Songs like Satin Doll by Johnny Mercer
Based on a tempo of (+/- 10%) and a similar genre
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
22% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
22% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Fats Waller
When Somebody Thinks You're Wonderful - ...
111 bpm • A# Maj • 03:37 • -12db
32% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
32% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Anne Shelton
Lay Down Your Arms
111 bpm • C# Maj • 02:57 • -9db
22% Popularity • 69% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 69% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Whiteman
Jeepers Creepers
111 bpm • G# Maj • 02:14 • -11.39db
9% Popularity • 69% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 69% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Dorsey
Sophisticated Swing
110 bpm • D# Maj • 02:43 • -12db
14% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
14% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Jean Goldkette & His Orchestra
In My Merry Oldsmobile
111 bpm • D Maj • 02:32 • -11db
26% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
26% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
17% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
28% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
28% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Johnny Mercer
Sam's Got Him
110 bpm • G min • 02:40 • -8.8db
23% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
13% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
13% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Paul Whiteman & His Orchestra
Sweet and Low Down
109 bpm • G Maj • 02:35 • -11db
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
34% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Ruth Etting
You're the Cream in My Coffee
113 bpm • G Maj • 03:07 • -13.06db
25% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
25% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Gene Austin
Five Foot Two, Eyes of Blue
113 bpm • G# min • 02:51 • -15.32db
10% Popularity • 77% Danceability • 23% Energy • 18% Liveness
43% Instrumentalness • 66% Positiveness
10% Popularity • 77% Danceability • 23% Energy • 18% Liveness
43% Instrumentalness • 66% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
29% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Art Mooney
I'm Looking over a Four-Leaf Clover
109 bpm • G Maj • 02:28 • -11.73db
24% Popularity • 72% Danceability • 54% Energy • 28% Liveness
45% Instrumentalness • 96% Positiveness
24% Popularity • 72% Danceability • 54% Energy • 28% Liveness
45% Instrumentalness • 96% Positiveness
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Henry Mancini
Medley: Blue Moon/Moon River - Vocal
113 bpm • F Maj • 03:04 • -12.28db
1% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Too Romantic
109 bpm • F Maj • 03:11 • -12.68db
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 36% Positiveness
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Gene Austin
Ain't She Sweet
113 bpm • D# Maj • 02:34 • -13.32db
20% Popularity • 76% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 76% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Mercer
Sugar
109 bpm • D min • 02:47 • -9.43db
3% Popularity • 60% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 60% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Fats Waller
It's A Sin To Tell A Lie
114 bpm • C Maj • 02:53 • -15.57db
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
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The Merry Macs
The Hut-Sut Song
108 bpm • C# Maj • 02:34 • -12.15db
18% Popularity • 91% Danceability • 28% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 91% Danceability • 28% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
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Gene Austin
Five Foot Two, Eyes of Blue (Recorded 19...
113 bpm • G# min • 02:52 • -13.79db
14% Popularity • 75% Danceability • 25% Energy • 32% Liveness
82% Instrumentalness • 68% Positiveness
14% Popularity • 75% Danceability • 25% Energy • 32% Liveness
82% Instrumentalness • 68% Positiveness
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Johnny Mercer
The Object Of My Affection
109 bpm • D# Maj • 02:42 • -7.59db
3% Popularity • 55% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 55% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Guy Lombardo & His Royal Canadians
I Can't Begin to Tell You
114 bpm • A# Maj • 02:35 • -15.14db
7% Popularity • 39% Danceability • 11% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
7% Popularity • 39% Danceability • 11% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
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Jimmy Dorsey
Blueberry Hill
114 bpm • G# Maj • 02:36 • -15.35db
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
65% Instrumentalness • 51% Positiveness
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
65% Instrumentalness • 51% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Carroll Gibbons
These Foolish Things
108 bpm • D Maj • 03:08 • -22.85db
43% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
43% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
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Johnny Mercer
The Object Of My Affection - Alternate V...
