Songs like San Gejtanu: Andante by Ian Stewart
Based on a tempo of (+/- 10%) and a similar genre
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Ghost Stories Incorporated
Lacrimosa - Piano & Viola
128 bpm • D min • 02:50 • -24db
12% Popularity • 51% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
12% Popularity • 51% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
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Ian Stewart
Islas
128 bpm • E Maj • 03:24 • -19.88db
0% Popularity • 24% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
0% Popularity • 24% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Prism Quartet
Reflections: I. Resumen de Otoño by Jul...
128 bpm • G# min • 01:13 • -15.75db
9% Popularity • 26% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 6% Positiveness
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Shota Ikeda
Shadows on the Abandoned Street: Second ...
128 bpm • D min • 02:46 • -10.28db
20% Popularity • 66% Danceability • 35% Energy • 17% Liveness
85% Instrumentalness • 80% Positiveness
20% Popularity • 66% Danceability • 35% Energy • 17% Liveness
85% Instrumentalness • 80% Positiveness
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Pyotr Ilyich Tchaikovsky
String Sextet in D Minor, Op. 70, "Souve...
127 bpm • D Maj • 09:51 • -20db
11% Popularity • 21% Danceability • 13% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 13% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
129 bpm • F min • 04:07 • -25db
30% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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DJflip
List
127 bpm • C Maj • 02:46 • -31.31db
33% Popularity • 64% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 85% Positiveness
33% Popularity • 64% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 85% Positiveness
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Ian Stewart
San Gejtanu: Andante
128 bpm • G Maj • 05:27 • -17.42db
0% Popularity • 30% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
0% Popularity • 30% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: IV. Burlesca: Allegro ...
127 bpm • G min • 04:04 • -20db
7% Popularity • 37% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 25% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 25% Positiveness
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Alexander Litvinovsky
Pelléas et Mélisande: VII. La chasse c...
129 bpm • A min • 03:06 • -14db
16% Popularity • 53% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 66% Positiveness
16% Popularity • 53% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 66% Positiveness
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Wolfert Brederode
Retrouvailles
129 bpm • A min • 01:49 • -28db
7% Popularity • 17% Danceability • 2% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 2% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
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Vanessa-Mae
Summer Haze
130 bpm • G min • 03:09 • -22.43db
14% Popularity • 24% Danceability • 5% Energy • 75% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 5% Energy • 75% Liveness
79% Instrumentalness • 4% Positiveness
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Seycara Orchestral
Feather
131 bpm • C# min • 04:06 • -16.9db
12% Popularity • 82% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
12% Popularity • 82% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Ian Stewart
As Far As You Can See
131 bpm • A# Maj • 03:25 • -19.96db
0% Popularity • 22% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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俞丽拿
红河山歌
131 bpm • A min • 04:29 • -23.57db
10% Popularity • 31% Danceability • 4% Energy • 4% Liveness
7% Instrumentalness • 13% Positiveness
10% Popularity • 31% Danceability • 4% Energy • 4% Liveness
7% Instrumentalness • 13% Positiveness
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Joe Hisaishi
Ikaros - 2008 Remix
131 bpm • D Maj • 04:22 • -16.44db
32% Popularity • 45% Danceability • 27% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
32% Popularity • 45% Danceability • 27% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
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Diego Adinolfi
Vivo por Cristo
131 bpm • F Maj • 03:48 • -16.42db
22% Popularity • 21% Danceability • 23% Energy • 48% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 48% Liveness
0% Instrumentalness • 11% Positiveness
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Alexander Litvinovsky
Le grand cahier: IX. Accusations
125 bpm • D min • 03:05 • -17db
22% Popularity • 24% Danceability • 11% Energy • 25% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 24% Danceability • 11% Energy • 25% Liveness
92% Instrumentalness • 6% Positiveness
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Donatas Bielkauskas
Senelių Sodyba
125 bpm • A Maj • 01:11 • -32.2db
15% Popularity • 25% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
15% Popularity • 25% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ian Stewart
Astral Hurdy-Gurdy: III.
125 bpm • A Maj • 08:45 • -16.48db
0% Popularity • 31% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
0% Popularity • 31% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk Song: No. 3,...
124 bpm • D min • 01:00 • -29.63db
7% Popularity • 24% Danceability • 3% Energy • 9% Liveness
18% Instrumentalness • 32% Positiveness
7% Popularity • 24% Danceability • 3% Energy • 9% Liveness
18% Instrumentalness • 32% Positiveness
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Yutaka Yamada
Mvt. 10 "Discoloration" (Symphonic Suite...
