Songs like Saturday Night Fish Fry - Pts. 1 & 2 by Louis Jordan
Based on a tempo of (+/- 10%) and a similar genre
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Johnny Hodges & His Orchestra
Something To Pat Your Foot To
175 bpm • C# Maj • 02:50 • -11.66db
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Louis Jordan
Saturday Night Fish Fry
175 bpm • F min • 05:24 • -5.93db
29% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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H-Bomb Ferguson
Good Lovin'
176 bpm • D# Maj • 02:20 • -8.24db
9% Popularity • 49% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 49% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Wynonie Harris
Drinkin’ Wine Spo-Dee-O-Dee
174 bpm • A# min • 02:27 • -15db
17% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 63% Danceability • 33% Energy • 49% Liveness
0% Instrumentalness • 92% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Lucky Millinder
Adam, Come and Get Your Rib
176 bpm • G# Maj • 02:23 • -4db
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 53% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
34% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Julia Lee And Her Boyfriends
Last Call (For Alcohol)
173 bpm • F Maj • 02:36 • -10db
19% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 58% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Wynonie Harris
Blood Shot Eyes
177 bpm • G# Maj • 02:46 • -2db
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Wingy Manone
Rhythm on the River
177 bpm • F Maj • 02:58 • -9.47db
17% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
17% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
24% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Cats & The Fiddle
Killin' Jive
178 bpm • F Maj • 02:53 • -12db
13% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 63% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Big Joe Turner
Low Down Dog
172 bpm • C Maj • 03:43 • -10.63db
10% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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George Lewis
Salty Dog
172 bpm • D# Maj • 02:51 • -10db
28% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
28% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
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Earl Hines
St. James Infirmary Blues
178 bpm • C min • 04:08 • -14db
29% Popularity • 37% Danceability • 22% Energy • 6% Liveness
9% Instrumentalness • 20% Positiveness
29% Popularity • 37% Danceability • 22% Energy • 6% Liveness
9% Instrumentalness • 20% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Liggins
Going Back To New Orleans
178 bpm • A min • 02:50 • -13db
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 17% Liveness
1% Instrumentalness • 71% Positiveness
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Louis Jordan & His Tympany Five
Choo Choo Ch'Boogie
172 bpm • F Maj • 02:44 • -11.38db
26% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Hodges & His Orchestra
Castle Rock
171 bpm • G# Maj • 02:49 • -12.39db
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
42% Popularity • 72% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Fats Domino
Darktown Strutters' Ball
172 bpm • G Maj • 02:00 • -12.58db
25% Popularity • 67% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 67% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Margaret Whiting
Pass That Peace Pipe
179 bpm • C min • 02:59 • -12.47db
29% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Allan Gray
Swing Doors
179 bpm • G min • 03:02 • -8.94db
43% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
43% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
28% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
28% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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Lil Armstrong
Let's Get Happy Together
179 bpm • G Maj • 02:59 • -4.17db
4% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 64% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Dodds
Wild Man Blues
171 bpm • F# min • 03:11 • -11.65db
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Louis Jordan
(You Dyed Your Hair) Chartreuse
171 bpm • D Maj • 02:36 • -7.94db
5% Popularity • 64% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
5% Popularity • 64% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Eddy Christiani
Rhythm for You
179 bpm • G min • 02:59 • -8.39db
41% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Gerhard Trede
Fox Boogie
180 bpm • C Maj • 03:18 • -10.69db
42% Popularity • 34% Danceability • 48% Energy • 26% Liveness
4% Instrumentalness • 79% Positiveness
42% Popularity • 34% Danceability • 48% Energy • 26% Liveness
4% Instrumentalness • 79% Positiveness
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Dick Haymes
Idaho
170 bpm • A# min • 03:01 • -9.73db
25% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
25% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Wynona Carr
Nursery Rhyme Rock
181 bpm • C Maj • 01:56 • -9.03db
38% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Louis Jordan
Fat Sam From Birmingham
180 bpm • A min • 03:00 • -10.08db
14% Popularity • 53% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 53% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Roy Milton
Hop Skip & Jump
170 bpm • G# Maj • 02:35 • -11db
9% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Butera
Dig That Crazy Chick
170 bpm • F Maj • 02:25 • -12.66db
23% Popularity • 53% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 53% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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H-Bomb Ferguson
Rock H-Bomb Rock
170 bpm • G# Maj • 02:07 • -3.84db
15% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Amos Milburn
Wolf On the River (12-18-47)
169 bpm • C Maj • 02:40 • -10.06db
10% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
10% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Louis Jordan
Cock-A-Doodle-Doo
181 bpm • C Maj • 02:12 • -10.43db
20% Popularity • 54% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 54% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Jack Shaindlin
I'm Tickled Pink
169 bpm • F min • 01:53 • -15.4db
44% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Louis Jordan & His Tympany Five
Jack, You're Dead!
182 bpm • G# Maj • 02:34 • -14.35db
21% Popularity • 61% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 61% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Pinetop Smith
Pinetop's Boogie Woogie
169 bpm • C Maj • 03:09 • -19db
7% Popularity • 41% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
7% Popularity • 41% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 87% Positiveness
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Roy Brown
Fannie Brown Got Married
168 bpm • D Maj • 02:22 • -9.67db
12% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
29% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
29% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Long
In A Shanty In Old Shanty Town
168 bpm • F Maj • 03:04 • -11.23db
38% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Steve Lucky & The Rhumba Bums
Where's My Gravy
183 bpm • G Maj • 03:02 • -11.87db
10% Popularity • 49% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 49% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
16% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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California Feetwarmers
Always Got a Home
167 bpm • D min • 02:51 • -7.99db
29% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
29% Popularity • 51% Danceability • 54% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Lucky Millinder
Who Threw the Whiskey in the Well
167 bpm • A# Maj • 03:00 • -9.43db
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
19% Popularity • 59% Danceability • 49% Energy • 22% Liveness
3% Instrumentalness • 58% Positiveness
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Big Joe Turner
Roll 'Em Pete
184 bpm • C Maj • 03:44 • -10.72db
10% Popularity • 44% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 44% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -6db
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bob Crosby & The Bob Cats
Down Argentina Way - Remastered
166 bpm • G Maj • 02:35 • -4.71db
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
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Georgia Gibbs
If I Knew You Were Comin' I'd've Baked a...