108 bpm • F Maj • 02:53 • -10.36db
3% Popularity • 65% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 65% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Guy Lombardo & His Royal Canadians
Charmaine
108 bpm • F Maj • 03:03 • -14.48db
15% Popularity • 35% Danceability • 15% Energy • 20% Liveness
20% Instrumentalness • 37% Positiveness
15% Popularity • 35% Danceability • 15% Energy • 20% Liveness
20% Instrumentalness • 37% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
15% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
15% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Eddy Duchin
Ol' Man Mose
114 bpm • F min • 02:26 • -10.51db
29% Popularity • 91% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 91% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Isham Jones
Doin' the Uptown Lowdown
108 bpm • D# min • 02:38 • -13db
17% Popularity • 83% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 59% Positiveness
17% Popularity • 83% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 59% Positiveness
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Johnny Mercer
I Thought About You
108 bpm • F Maj • 02:47 • -13.48db
6% Popularity • 58% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 34% Positiveness
6% Popularity • 58% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 34% Positiveness
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Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Guy Lombardo & His Royal Canadians
Bell Bottom Trousers
108 bpm • F Maj • 02:30 • -11.35db
7% Popularity • 86% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 86% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Clyde McCoy and His Orchestra
Sugar Blues
107 bpm • G Maj • 03:00 • -7.9db
18% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
18% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Freddy Martin & His Orchestra
The Hut--Sut Song (A Swedish Serenade)
107 bpm • D# Maj • 02:53 • -9db
14% Popularity • 65% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
14% Popularity • 65% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
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Rudy Vallee and His Connecticut Yankees
Beside an Open Fireplace
107 bpm • F min • 03:03 • -16db
26% Popularity • 60% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 83% Positiveness
26% Popularity • 60% Danceability • 22% Energy • 21% Liveness
1% Instrumentalness • 83% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
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Bea Wain
Heart and Soul
107 bpm • A min • 03:09 • -14db
28% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Jack Jones
This Could Be The Start Of Something Big
107 bpm • G Maj • 02:41 • -15db
15% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Annette Hanshaw
Would You Like to Take a Walk
116 bpm • F# Maj • 03:41 • -7.66db
21% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Roy Brown
Mighty Mighty Man
106 bpm • C min • 02:23 • -15db
38% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
9% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Gerhard Trede
Just Joking
116 bpm • D min • 02:18 • -5db
8% Popularity • 63% Danceability • 40% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
8% Popularity • 63% Danceability • 40% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
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Henrry Mancini
Charade
116 bpm • A min • 02:43 • -13.21db
2% Popularity • 34% Danceability • 41% Energy • 42% Liveness
89% Instrumentalness • 54% Positiveness
2% Popularity • 34% Danceability • 41% Energy • 42% Liveness
89% Instrumentalness • 54% Positiveness
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Bob Crosby
Way Back Home
106 bpm • D# Maj • 02:54 • -11db
38% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Orchestre François Rauber
Strip Polka
116 bpm • A# Maj • 02:17 • -10.88db
1% Popularity • 89% Danceability • 54% Energy • 4% Liveness
49% Instrumentalness • 97% Positiveness
1% Popularity • 89% Danceability • 54% Energy • 4% Liveness
49% Instrumentalness • 97% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
I Haven't the Time to Be a Millionaire
116 bpm • G# Maj • 03:05 • -12.15db
9% Popularity • 70% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
9% Popularity • 70% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:39 • -13.26db
16% Popularity • 70% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
16% Popularity • 70% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Tommy Dorsey
I'll Be Seeing You
116 bpm • D Maj • 03:02 • -17.64db
43% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Johnny Mercer
I'm Old Fashioned
106 bpm • D# Maj • 03:18 • -14.29db
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
23% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
35% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
35% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Johnny Mercer
Louisville Lou
117 bpm • A min • 02:46 • -8.3db
3% Popularity • 75% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 75% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Louis Jordan
Is You Is Or Is You Ain't (My Baby)
117 bpm • A# min • 03:16 • -11.48db
47% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ruth Etting
Ten Cents a Dance
105 bpm • C Maj • 03:16 • -16.54db
20% Popularity • 54% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
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Cass Daley
A Good Man Is Hard to Find
118 bpm • G min • 02:44 • -10.69db
16% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Glenn Miller & The Army Air Force Band
G.I. Jive - Remastered 2001
118 bpm • G min • 03:04 • -11db
17% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Mercer
Ugly Chile
118 bpm • F Maj • 02:39 • -10.22db
5% Popularity • 76% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 76% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Ella Fitzgerald and Her Savoy Eight
If You Ever Change Your Mind
105 bpm • A# Maj • 03:04 • -12.75db
34% Popularity • 80% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 80% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Larry Clinton & His Orchestra
Deep Purple
104 bpm • D# Maj • 02:52 • -11db
14% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Sheldon Allman
Rocket to the Moon
104 bpm • D Maj • 01:31 • 1.12db
15% Popularity • 70% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Mercer
I've Been Floating Down the Old Green Ri...
119 bpm • C Maj • 02:36 • -13.55db
4% Popularity • 63% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 63% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Les Brown & His Orchestra
I'm Making Believe
119 bpm • C# Maj • 02:02 • -15.45db
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Dorsey
Green Eyes
119 bpm • G Maj • 03:27 • -16.97db
18% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Fats Waller
Honey Hush
103 bpm • G Maj • 03:17 • -18.69db
13% Popularity • 66% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 66% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Harold Arlen
Blues In The Night
103 bpm • D# Maj • 06:49 • -18.04db
1% Popularity • 56% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 63% Positiveness
1% Popularity • 56% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 63% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Rudy Vallee and His Connecticut Yankees
I Can't Remember
120 bpm • A# Maj • 03:17 • -21db
27% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
27% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
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Cab Calloway & His Orchestra
Who's Yehoodi?
103 bpm • A# min • 03:09 • -13.41db
4% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
20% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Freddy Martin & His Orchestra
I'll Remember April
120 bpm • F# Maj • 02:05 • -6db
9% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
