Songs like Sanctify by St. Paul & The Broken Bones
Based on a tempo of (+/- 10%) and a similar genre
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Fat Night
Sun Go Down
112 bpm • D Maj • 03:42 • -7.11db
48% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Leon Bridges
Bad Bad News
112 bpm • F min • 03:27 • -6.15db
62% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
62% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Anders Osborne
Mind Of A Junkie
112 bpm • A min • 07:29 • -6.64db
37% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Unknown Mortal Orchestra
Shakedown Street
112 bpm • C Maj • 03:28 • -5.28db
32% Popularity • 80% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 80% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Tedeschi Trucks Band
Part of Me
112 bpm • G Maj • 04:06 • -8.33db
52% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Marcus King Band
Ain’t Nothin’ Wrong With That
112 bpm • G Maj • 03:48 • -6db
42% Popularity • 50% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
42% Popularity • 50% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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St. Paul & The Broken Bones
Sanctify
112 bpm • G Maj • 05:55 • -8.42db
40% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
40% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Bahamas
So Free
113 bpm • A Maj • 07:57 • -8.68db
36% Popularity • 86% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 86% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Black Pumas
Confines
113 bpm • A min • 03:09 • -8.41db
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Krasno
Jezebel
113 bpm • G Maj • 03:34 • -9.55db
30% Popularity • 77% Danceability • 74% Energy • 33% Liveness
7% Instrumentalness • 97% Positiveness
30% Popularity • 77% Danceability • 74% Energy • 33% Liveness
7% Instrumentalness • 97% Positiveness
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The Marcus King Band
How Long
111 bpm • A# Maj • 05:21 • -8.27db
41% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
41% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
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Shakey Graves
Family and Genus
113 bpm • A# Maj • 05:19 • -12.33db
48% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 48% Energy • 43% Liveness
41% Instrumentalness • 37% Positiveness
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North Mississippi Allstars
Meet Me In the City
111 bpm • G# Maj • 04:36 • -8db
39% Popularity • 87% Danceability • 50% Energy • 18% Liveness
46% Instrumentalness • 47% Positiveness
39% Popularity • 87% Danceability • 50% Energy • 18% Liveness
46% Instrumentalness • 47% Positiveness
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St. Paul & The Broken Bones
Brain Matter
113 bpm • B Maj • 03:57 • -6.61db
26% Popularity • 72% Danceability • 75% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
26% Popularity • 72% Danceability • 75% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
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Nigel Hall
Gimme a Sign
111 bpm • F# Maj • 03:23 • -8db
30% Popularity • 74% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 74% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Sonny Cleveland
You've Got Me Running in Circles
111 bpm • G Maj • 02:50 • -7.11db
58% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Fruition
I Should Be (On Top Of The World)
111 bpm • D Maj • 05:07 • -9db
22% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Black Joe Lewis & The Honeybears
Get Yo Shit
113 bpm • B min • 02:47 • -4db
42% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Marcus King Band
This Ol' Cowboy
113 bpm • D Maj • 05:57 • -7db
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Greyboy Allstars
How Glad I Am
110 bpm • E Maj • 02:50 • -8db
33% Popularity • 58% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 58% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lake Street Dive
I Don't Care About You
110 bpm • E min • 03:37 • -7.82db
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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The Arcs
Lake Superior
110 bpm • D Maj • 04:49 • -7.1db
43% Popularity • 51% Danceability • 81% Energy • 13% Liveness
6% Instrumentalness • 66% Positiveness
43% Popularity • 51% Danceability • 81% Energy • 13% Liveness
6% Instrumentalness • 66% Positiveness
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Mayer Hawthorne
The Walk
110 bpm • F# min • 03:38 • -5.68db
57% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
53% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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The Record Company
Rita Mae Young
110 bpm • D Maj • 04:21 • -5.21db
48% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Alabama Shakes
Sound & Color
115 bpm • D Maj • 03:02 • -7.4db
52% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
52% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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St. Paul & The Broken Bones
GotItBad
114 bpm • C# min • 04:50 • -6.16db
46% Popularity • 73% Danceability • 70% Energy • 20% Liveness
34% Instrumentalness • 72% Positiveness
46% Popularity • 73% Danceability • 70% Energy • 20% Liveness
34% Instrumentalness • 72% Positiveness