124 bpm • C# Maj • 02:34 • -16.08db
11% Popularity • 33% Danceability • 22% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
11% Popularity • 33% Danceability • 22% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
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Sally Greenaway
The Secret Garden
124 bpm • A# min • 03:15 • -22.79db
12% Popularity • 22% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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刘雅萱
尊贵
124 bpm • A# Maj • 02:31 • -19.93db
11% Popularity • 69% Danceability • 17% Energy • 8% Liveness
74% Instrumentalness • 32% Positiveness
11% Popularity • 69% Danceability • 17% Energy • 8% Liveness
74% Instrumentalness • 32% Positiveness
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Joe Hisaishi
Ikaros
132 bpm • D Maj • 04:23 • -13.92db
30% Popularity • 44% Danceability • 32% Energy • 18% Liveness
88% Instrumentalness • 11% Positiveness
30% Popularity • 44% Danceability • 32% Energy • 18% Liveness
88% Instrumentalness • 11% Positiveness
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Ian Stewart
Concerto Grosso: Allegro
132 bpm • A Maj • 06:55 • -19.06db
0% Popularity • 44% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 11% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Orgelbüchlein, BWV 599-644: Ich ruf zu ...
132 bpm • F min • 02:22 • -27db
14% Popularity • 29% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
14% Popularity • 29% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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DEQUAR
You-Destructive
132 bpm • D Maj • 03:30 • -13.4db
18% Popularity • 34% Danceability • 32% Energy • 16% Liveness
83% Instrumentalness • 30% Positiveness
18% Popularity • 34% Danceability • 32% Energy • 16% Liveness
83% Instrumentalness • 30% Positiveness
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Max Richter
Sketchbook
132 bpm • A# min • 01:55 • -20.59db
17% Popularity • 21% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
17% Popularity • 21% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Marty O’Donnel
Halo 3: One Final Effort
133 bpm • A Maj • 03:22 • -15.5db
9% Popularity • 33% Danceability • 28% Energy • 18% Liveness
25% Instrumentalness • 16% Positiveness
9% Popularity • 33% Danceability • 28% Energy • 18% Liveness
25% Instrumentalness • 16% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 - Arr. for ...
133 bpm • D Maj • 06:42 • -16db
25% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
25% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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Ian Stewart
San Gejtanu: Moderato
123 bpm • D# Maj • 05:32 • -20.83db
0% Popularity • 35% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 21% Positiveness
0% Popularity • 35% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 21% Positiveness
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Criticalx47
Bygones
133 bpm • A# min • 01:18 • -24.04db
15% Popularity • 59% Danceability • 24% Energy • 39% Liveness
81% Instrumentalness • 59% Positiveness
15% Popularity • 59% Danceability • 24% Energy • 39% Liveness
81% Instrumentalness • 59% Positiveness
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Justinian Tamasuza
Ekitundu Ekisooka ("First Movement")
133 bpm • G Maj • 05:36 • -29db
11% Popularity • 45% Danceability • 7% Energy • 27% Liveness
87% Instrumentalness • 26% Positiveness
11% Popularity • 45% Danceability • 7% Energy • 27% Liveness
87% Instrumentalness • 26% Positiveness
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Charles Koechlin
Les Confidences d'un Joueur de Clarinett...
133 bpm • C# min • 01:09 • -19.41db
10% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Kevin Puts
Contact: I. The Call
123 bpm • G Maj • 08:09 • -16db
17% Popularity • 27% Danceability • 16% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 16% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
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Joshua Leeds
Robert Alexander Schumann / Kinderszenen...
133 bpm • F Maj • 05:16 • -20db
12% Popularity • 31% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Michele Mangani
Executive - Clarinet and String Orchestr...
123 bpm • F Maj • 05:37 • -19db
10% Popularity • 29% Danceability • 12% Energy • 8% Liveness
56% Instrumentalness • 11% Positiveness
10% Popularity • 29% Danceability • 12% Energy • 8% Liveness
56% Instrumentalness • 11% Positiveness
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Dario Marianelli
Waiting for Mr. Rochester
123 bpm • G min • 02:06 • -18.41db
31% Popularity • 19% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Alfred String Orchestra
Agincourt
123 bpm • A min • 03:13 • -12.46db
8% Popularity • 65% Danceability • 16% Energy • 13% Liveness
59% Instrumentalness • 53% Positiveness
8% Popularity • 65% Danceability • 16% Energy • 13% Liveness
59% Instrumentalness • 53% Positiveness
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Ludwig van Beethoven
String Trio in G Major, Op. 9, No. 1: II...
