Songs like Sapne Me Aaye Sai Baba Darshan Diya by Madan Shukla
Based on a tempo of (+/- 10%) and a similar genre
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Anurag Sharma
KONJANI KA HOGE MOLA
108 bpm • G# Maj • 03:57 • -5.16db
38% Popularity • 70% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 70% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Bharat Sharma Vyas
Jekra Pa Pe Tohri Daya Ke
108 bpm • D# Maj • 05:33 • -8.79db
14% Popularity • 73% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 73% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Madan Shukla
Sapne Me Aaye Sai Baba Darshan Diya
108 bpm • B min • 06:11 • -6.92db
0% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Mahavir Oswal
Chintamani Mhari Chinta Choor
108 bpm • A# Maj • 08:21 • -6.32db
11% Popularity • 71% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 71% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Malini Awasthi
Kahe Ko Byahi Bidesh
108 bpm • D# Maj • 05:26 • -13.65db
22% Popularity • 69% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 69% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Narendra Chanchal
Lei Lei Maa Wadhaiyan Tere Bachcheya
107 bpm • G# Maj • 05:48 • -9.43db
11% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Dukalu Yadav
Diya Na Bati Na
109 bpm • C# min • 06:53 • -3.94db
16% Popularity • 56% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 56% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Sonu Nigam
Hamein De Ke Aawaz Maa Bula Lo
107 bpm • C# Maj • 06:54 • -4.61db
11% Popularity • 53% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 53% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Kishan Sen
Nayna Chhupay Kabar
107 bpm • A# min • 05:48 • -4.44db
12% Popularity • 37% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 37% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Manglesh Dangwal
Kashi Vishwanath
109 bpm • D# Maj • 06:19 • -8.26db
12% Popularity • 79% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 79% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Devendra Pathak
Tumhi Mein Ye Jiwan Jiye Ja Raha Hu
110 bpm • F# min • 07:14 • -4.81db
20% Popularity • 67% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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Anuradha Paudwal
Jai Jai Shiv Shambhu
106 bpm • C# min • 06:24 • -10.06db
13% Popularity • 73% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 73% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Dukalu Yadav
Gajra Lagaye Maiya
109 bpm • D# Maj • 07:42 • -3.63db
28% Popularity • 70% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 70% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Devendra Pathak
Kirpa Ki Na Hoti Jo Adat Tumhari
106 bpm • F# Maj • 07:07 • -4.49db
21% Popularity • 72% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 72% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Santi Kunj
Sadaguru Bina Kisi Ko
110 bpm • F# Maj • 09:12 • -10.5db
9% Popularity • 67% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 67% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Chetna
Bhagwan Meri Naiyya
106 bpm • C# Maj • 06:53 • -7.05db
13% Popularity • 62% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 62% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Lakhbir Singh Lakkha
Koi Karo Tarkeeb
106 bpm • D# min • 05:53 • -6.59db
13% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Hiresh Sinha
Soja Soja Re
110 bpm • A Maj • 07:49 • -4.18db
15% Popularity • 68% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 68% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Shahnaz Akhtar
Lagan Lagi Tose
106 bpm • G# Maj • 06:42 • -2.54db
17% Popularity • 45% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 45% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Suresh Kurre
Rimjhim Sawan Ke Barsaat Hoge
110 bpm • G# Maj • 05:40 • -4.09db
10% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Adarsh Shinde
Tu Hi Taj Tu Hi Sai
110 bpm • G# Maj • 06:09 • -7.82db
8% Popularity • 40% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 40% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Baps Swaminarayan Sanstha
Mahant Swamina Darshan
111 bpm • F# Maj • 05:24 • -8.15db
15% Popularity • 76% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Varshil Pandey
Asur Nikandan Bhay Bhanjan Kuch Aan Karo
105 bpm • A Maj • 06:08 • -6db
20% Popularity • 76% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 76% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Babla Mehta
Mansa Devi Mansa Poori
105 bpm • G# Maj • 04:59 • -11db
