Songs like Santa Claus Is Coming To Town by Bing Crosby & The Andrews Sisters
Based on a tempo of (+/- 10%) and a similar genre
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Cab Calloway & His Orchestra
The Mermaid Song
170 bpm • D min • 02:47 • -11.37db
14% Popularity • 62% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Dave Matthews
Fine, Fine Deal
170 bpm • C Maj • 02:05 • -17.41db
12% Popularity • 46% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 46% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Glenn Miller y su orquesta
Kalamazoo
169 bpm • G# Maj • 02:41 • -15db
13% Popularity • 43% Danceability • 34% Energy • 23% Liveness
79% Instrumentalness • 74% Positiveness
13% Popularity • 43% Danceability • 34% Energy • 23% Liveness
79% Instrumentalness • 74% Positiveness
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Dreamweaver Collective
Moonlight-Swing
169 bpm • C Maj • 01:59 • -14.66db
10% Popularity • 77% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 77% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
171 bpm • G# Maj • 03:36 • -17.23db
11% Popularity • 37% Danceability • 20% Energy • 27% Liveness
39% Instrumentalness • 84% Positiveness
11% Popularity • 37% Danceability • 20% Energy • 27% Liveness
39% Instrumentalness • 84% Positiveness
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Jimmy Dorsey
They're Too Young Or Too Old
171 bpm • A# Maj • 03:02 • -10.11db
10% Popularity • 54% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 54% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Burl Ives
The Moon's The Northwind's Cooky
172 bpm • F Maj • 01:46 • -16.36db
12% Popularity • 30% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Wilbur Evans
Porter: I Love You
172 bpm • G min • 02:40 • -6.69db
14% Popularity • 20% Danceability • 49% Energy • 11% Liveness
20% Instrumentalness • 17% Positiveness
14% Popularity • 20% Danceability • 49% Energy • 11% Liveness
20% Instrumentalness • 17% Positiveness
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Martha Mears
Long Ago and Far Away - Cover Girl, 1944
168 bpm • F Maj • 03:06 • -17.15db
10% Popularity • 20% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
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Ray Noble & His Orchestra
My Heart's To Let
172 bpm • G min • 02:53 • -20.21db
5% Popularity • 57% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 77% Positiveness
5% Popularity • 57% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 77% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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Patti Page
And So To Sleep Again
168 bpm • D# Maj • 02:53 • -15.37db
12% Popularity • 27% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 27% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Anne Shelton
A Pair Of Silver Wings
172 bpm • F# Maj • 03:03 • -14.81db
8% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Jeanette MacDonald
Indian Love Call - 2006 Remaster
173 bpm • F Maj • 02:10 • -15.16db
10% Popularity • 12% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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David Whitfield
Everything
167 bpm • A# min • 02:30 • -12db
8% Popularity • 17% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 17% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Raymond Scott
Surrey With the Fringe on Top - 1944 Voc...
174 bpm • E min • 03:27 • -11.23db
7% Popularity • 60% Danceability • 40% Energy • 53% Liveness
89% Instrumentalness • 74% Positiveness
7% Popularity • 60% Danceability • 40% Energy • 53% Liveness
89% Instrumentalness • 74% Positiveness
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Carroll Gibbons And The Savoy Hotel Orpheans
Sing For Your Supper
173 bpm • F Maj • 02:42 • -25.17db
0% Popularity • 45% Danceability • 5% Energy • 19% Liveness
43% Instrumentalness • 59% Positiveness
0% Popularity • 45% Danceability • 5% Energy • 19% Liveness
43% Instrumentalness • 59% Positiveness
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Ray Noble & His Orchestra
Freckle Face, You're Beautiful
165 bpm • G min • 02:38 • -19db
16% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
16% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
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Jack Shaindlin
Move It
175 bpm • F min • 02:04 • -11.79db
9% Popularity • 17% Danceability • 62% Energy • 30% Liveness
94% Instrumentalness • 60% Positiveness
9% Popularity • 17% Danceability • 62% Energy • 30% Liveness
94% Instrumentalness • 60% Positiveness
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Carroll Gibbons' Savoy Orpheans
Love me Tonight: Isn't it romantic
165 bpm • A Maj • 02:54 • -15.56db
8% Popularity • 29% Danceability • 24% Energy • 26% Liveness
20% Instrumentalness • 47% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 26% Liveness
20% Instrumentalness • 47% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
35% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
35% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Raymond Scott
Mairzy-Doats
174 bpm • D# Maj • 02:30 • -11.51db
12% Popularity • 57% Danceability • 36% Energy • 13% Liveness
43% Instrumentalness • 93% Positiveness
12% Popularity • 57% Danceability • 36% Energy • 13% Liveness
43% Instrumentalness • 93% Positiveness
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Ray Noble, Al Bowlly
Top Hat White Tie and Tails
176 bpm • F Maj • 03:29 • -9db
14% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 70% Liveness
1% Instrumentalness • 86% Positiveness
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Dick Powell
Pettin' In the Park
164 bpm • G min • 02:58 • -14.27db
12% Popularity • 57% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 57% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Eden Ahbez
Child of Nature
176 bpm • G min • 02:39 • -9.23db
8% Popularity • 55% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 55% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Jack Shaindlin
At the Pool
176 bpm • A Maj • 01:32 • -11.58db
11% Popularity • 40% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 88% Positiveness
11% Popularity • 40% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 88% Positiveness
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Jimmy Dorsey
Takin' A Chance On Love
164 bpm • D min • 04:07 • -10.31db
7% Popularity • 68% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 68% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Lombardo Trio
This Cant Be Love
177 bpm • G Maj • 02:25 • -14db
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
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Don Cornell
Red Silk Stockings and Green Perfume
177 bpm • F min • 02:43 • -10.36db
7% Popularity • 53% Danceability • 33% Energy • 28% Liveness
2% Instrumentalness • 88% Positiveness
7% Popularity • 53% Danceability • 33% Energy • 28% Liveness
2% Instrumentalness • 88% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
21% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Dick Powell
Speaking of the Weather
178 bpm • G# Maj • 02:57 • -15.47db
10% Popularity • 58% Danceability • 15% Energy • 20% Liveness
6% Instrumentalness • 70% Positiveness
10% Popularity • 58% Danceability • 15% Energy • 20% Liveness
6% Instrumentalness • 70% Positiveness
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Dan Levinson & His Swing Wing
Old Man Moon
162 bpm • E min • 04:03 • -15.7db
10% Popularity • 55% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 55% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Dorsey
Amapola (Pretty Little Poppy) - Remaster...
