Songs like Satisfied Mind - Live at WFMU, East Orange, NJ - Oct 1992 by Jeff Buckley
Based on a tempo of (+/- 10%) and a similar genre
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Fiona Apple
The First Taste
90 bpm • F# Maj • 04:46 • -10.29db
58% Popularity • 68% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
58% Popularity • 68% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Jeff Buckley
Witches' Rave
90 bpm • F Maj • 04:40 • -7.72db
45% Popularity • 63% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
45% Popularity • 63% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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George Harrison
Ballad of Sir Frankie Crisp (Let It Roll...
90 bpm • B min • 03:48 • -9.68db
49% Popularity • 43% Danceability • 58% Energy • 13% Liveness
43% Instrumentalness • 45% Positiveness
49% Popularity • 43% Danceability • 58% Energy • 13% Liveness
43% Instrumentalness • 45% Positiveness
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I Am Kloot
Astray
90 bpm • C Maj • 01:41 • -14.26db
27% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Conor Oberst
Lua
90 bpm • D Maj • 05:53 • -9.89db
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Hope Sandoval & The Warm Inventions
Feeling of Gaze
89 bpm • D Maj • 03:25 • -18db
38% Popularity • 13% Danceability • 10% Energy • 11% Liveness
66% Instrumentalness • 14% Positiveness
38% Popularity • 13% Danceability • 10% Energy • 11% Liveness
66% Instrumentalness • 14% Positiveness
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Heatmiser
Half Right
89 bpm • G Maj • 04:22 • -12db
43% Popularity • 67% Danceability • 46% Energy • 24% Liveness
43% Instrumentalness • 42% Positiveness
43% Popularity • 67% Danceability • 46% Energy • 24% Liveness
43% Instrumentalness • 42% Positiveness
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Jeff Buckley
Satisfied Mind - Live at WFMU, East Oran...
90 bpm • A Maj • 05:59 • -18db
38% Popularity • 43% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Leonard Cohen
Sing Another Song, Boys
89 bpm • G Maj • 06:14 • -15.43db
32% Popularity • 47% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 47% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Portishead
Deep Water
91 bpm • F# Maj • 01:30 • -16.57db
48% Popularity • 71% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
48% Popularity • 71% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
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Sparklehorse
Most Beautiful Widow In Town
89 bpm • G# Maj • 03:18 • -11.92db
24% Popularity • 72% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
24% Popularity • 72% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Neutral Milk Hotel
Engine
89 bpm • G Maj • 03:13 • -12.35db
36% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 37% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sunhouse
Lips
89 bpm • E Maj • 03:33 • -18.22db
13% Popularity • 29% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 29% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jeff Buckley
Everyday People - Extended Version
91 bpm • C Maj • 06:20 • -17.06db
31% Popularity • 59% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 59% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Molina
It's Easier Now
89 bpm • B min • 04:01 • -15db
24% Popularity • 26% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 22% Positiveness
24% Popularity • 26% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 22% Positiveness
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Grant Lee Buffalo
The Hook
92 bpm • C# Maj • 04:07 • -9.33db
42% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Nico
The Fairest Of The Seasons
88 bpm • F# Maj • 04:06 • -13db
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Pavement
Here
92 bpm • A Maj • 03:56 • -6.7db
43% Popularity • 52% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
43% Popularity • 52% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Father John Misty
O I Long to Feel Your Arms Around Me
88 bpm • D Maj • 02:23 • -9db
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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Jeff Buckley
New Year's Prayer
88 bpm • F# Maj • 04:40 • -9.97db
38% Popularity • 52% Danceability • 57% Energy • 9% Liveness
48% Instrumentalness • 37% Positiveness
38% Popularity • 52% Danceability • 57% Energy • 9% Liveness
48% Instrumentalness • 37% Positiveness
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Radiohead
High and Dry
88 bpm • E Maj • 04:17 • -11.78db
78% Popularity • 42% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
78% Popularity • 42% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Hope Sandoval & The Warm Inventions
Drop
93 bpm • F Maj • 02:32 • -12.18db
46% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
46% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Jackson C. Frank
Don't Look Back
93 bpm • G# Maj • 02:57 • -9.08db
30% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jason Molina
Honey, Watch Your Ass
94 bpm • C# Maj • 07:25 • -16.95db
13% Popularity • 42% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
13% Popularity • 42% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Jeff Buckley
Thousand Fold
87 bpm • D min • 03:33 • -10.81db
31% Popularity • 28% Danceability • 30% Energy • 30% Liveness
