Songs like Santa Barbara by Angelo De Augustine
Based on a tempo of (+/- 10%) and a similar genre
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Anna Leone
Your Light
81 bpm • C Maj • 02:40 • -12.16db
32% Popularity • 41% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Alexandra Savior
Soft Currents
81 bpm • F Maj • 03:11 • -11.8db
45% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
45% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
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Angelo De Augustine
Santa Barbara
81 bpm • G min • 03:14 • -17.2db
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Ethan Gruska
Dialing Drunk
81 bpm • C# Maj • 03:15 • -17.92db
32% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jodie Nicholson
Second Sun
81 bpm • F# min • 05:00 • -19.33db
31% Popularity • 39% Danceability • 11% Energy • 21% Liveness
2% Instrumentalness • 18% Positiveness
31% Popularity • 39% Danceability • 11% Energy • 21% Liveness
2% Instrumentalness • 18% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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The Paper Kites
Standing in the Rain
81 bpm • F# Maj • 03:41 • -17db
38% Popularity • 37% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
38% Popularity • 37% Danceability • 16% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Matilda Mann
Never Sweeter
81 bpm • A Maj • 04:04 • -10.49db
25% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Charlie Cunningham
Don't Go Far
81 bpm • E Maj • 03:39 • -16.11db
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Angelo De Augustine
Effervescent Island
82 bpm • C Maj • 03:09 • -28.7db
16% Popularity • 43% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 33% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 33% Positiveness
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la loye
everything, everything
80 bpm • A Maj • 04:19 • -10.28db
15% Popularity • 28% Danceability • 40% Energy • 32% Liveness
57% Instrumentalness • 13% Positiveness
15% Popularity • 28% Danceability • 40% Energy • 32% Liveness
57% Instrumentalness • 13% Positiveness
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Courtney Marie Andrews
If I Told
80 bpm • A# Maj • 04:58 • -15.34db
41% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Florist
Red Bird Pt. 2 (Morning)
82 bpm • C# Maj • 05:26 • -20db
41% Popularity • 43% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
41% Popularity • 43% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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Sjowgren
Snow White
80 bpm • F# min • 01:02 • -12.88db
53% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
53% Popularity • 53% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Novo Amor
Birdcage
82 bpm • C# Maj • 03:22 • -8.32db
54% Popularity • 57% Danceability • 41% Energy • 9% Liveness
64% Instrumentalness • 22% Positiveness
54% Popularity • 57% Danceability • 41% Energy • 9% Liveness
64% Instrumentalness • 22% Positiveness
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Angelo De Augustine
Time
82 bpm • D Maj • 03:56 • -13db
53% Popularity • 49% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
53% Popularity • 49% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Adam Melchor
Real Estate
80 bpm • D Maj • 03:36 • -12.82db
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Bibio
Sleep On The Wing
80 bpm • A Maj • 03:30 • -11.51db
38% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
38% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
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Florist
Eyes in the Sun
80 bpm • B Maj • 02:37 • -24db
52% Popularity • 56% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
52% Popularity • 56% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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M. Ward
Migration of Souls
80 bpm • B Maj • 03:28 • -16.73db
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Hailaker
Wild
80 bpm • A Maj • 03:17 • -12.81db
38% Popularity • 44% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 44% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Marling
Held Down
80 bpm • G Maj • 04:07 • -7.87db
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Tomberlin
Natural Light
79 bpm • D# Maj • 02:42 • -11db
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Novo Amor
Decimal
79 bpm • G Maj • 02:58 • -8db
64% Popularity • 58% Danceability • 43% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
64% Popularity • 58% Danceability • 43% Energy • 8% Liveness
22% Instrumentalness • 32% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Angelo De Augustine
Time - Live at Reservoir Session
79 bpm • D Maj • 04:02 • -12.09db
24% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sufjan Stevens
Reach Out
83 bpm • C Maj • 03:43 • -14db
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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S. Carey
Yellowstone
79 bpm • A# min • 03:50 • -11db
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Indigo Sparke
The Day I Drove the Car Around the Block
79 bpm • A# min • 04:14 • -16db
34% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Lizzy McAlpine
To the Mountains
79 bpm • E Maj • 03:13 • -14db
63% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Roo Panes
Pacific
83 bpm • C Maj • 05:37 • -16.79db
33% Popularity • 41% Danceability • 21% Energy • 31% Liveness
10% Instrumentalness • 11% Positiveness
33% Popularity • 41% Danceability • 21% Energy • 31% Liveness
10% Instrumentalness • 11% Positiveness
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Angelo De Augustine
Magical
83 bpm • C Maj • 02:10 • -10.75db
10% Popularity • 44% Danceability • 22% Energy • 12% Liveness
78% Instrumentalness • 15% Positiveness
10% Popularity • 44% Danceability • 22% Energy • 12% Liveness
78% Instrumentalness • 15% Positiveness
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Sufjan Stevens
Fictional California
79 bpm • G Maj • 02:50 • -13.72db
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Anna Leone
Love You Now
79 bpm • A Maj • 02:49 • -14.92db
32% Popularity • 31% Danceability • 22% Energy • 11% Liveness
36% Instrumentalness • 24% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 11% Liveness
36% Instrumentalness • 24% Positiveness
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Shannon Lay
Geist
79 bpm • G# Maj • 03:30 • -13.12db
17% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Brother Brothers
Siren Song
78 bpm • D min • 03:03 • -13db
46% Popularity • 54% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
46% Popularity • 54% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Rostam
In a River (Acoustic)
78 bpm • G Maj • 03:34 • -11.44db
36% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Palace
I'll Be Fine
84 bpm • E Maj • 04:08 • -10.07db
42% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Paper Kites
Nothing More Than That
84 bpm • B min • 03:01 • -20db
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Henry Jamison
Green Room
78 bpm • D Maj • 03:19 • -9.57db
24% Popularity • 57% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
24% Popularity • 57% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Buck Meek
Halo Light
77 bpm • C# Maj • 03:50 • -11.75db
18% Popularity • 61% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Florist
Shadow Bloom
78 bpm • A# Maj • 03:40 • -15.76db
37% Popularity • 46% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 46% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Angelo De Augustine
You Open to the Idea
85 bpm • F# Maj • 02:33 • -17.09db
27% Popularity • 56% Danceability • 15% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
27% Popularity • 56% Danceability • 15% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Flyte
Archie, Marry Me
77 bpm • C# Maj • 02:29 • -8.39db
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Julie Byrne
Holiday
77 bpm • E Maj • 02:39 • -17.75db
39% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
39% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Joan Shelley
Bed In The River
77 bpm • F Maj • 03:19 • -19.18db
30% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
30% Popularity • 45% Danceability • 6% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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Squirrel Flower
Headlights
77 bpm • D Maj • 02:34 • -11.67db
29% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
29% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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Yellow House
Love in the Time of Socialism
77 bpm • A# Maj • 04:11 • -9.59db
56% Popularity • 24% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
56% Popularity • 24% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Beta Radio
Tongue Tied
77 bpm • D Maj • 03:06 • -13.32db
47% Popularity • 29% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
47% Popularity • 29% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Angelo De Augustine
Tomb
86 bpm • A# Maj • 04:18 • -14.95db
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Roman Lewis
Mindless Town
76 bpm • D Maj • 05:16 • -8.79db
28% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
28% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Ainslie Wills
Detour
86 bpm • F Maj • 03:33 • -10.99db
47% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Joshua Burnside
Desert Wine (Acoustic)
76 bpm • B Maj • 03:08 • -16.52db
34% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sjowgren
Change
76 bpm • A# Maj • 01:30 • -12.59db
48% Popularity • 64% Danceability • 30% Energy • 20% Liveness
42% Instrumentalness • 34% Positiveness
48% Popularity • 64% Danceability • 30% Energy • 20% Liveness
42% Instrumentalness • 34% Positiveness
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Sufjan Stevens
Murder And Crime
76 bpm • D Maj • 03:30 • -16.91db
40% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tiny Ruins
Always You, Tiptoeing Through
76 bpm • E Maj • 04:04 • -15.54db
23% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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S. Carey
Meadow Song
86 bpm • D# Maj • 03:56 • -16db
29% Popularity • 12% Danceability • 17% Energy • 6% Liveness
62% Instrumentalness • 11% Positiveness
29% Popularity • 12% Danceability • 17% Energy • 6% Liveness
62% Instrumentalness • 11% Positiveness
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Florist
Moon Begins
75 bpm • A# Maj • 03:04 • -15db
51% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
51% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Joshua Burnside
The Only Thing I Fear
76 bpm • D Maj • 03:30 • -16.84db
35% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 44% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Maria Kelly
i leave early
87 bpm • G# Maj • 03:13 • -13.62db
35% Popularity • 50% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
35% Popularity • 50% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Ailbhe Reddy
Walk Away
87 bpm • F# Maj • 03:12 • -16db
36% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Leone
All That I Ever Did
87 bpm • G# Maj • 02:16 • -14.04db
42% Popularity • 52% Danceability • 25% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
42% Popularity • 52% Danceability • 25% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Lucy Rose
The Confines Of This World
75 bpm • E Maj • 03:39 • -15.15db
29% Popularity • 40% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Florist
Time Is A Dark Feeling
75 bpm • D# Maj • 02:36 • -15.34db
38% Popularity • 52% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 29% Positiveness
38% Popularity • 52% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 29% Positiveness
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Jonah Yano
shoes
87 bpm • D Maj • 04:32 • -15db
30% Popularity • 48% Danceability • 22% Energy • 6% Liveness
3% Instrumentalness • 27% Positiveness
30% Popularity • 48% Danceability • 22% Energy • 6% Liveness
3% Instrumentalness • 27% Positiveness
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Angelo De Augustine
More Than You Thought to Use
75 bpm • F# Maj • 02:44 • -10.99db
15% Popularity • 52% Danceability • 20% Energy • 11% Liveness
67% Instrumentalness • 25% Positiveness
15% Popularity • 52% Danceability • 20% Energy • 11% Liveness
67% Instrumentalness • 25% Positiveness
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Haley Heynderickx
No Face
87 bpm • F min • 01:56 • -11.58db
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Eleni Drake
Peaches
75 bpm • C Maj • 03:56 • -18.63db
36% Popularity • 51% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
36% Popularity • 51% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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pinkpirate
Nowhere
75 bpm • A# Maj • 03:15 • -16.22db
36% Popularity • 68% Danceability • 15% Energy • 26% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 68% Danceability • 15% Energy • 26% Liveness
1% Instrumentalness • 16% Positiveness
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Old Sea Brigade
Nothing Clever
75 bpm • A min • 03:51 • -13.29db
36% Popularity • 71% Danceability • 27% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
36% Popularity • 71% Danceability • 27% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
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Shannon Lay
Blue
87 bpm • C# Maj • 05:55 • -19.15db
24% Popularity • 20% Danceability • 8% Energy • 8% Liveness
7% Instrumentalness • 6% Positiveness
24% Popularity • 20% Danceability • 8% Energy • 8% Liveness
7% Instrumentalness • 6% Positiveness
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Samia
Is There Something In The Movies?