162 bpm • D min • 03:23 • -9.95db
12% Popularity • 42% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Shaindlin
All Disc & Heaven Too
179 bpm • C# Maj • 01:43 • -10.83db
9% Popularity • 36% Danceability • 40% Energy • 10% Liveness
51% Instrumentalness • 80% Positiveness
9% Popularity • 36% Danceability • 40% Energy • 10% Liveness
51% Instrumentalness • 80% Positiveness
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Freddy Martin
Symphony
179 bpm • G Maj • 03:17 • -11db
9% Popularity • 18% Danceability • 22% Energy • 15% Liveness
31% Instrumentalness • 17% Positiveness
9% Popularity • 18% Danceability • 22% Energy • 15% Liveness
31% Instrumentalness • 17% Positiveness
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Leo Mathisens orkester
Hot Spot Blues - 1988 Remaster
161 bpm • F Maj • 03:07 • -10.38db
8% Popularity • 66% Danceability • 31% Energy • 12% Liveness
18% Instrumentalness • 81% Positiveness
8% Popularity • 66% Danceability • 31% Energy • 12% Liveness
18% Instrumentalness • 81% Positiveness
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Alvino Rey & His Orchestra
Dardanella
161 bpm • C Maj • 03:21 • -9.33db
23% Popularity • 37% Danceability • 43% Energy • 40% Liveness
88% Instrumentalness • 72% Positiveness
23% Popularity • 37% Danceability • 43% Energy • 40% Liveness
88% Instrumentalness • 72% Positiveness
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Helen Kane
I Want to Be Bad
160 bpm • F Maj • 03:09 • -15.01db
8% Popularity • 61% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 61% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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George Formby
Count Your Blessing and Smile
180 bpm • C# Maj • 02:48 • -12.31db
17% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Niklas Gabrielsson with Martin Landström & His Orchestra
My Gal
160 bpm • A Maj • 02:14 • -6.69db
15% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Chordettes
Hearts of Stone
181 bpm • F Maj • 01:58 • -9.21db
7% Popularity • 66% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 66% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Isham Jones And His Orchestra
Down a Long, Long Road
181 bpm • D# Maj • 02:41 • -15.65db
8% Popularity • 50% Danceability • 30% Energy • 12% Liveness
85% Instrumentalness • 61% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 12% Liveness
85% Instrumentalness • 61% Positiveness
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Ray Noble & His Orchestra
Down Sunnyside Lane
160 bpm • G# Maj • 03:01 • -18.14db
5% Popularity • 47% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 81% Positiveness
5% Popularity • 47% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 81% Positiveness
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Wingy Manone
Mama's Gone, Good-Bye
159 bpm • G# Maj • 02:52 • -9db
13% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Sid Phillips
Treadin' Light
183 bpm • F Maj • 02:55 • -12.9db
15% Popularity • 47% Danceability • 35% Energy • 7% Liveness
93% Instrumentalness • 90% Positiveness
15% Popularity • 47% Danceability • 35% Energy • 7% Liveness
93% Instrumentalness • 90% Positiveness
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Lou Monte
Italian Huckle-Buck - The Huckle Buck
184 bpm • D min • 02:15 • -9.17db
7% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Cab Calloway
Strictly Cullud Affair
184 bpm • A# Maj • 03:05 • -12.02db
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
4% Instrumentalness • 76% Positiveness
9% Popularity • 71% Danceability • 31% Energy • 26% Liveness
4% Instrumentalness • 76% Positiveness
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Frankie Laine
Old Fashioned Love
157 bpm • A# Maj • 01:53 • -15.63db
9% Popularity • 42% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 42% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Ruth Wallis
Tonight For Sure
156 bpm • G Maj • 02:51 • -25.58db
9% Popularity • 65% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 65% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Ray McKinley
My Guy's Come Back
185 bpm • F min • 02:36 • -16.54db
10% Popularity • 50% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 50% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Blaire Evergreen
Whispers Across the Celestial Bridge
186 bpm • C Maj • 01:03 • -12.47db
19% Popularity • 62% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 62% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
The Freedom Train
154 bpm • C# Maj • 03:12 • -11.13db
12% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Loss & His Orchestra
Let Him Go Let Him Tarry (Elizabeth Bate...