65% Instrumentalness • 10% Positiveness
31% Popularity • 28% Danceability • 30% Energy • 30% Liveness
65% Instrumentalness • 10% Positiveness
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Neutral Milk Hotel
In the Aeroplane Over the Sea
94 bpm • G Maj • 03:22 • -5.12db
66% Popularity • 27% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 27% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Hope Sandoval & The Warm Inventions
Blue Bird
86 bpm • G Maj • 05:09 • -11.96db
39% Popularity • 26% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 16% Positiveness
39% Popularity • 26% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 16% Positiveness
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George Harrison
Run of the Mill (Demo)
86 bpm • C# Maj • 01:56 • -11.13db
45% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Thom Yorke
After The Gold Rush
95 bpm • F Maj • 03:44 • -10.74db
35% Popularity • 41% Danceability • 21% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 41% Danceability • 21% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
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Smog
Our Anniversary
95 bpm • F# Maj • 06:17 • -15db
39% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
39% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Jeff Buckley
Unforgiven aka Last Goodbye
87 bpm • D Maj • 04:10 • -14.75db
33% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Conor Oberst
Milk Thistle
85 bpm • B Maj • 05:21 • -12.82db
31% Popularity • 51% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 51% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Spain
Waiting for You to Come
85 bpm • C Maj • 03:20 • -16.31db
23% Popularity • 66% Danceability • 37% Energy • 11% Liveness
67% Instrumentalness • 91% Positiveness
23% Popularity • 66% Danceability • 37% Energy • 11% Liveness
67% Instrumentalness • 91% Positiveness
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The Beatles
Mother Nature's Son - Remastered 2009
85 bpm • D Maj • 02:48 • -17.11db
54% Popularity • 61% Danceability • 18% Energy • 17% Liveness
35% Instrumentalness • 40% Positiveness
54% Popularity • 61% Danceability • 18% Energy • 17% Liveness
35% Instrumentalness • 40% Positiveness
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Cowboy Junkies
Walking After Midnight
96 bpm • A min • 06:00 • -22.91db
27% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Harper
Welcome To The Cruel World
85 bpm • B Maj • 05:37 • -17.12db
28% Popularity • 55% Danceability • 16% Energy • 28% Liveness
6% Instrumentalness • 10% Positiveness
28% Popularity • 55% Danceability • 16% Energy • 28% Liveness
6% Instrumentalness • 10% Positiveness
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Jeff Buckley
Dream of You and I - Extended Version
94 bpm • G# Maj • 07:40 • -23.33db
36% Popularity • 40% Danceability • 10% Energy • 28% Liveness
9% Instrumentalness • 30% Positiveness
36% Popularity • 40% Danceability • 10% Energy • 28% Liveness
9% Instrumentalness • 30% Positiveness
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Derek & The Dominos
Thorn Tree In The Garden
96 bpm • B min • 02:50 • -20.17db
42% Popularity • 63% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 21% Positiveness
42% Popularity • 63% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 21% Positiveness
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Heatmiser
Plainclothes Man
84 bpm • A# Maj • 03:28 • -10.53db
46% Popularity • 53% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 53% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Sonic Youth
Superstar
85 bpm • F min • 04:06 • -9.14db
58% Popularity • 32% Danceability • 50% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 50% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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Cowboy Junkies
Thirty Summers
96 bpm • A Maj • 04:14 • -20.89db
22% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tim Buckley
Phantasmagoria in Two
84 bpm • B min • 03:28 • -12.53db
44% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jeff Buckley
Night Flight - Extended Version
95 bpm • C# Maj • 06:29 • -10.88db
21% Popularity • 63% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 63% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Richard Hawley
Who's Going to Shoe Your Pretty Feet
84 bpm • C Maj • 04:08 • -17.74db
24% Popularity • 43% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 43% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Damien Jurado
Tonight I Will Retire
96 bpm • D Maj • 05:08 • -17.26db
11% Popularity • 72% Danceability • 25% Energy • 10% Liveness
50% Instrumentalness • 57% Positiveness
11% Popularity • 72% Danceability • 25% Energy • 10% Liveness
50% Instrumentalness • 57% Positiveness
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Hope Sandoval & The Warm Inventions
Charlotte
96 bpm • F Maj • 04:31 • -19.13db
34% Popularity • 34% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
34% Popularity • 34% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
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Neil Young with The Stray Gators
Journey Through the Past
96 bpm • C Maj • 02:21 • -11.93db
44% Popularity • 52% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 52% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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My Morning Jacket
