Songs like Saterday Night (Is The Loneliest Night Of The Week) by Sammy Cahn
Based on a tempo of (+/- 10%) and a similar genre
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Guy Dearden
Main Street USA
140 bpm • E min • 02:06 • -13.72db
4% Popularity • 68% Danceability • 34% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
4% Popularity • 68% Danceability • 34% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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Richard Bellis
CTX Theme
140 bpm • D min • 06:14 • -13.98db
30% Popularity • 22% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Burl Ives
Lavender Blue (Dilly Dilly)
140 bpm • C Maj • 01:01 • -13db
41% Popularity • 60% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 60% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Kandel
The Bells Of Notre Dame (Reprise)
141 bpm • D Maj • 01:10 • -12db
31% Popularity • 28% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 28% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Angela Lansbury
Reprise: Eglantine / Portebello Road
140 bpm • A# Maj • 01:14 • -18.78db
27% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Marlin
Finale - The Big Blue World (Reprise) - ...
141 bpm • D# Maj • 02:15 • -13db
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Danny Elfman
Wonka's First Shop
139 bpm • D# Maj • 01:42 • -17.3db
34% Popularity • 22% Danceability • 13% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 13% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Joel McNeely
Summoning the Octopus/Pan Saves Jane
141 bpm • F Maj • 02:40 • -15db
18% Popularity • 31% Danceability • 26% Energy • 59% Liveness
75% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 26% Energy • 59% Liveness
75% Instrumentalness • 17% Positiveness
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Leslie Bricusse
Charlie's Paper Run
139 bpm • A# min • 01:10 • -15.79db
33% Popularity • 34% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 34% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Annette & Tommy Sands
The Parent Trap
139 bpm • G# Maj • 02:17 • -10.63db
12% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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John Powell
The Waterpark
138 bpm • G Maj • 02:24 • -12db
26% Popularity • 58% Danceability • 45% Energy • 13% Liveness
70% Instrumentalness • 56% Positiveness
26% Popularity • 58% Danceability • 45% Energy • 13% Liveness
70% Instrumentalness • 56% Positiveness
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André Previn
Exit Music* - Instrumental
142 bpm • D# Maj • 01:14 • -13db
22% Popularity • 23% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
22% Popularity • 23% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Jimmy Van Heusen
Come Fly with Me
142 bpm • G min • 03:21 • -15.19db
0% Popularity • 37% Danceability • 40% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 37% Danceability • 40% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
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Joel McNeely
Jane Can Fly
141 bpm • C Maj • 02:35 • -12db
30% Popularity • 25% Danceability • 44% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
30% Popularity • 25% Danceability • 44% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Richard Bellis
Reflections of China Suite
142 bpm • A min • 04:03 • -11.93db
29% Popularity • 24% Danceability • 34% Energy • 38% Liveness
81% Instrumentalness • 20% Positiveness
29% Popularity • 24% Danceability • 34% Energy • 38% Liveness
81% Instrumentalness • 20% Positiveness
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Ralph Burns
At The Race - Instrumental Score
138 bpm • A# Maj • 01:52 • -18.68db
9% Popularity • 44% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 44% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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John Debney
Main Titles - Jungle Run
142 bpm • F# Maj • 02:25 • -16db
39% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
39% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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Marius de Vries
I Wanna Dance With Somebody (Who Loves M...