22% Popularity • 80% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 80% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Narendra Chanchal
Var De Var De Daati
105 bpm • C# Maj • 05:30 • -8.82db
9% Popularity • 79% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 79% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Lakhbir Singh Lakha
Soni Soni Lage Surat Thari
105 bpm • E min • 05:01 • -7.36db
0% Popularity • 72% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 72% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Shahnaz Akhtar
Nibua Utare Koi
105 bpm • C# Maj • 06:50 • -6.92db
8% Popularity • 83% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 83% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Alka Chandrakar
Dai Tor Angana Ma
105 bpm • F min • 05:45 • -3.38db
1% Popularity • 64% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 64% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Madan Shukla
Dil Mera Kho Gaya
105 bpm • E Maj • 04:36 • -6.62db
0% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Vaishali Samant
Kalajat Mukkam Kela
105 bpm • G# Maj • 04:34 • -8.16db
39% Popularity • 60% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 60% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Mahendra Warekar
Swami Samartha Tumhi Krupavanta
104 bpm • G min • 04:39 • -5.58db
9% Popularity • 66% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 66% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Alka Yagnik
Khushi Khushi Shobay Khushi
112 bpm • C min • 04:02 • -9.47db
13% Popularity • 65% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 65% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Sunil Soni
Jodi Kabhu Chhutay Nahi
104 bpm • F# Maj • 06:15 • -2.37db
32% Popularity • 50% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 50% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Sakhrabai Tekale
Ale Ale Ho Godhla
112 bpm • A min • 05:46 • -4db
26% Popularity • 62% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 62% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Divesh Sahu
Goriya Re
112 bpm • E Maj • 07:30 • -3.77db
10% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Reshmi Sharma
De Do Nath Sahara
112 bpm • A min • 08:45 • -8db
8% Popularity • 62% Danceability • 62% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 62% Danceability • 62% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
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Momtaz
Gao Geramer Konna
112 bpm • C# Maj • 03:56 • -7.36db
17% Popularity • 83% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 83% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
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Arun
Hum Katha Sunte Ram
104 bpm • C Maj • 03:36 • -6db
12% Popularity • 60% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Nisha Barot
Pyar Wafa He
103 bpm • C# Maj • 06:19 • -5.86db
17% Popularity • 49% Danceability • 88% Energy • 58% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 49% Danceability • 88% Energy • 58% Liveness
0% Instrumentalness • 62% Positiveness
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jhukur singh
Sawali Surat Par Mohan Dil Diwana Ho Gay...
103 bpm • C# min • 09:00 • -5.61db
36% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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MANOJ TIWARI
Apne Ancharwa Ke Chhahiyan
113 bpm • E Maj • 06:37 • -4.45db
31% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Sharda Sinha
Purin Paat Per - Mangal Geet
113 bpm • C# Maj • 08:16 • -9.81db
3% Popularity • 42% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 42% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Pawan Singh
Chhoti Re Moti Nimiya Gachhiya
103 bpm • F min • 05:42 • -11.89db
35% Popularity • 72% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 72% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Sheikh Ameen
Ye Diwana Kahe
103 bpm • G# Maj • 06:21 • -3.31db
11% Popularity • 52% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 52% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Dipali Somaiya
Bahuchar Birdari
103 bpm • G Maj • 05:15 • -9.75db
10% Popularity • 71% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 71% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Jashvant Rathva
Dhodhanba Na Hatma Jovu Vaat
114 bpm • A# min • 03:48 • -4.94db
10% Popularity • 74% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 74% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 74% Positiveness
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Narendra Singh Negi
Nayu Nayu Byo Cha
114 bpm • D Maj • 04:49 • -11.26db