122 bpm • E Maj • 06:52 • -25.35db
36% Popularity • 23% Danceability • 4% Energy • 32% Liveness
83% Instrumentalness • 9% Positiveness
36% Popularity • 23% Danceability • 4% Energy • 32% Liveness
83% Instrumentalness • 9% Positiveness
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Tan Dun
Crouching Tiger, Hidden Dragon
122 bpm • G Maj • 03:20 • -26.38db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Adam Tan
Sunflower
135 bpm • A Maj • 03:48 • -26.06db
7% Popularity • 66% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 43% Positiveness
7% Popularity • 66% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 43% Positiveness
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Miljan Minic
Windy Time
135 bpm • E min • 02:37 • -29.58db
11% Popularity • 19% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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John Rutter
Suite Antique: VI. Rondeau
135 bpm • D Maj • 02:49 • -24.23db
13% Popularity • 49% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 70% Positiveness
13% Popularity • 49% Danceability • 7% Energy • 13% Liveness
76% Instrumentalness • 70% Positiveness
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Ilan Eshkeri
Kira's Wedding Quartet
121 bpm • E min • 04:32 • -27.19db
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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Randy Newman
End of Story (Credits)
121 bpm • E Maj • 02:46 • -15.48db
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
23% Popularity • 30% Danceability • 7% Energy • 8% Liveness
37% Instrumentalness • 19% Positiveness
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Mychael Danna
Pet Collector
121 bpm • C Maj • 02:24 • -26.65db
15% Popularity • 38% Danceability • 5% Energy • 29% Liveness
80% Instrumentalness • 15% Positiveness
15% Popularity • 38% Danceability • 5% Energy • 29% Liveness
80% Instrumentalness • 15% Positiveness
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Orchestra of the Swan
Confessions: Dog and Frog
136 bpm • G min • 02:37 • -25.63db
9% Popularity • 45% Danceability • 12% Energy • 16% Liveness
24% Instrumentalness • 14% Positiveness
9% Popularity • 45% Danceability • 12% Energy • 16% Liveness
24% Instrumentalness • 14% Positiveness
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Brian Eno
By this river
136 bpm • A# Maj • 02:56 • -29.83db
11% Popularity • 36% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
11% Popularity • 36% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Patti Rudisill
Lost Woods
136 bpm • C Maj • 01:09 • -27.81db
16% Popularity • 46% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
16% Popularity • 46% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Ian Stewart
Lime Groves of South Kensington: II.
136 bpm • D Maj • 04:14 • -16.69db
0% Popularity • 52% Danceability • 11% Energy • 11% Liveness
31% Instrumentalness • 12% Positiveness
0% Popularity • 52% Danceability • 11% Energy • 11% Liveness
31% Instrumentalness • 12% Positiveness
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Jean-Baptiste Breval
Cello Sonata No.5 in G major Op.12: II. ...
136 bpm • C Maj • 04:05 • -14.64db
8% Popularity • 18% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Daniel Borgens
Minimalist Musings
120 bpm • C Maj • 01:36 • -37.88db
24% Popularity • 75% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
24% Popularity • 75% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
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Rachel Grimes
Third Self-Portrait Series
136 bpm • A Maj • 02:23 • -20.26db
16% Popularity • 50% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 84% Positiveness
16% Popularity • 50% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 84% Positiveness
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Valerie Coleman
Tracing Visions for String Orchestra: II...
120 bpm • G min • 05:15 • -19.44db
8% Popularity • 43% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
8% Popularity • 43% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Michael Raven
Etude In F Minor
120 bpm • F min • 02:08 • -29.74db
11% Popularity • 60% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
11% Popularity • 60% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Alan Menken
She's Got Legs - Remastered 2014
120 bpm • C Maj • 01:22 • -19.8db
24% Popularity • 58% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
24% Popularity • 58% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Kevin Penkin
SAN-KEN「THE THREE SAGES」
120 bpm • G min • 03:35 • -11.84db
31% Popularity • 38% Danceability • 33% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 38% Danceability • 33% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
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Koji Kondo
Fairy
120 bpm • F Maj • 01:07 • -21.8db
16% Popularity • 39% Danceability • 10% Energy • 8% Liveness
10% Instrumentalness • 25% Positiveness
16% Popularity • 39% Danceability • 10% Energy • 8% Liveness
10% Instrumentalness • 25% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
8% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
![Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's S.Z799) [Arr. J. van Rijen]: II. Adagio cover art](https://i.scdn.co/image/ab67616d00001e0212c1d801059e28700ffa56cc)
Johann Sebastian Bach
Keyboard Concerto in D Minor, BWV 974 (A...