166 bpm • G# Maj • 02:50 • -3.53db
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Sid Phillips
Boogie Man
184 bpm • F Maj • 02:26 • -11db
36% Popularity • 47% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
36% Popularity • 47% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
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Chick Webb
A-Tisket, A-Tasket
166 bpm • G# Maj • 02:37 • -12.77db
26% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Bob Crosby
Dear Hearts and Gentle People
185 bpm • D# Maj • 02:13 • -10.11db
43% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Louis Jordan
Choo Choo Ch'Boogie
185 bpm • D min • 02:17 • -7db
32% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Louis Jordan & His Tympany Five
Caldonia Boogie
165 bpm • A min • 02:43 • -6.82db
32% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Charlie Barnet
You've Got Me Voodoo
166 bpm • G min • 02:42 • -2.99db
6% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Clovers
Hey, Miss Fannie
165 bpm • C# Maj • 02:26 • -12.2db
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Harlem Hamfats
Let's Get Drunk And Truck
186 bpm • F min • 02:56 • -11.61db
8% Popularity • 67% Danceability • 46% Energy • 7% Liveness
54% Instrumentalness • 86% Positiveness
8% Popularity • 67% Danceability • 46% Energy • 7% Liveness
54% Instrumentalness • 86% Positiveness
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Big Maceo
Chicago Breakdown
165 bpm • G Maj • 03:01 • -19db
19% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
19% Popularity • 43% Danceability • 54% Energy • 21% Liveness
84% Instrumentalness • 95% Positiveness
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Jimmy Dorsey & His Orchestra
Slap That Bass
186 bpm • G# Maj • 03:06 • -15.18db
16% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
16% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
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Wynonie Harris
Wasn't That Good
165 bpm • D min • 02:26 • -6db
18% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Big Jay McNeely
Deacon Rides Again
186 bpm • C# Maj • 02:47 • -4.2db
26% Popularity • 39% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 39% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Bunny Berigan
It Ain't Right
186 bpm • C min • 02:38 • -11.68db
16% Popularity • 52% Danceability • 32% Energy • 20% Liveness
32% Instrumentalness • 68% Positiveness
16% Popularity • 52% Danceability • 32% Energy • 20% Liveness
32% Instrumentalness • 68% Positiveness
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Louis Jordan
I Want You to Be My Baby
186 bpm • A# Maj • 02:57 • -9.86db
7% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Roy Milton
Best Wishes
187 bpm • G# Maj • 03:01 • -17db
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
10% Instrumentalness • 33% Positiveness
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Sil Austin
Wildwood
163 bpm • A# Maj • 02:34 • -6.87db
32% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 79% Positiveness
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Buddy Johnson
It's the Gold
163 bpm • G# Maj • 03:00 • -8.07db
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Wynonie Harris
Lovin' Machine
162 bpm • G# Maj • 02:30 • -2db
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 51% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Louis Jordan
Louisville Lodge Meeting
164 bpm • F min • 03:31 • -10.32db
11% Popularity • 61% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 61% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Crosby
Rag Mop
162 bpm • G# Maj • 02:15 • -10.33db
23% Popularity • 74% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
23% Popularity • 74% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
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Big Joe Turner
Switching in the Kitchen
162 bpm • F# Maj • 03:40 • -12.11db
20% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Wilbur De Paris
Martinique
162 bpm • A# min • 05:18 • -14.22db
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 16% Liveness
81% Instrumentalness • 81% Positiveness
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Sid Phillips
Mr Charles
190 bpm • F Maj • 02:26 • -8.78db
34% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
34% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
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Louis Jordan
Messy Bessy
161 bpm • F Maj • 02:42 • -8.93db
13% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 66% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It The First Time (The Spi...
161 bpm • D# Maj • 03:01 • -11.99db
27% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Buster Smith
E-Flat Boogie
161 bpm • G# Maj • 06:54 • -11.09db
27% Popularity • 46% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 46% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Frankie Carle
Tomorrow
161 bpm • D# Maj • 02:37 • -7.59db
18% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Johnny Otis
Good Golly
160 bpm • F min • 01:52 • -12.43db
18% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Oo Poppa Do
160 bpm • C# Maj • 03:13 • -8.05db
28% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Roy Milton
Oh Babe
192 bpm • C# Maj • 02:30 • -10.38db
18% Popularity • 36% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 36% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Earl Hines
Mama Don't Allow No Twistin'
160 bpm • F Maj • 02:17 • -11.92db
14% Popularity • 59% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 59% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Anita O'Day
Watch the Birdie
159 bpm • D# Maj • 03:11 • -12.28db
12% Popularity • 55% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 55% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Wynonie Harris
Grandma Plays The Numbers
159 bpm • G# Maj • 02:35 • -11.02db
48% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Big Joe Turner
You're Driving Me Crazy
159 bpm • G# Maj • 04:13 • -6.57db
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Julia Lee And Her Boyfriends
I Didn't Like It the First Time (Alterna...
159 bpm • D# Maj • 02:57 • -10.11db
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