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Dan Auerbach
Cherrybomb
115 bpm • A Maj • 03:45 • -5db
35% Popularity • 73% Danceability • 78% Energy • 15% Liveness
8% Instrumentalness • 78% Positiveness
35% Popularity • 73% Danceability • 78% Energy • 15% Liveness
8% Instrumentalness • 78% Positiveness
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Son Little
The River
109 bpm • E min • 04:34 • -6db
34% Popularity • 69% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 69% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Wood Brothers
I Got Loaded
109 bpm • A Maj • 04:03 • -9db
49% Popularity • 76% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 76% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Lake Street Dive
Close to Me
116 bpm • G Maj • 04:17 • -7.98db
30% Popularity • 58% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 58% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Bosley
Jungles
116 bpm • G min • 05:24 • -9.65db
21% Popularity • 40% Danceability • 67% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
21% Popularity • 40% Danceability • 67% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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St. Paul & The Broken Bones
Call Me - Live at SXSW 2013
110 bpm • G Maj • 03:19 • -3.86db
18% Popularity • 49% Danceability • 95% Energy • 95% Liveness
54% Instrumentalness • 56% Positiveness
18% Popularity • 49% Danceability • 95% Energy • 95% Liveness
54% Instrumentalness • 56% Positiveness
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Monophonics
Foolish Love
108 bpm • C# Maj • 07:45 • -6.22db
31% Popularity • 47% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Son Little
belladonna
116 bpm • F# min • 03:15 • -11db
41% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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T Bird and the Breaks
Blackberry Brandy
108 bpm • C Maj • 04:20 • -4.49db
38% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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JJ Grey & Mofro
Every Minute
107 bpm • C Maj • 04:41 • -7.11db
47% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
47% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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St. Paul & The Broken Bones
Burning Rome
115 bpm • F Maj • 04:04 • -7db
28% Popularity • 52% Danceability • 34% Energy • 22% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 22% Liveness
32% Instrumentalness • 35% Positiveness
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Monophonics
Deception
108 bpm • F min • 04:52 • -4.24db
24% Popularity • 37% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 37% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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The Dip
Chanterelle
107 bpm • F Maj • 03:21 • -5.92db
40% Popularity • 73% Danceability • 68% Energy • 3% Liveness
93% Instrumentalness • 79% Positiveness
40% Popularity • 73% Danceability • 68% Energy • 3% Liveness
93% Instrumentalness • 79% Positiveness
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JúnÃus Meyvant
Neon Experience
117 bpm • C Maj • 06:08 • -10db
38% Popularity • 75% Danceability • 58% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
38% Popularity • 75% Danceability • 58% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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Doyle Bramhall II
Keep You Dreamin'
107 bpm • F# Maj • 05:00 • -8db
20% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Dan Auerbach
Never in My Wildest Dreams
117 bpm • F Maj • 02:56 • -6.77db
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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St. Paul & The Broken Bones
The Last Dance
115 bpm • D Maj • 03:24 • -6.17db
33% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
33% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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T Bird and the Breaks
Fooled Around and Fell in Love
107 bpm • F# Maj • 04:51 • -4.83db
25% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Crash Richard
Motion Animal
107 bpm • A Maj • 03:41 • -7.82db
19% Popularity • 76% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 76% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Meltdown
Don't Hesitate
107 bpm • A# Maj • 03:59 • -7.66db
40% Popularity • 61% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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Son Little
Lay Down
107 bpm • F Maj • 03:48 • -10db
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Auerbach
Stand by My Girl
117 bpm • D Maj • 03:53 • -5.59db
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama Shakes
Shoegaze
118 bpm • C# min • 02:59 • -5.31db
42% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
42% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
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St. Paul & The Broken Bones
LivWithoutU
115 bpm • D# Maj • 05:28 • -6db
38% Popularity • 80% Danceability • 75% Energy • 18% Liveness
58% Instrumentalness • 86% Positiveness
38% Popularity • 80% Danceability • 75% Energy • 18% Liveness
58% Instrumentalness • 86% Positiveness
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Nai Palm
Have You Ever Been (To Electric Ladyland...