137 bpm • D min • 03:34 • -21.63db
15% Popularity • 24% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 19% Positiveness
15% Popularity • 24% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 19% Positiveness
► Preview
Ernest Bloch
From Jewish Life, B. 54: III. No. 3 Jewi...
137 bpm • F Maj • 02:16 • -20.64db
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 11% Positiveness
► Preview
Peter Breiner
The Merry Go Round
137 bpm • G min • 01:13 • -26.63db
12% Popularity • 24% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
12% Popularity • 24% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
► Preview
Ian Stewart
Astral Hurdy-Gurdy:I.
138 bpm • F# Maj • 08:43 • -19.98db
0% Popularity • 32% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
0% Popularity • 32% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Koji Kondo
Zelda's Lullaby
137 bpm • G Maj • 03:10 • -44.9db
16% Popularity • 45% Danceability • 0% Energy • 7% Liveness
64% Instrumentalness • 38% Positiveness
16% Popularity • 45% Danceability • 0% Energy • 7% Liveness
64% Instrumentalness • 38% Positiveness
► Preview
Cologne Chamber Orchestra
Overture (Suite) In C Major, TWV 55: C6:...
119 bpm • C Maj • 04:03 • -18.04db
16% Popularity • 41% Danceability • 6% Energy • 19% Liveness
83% Instrumentalness • 43% Positiveness
16% Popularity • 41% Danceability • 6% Energy • 19% Liveness
83% Instrumentalness • 43% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11:...
119 bpm • A# Maj • 07:03 • -25db
7% Popularity • 21% Danceability • 6% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 6% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Chick Corea
Tweedle Dee
137 bpm • D Maj • 01:08 • -17.53db
14% Popularity • 68% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 36% Positiveness
14% Popularity • 68% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 36% Positiveness
► Preview
Ralph Vaughan Williams
Concerto Grosso: 2. Burlesca Ostinata
138 bpm • G Maj • 02:37 • -18.8db
7% Popularity • 25% Danceability • 24% Energy • 23% Liveness
86% Instrumentalness • 38% Positiveness
7% Popularity • 25% Danceability • 24% Energy • 23% Liveness
86% Instrumentalness • 38% Positiveness
► Preview
Phillip Keveren & David Angell
Awesome God
138 bpm • G Maj • 02:15 • -14db
33% Popularity • 43% Danceability • 12% Energy • 18% Liveness
8% Instrumentalness • 25% Positiveness
33% Popularity • 43% Danceability • 12% Energy • 18% Liveness
8% Instrumentalness • 25% Positiveness
► Preview
Miljan Minic
Bright Horizon
118 bpm • C Maj • 01:37 • -38.78db
25% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
25% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
► Preview
Manuel Ponce
Concierto Del Sur: II. Andante
118 bpm • C Maj • 06:25 • -24.71db
8% Popularity • 35% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 35% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Diego Silva Produções
Creio no Senhor
139 bpm • D# Maj • 02:39 • -20.82db
28% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
28% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Ara Dinkjian
Quartet
118 bpm • F Maj • 01:24 • -17db
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 8% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 8% Positiveness
► Preview
Ruth Crawford Seeger
Rissolty Rossolty
117 bpm • F Maj • 02:56 • -17.95db
12% Popularity • 30% Danceability • 28% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
12% Popularity • 30% Danceability • 28% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
► Preview
Ian Stewart
Sonata For Violin and Piano: IV.
118 bpm • G Maj • 04:43 • -16.34db
0% Popularity • 45% Danceability • 9% Energy • 15% Liveness
9% Instrumentalness • 11% Positiveness
0% Popularity • 45% Danceability • 9% Energy • 15% Liveness
9% Instrumentalness • 11% Positiveness
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Thomas Adès
Märchentänze (Orchestral Version): III...
