Songs like Sandy - From "Grease Live!" Music From The Television Event by Aaron Tveit
Based on a tempo of (+/- 10%) and a similar genre
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Julianne Hough
We Go Together
109 bpm • C Maj • 03:12 • -5.28db
39% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Scaramouche
Somebody To Love
109 bpm • A Maj • 03:27 • -8.72db
35% Popularity • 44% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 44% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
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Danny Burstein
The Sparkling Diamond
109 bpm • F# min • 04:38 • -5.36db
47% Popularity • 46% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 46% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Tveit
The Final Battle
109 bpm • B min • 03:06 • -8.46db
34% Popularity • 23% Danceability • 63% Energy • 21% Liveness
51% Instrumentalness • 7% Positiveness
34% Popularity • 23% Danceability • 63% Energy • 21% Liveness
51% Instrumentalness • 7% Positiveness
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Ako Mitchell
I Could Be That Guy
109 bpm • C# Maj • 04:56 • -9.2db
29% Popularity • 48% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 48% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Gavin Lee as Bert
Anything Can Happen - London Cast Record...
109 bpm • C# Maj • 04:54 • -13db
28% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Sutton Foster
Blow, Gabriel, Blow
109 bpm • C min • 07:32 • -7.8db
33% Popularity • 56% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 56% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Adam Cooper
Good Morning
109 bpm • F Maj • 03:45 • -7.92db
22% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 47% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Aileen Quinn
Let's Go To The Movies
109 bpm • G Maj • 04:41 • -16db
35% Popularity • 37% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 37% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron Tveit
Sandy
109 bpm • B Maj • 02:35 • -7.58db
36% Popularity • 67% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 67% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Original Cast of Billy Elliot
Solidarity
108 bpm • G min • 08:54 • -11.16db
32% Popularity • 74% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 74% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Tam Mutu
Sympathy For The Duke
108 bpm • D# Maj • 02:29 • -6.94db
43% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Original Broadway Cast Of Aint Too Proud
My Girl
108 bpm • C Maj • 03:33 • -9db
22% Popularity • 67% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 67% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Stark Sands
Charlie's Soliloquy
110 bpm • F# Maj • 01:17 • -17.96db
29% Popularity • 68% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 68% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Kushnier
I Can't Stand Still
108 bpm • A# Maj • 02:10 • -9.16db
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Miss Saigon Original Cast
I'd Give My Life For You - Live
110 bpm • F Maj • 05:34 • -12db
38% Popularity • 28% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 28% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Jessica Lee Goldyn
Dance: Ten; Looks: Three
108 bpm • C Maj • 02:54 • -9.03db
32% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 70% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Stephanie J. Block
I Found Someone
110 bpm • D min • 02:39 • -4.12db
17% Popularity • 42% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 42% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Aaron Tveit
Building The Barricade
108 bpm • B Maj • 01:43 • -7.52db
38% Popularity • 31% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 31% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Julianne Hough
Hopelessly Devoted To You
111 bpm • A Maj • 03:04 • -6.8db
36% Popularity • 37% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 37% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
And You Don't Even Know It
110 bpm • A Maj • 04:29 • -4.49db
47% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Emma, Lucy
In His Eyes
111 bpm • A# Maj • 04:01 • -9db
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Devon Busswood
Crazier Than You
107 bpm • G Maj • 03:06 • -13.39db
19% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Strickland
Everything That I Am - Broadway Cast Rec...