142 bpm • F Maj • 01:00 • -13.27db
27% Popularity • 36% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
27% Popularity • 36% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Andrew Lockington
Rendezvous
138 bpm • A Maj • 04:09 • -15.3db
23% Popularity • 26% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
23% Popularity • 26% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
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Joel McNeely
Jane Saves Tink and Pan
142 bpm • G Maj • 03:28 • -15.41db
14% Popularity • 24% Danceability • 36% Energy • 9% Liveness
70% Instrumentalness • 14% Positiveness
14% Popularity • 24% Danceability • 36% Energy • 9% Liveness
70% Instrumentalness • 14% Positiveness
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Paul Kandel
Topsy Turvy
142 bpm • D Maj • 05:36 • -13.67db
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Helen Reddy
Brazzle Dazzle Day
143 bpm • D Maj • 02:47 • -13db
32% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Randy Bright
Golden Dream
143 bpm • C Maj • 03:50 • -11db
29% Popularity • 30% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 30% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Bruce Broughton
Energy Adventure Medley
137 bpm • C# Maj • 04:48 • -9db
33% Popularity • 40% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
33% Popularity • 40% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
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Betty Taylor
Overture: Hello Everybody
137 bpm • A# Maj • 02:22 • -7.89db
23% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Lin-Manuel Miranda
(Underneath the) Lovely London Sky
143 bpm • C Maj • 03:46 • -13.94db
39% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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John Davidson
'Bout Time
143 bpm • D Maj • 02:45 • -8db
12% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Cast of Alice in Wonderland
The Tulgey Wood - Original
143 bpm • C Maj • 02:02 • -18db
6% Popularity • 54% Danceability • 22% Energy • 19% Liveness
5% Instrumentalness • 14% Positiveness
6% Popularity • 54% Danceability • 22% Energy • 19% Liveness
5% Instrumentalness • 14% Positiveness
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David Ogden Stiers
Things Are Not What They Appear
143 bpm • D# Maj • 02:19 • -12db
25% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Robert Moline
Golden Dream (arr. for piano)
137 bpm • C Maj • 03:52 • -16.47db
9% Popularity • 39% Danceability • 27% Energy • 14% Liveness
82% Instrumentalness • 34% Positiveness
9% Popularity • 39% Danceability • 27% Energy • 14% Liveness
82% Instrumentalness • 34% Positiveness
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Louise Warren
Destiny
144 bpm • B Maj • 03:41 • -8.68db
27% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Studio Chorus - Saludos Amigos
Saludos Amigos
136 bpm • G Maj • 01:44 • -11.31db
34% Popularity • 53% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 53% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Roger Miller
Whistle Stop (Ragtime Demo)
144 bpm • G Maj • 02:21 • -13.52db
35% Popularity • 68% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 74% Positiveness
35% Popularity • 68% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 74% Positiveness
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The Cast of Alice in Wonderland
A Serpent! - Original
136 bpm • A# Maj • 01:09 • -16db
11% Popularity • 37% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
11% Popularity • 37% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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Michael Giacchino
Here Comes Elastigirl - Elastigirl's The...
144 bpm • C min • 01:23 • -4db
40% Popularity • 53% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 53% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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The Wellingtons
The Wonderful World of Color
144 bpm • D Maj • 01:40 • -11.27db
24% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hollywood Trailer Music Orchestra
Mr. Hollywood
144 bpm • F Maj • 01:03 • -7.55db
19% Popularity • 52% Danceability • 48% Energy • 36% Liveness
95% Instrumentalness • 61% Positiveness
19% Popularity • 52% Danceability • 48% Energy • 36% Liveness
95% Instrumentalness • 61% Positiveness
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Thomas Newman
Wall-E
136 bpm • A# Maj • 01:59 • -19db
41% Popularity • 77% Danceability • 26% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
41% Popularity • 77% Danceability • 26% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
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The Cast of The Aristocats
Thomas O'Malley Cat - Original
144 bpm • G min • 02:35 • -13db
21% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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arr Higgins
Disney At The Movies
145 bpm • D# Maj • 07:38 • -17.13db
12% Popularity • 35% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
12% Popularity • 35% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
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Wilfrid Hyde-White
The Rain In Spain - Voice
135 bpm • F Maj • 02:11 • -14db
25% Popularity • 51% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 51% Danceability • 24% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Bruce Broughton