118 bpm • A# min • 04:19 • -9db
38% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Arcs
Chains of Love
106 bpm • A min • 03:11 • -8.11db
41% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Leon Bridges
Twistin' & Groovin'
118 bpm • C# min • 04:11 • -6.73db
46% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Fat Night
Root Beer
106 bpm • G Maj • 03:44 • -7.05db
15% Popularity • 60% Danceability • 59% Energy • 16% Liveness
4% Instrumentalness • 56% Positiveness
15% Popularity • 60% Danceability • 59% Energy • 16% Liveness
4% Instrumentalness • 56% Positiveness
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Dan Auerbach
Malibu Man
106 bpm • A Maj • 03:36 • -4.68db
45% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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St. Paul & The Broken Bones
Bruised Fruit
117 bpm • D min • 05:46 • -9.92db
22% Popularity • 42% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Bhi Bhiman
Bread and Butter
106 bpm • E Maj • 04:00 • -5db
25% Popularity • 31% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 31% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Bahamas
No Wrong
119 bpm • G Maj • 03:49 • -9db
37% Popularity • 82% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 82% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Scoundrels
At Night
105 bpm • E Maj • 03:47 • -6.62db
16% Popularity • 62% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Har Mar Superstar
Late Night Morning Light
105 bpm • G Maj • 02:05 • -6.11db
43% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
43% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
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Justin Townes Earle
The Saint Of Lost Causes
119 bpm • G# Maj • 04:50 • -10.81db
45% Popularity • 70% Danceability • 32% Energy • 24% Liveness
27% Instrumentalness • 50% Positiveness
45% Popularity • 70% Danceability • 32% Energy • 24% Liveness
27% Instrumentalness • 50% Positiveness
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St. Paul & The Broken Bones
Apollo
107 bpm • A min • 04:43 • -5.07db
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
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Lake Street Dive
I Want You Back
119 bpm • D Maj • 04:19 • -9db
53% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Fat Night
Long Shadow, Short Temper
105 bpm • G Maj • 07:09 • -7.54db
17% Popularity • 79% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 79% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Scoundrels
Arrogance Blues
105 bpm • A Maj • 04:05 • -6.62db
27% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Anderson East
Satisfy Me
105 bpm • B Maj • 02:35 • -6.17db
45% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 66% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Eric Krasno
When the Day Comes
120 bpm • D# min • 04:26 • -7.83db
35% Popularity • 58% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 42% Positiveness
35% Popularity • 58% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 42% Positiveness
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St. Paul & The Broken Bones
Apollo - Radio Edit
107 bpm • A min • 03:46 • -4.3db
33% Popularity • 67% Danceability • 85% Energy • 9% Liveness
20% Instrumentalness • 71% Positiveness
33% Popularity • 67% Danceability • 85% Energy • 9% Liveness
20% Instrumentalness • 71% Positiveness
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The Meltdown
Such a Fool
120 bpm • C min • 03:44 • -7.4db
49% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Fat Night
Fool
105 bpm • G min • 03:57 • -4.64db
17% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Durand Jones & The Indications
Smile
105 bpm • B min • 03:49 • -8db
48% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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The Revivalists
Fade Away
120 bpm • F# Maj • 05:14 • -7.18db
42% Popularity • 55% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
42% Popularity • 55% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
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Son Little
Bread & Butter
120 bpm • E min • 02:53 • -7.5db
25% Popularity • 84% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 84% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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St. Paul & The Broken Bones
Midnight on the Earth
106 bpm • F# Maj • 03:53 • -4.6db
28% Popularity • 64% Danceability • 92% Energy • 19% Liveness
81% Instrumentalness • 76% Positiveness
28% Popularity • 64% Danceability • 92% Energy • 19% Liveness
81% Instrumentalness • 76% Positiveness
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JúnÃus Meyvant
Neon Experience - Live from Vatnagarðar
120 bpm • D min • 05:52 • -8.24db
33% Popularity • 58% Danceability • 60% Energy • 15% Liveness
57% Instrumentalness • 32% Positiveness
33% Popularity • 58% Danceability • 60% Energy • 15% Liveness
57% Instrumentalness • 32% Positiveness
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Maktub
You Can't Hide
104 bpm • E Maj • 03:29 • -6db
40% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 64% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Earl St. Clair
Man On Fire - Recorded at Spotify Studio...
