Songs like SAME SONGS by James Johnston
Based on a tempo of (+/- 10%) and a similar genre
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Zac & George
Lovin' In It
106 bpm • C min • 03:08 • -5.03db
35% Popularity • 75% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 75% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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James Johnston
SAME SONGS
106 bpm • D Maj • 02:47 • -4.85db
52% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Scotty McCreery
Small Town Girl
106 bpm • G# Maj • 03:04 • -6.11db
39% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
51% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
63% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Thomas Mac
BDE
107 bpm • G Maj • 02:53 • -5.54db
43% Popularity • 78% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 78% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Zac & George
Nothin' To Lose
105 bpm • D Maj • 03:22 • -3.87db
33% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Still
107 bpm • F# Maj • 03:23 • -5.13db
60% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Harvey
Along For The Ride
105 bpm • D# Maj • 02:51 • -4.14db
38% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Waters Band
Chevrolet You Down
105 bpm • E Maj • 02:38 • -8db
53% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
64% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
64% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Zac & George
Get You Backroads
107 bpm • C# Maj • 03:08 • -5.27db
36% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Drake Milligan
What I Couldn’t Forget
107 bpm • E Maj • 02:50 • -5.13db
50% Popularity • 61% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 61% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Scott
This Town's Been Too Good To Us
105 bpm • B Maj • 03:11 • -7.04db
63% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
37% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Mitchell Tenpenny
Bigger Mistakes
105 bpm • B Maj • 02:59 • -4.04db
68% Popularity • 60% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
68% Popularity • 60% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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The Tuten Brothers
Lottery
108 bpm • D Maj • 02:29 • -4.26db
36% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Austin Brown
Do Both
108 bpm • G# Maj • 02:05 • -5.02db
47% Popularity • 74% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 74% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Drake Milligan
Over Drinkin’ Under Thinkin’
105 bpm • F# Maj • 03:17 • -6.07db
55% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Scott
Amen To That
108 bpm • F# Maj • 02:52 • -5db
56% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Grant Gilbert
She Goes Home (Dirty Breakup Song)
108 bpm • A Maj • 03:19 • -4.31db
35% Popularity • 60% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 60% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Brandon Davis
Still Gonna Be
108 bpm • G min • 02:45 • -6.26db
41% Popularity • 80% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 80% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
28% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Graham Barham
LIGHTS ON NOBODY'S HOME
108 bpm • F# Maj • 03:01 • -5.16db
59% Popularity • 62% Danceability • 72% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 62% Danceability • 72% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Drake Milligan
Don’t Look Down
105 bpm • C Maj • 02:37 • -7db
43% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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James Johnston
I STILL CALL IT HOME
104 bpm • D Maj • 02:57 • -4.44db
42% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 58% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Combs
What You See Is What You Get
104 bpm • F Maj • 02:51 • -4.89db
64% Popularity • 59% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 59% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Cooper Alan
Sir
109 bpm • G Maj • 02:59 • -8.35db
45% Popularity • 68% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 68% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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The Tuten Brothers
Feelin' Famous
108 bpm • A# min • 02:41 • -5db
34% Popularity • 77% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 77% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Alli Walker
The Whiskey's Gone
109 bpm • C# min • 02:57 • -3.55db
49% Popularity • 57% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 57% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Drake Milligan
Dance Of A Lifetime
109 bpm • E Maj • 02:52 • -7.1db
41% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
42% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Kaylee Bell
Keith
103 bpm • A Maj • 02:51 • -4.21db
61% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 60% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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The Tuten Brothers
So Far So Good
108 bpm • B Maj • 03:21 • -5db
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jenna Paulette
Country In The Girl
103 bpm • G# Maj • 03:26 • -4.27db
39% Popularity • 70% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 70% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Brad Paisley
So Many Summers
110 bpm • C Maj • 03:44 • -5.95db
40% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Kane Brown
Fiddle in the Band
110 bpm • G# Maj • 02:52 • -3.99db
65% Popularity • 53% Danceability • 83% Energy • 33% Liveness
3% Instrumentalness • 50% Positiveness
65% Popularity • 53% Danceability • 83% Energy • 33% Liveness
3% Instrumentalness • 50% Positiveness
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Kaylee Bell
KEITH - Pop Remix
103 bpm • A Maj • 02:52 • -5.83db
44% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ella Langley
Paint The Town Blue
110 bpm • C# Maj • 03:05 • -3.44db
59% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Tuten Brothers
Life Without You
108 bpm • A# Maj • 02:51 • -5.2db
33% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Alli Walker
Good Ol' Days
110 bpm • F Maj • 03:15 • -3.39db
26% Popularity • 58% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 58% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Kip Moore
Damn Love
110 bpm • E Maj • 03:10 • -6.31db
44% Popularity • 65% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 65% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan Waters Band
Chasing Cars
110 bpm • G# Maj • 03:57 • -9.11db
50% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dan Davidson
Found
110 bpm • A# Maj • 03:14 • -5db
46% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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The Tuten Brothers
So Long Summer
110 bpm • A Maj • 02:53 • -5.2db
34% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Tim & The Glory Boys