Spaceship Earth
135 bpm • D min • 10:52 • -9.85db
37% Popularity • 28% Danceability • 33% Energy • 40% Liveness
41% Instrumentalness • 16% Positiveness
37% Popularity • 28% Danceability • 33% Energy • 40% Liveness
41% Instrumentalness • 16% Positiveness
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Quirino Mendoza y Cortes
Jesusita En Chihuahua
145 bpm • F Maj • 02:29 • -12.04db
20% Popularity • 48% Danceability • 44% Energy • 50% Liveness
5% Instrumentalness • 88% Positiveness
20% Popularity • 48% Danceability • 44% Energy • 50% Liveness
5% Instrumentalness • 88% Positiveness
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Jeff Gunn
The Face That I See in the Night
135 bpm • D Maj • 02:52 • -17.45db
12% Popularity • 34% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 34% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Mack David
So This Is Love: Waltz
135 bpm • G Maj • 01:58 • -16.7db
45% Popularity • 19% Danceability • 16% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
45% Popularity • 19% Danceability • 16% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
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George Givot (performer), Oliver Wallace (conductor), Walt Disney Studio Orchestra & Chorus
Footloose & Collar-Free / Bella Notte
146 bpm • F Maj • 04:22 • -14.57db
20% Popularity • 28% Danceability • 18% Energy • 21% Liveness
65% Instrumentalness • 20% Positiveness
20% Popularity • 28% Danceability • 18% Energy • 21% Liveness
65% Instrumentalness • 20% Positiveness
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Albert White And His Gaslight Orchestra
The Old Grey Mare
146 bpm • F Maj • 02:28 • -27.02db
13% Popularity • 66% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 66% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Disney Studio Musician
Bayou Banjo
146 bpm • A Maj • 02:07 • -22db
33% Popularity • 49% Danceability • 8% Energy • 6% Liveness
87% Instrumentalness • 40% Positiveness
33% Popularity • 49% Danceability • 8% Energy • 6% Liveness
87% Instrumentalness • 40% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
42% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
The Memphis Blues
147 bpm • F Maj • 03:09 • -13.14db
9% Popularity • 51% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 86% Positiveness
9% Popularity • 51% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 86% Positiveness
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Newsies Ensemble
Carrying the Banner (Finale)
147 bpm • D Maj • 06:20 • -14.14db
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
22% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
22% Instrumentalness • 9% Positiveness
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Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz
Odette Flies/Derek Gallops
133 bpm • C# Maj • 01:44 • -22.19db
27% Popularity • 18% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nathan Lane
Warthog Rhapsody
148 bpm • F Maj • 03:05 • -8.05db
33% Popularity • 53% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Rascal Flatts
Walk The Llama Llama
148 bpm • G# Maj • 02:02 • -11.11db
25% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Studio Chorus - Saludos Amigos
The Three Cabelleros
148 bpm • F Maj • 02:27 • -11.18db
22% Popularity • 43% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 43% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Christopher Willis
Springtime Symphony
132 bpm • D Maj • 03:47 • -9.04db
29% Popularity • 37% Danceability • 34% Energy • 25% Liveness
84% Instrumentalness • 13% Positiveness
29% Popularity • 37% Danceability • 34% Energy • 25% Liveness
84% Instrumentalness • 13% Positiveness
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The Mouse Chorus
The Work Song - Edit
132 bpm • D Maj • 02:04 • -11.12db
29% Popularity • 65% Danceability • 35% Energy • 8% Liveness
10% Instrumentalness • 59% Positiveness
29% Popularity • 65% Danceability • 35% Energy • 8% Liveness
10% Instrumentalness • 59% Positiveness
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Red Buttons
Every Little Piece
132 bpm • G Maj • 04:25 • -17db
28% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hollywood Trailer Music Orchestra
Ya Ta Dut Ta Dut
132 bpm • G Maj • 01:02 • -7.45db
15% Popularity • 75% Danceability • 57% Energy • 9% Liveness
97% Instrumentalness • 76% Positiveness
15% Popularity • 75% Danceability • 57% Energy • 9% Liveness
97% Instrumentalness • 76% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
39% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
39% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
In The Hills Of Old Kentucky Medley
132 bpm • C Maj • 02:39 • -11db
26% Popularity • 69% Danceability • 47% Energy • 6% Liveness
10% Instrumentalness • 93% Positiveness
26% Popularity • 69% Danceability • 47% Energy • 6% Liveness
10% Instrumentalness • 93% Positiveness
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Oompa Loompa Cast
Everlasting Gobstoppers/Oompa-Loompa
132 bpm • D Maj • 03:17 • -16.19db
37% Popularity • 46% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
37% Popularity • 46% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
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Disneyland Concert Orchestra
Tomorrowland - Disneyland Attraction Ver...