107 bpm • D min • 04:44 • -9.14db
18% Popularity • 36% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 36% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Adam Pascal
You'll See
111 bpm • C Maj • 02:14 • -5.69db
43% Popularity • 51% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 51% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Tveit
Crazy Rolling
111 bpm • C min • 05:13 • -5.81db
47% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Julianne Hough
You're The One That I Want
107 bpm • C Maj • 03:01 • -3.55db
38% Popularity • 73% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 73% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Daniel Reichard, Ensemble feat. Tituss Burgess
December 1963 (Oh, What a Night)
111 bpm • A# Maj • 02:28 • -6.64db
37% Popularity • 76% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 76% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Wilson Jermaine Heredia
I'll Cover You
111 bpm • C Maj • 02:28 • -10db
37% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Meat
No-One But You (Only The Good Die Young)
111 bpm • A Maj • 04:43 • -11.34db
32% Popularity • 38% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 38% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 15% Positiveness
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Susan Egan
Taylor, The Latte Boy
107 bpm • A# Maj • 03:50 • -8.47db
15% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sutton Foster
Jimmy
112 bpm • B Maj • 03:28 • -12.27db
25% Popularity • 37% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 37% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Eddie Redmayne
ABC Café / Red & Black
112 bpm • B Maj • 04:21 • -13.43db
43% Popularity • 46% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 46% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Nikki Blonsky
I Can Hear The Bells
112 bpm • C Maj • 04:14 • -6.56db
53% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Wilson Jermaine Heredia
I'll Cover You
112 bpm • C Maj • 02:29 • -3db
46% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Annaleigh Ashford
Positive
106 bpm • A# min • 03:12 • -10.18db
48% Popularity • 88% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 88% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Josh Strickland
Two Worlds
112 bpm • F min • 05:13 • -8.04db
24% Popularity • 42% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
24% Popularity • 42% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Andy Karl
Something About Her (Preamble)
106 bpm • G# Maj • 01:12 • -10.23db
29% Popularity • 73% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 73% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Plotkin
Mama Says (You Can't Back Down)
112 bpm • A# min • 05:06 • -10db
33% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Boyz II Men
Beauty School Dropout
112 bpm • F# min • 03:52 • -8.43db
28% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Patina Miller
Sister Act (Reprise)
106 bpm • B Maj • 02:04 • -10.29db
27% Popularity • 33% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 33% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sierra Boggess as Ariel
Part of Your World (Reprise)
113 bpm • G min • 02:02 • -22.64db
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sutton Foster
You're the Top
106 bpm • G# Maj • 05:01 • -8.12db
34% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Susan Egan
Belle (Reprise)
113 bpm • D Maj • 01:08 • -18.62db
38% Popularity • 47% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 47% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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David Hobson
Truly Scrumptious
113 bpm • E Maj • 04:42 • -8.07db
23% Popularity • 34% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 34% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Michelle Pfeiffer
Big, Blonde and Beautiful (Reprise)
105 bpm • C Maj • 01:05 • -6.33db
40% Popularity • 58% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 58% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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Matthew James Thomas
Love Song
114 bpm • A# Maj • 02:29 • -12.96db
29% Popularity • 50% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 50% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Karen Olivo
Firework
114 bpm • G Maj • 02:43 • -8db
45% Popularity • 47% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 47% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Oliver Tompsett
CAN'T STOP THE FEELING!
114 bpm • A min • 01:55 • -6.19db
33% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Allison Janney, Megan Hilty, Charlie Pollock, Stephanie J. Block and Ensemble
Nine to Five
104 bpm • D Maj • 04:52 • -7.36db
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Dove Cameron
Enjoy the Ride (Part II)
104 bpm • F Maj • 01:50 • -10.68db
24% Popularity • 53% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 53% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Tveit
My Romance / I Remember You - Live
104 bpm • G Maj • 05:09 • -13.05db
14% Popularity • 34% Danceability • 27% Energy • 82% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 27% Energy • 82% Liveness
0% Instrumentalness • 26% Positiveness
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Robyn Hurder
Forever In Blue Jeans
103 bpm • C Maj • 03:41 • -5.8db
24% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Scott Irby-Ranniar
I Just Can't Wait To Be King
103 bpm • C Maj • 03:02 • -7.86db
44% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Cindy Bullens
Freddy My Love
115 bpm • C# Maj • 02:48 • -11.41db
44% Popularity • 77% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 77% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Micaela Diamond
I Got You Babe
115 bpm • G# Maj • 02:37 • -2db
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Cecily Strong
Enjoy the Ride (Part I)
103 bpm • C min • 02:24 • -9.24db
23% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Galileo
I Want To Break Free
116 bpm • D Maj • 03:28 • -9.98db
31% Popularity • 65% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 65% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Brian D'Arcy James
When Words Fail
115 bpm • G Maj • 03:09 • -10.66db
41% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Jessie Mueller
You've Got a Friend
103 bpm • A Maj • 02:38 • -9db
28% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin Lee as Bert
Let's Go Fly A Kite - London Cast Record...
