 bpm • C Maj • 03:08 • -7.95db
9% Popularity • 58% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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John Anderson
Swingin'
108 bpm • E Maj • 03:03 • -13.95db
46% Popularity • 67% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Travis Tritt
Put Some Drive in Your Country
108 bpm • A Maj • 04:19 • -5.48db
36% Popularity • 67% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
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Marty Stuart
This One's Gonna Hurt You (For A Long, L...
108 bpm • G# Maj • 03:28 • -10.49db
46% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Paycheck
I'm the Only Hell (Mama Ever Raised)
108 bpm • C Maj • 03:09 • -13.89db
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Charley Pride
Kaw-Liga
107 bpm • B min • 02:42 • -12.03db
49% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Brooks Jefferson
Callin' Baton Rouge
107 bpm • D Maj • 02:37 • -1.99db
59% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Randy Travis
Is It Still Over?
107 bpm • G Maj • 03:10 • -7.22db
36% Popularity • 73% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Marty Stuart
Same Old Train
108 bpm • G Maj • 06:01 • -12.65db
50% Popularity • 35% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Johnny Paycheck
Slide Off Of Your Satin
107 bpm • A# Maj • 02:56 • -10.99db
39% Popularity • 71% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dwight Yoakam
Streets of Bakersfield
107 bpm • A Maj • 02:48 • -12db
57% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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John Anderson
Would You Catch a Falling Star
109 bpm • C# Maj • 02:56 • -15db
40% Popularity • 73% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Gary Stewart
She's Actin' Single (I'm Drinkin' Double...
109 bpm • F# Maj • 02:48 • -11.02db
58% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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George Strait
I Can Still Make Cheyenne
110 bpm • D# Maj • 04:16 • -10.23db
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Russell
Tonight We Ride
110 bpm • C Maj • 03:26 • -10.04db
38% Popularity • 57% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Dwight Yoakam
Ain't That Lonely Yet
107 bpm • F Maj • 03:20 • -5db
54% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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John Anderson
Straight Tequila Night
109 bpm • A Maj • 02:53 • -10.11db
62% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Toby Keith
How Do You Like Me Now?!
110 bpm • C Maj • 03:29 • -8.99db
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Alison Krauss
Broadway
110 bpm • D# Maj • 03:57 • -11.11db
32% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Emmylou Harris
Bluebird Wine - 2003 Remaster
106 bpm • G Maj • 03:17 • -11.41db
35% Popularity • 56% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Vern Gosdin
I Can Tell by the Way You Dance (You're ...
110 bpm • E Maj • 02:40 • -10.09db
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Aaron Tippin
My Blue Angel
110 bpm • F Maj • 03:23 • -11.95db
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Gatlin & The Gatlin Brothers
All The Gold In California
106 bpm • G Maj • 02:50 • -10.88db
32% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Patty Loveless
Someone I Used To Know - Duet with Jon R...
106 bpm • D# Maj • 02:15 • -8.41db
22% Popularity • 50% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
65% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Tom T. Hall
That's How I Got To Memphis
110 bpm • E Maj • 03:02 • -13.43db
58% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Jerry Reed
She Got the Goldmine (I Got the Shaft)
111 bpm • A Maj • 03:16 • -13.79db
47% Popularity • 77% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Nelson
Don't Think Twice, It's Alright
105 bpm • D Maj • 04:10 • -12.14db
35% Popularity • 54% Danceability • 60% Energy • 34% Liveness
8% Instrumentalness • 52% Positiveness
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Earl Scruggs
Passin' Thru
105 bpm • F min • 05:37 • -8.05db
12% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Marty Stuart
A Satisfied Mind
111 bpm • G Maj • 03:35 • -8.24db
20% Popularity • 65% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Johnny Paycheck
The Old Violin
105 bpm • B Maj • 04:11 • -15.1db
45% Popularity • 61% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Clint Black
Nobody's Home
105 bpm • C# Maj • 03:29 • -10db
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Colter Wall
Western Swing & Waltzes
111 bpm • A Maj • 03:13 • -11.24db
51% Popularity • 59% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Tom T. Hall
Who's Gonna Feed Them Hogs
105 bpm • G Maj • 02:36 • -11db
37% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
76% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Sturgill Simpson
Life Ain't Fair and the World Is Mean
104 bpm • B min • 02:06 • -5db
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
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Merle Haggard
Working Man Blues
104 bpm • C# Maj • 02:36 • -14.24db
36% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Earl Scruggs
True Love Never Dies
112 bpm • G Maj • 03:45 • -6.54db
7% Popularity • 59% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Chesnutt
Old Flames Have New Names
104 bpm • E Maj • 02:24 • -8.85db
47% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Gary Stewart
Drinkin' Thing
104 bpm • F Maj • 02:59 • -13.38db
47% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Cross Canadian Ragweed
Boys From Oklahoma
113 bpm • G Maj • 05:54 • -7.68db
52% Popularity • 43% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
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Pat Green