132 bpm • A# min • 06:20 • -10.47db
14% Popularity • 39% Danceability • 40% Energy • 32% Liveness
3% Instrumentalness • 22% Positiveness
14% Popularity • 39% Danceability • 40% Energy • 32% Liveness
3% Instrumentalness • 22% Positiveness
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Michael Kamen
The Wedding (Cup Of Marriage) / Horace A...
131 bpm • G Maj • 07:05 • -19.46db
8% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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The Mouseketeers
Mickey Mouse March
131 bpm • D# Maj • 02:41 • -13.79db
41% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Helen Reddy
I Saw A Dragon
131 bpm • A Maj • 02:33 • -12db
28% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Northwest Sinfonia
The Plaza
131 bpm • D# Maj • 02:07 • -14db
21% Popularity • 48% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
21% Popularity • 48% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 29% Positiveness
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Julie Dawn Cole
I Want It Now/Oompa-Loompa
131 bpm • A# Maj • 02:50 • -14.1db
42% Popularity • 61% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 61% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Renoudet
The Bear Band Serenade
131 bpm • G Maj • 01:45 • -8.57db
33% Popularity • 55% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 55% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Hollywood Trailer Music Orchestra
Red Carpet
150 bpm • A min • 02:18 • -8db
22% Popularity • 53% Danceability • 61% Energy • 28% Liveness
6% Instrumentalness • 79% Positiveness
22% Popularity • 53% Danceability • 61% Energy • 28% Liveness
6% Instrumentalness • 79% Positiveness
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The Cast of Peter Pan
Main Title (The Second Star to the Right...
130 bpm • F# Maj • 02:18 • -14.99db
28% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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John Debney
Pacha's Homecoming/The Blue Plate Specia...
150 bpm • C# Maj • 07:32 • -28.25db
21% Popularity • 23% Danceability • 3% Energy • 11% Liveness
34% Instrumentalness • 7% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 11% Liveness
34% Instrumentalness • 7% Positiveness
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Paul Leonard-Morgan
Test Track
130 bpm • G Maj • 05:11 • -9.74db
33% Popularity • 56% Danceability • 58% Energy • 15% Liveness
49% Instrumentalness • 50% Positiveness
33% Popularity • 56% Danceability • 58% Energy • 15% Liveness
49% Instrumentalness • 50% Positiveness
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Stage Stars
The Wells Fargo Wagon - Accompaniment Ba...