I Will Be There When You Die
84 bpm • D# min • 04:42 • -14db
20% Popularity • 46% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 46% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Jeff Buckley
She Is Free
84 bpm • D Maj • 04:38 • -10.6db
33% Popularity • 44% Danceability • 42% Energy • 35% Liveness
1% Instrumentalness • 48% Positiveness
33% Popularity • 44% Danceability • 42% Energy • 35% Liveness
1% Instrumentalness • 48% Positiveness
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Midlake
Van Occupanther
84 bpm • F min • 03:11 • -11db
34% Popularity • 47% Danceability • 39% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
34% Popularity • 47% Danceability • 39% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
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Tim Buckley
Morning Glory
84 bpm • G# Maj • 02:51 • -13db
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Molina
Heart My Heart
97 bpm • A Maj • 01:43 • -12.18db
31% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Vic Chesnutt
When The Bottom Fell Out
97 bpm • C Maj • 03:10 • -20.29db
17% Popularity • 57% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 57% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Sibylle Baier
Forget About
97 bpm • A# Maj • 02:31 • -17.25db
50% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
50% Popularity • 59% Danceability • 11% Energy • 11% Liveness
65% Instrumentalness • 28% Positiveness
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Jeff Buckley
I Know It's Over - Live at Sony Studios ...
97 bpm • C Maj • 06:29 • -13.46db
36% Popularity • 32% Danceability • 14% Energy • 75% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 75% Liveness
0% Instrumentalness • 7% Positiveness
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The Cranberries
Pretty
97 bpm • C Maj • 02:16 • -15.38db
57% Popularity • 65% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 65% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Adrianne Lenker
Miss Misty
97 bpm • A# Maj • 02:47 • -13.58db
50% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Songs: Ohia
Nervous Bride
97 bpm • C# Maj • 02:43 • -9.86db
33% Popularity • 51% Danceability • 45% Energy • 11% Liveness
32% Instrumentalness • 49% Positiveness
33% Popularity • 51% Danceability • 45% Energy • 11% Liveness
32% Instrumentalness • 49% Positiveness
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Smog
All Your Women Things
98 bpm • C# min • 06:47 • -15.41db
18% Popularity • 35% Danceability • 22% Energy • 11% Liveness
35% Instrumentalness • 5% Positiveness
18% Popularity • 35% Danceability • 22% Energy • 11% Liveness
35% Instrumentalness • 5% Positiveness
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Spain
Every Time I Try
97 bpm • G# min • 05:16 • -11.48db
23% Popularity • 70% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
23% Popularity • 70% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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The Velvet Underground
Pale Blue Eyes
83 bpm • F Maj • 05:39 • -18.76db
67% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Low
Death of a Salesman
82 bpm • D Maj • 02:28 • -17db
35% Popularity • 56% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 56% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Jeff Buckley
Morning Theft
98 bpm • A# Maj • 03:39 • -11.7db
47% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
47% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Bob Forrest
Burn, But Don't Burnout
99 bpm • C# Maj • 05:34 • -12.59db
10% Popularity • 40% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
10% Popularity • 40% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Joni Mitchell
This Flight Tonight
82 bpm • G# Maj • 02:52 • -8.52db
50% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Heatmiser
Rest My Head Against The Wall
82 bpm • A# Maj • 03:31 • -8.75db
31% Popularity • 67% Danceability • 35% Energy • 9% Liveness
8% Instrumentalness • 34% Positiveness
31% Popularity • 67% Danceability • 35% Energy • 9% Liveness
8% Instrumentalness • 34% Positiveness
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Jason Molina
Everything Should Try Again
99 bpm • F# Maj • 04:15 • -20.57db
23% Popularity • 51% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 51% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Hope Sandoval & The Warm Inventions
Butterfly Mornings
99 bpm • G Maj • 03:33 • -19db
38% Popularity • 38% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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Jeff Buckley
If You Knew
82 bpm • G# Maj • 03:38 • -20.69db
33% Popularity • 40% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 40% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Vic Chesnutt
Supernatural
82 bpm • G min • 03:36 • -18.16db
23% Popularity • 67% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 67% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Beck
Sunday Sun
99 bpm • E Maj • 04:44 • -7.14db
33% Popularity • 52% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
33% Popularity • 52% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Ryan Adams
I See Monsters
81 bpm • C# Maj • 03:54 • -10.3db
31% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 43% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Bonnie Prince Billy