Wave on Wave
104 bpm • D Maj • 04:04 • -5.27db
57% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Stapleton
Them Stems
113 bpm • D min • 03:00 • -6.86db
59% Popularity • 65% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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The Statler Brothers
Hello Mary Lou
103 bpm • G# Maj • 02:17 • -14.4db
54% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Earl Scruggs
Borrowed Love
113 bpm • G Maj • 02:58 • -5db
13% Popularity • 62% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Alison Krauss
I've Got That Old Feeling
113 bpm • D Maj • 02:56 • -7.35db
35% Popularity • 67% Danceability • 35% Energy • 19% Liveness
1% Instrumentalness • 40% Positiveness
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Gene Watson
Love In The Hot Afternoon
113 bpm • E Maj • 03:19 • -8.27db
46% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Gillian Welch
I'll Fly Away
103 bpm • D Maj • 03:57 • -13.69db
56% Popularity • 69% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Colter Wall
Thinkin' on a Woman
103 bpm • D Maj • 03:20 • -9.79db
52% Popularity • 67% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Charley Crockett
Jamestown Ferry
113 bpm • F# Maj • 03:06 • -8.4db
58% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alison Krauss
Steel Rails
114 bpm • E Maj • 02:19 • -8db
32% Popularity • 70% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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George Strait
I Just Want To Dance With You
114 bpm • C Maj • 03:30 • -9db
58% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
59% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Colter Wall
Thirteen Silver Dollars
103 bpm • F Maj • 02:30 • -12.5db
62% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
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Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
45% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Marshall Tucker Band
Fire on the Mountain
102 bpm • E min • 03:56 • -6.36db
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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The Steeldrivers
Midnight Train To Memphis
102 bpm • B min • 03:03 • -6db
56% Popularity • 71% Danceability • 71% Energy • 19% Liveness
11% Instrumentalness • 90% Positiveness
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Dwight Yoakam
I Sang Dixie
115 bpm • E Maj • 03:47 • -12.5db
48% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Faron Young
Hello Walls
101 bpm • C Maj • 02:26 • -10db
54% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tom T. Hall
Ballad Of Forty Dollars
114 bpm • D Maj • 03:01 • -16db
49% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Marty Stuart
Hobo's Prayer
102 bpm • C# Maj • 03:36 • -12.23db
12% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Earl Scruggs
Lonesome Valley
101 bpm • E Maj • 02:59 • -10.76db
21% Popularity • 49% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Flaco Jimenez
Carmelita
101 bpm • G Maj • 03:27 • -8db
36% Popularity • 57% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Toby Keith
I Love This Bar
115 bpm • D Maj • 05:35 • -6.3db
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
50% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
51% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Merle Haggard
I'm A White Boy
101 bpm • A Maj • 02:04 • -10.87db
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Alison Krauss
Sawing on the Strings
116 bpm • A# Maj • 03:03 • -6.39db
30% Popularity • 55% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Webb Pierce
There Stands the Glass
116 bpm • D# Maj • 02:26 • -10.59db
36% Popularity • 55% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
65% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Tyler Childers
Highway 40 Blues
116 bpm • E Maj • 03:16 • -7.58db
52% Popularity • 64% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Highway 101
Whiskey, If You Were a Woman
116 bpm • D Maj • 03:03 • -12.74db
41% Popularity • 62% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Corb Lund
Rye Whiskey / Time to Switch to Whiskey
116 bpm • G Maj • 04:38 • -8.26db
37% Popularity • 49% Danceability • 78% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Charley Pride
Is Anybody Goin' to San Antone
116 bpm • D Maj • 02:13 • -12db
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Dwight Yoakam
A Thousand Miles from Nowhere
117 bpm • C Maj • 04:28 • -5.95db
57% Popularity • 60% Danceability • 83% Energy • 32% Liveness
16% Instrumentalness • 71% Positiveness
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Toby Keith
Wish I Didn't Know Now
117 bpm • G Maj • 03:26 • -8.6db
66% Popularity • 80% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Kershaw
Third Rate Romance
117 bpm • A# Maj • 03:23 • -7.93db
53% Popularity • 81% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Merle Haggard
That's the Way Love Goes
100 bpm • D# Maj • 03:01 • -17db
51% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Patty Loveless
Cheap Whiskey
117 bpm • B Maj • 03:41 • -7db
20% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Charley Pride
Roll On Mississippi
117 bpm • F Maj • 03:33 • -12db
38% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Sturgill Simpson
Tennessee
99 bpm • E Maj • 03:14 • -11.78db
45% Popularity • 77% Danceability • 33% Energy • 16% Liveness
2% Instrumentalness • 56% Positiveness
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Travis Tritt
Best of Intentions
99 bpm • G# Maj • 04:17 • -7.44db
48% Popularity • 66% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ricky Skaggs
Highway 40 Blues
118 bpm • E Maj • 03:08 • -12db
48% Popularity • 65% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Same Old Train