17% Popularity • 84% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 84% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Krupa Thakor
Choto Choto So Kishan Kanhaiya
114 bpm • E Maj • 06:18 • -6db
27% Popularity • 78% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 78% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Sharda Sinha
Hare - Hare Dubhiya (Dulha Sajna)
102 bpm • F# Maj • 05:34 • -9.31db
25% Popularity • 66% Danceability • 53% Energy • 24% Liveness
27% Instrumentalness • 90% Positiveness
25% Popularity • 66% Danceability • 53% Energy • 24% Liveness
27% Instrumentalness • 90% Positiveness
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Sukhwinder Singh
Log Milte Hain
102 bpm • A Maj • 06:57 • -4.23db
13% Popularity • 67% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 67% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Reshmi Sharma
Do Pal
102 bpm • G Maj • 08:23 • -4.47db
10% Popularity • 60% Danceability • 77% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 60% Danceability • 77% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
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Diwakar Dwivedi
Bhuarki Se Niman
102 bpm • E Maj • 05:38 • -3.91db
13% Popularity • 64% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Sunil Sharma
Radhe Rani Kripa Kar Do
102 bpm • C# Maj • 07:29 • -10.57db
8% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Anuradha Paudwal
Mahisasur Mardni
114 bpm • B Maj • 05:24 • -5.85db
8% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Baps Swaminarayan Sanstha
Pramukh Swami Padharo Aaj
115 bpm • F Maj • 07:14 • -8.57db
14% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Kamlesh Barot
Radha Maru Daladu Todi Gai
115 bpm • E Maj • 03:44 • -6.17db
1% Popularity • 70% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 70% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Sohini Mishra
Meri Bhakti Mein Rang Bhar Jao
115 bpm • F Maj • 05:30 • -4.62db
8% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Alka Yagnik
Main Na Mil Saku Jo Tumse
101 bpm • C# Maj • 07:19 • -9.76db
26% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Shyam Singh Chouhan
Shyam Baba Ki Jaikar Bolo Ji Bolo
115 bpm • G Maj • 05:07 • -5.58db
8% Popularity • 78% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 78% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Adnan Sami
Khawaja Mere Khwaja
101 bpm • G Maj • 06:42 • -9.85db
15% Popularity • 55% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 55% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Satish Dehra
Choti Choti Gaiyya
116 bpm • C# Maj • 07:09 • -5.85db
13% Popularity • 60% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Kumar Sanu
Joy Maa Tara Joy Joy Tara
116 bpm • A Maj • 07:28 • -7.87db
33% Popularity • 72% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 72% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Chetna
Mere Satguru Pyare Da Darbar Bada Sona H...
116 bpm • E min • 05:39 • -6.14db
11% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Kumar Vishu
Aarti Radha Rani Ki
116 bpm • F# Maj • 03:36 • -4.94db
13% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Mitali Singh
Gram Chhara Oi
116 bpm • C# Maj • 03:36 • -6.33db
19% Popularity • 67% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 67% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Madan Shukla
Naina Tose Kahe
116 bpm • G# Maj • 06:40 • -4.53db
0% Popularity • 60% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 60% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Sonu Nigam
Maiya Ke Dar Pe Chal
116 bpm • C# min • 04:15 • -5.34db
11% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Fauji Lalit Mohan Joshi
Kochhe Tu Ghasyari
116 bpm • G min • 06:04 • -4.97db
10% Popularity • 74% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 74% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Shankar Mahadevan
Radhe Radhe
116 bpm • B Maj • 03:49 • -7.45db
20% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Chand Qadri
Sar Bahttar Kat Gaye
100 bpm • E Maj • 05:59 • -5.85db
0% Popularity • 75% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 75% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Surya Raj Kamal
Teri Mahima Koi Na Jane Shani Dev
100 bpm • G Maj • 04:51 • -7.84db
17% Popularity • 53% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 53% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 56% Positiveness
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Chetna Shukla
Namo Namo Ambe Sukh Karni (Shree Durga C...
100 bpm • C# min • 07:21 • -3.41db
11% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Chanchal Prajapati
Chal Gora Rani Mela Dikha Du Haridwar - ...