121 bpm • E min • 03:49 • -7.68db
26% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Leon Bridges
Brown Skin Girl
104 bpm • G Maj • 03:26 • -8.77db
51% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Próxima Parada
Brightside
104 bpm • A Maj • 03:54 • -6.36db
31% Popularity • 79% Danceability • 61% Energy • 41% Liveness
2% Instrumentalness • 76% Positiveness
31% Popularity • 79% Danceability • 61% Energy • 41% Liveness
2% Instrumentalness • 76% Positiveness
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The Shouting Matches
I Need a Change
121 bpm • C Maj • 05:06 • -13.66db
26% Popularity • 59% Danceability • 24% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
26% Popularity • 59% Danceability • 24% Energy • 9% Liveness
19% Instrumentalness • 21% Positiveness
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Monophonics
Sound of Sinning
104 bpm • A min • 03:45 • -5.31db
27% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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JJ Grey & Mofro
The Sweetest Thing
104 bpm • F Maj • 04:28 • -7.93db
51% Popularity • 61% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 61% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Leon Bridges
Georgia to Texas
121 bpm • G# min • 04:09 • -8.2db
38% Popularity • 74% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
38% Popularity • 74% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Scoundrels
The Arch
104 bpm • D Maj • 04:53 • -8.11db
36% Popularity • 70% Danceability • 62% Energy • 42% Liveness
2% Instrumentalness • 79% Positiveness
36% Popularity • 70% Danceability • 62% Energy • 42% Liveness
2% Instrumentalness • 79% Positiveness
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The Dip
Ain't Necessary (The Prince)
103 bpm • D Maj • 03:27 • -8.2db
44% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 62% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Neal Francis
Changes, Pt. 1
103 bpm • B min • 04:38 • -7.19db
36% Popularity • 55% Danceability • 88% Energy • 4% Liveness
23% Instrumentalness • 63% Positiveness
36% Popularity • 55% Danceability • 88% Energy • 4% Liveness
23% Instrumentalness • 63% Positiveness
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The Arcs
Velvet Ditch
121 bpm • E min • 03:12 • -10db
34% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Black Keys
Meet Me in the City
121 bpm • A Maj • 03:38 • -5.49db
51% Popularity • 48% Danceability • 75% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
51% Popularity • 48% Danceability • 75% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Smooth Hound Smith
Body Talkin'
121 bpm • B min • 03:44 • -10.39db
30% Popularity • 63% Danceability • 42% Energy • 14% Liveness
6% Instrumentalness • 37% Positiveness
30% Popularity • 63% Danceability • 42% Energy • 14% Liveness
6% Instrumentalness • 37% Positiveness
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Benjamin Booker
Slow Coming
122 bpm • D Maj • 04:31 • -9.69db
26% Popularity • 39% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
26% Popularity • 39% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Benji Hughes
Freaky Feedback Blues
103 bpm • E Maj • 03:44 • -10db
49% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 92% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Fat Night
Honest Man
103 bpm • E Maj • 05:25 • -7.27db
40% Popularity • 75% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 75% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Hiss Golden Messenger
Highland Grace
122 bpm • D# Maj • 05:58 • -9.93db
42% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