Beast For Thee
81 bpm • B Maj • 03:41 • -22.64db
23% Popularity • 42% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
23% Popularity • 42% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Hope Sandoval & The Warm Inventions
Let Me Get There
81 bpm • D Maj • 07:30 • -8db
43% Popularity • 55% Danceability • 52% Energy • 46% Liveness
57% Instrumentalness • 35% Positiveness
43% Popularity • 55% Danceability • 52% Energy • 46% Liveness
57% Instrumentalness • 35% Positiveness
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Richard Hawley
Lonely Night
81 bpm • F Maj • 02:46 • -18.19db
23% Popularity • 56% Danceability • 11% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
23% Popularity • 56% Danceability • 11% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
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David Bowie
Letter to Hermione - 2015 Remaster
81 bpm • E min • 02:36 • -16.37db
44% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sinéad O'Connor
All Apologies
100 bpm • E Maj • 02:37 • -28db
60% Popularity • 74% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
60% Popularity • 74% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Jason Molina
Get Out Get Out Get Out
81 bpm • G Maj • 03:27 • -12.31db
19% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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John Cale
Style It Takes - Fragments
100 bpm • C Maj • 03:00 • -13.28db
11% Popularity • 55% Danceability • 35% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 55% Danceability • 35% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
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Vic Chesnutt
Bakersfield
81 bpm • A min • 02:26 • -12.25db
12% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff Buckley
Don't Let the Sun Catch You Cryin'
81 bpm • B min • 04:04 • -23.59db
37% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Cowboy Junkies
This Street, That Man, This Life
100 bpm • C Maj • 03:13 • -21db
27% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Leonard Cohen
Why Don't You Try
81 bpm • A Maj • 03:50 • -18db
33% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Songs: Ohia
Lioness
81 bpm • G# min • 06:36 • -11.9db
40% Popularity • 50% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
40% Popularity • 50% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 17% Positiveness
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Bonnie Prince Billy
I Gave You
81 bpm • G min • 02:38 • -13.13db
30% Popularity • 45% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
30% Popularity • 45% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Vic Chesnutt
Flirted With You All My Life
100 bpm • F Maj • 04:41 • -12db
36% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Eels
P.S. You Rock My World
80 bpm • D# Maj • 03:08 • -16db
36% Popularity • 38% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
36% Popularity • 38% Danceability • 42% Energy • 11% Liveness
77% Instrumentalness • 53% Positiveness
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Joni Mitchell
A Case of You
101 bpm • C# Maj • 04:23 • -9.9db
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Tim Buckley
Pleasant Street/You Keep Me Hanging On
80 bpm • D min • 07:58 • -15.38db
16% Popularity • 27% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 27% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
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Jason Molina
Almost Let You In
101 bpm • B Maj • 03:25 • -13.22db
22% Popularity • 63% Danceability • 33% Energy • 27% Liveness
11% Instrumentalness • 27% Positiveness
22% Popularity • 63% Danceability • 33% Energy • 27% Liveness
11% Instrumentalness • 27% Positiveness
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Ryan Adams
Strawberry Wine
101 bpm • G Maj • 07:58 • -20.77db
22% Popularity • 64% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 64% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sparklehorse
Heart Of Darkness
80 bpm • A Maj • 01:51 • -13db
41% Popularity • 55% Danceability • 30% Energy • 24% Liveness
16% Instrumentalness • 23% Positiveness
41% Popularity • 55% Danceability • 30% Energy • 24% Liveness
16% Instrumentalness • 23% Positiveness
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Pearl Jam
Off He Goes
101 bpm • C Maj • 05:58 • -14.83db
52% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Spain
Before It All Went Wrong
102 bpm • B min • 03:36 • -13.76db
30% Popularity • 76% Danceability • 31% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
30% Popularity • 76% Danceability • 31% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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Tim Buckley
I Never Asked to Be Your Mountain
102 bpm • G# Maj • 06:04 • -13db
29% Popularity • 26% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 26% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Simon & Garfunkel
Overs
80 bpm • G Maj • 02:14 • -21.43db
41% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 46% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Pavement
The Killing Moon - BBC Evening Session J...
102 bpm • C Maj • 05:16 • -6db
41% Popularity • 43% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
41% Popularity • 43% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