188 bpm • F Maj • 03:10 • -12.68db
11% Popularity • 59% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Gene Krupa & His Orchestra
Me and My Melinda
153 bpm • G# Maj • 03:07 • -12.71db
11% Popularity • 52% Danceability • 25% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
11% Popularity • 52% Danceability • 25% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
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Jack Shaindlin
Spring Is in the Air
152 bpm • F min • 01:58 • -16.31db
10% Popularity • 38% Danceability • 38% Energy • 34% Liveness
4% Instrumentalness • 65% Positiveness
10% Popularity • 38% Danceability • 38% Energy • 34% Liveness
4% Instrumentalness • 65% Positiveness
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Dean Martin
I Don't Care If The Sun Don't Shine
151 bpm • F Maj • 01:57 • -10.42db
26% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Count Basie Orchestra
Dark Rapture
150 bpm • F min • 02:41 • -12.33db
8% Popularity • 66% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 66% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Maxine Sullivan
Loch Lomond
150 bpm • F Maj • 02:15 • -8.15db
12% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Willie Bryant and His Orchestra
All my life
150 bpm • G# Maj • 03:29 • -6.81db
0% Popularity • 55% Danceability • 43% Energy • 11% Liveness
14% Instrumentalness • 69% Positiveness
0% Popularity • 55% Danceability • 43% Energy • 11% Liveness
14% Instrumentalness • 69% Positiveness
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Futureboy 5000
Introducing Bert the Turtle
148 bpm • A# Maj • 00:45 • -11.2db
9% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Jack Shaindlin
Party Time
151 bpm • C min • 01:53 • -10.98db
10% Popularity • 42% Danceability • 48% Energy • 38% Liveness
30% Instrumentalness • 73% Positiveness
10% Popularity • 42% Danceability • 48% Energy • 38% Liveness
30% Instrumentalness • 73% Positiveness
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The Deep Rivers Boys
That's Chick's Too Young to Fry
149 bpm • A# Maj • 02:28 • -11db
7% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Tyrone Bray
Slick Sucker
146 bpm • G min • 02:33 • -6.95db
13% Popularity • 58% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
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Kate Smith
On The Atchison, Topeka And Santa Fe
146 bpm • G min • 02:30 • -12.57db
9% Popularity • 74% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 74% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Rosemary Clooney & Benny Goodman
It'S Bad For Me
146 bpm • G# Maj • 02:58 • -11.45db
12% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 64% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Rudy Vallee
If You Were the Only Girl in the World (...
145 bpm • C Maj • 02:50 • -14.43db
19% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
19% Popularity • 33% Danceability • 15% Energy • 17% Liveness
4% Instrumentalness • 28% Positiveness
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Beverly Kenney
If I Were a Bell
145 bpm • A# Maj • 02:10 • -9.54db
7% Popularity • 52% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 52% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Fats Waller
(Oh Susannah)Dust Off That Old Pianna
145 bpm • C Maj • 02:34 • -11.93db
9% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
9% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
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Bob Wills & His Texas Playboys
Nothing but Trouble
144 bpm • F Maj • 02:33 • -7.64db
9% Popularity • 54% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 54% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Loss & His Orchestra
A Room with a View
199 bpm • G min • 02:28 • -11db
13% Popularity • 44% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
13% Popularity • 44% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 67% Positiveness
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Cleo Brown
(Lookie Lookie Lookie) Here Comes Cookie
202 bpm • E min • 03:12 • -17.67db
6% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
6% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Frankie Laine
I May Be Wrong, But I Think You're Wonde...
203 bpm • G min • 01:37 • -20.6db
13% Popularity • 51% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 51% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Betty Grable
Put Your Arms Around Me, Honey
203 bpm • A# Maj • 01:26 • -18.05db
16% Popularity • 61% Danceability • 5% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 61% Danceability • 5% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Joni James
Summer Love - Live On The Ed Sullivan Sh...
206 bpm • A# Maj • 02:09 • -10.77db
8% Popularity • 55% Danceability • 40% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 55% Danceability • 40% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
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The Nighthawks
Isn't This a Lovely Day
207 bpm • C# Maj • 04:06 • -16db
8% Popularity • 38% Danceability • 20% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
8% Popularity • 38% Danceability • 20% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
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Lauren Bacall
How Little We Know - To Have and to Have...
204 bpm • A# Maj • 01:43 • -13.17db
13% Popularity • 32% Danceability • 39% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 32% Danceability • 39% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