117 bpm • F# min • 02:07 • -22db
25% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
25% Popularity • 35% Danceability • 5% Energy • 6% Liveness
62% Instrumentalness • 45% Positiveness
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Steffen Schmidt
Einar’s Cave
140 bpm • A# min • 03:03 • -23.66db
12% Popularity • 72% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 29% Positiveness
12% Popularity • 72% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 29% Positiveness
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wavify
My Corners
140 bpm • C# Maj • 01:02 • -42.06db
13% Popularity • 46% Danceability • 4% Energy • 34% Liveness
97% Instrumentalness • 37% Positiveness
13% Popularity • 46% Danceability • 4% Energy • 34% Liveness
97% Instrumentalness • 37% Positiveness
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Michael Nyman
Three movements from String Quartet No. ...
117 bpm • A# Maj • 03:37 • -21.46db
11% Popularity • 23% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Kevin Penkin
Quartet for Broken Arms
140 bpm • F min • 01:45 • -16.29db
27% Popularity • 30% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
27% Popularity • 30% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
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Ian Stewart
Lime Groves of South Kensington: I.
117 bpm • D Maj • 05:32 • -20.09db
0% Popularity • 41% Danceability • 3% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
0% Popularity • 41% Danceability • 3% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
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Imani Winds
Coleman: Umoja
117 bpm • D Maj • 02:56 • -18.07db
12% Popularity • 36% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 42% Positiveness
12% Popularity • 36% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 42% Positiveness
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Daniel Hart
Where You Go from Here Is Up to You
140 bpm • D# Maj • 02:45 • -22.19db
10% Popularity • 22% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Bent Fabricius-Bjerre
Immigranten
116 bpm • B min • 02:57 • -15.1db
9% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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陆威
一步之遥 - 选自电影《闻香识�...
116 bpm • C Maj • 04:20 • -13db
17% Popularity • 26% Danceability • 23% Energy • 35% Liveness
67% Instrumentalness • 27% Positiveness
17% Popularity • 26% Danceability • 23% Energy • 35% Liveness
67% Instrumentalness • 27% Positiveness
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最好的時光三重奏
舊情綿綿 (二胡與弦樂詮釋)
116 bpm • D Maj • 04:50 • -20.24db
9% Popularity • 24% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 17% Positiveness
9% Popularity • 24% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 17% Positiveness
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展水荷
爱你所爱的人间 - Remix
141 bpm • E Maj • 02:00 • -13.59db
11% Popularity • 74% Danceability • 24% Energy • 16% Liveness
96% Instrumentalness • 71% Positiveness
11% Popularity • 74% Danceability • 24% Energy • 16% Liveness
96% Instrumentalness • 71% Positiveness
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Renato Di Prinzio
Introspection, Pt. 2 - Instrumental
116 bpm • D Maj • 01:10 • -16db
18% Popularity • 39% Danceability • 6% Energy • 44% Liveness
23% Instrumentalness • 7% Positiveness
18% Popularity • 39% Danceability • 6% Energy • 44% Liveness
23% Instrumentalness • 7% Positiveness
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Joe Hisaishi
Adolescence
116 bpm • G# min • 01:14 • -13.9db
42% Popularity • 41% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
42% Popularity • 41% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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The Cairn String Quartet
Somewhere Over the Rainbow
142 bpm • C Maj • 02:42 • -16.98db
9% Popularity • 14% Danceability • 21% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 21% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Philip Glass
String Quartet No. 3 (Mishima): Mishima ...
143 bpm • D# Maj • 03:05 • -34db
21% Popularity • 14% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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最好的時光三重奏
鄉間的小路
115 bpm • G min • 02:32 • -14.96db
9% Popularity • 65% Danceability • 26% Energy • 9% Liveness
14% Instrumentalness • 75% Positiveness
9% Popularity • 65% Danceability • 26% Energy • 9% Liveness
14% Instrumentalness • 75% Positiveness
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John Lurie
Car Florida
114 bpm • D Maj • 03:04 • -21.66db
10% Popularity • 86% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
10% Popularity • 86% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
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Moscow Symphony Orchestra
The Son Of Kong: In Dakang
114 bpm • C# Maj • 01:24 • -38.11db
11% Popularity • 17% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
11% Popularity • 17% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Walnut Hills High School Beginning Strings
Dragonhunter
144 bpm • B min • 02:39 • -14.23db
17% Popularity • 41% Danceability • 30% Energy • 71% Liveness
94% Instrumentalness • 51% Positiveness
17% Popularity • 41% Danceability • 30% Energy • 71% Liveness
94% Instrumentalness • 51% Positiveness
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Gaspar Cassadó
Suite for Solo Cello: III. Intermezzo e ...
114 bpm • G Maj • 06:27 • -24.09db
9% Popularity • 49% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 15% Positiveness
9% Popularity • 49% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 15% Positiveness