100 bpm • F# min • 05:10 • -4.36db
12% Popularity • 66% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 66% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Gore Lal Barman
Kosa Ke Sadi
100 bpm • F# Maj • 04:51 • -3db
39% Popularity • 68% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 68% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Amjad Nadeem
Choti Choti Gaiya Chote Chote Gwal - Zee...
100 bpm • E min • 05:12 • -5.68db
27% Popularity • 74% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 74% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Sonu Nigam
Ek Chhota Sa Naam
100 bpm • C# Maj • 06:18 • -7.75db
13% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Uma Lahari
Balaji Deewana
100 bpm • F Maj • 05:47 • -4.21db
18% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Priya Bhattacharya
Sasura Bada Payisawala
100 bpm • G# Maj • 05:31 • -9.04db
23% Popularity • 54% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 54% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Vikram Thakor
Radhaldi O Radhaldi
117 bpm • D# min • 05:20 • -9.06db
10% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Akash Shinde
Rahtoy Thatat Kanifnathan Mul
100 bpm • C# min • 05:37 • -11.3db
11% Popularity • 72% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 72% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Manjeera Ganguly
Om Jai Shiv Omkara
100 bpm • D# min • 04:11 • -5.17db
12% Popularity • 63% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 63% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
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Sonu Nigam
Shree Ram Lalla
100 bpm • E Maj • 04:00 • -7.26db
11% Popularity • 63% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 63% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Seema Mishra
Chalo Piya Ji Aapa
100 bpm • F Maj • 04:18 • -11.44db
19% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Kishore Manraja
Prabhu Mangu Tari Pas
100 bpm • F Maj • 06:20 • -11.07db
16% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Kavita Paudwal
Man Tera Mandir Hai
100 bpm • F Maj • 04:38 • -4.5db
15% Popularity • 75% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 75% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lalit Mohan Joshi
Rukmaa Rukmadi
118 bpm • C Maj • 06:58 • -7.57db
27% Popularity • 81% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 81% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Madan Shukla
Sathi Amar Bondhu Aamar
117 bpm • E min • 06:35 • -12.32db
0% Popularity • 39% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 39% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Sonu Nigam
Baba Aapke Charanon Mein Aaya Hoon
100 bpm • A min • 06:45 • -10.91db
14% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Devi
Kaanch Hi Baans Ke Bahangiya
119 bpm • C Maj • 07:25 • -10.81db
8% Popularity • 57% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 57% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Hari Bharwad
Taro Re Saybo Batav
98 bpm • F Maj • 09:43 • -2.75db
13% Popularity • 49% Danceability • 82% Energy • 13% Liveness
5% Instrumentalness • 73% Positiveness
13% Popularity • 49% Danceability • 82% Energy • 13% Liveness
5% Instrumentalness • 73% Positiveness
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Narendra Chanchal
Shri Kaliji Ki Aarti
98 bpm • C# Maj • 07:59 • -6.82db
11% Popularity • 41% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 41% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Tripti Shakya
Ram Aaye Hai
98 bpm • F# Maj • 08:14 • -3.94db
0% Popularity • 58% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 58% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Karsan Sagathia
Dholida Dhol Dhimo
119 bpm • F Maj • 07:23 • -9.47db
15% Popularity • 53% Danceability • 66% Energy • 78% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 53% Danceability • 66% Energy • 78% Liveness
0% Instrumentalness • 90% Positiveness
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Rakesh Nagar
Aao Jara Jhumo Jara
98 bpm • G Maj • 07:49 • -7.54db
8% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Rekha Rao
Ek Baar Aao Ji Javai Ji
98 bpm • C# Maj • 02:34 • -10.44db
9% Popularity • 73% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Rupak Jain
Meri Bhavna
120 bpm • G# Maj • 09:44 • -6db
33% Popularity • 62% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 62% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Sonu Nigam
Dil Rota Hai Baar Baar
120 bpm • F min • 04:39 • -7.18db
21% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Babul Supriyo
Ye to Mumkin Hi Nahin
120 bpm • A# Maj • 05:53 • -6db
8% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