130 bpm • D Maj • 02:22 • -16.68db
11% Popularity • 65% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
130 bpm • E min • 02:16 • -9.84db
39% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Axel Stordahl
Day by Day
129 bpm • G Maj • 03:26 • -8.39db
0% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Cast - James And The Giant Peach
Eating The Peach
153 bpm • F Maj • 02:53 • -13db
22% Popularity • 50% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 50% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Stephen Sondheim
Giants in the Sky - Instrumental Version
128 bpm • D Maj • 02:27 • -19.04db
8% Popularity • 36% Danceability • 6% Energy • 12% Liveness
13% Instrumentalness • 15% Positiveness
8% Popularity • 36% Danceability • 6% Energy • 12% Liveness
13% Instrumentalness • 15% Positiveness
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Matterhorn Yodelers
Matterhorn Yodelers
153 bpm • D# Maj • 02:19 • -12db
29% Popularity • 38% Danceability • 68% Energy • 72% Liveness
1% Instrumentalness • 90% Positiveness
29% Popularity • 38% Danceability • 68% Energy • 72% Liveness
1% Instrumentalness • 90% Positiveness
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Nicholas Brodsky
Be My Love - Radio Edit
128 bpm • A Maj • 03:14 • -8.11db
1% Popularity • 29% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 29% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Oompa Loompa Cast
Wonkamobile, Wonkavision/Oompa-Loompa
128 bpm • E min • 01:49 • -13db
35% Popularity • 52% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 52% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Bruce Healey
Fantasmic! Exit Music - Disneyland Park
128 bpm • G Maj • 02:58 • -8.16db
38% Popularity • 53% Danceability • 52% Energy • 8% Liveness
45% Instrumentalness • 55% Positiveness
38% Popularity • 53% Danceability • 52% Energy • 8% Liveness
45% Instrumentalness • 55% Positiveness
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Fred MacMurray
What's Wrong with That
128 bpm • D# Maj • 01:32 • -13.54db
15% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Joseph Trapanese
Welcome to the Family
128 bpm • C Maj • 02:58 • -24db
22% Popularity • 18% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
128 bpm • E min • 07:02 • -13.22db
38% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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The Cast of Alice in Wonderland
Painting The Roses Red/March Of The Card...
128 bpm • F Maj • 02:48 • -12.43db
16% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
On Jersey Shore
128 bpm • D Maj • 02:25 • -11.77db
13% Popularity • 55% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
13% Popularity • 55% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Richard Hartley
Will You Won't You Join The Dance - Alic...
127 bpm • A Maj • 01:07 • -14.2db
11% Popularity • 42% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 42% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Danny Elfman
Travel Music
127 bpm • C Maj • 01:07 • -21.85db
29% Popularity • 80% Danceability • 18% Energy • 54% Liveness
91% Instrumentalness • 93% Positiveness
29% Popularity • 80% Danceability • 18% Energy • 54% Liveness
91% Instrumentalness • 93% Positiveness
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Cliff Edwards
When You Wish Upon a Star
127 bpm • D Maj • 03:15 • -11.96db
47% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
47% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
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The Cast of 101 Dalmatians
Pulling a Snitch/Big Hullabaloo/Battling...
126 bpm • F min • 03:51 • -11db
8% Popularity • 42% Danceability • 41% Energy • 26% Liveness
13% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 41% Energy • 26% Liveness
13% Instrumentalness • 14% Positiveness
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Richard Bellis
Lights, Motor, Action
126 bpm • C# Maj • 11:11 • -8.23db
24% Popularity • 37% Danceability • 75% Energy • 32% Liveness
60% Instrumentalness • 16% Positiveness
24% Popularity • 37% Danceability • 75% Energy • 32% Liveness
60% Instrumentalness • 16% Positiveness
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Cast - James And The Giant Peach
That's The Life
126 bpm • C Maj • 01:59 • -10db
27% Popularity • 48% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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The Dapper Dans
"Grim Grinning Ghosts" - Singing Busts
126 bpm • A# Maj • 01:10 • -13db
20% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Giacchino
First Day of School
156 bpm • C Maj • 02:02 • -12.92db
36% Popularity • 63% Danceability • 51% Energy • 27% Liveness
79% Instrumentalness • 59% Positiveness
36% Popularity • 63% Danceability • 51% Energy • 27% Liveness
79% Instrumentalness • 59% Positiveness
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Ralph Burns
Mardi Gras - Instrumental Score
125 bpm • C Maj • 01:18 • -13.61db
10% Popularity • 66% Danceability • 58% Energy • 5% Liveness
74% Instrumentalness • 95% Positiveness
10% Popularity • 66% Danceability • 58% Energy • 5% Liveness
74% Instrumentalness • 95% Positiveness
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Wayne Allwine
Closing
125 bpm • F Maj • 01:14 • -11db
32% Popularity • 68% Danceability • 26% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 68% Danceability • 26% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
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Jim Cummings
Goodbye, Farewell
125 bpm • C Maj • 01:19 • -13.61db
39% Popularity • 57% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 57% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