116 bpm • D# Maj • 02:04 • -15.99db
27% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Original London Cast
I Want To Make Magic
116 bpm • C Maj • 02:29 • -16db
20% Popularity • 44% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Drew Gehling
You Matter to Me
102 bpm • E Maj • 04:21 • -12.17db
49% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Norbert Leo Butz
Moving Too Fast
102 bpm • F Maj • 04:46 • -9db
30% Popularity • 61% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Queen Latifah
Big, Blonde and Beautiful
102 bpm • C min • 02:35 • -5db
46% Popularity • 61% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 61% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
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Jessie Mueller
It's Too Late
103 bpm • A min • 02:47 • -6.52db
26% Popularity • 75% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 75% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Mandy Gonzalez
When You're Home
102 bpm • A Maj • 05:20 • -7db
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Happiness
117 bpm • G Maj • 03:31 • -16db
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Cast Of The Motion Picture Rent
Love Heals - Bonus Track
102 bpm • A Maj • 04:36 • -5db
34% Popularity • 39% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 39% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Cast of Ghost - The Musical
Suspend My Disbelief/I Had A Life
117 bpm • E min • 09:19 • -8.4db
23% Popularity • 46% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 46% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Jessie Mueller
(You Make Me Feel Like) A Natural Woman
102 bpm • A# min • 02:10 • -4.84db
31% Popularity • 39% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 39% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Tveit
El Tango De Roxanne
117 bpm • A min • 03:37 • -4.56db
53% Popularity • 53% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 53% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Stockard Channing
There Are Worse Things I Could Do
101 bpm • G Maj • 02:23 • -13.91db
56% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Darius deHaas
In Whatever Time We Have
117 bpm • F# Maj • 03:14 • -15db
23% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Christopher Walken
(You're) Timeless To Me
117 bpm • E min • 04:47 • -8.26db
42% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Keke Palmer
Freddy My Love
117 bpm • C# Maj • 02:47 • -4.65db
33% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Chryssie Whitehead
Sing!
101 bpm • E Maj • 02:09 • -10.49db
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Aaron Tveit
You Betrayed Me
101 bpm • G min • 01:27 • -7db
23% Popularity • 60% Danceability • 65% Energy • 61% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 61% Liveness
0% Instrumentalness • 56% Positiveness
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Danny Burstein
Welcome To The Moulin Rouge!
118 bpm • G Maj • 07:40 • -5.1db
50% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Christian Borle
The Candy Man
118 bpm • G# Maj • 03:11 • -8.1db
36% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Adam Pascal
Your Eyes
101 bpm • C Maj • 02:36 • -7db
38% Popularity • 39% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 39% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Max Von Essen
I Got Rhythm
101 bpm • G# Maj • 04:57 • -10db
21% Popularity • 57% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 57% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Annaleigh Ashford
Rose Tint My World
118 bpm • C Maj • 02:42 • -4.04db
24% Popularity • 67% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 67% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Lynch
If I Told You
118 bpm • A Maj • 03:15 • -9db
9% Popularity • 39% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 39% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Burstein
Madrid Is My Mama
100 bpm • B min • 03:48 • -8.21db
13% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Daphne Rubin-Vega
Without You
119 bpm • D Maj • 04:21 • -11db
32% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Wopat
Butter Outta Cream
119 bpm • C Maj • 03:42 • -9.4db
29% Popularity • 68% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 68% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Sierra Boggess
Live out Loud
119 bpm • A Maj • 02:54 • -9.15db
29% Popularity • 50% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Victoria Justice
Over at the Frankenstein Place
100 bpm • E Maj • 02:21 • -6.62db
25% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Sandra Allen
I Enjoy Being A Girl
119 bpm • D Maj • 05:55 • -9.89db
20% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