Take Me Backroad
110 bpm • B Maj • 03:13 • -4.49db
40% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Taylor Moss
Both
110 bpm • C Maj • 02:59 • -2.08db
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Kaylee Bell
Small Town Friday Nights
110 bpm • E Maj • 03:03 • -4.72db
41% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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James Johnston
KEEPIN IT COUNTRY
102 bpm • B Maj • 02:52 • -4.18db
48% Popularity • 68% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 68% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Combs
Fox in the Henhouse
110 bpm • C Maj • 03:55 • -5.2db
55% Popularity • 49% Danceability • 76% Energy • 79% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 49% Danceability • 76% Energy • 79% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Grow
Song About You
111 bpm • A# Maj • 03:01 • -4.3db
55% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ashley Cooke
what are you on fire about
111 bpm • D# Maj • 03:27 • -4.36db
46% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 56% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Sammy Arriaga
COUNTRY SIDE
101 bpm • E Maj • 02:24 • -5.51db
53% Popularity • 87% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 87% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lane Pittman
Let's Get Lost
112 bpm • D Maj • 02:29 • -6.54db
48% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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James Johnston
RAISED LIKE THAT
111 bpm • C# Maj • 03:25 • -3.91db
56% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dylan Wolfe
Gone With Whiskey
112 bpm • C min • 03:13 • -3.85db
38% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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HUTCH
Dead To Me
112 bpm • A Maj • 02:58 • -5db
22% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Steven Lee Olsen
Outta Yours
112 bpm • E Maj • 02:58 • -5db
52% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Drake Milligan
Don’t Leave Me Loving You
100 bpm • A Maj • 03:07 • -5db
46% Popularity • 54% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 54% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Brad Cox
Old Skoolin'
100 bpm • A# Maj • 02:41 • -4.14db
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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James Johnston
OLD COUNTRY BARN
111 bpm • D Maj • 03:05 • -5.03db
43% Popularity • 76% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 76% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Tyler Hubbard
Inside And Out
100 bpm • D# Maj • 03:05 • -7db
51% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jade Eagleson
Neon Dreamin'
113 bpm • A Maj • 03:27 • -3.81db
40% Popularity • 63% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 63% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Erin Kinsey
Stayed A Summer
113 bpm • E Maj • 02:56 • -4.73db
49% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Brown
Rest of My Life
113 bpm • G# Maj • 03:14 • -9.97db
34% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dylan Scott
What He'll Never Have
113 bpm • F# Maj • 02:33 • -4.47db
78% Popularity • 49% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
78% Popularity • 49% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Brooke McClymont & Adam Eckersley
What Are You Waiting For
113 bpm • F# Maj • 03:07 • -4.07db
26% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 53% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Ann Roberts
Stuck on Me + You
114 bpm • C# Maj • 02:57 • -2.21db
35% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Mitchell Tenpenny
Happy and I Hate It
114 bpm • C Maj • 02:34 • -4.9db
51% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Drake Milligan
I Got A Problem (Full Length)
114 bpm • A# Maj • 03:01 • -4.64db
41% Popularity • 64% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 64% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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James Johnston
GOOD TO BE BACK
100 bpm • G# Maj • 02:39 • -5.24db
38% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Lainey Wilson
WWDD
114 bpm • D Maj • 02:20 • -3.19db
52% Popularity • 63% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 63% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Julia Cole
Thank God We Broke Up
114 bpm • G min • 02:37 • -4.24db
39% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Emily Ann Roberts
Whole Lotta Little
114 bpm • G Maj • 02:42 • -1.83db
49% Popularity • 61% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 61% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
53% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Drake Milligan
I Got A Problem
114 bpm • A# Maj • 02:27 • -5.74db
51% Popularity • 66% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 66% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
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Jade Eagleson
Do It Anyway
114 bpm • A Maj • 02:52 • -3.19db
48% Popularity • 56% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 56% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Thomas Mac
She'll Never Be You
114 bpm • D Maj • 03:05 • -5.65db
50% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Matt Stell
Breakin' in Boots
114 bpm • C Maj • 02:35 • -4.24db
69% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Moss
GHOSTED
98 bpm • A min • 03:23 • -4db
31% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Cox
Water On The Ground
114 bpm • A Maj • 04:12 • -9.22db
37% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Drew Baldridge
She's Somebody's Daughter
98 bpm • F# Maj • 02:56 • -5db
56% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Hubbard
Tough
98 bpm • F Maj • 03:06 • -5db
46% Popularity • 57% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 57% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
55% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lane Pittman
Father & Son - The Voice Australia 2022 ...
115 bpm • G# Maj • 01:37 • -5.94db
32% Popularity • 55% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 55% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Dean Brody
I'd Go To Jail
98 bpm • D Maj • 03:02 • -5.5db
40% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Austin Brown
Hers Ain't Mine
115 bpm • F# Maj • 02:46 • -4.01db
54% Popularity • 76% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 76% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
76% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
76% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Restless Road
No Can Do
115 bpm • F# Maj • 03:02 • -4.92db
32% Popularity • 66% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 66% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Aaron Goodvin
Country Dance
115 bpm • G Maj • 03:10 • -4.17db
47% Popularity • 71% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 71% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