75 bpm • G Maj • 03:30 • -13.97db
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Phoebe Bridgers
Smoke Signals
88 bpm • A# Maj • 05:24 • -14.6db
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Florist
Cool and Refreshing
88 bpm • G Maj • 02:31 • -15.85db
46% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Angelo De Augustine
The Beginning and the End
88 bpm • F Maj • 03:33 • -16.17db
18% Popularity • 48% Danceability • 11% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
18% Popularity • 48% Danceability • 11% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
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River Whyless
The Pool
88 bpm • G Maj • 04:02 • -9db
48% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Ethan Gruska
The Valley
88 bpm • A# Maj • 02:45 • -13.73db
28% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 41% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Logan and Isabel
Lead On, Lead On
89 bpm • G min • 03:41 • -22.61db
34% Popularity • 58% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
34% Popularity • 58% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 36% Positiveness
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AJIMAL
Above All Else, Be Kind
74 bpm • C# Maj • 04:46 • -19db
26% Popularity • 37% Danceability • 29% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
26% Popularity • 37% Danceability • 29% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Angelo De Augustine
Tucked in at Home
74 bpm • D Maj • 03:39 • -20.77db
15% Popularity • 53% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 53% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Julianna Zachariou
Subway Song
89 bpm • C Maj • 03:38 • -8.62db
39% Popularity • 68% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
39% Popularity • 68% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Shannon Lay
The Moons Detriment
89 bpm • B Maj • 02:35 • -16.36db
36% Popularity • 38% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 27% Positiveness
36% Popularity • 38% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 27% Positiveness
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Anna Leone
Wondering
90 bpm • A Maj • 03:31 • -15.01db
32% Popularity • 28% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
32% Popularity • 28% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Joesef
Comedown
90 bpm • A Maj • 04:20 • -9.83db
51% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Angelo De Augustine
You Needed Love, I Needed You
89 bpm • D Maj • 03:25 • -14db
51% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Okay Kaya
Believe
90 bpm • C Maj • 03:22 • -14.36db
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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This Is The Kit
Two Wooden Spoons
90 bpm • G Maj • 02:48 • -19.57db
47% Popularity • 48% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 52% Positiveness
47% Popularity • 48% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 52% Positiveness
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Nick Mulvey
Infinite Trees
73 bpm • C min • 04:02 • -16db
39% Popularity • 28% Danceability • 40% Energy • 13% Liveness
15% Instrumentalness • 23% Positiveness
39% Popularity • 28% Danceability • 40% Energy • 13% Liveness
15% Instrumentalness • 23% Positiveness
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Florist
Unholy Faces
91 bpm • F Maj • 02:54 • -16db
41% Popularity • 43% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
41% Popularity • 43% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Matt Maltese
When You Wash Your Hair
91 bpm • C Maj • 03:12 • -17db
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Angelo De Augustine
Carcassonne
72 bpm • G Maj • 04:20 • -25.21db
30% Popularity • 57% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
30% Popularity • 57% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Indira Elias
Soon Enough
91 bpm • D Maj • 06:03 • -20db
29% Popularity • 28% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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Lomelda
Hannah Sun
72 bpm • G# Maj • 03:28 • -17db
51% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
51% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
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Westerman
Roads
91 bpm • A# Maj • 03:13 • -15.5db
42% Popularity • 71% Danceability • 30% Energy • 9% Liveness
70% Instrumentalness • 46% Positiveness
42% Popularity • 71% Danceability • 30% Energy • 9% Liveness
70% Instrumentalness • 46% Positiveness
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Flyte
Never Get To Heaven
72 bpm • C Maj • 02:38 • -11db
40% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
