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Saturday Night
Songs like
Saturday Night
by
Joy White
Based on a tempo of (+/- 10%) and a similar genre
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Earl Zero
Please Officer
137 bpm • E min • 07:06 • -8.83db
18% Popularity • 72% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Sylford Walker
Babylonians
137 bpm • F# min • 03:05 • -7.18db
30% Popularity • 89% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jah Thomas
Dance on the Corner
137 bpm • C min • 04:25 • -8.59db
11% Popularity • 76% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Ruddy Thomas & Trinity
Every Day Is Just A Holiday/ Natty Dread...
137 bpm • G Maj • 07:36 • -6.21db
11% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Earl Sixteen
No Mash Up the Dance
137 bpm • A# Maj • 02:53 • -8.48db
12% Popularity • 88% Danceability • 72% Energy • 6% Liveness
5% Instrumentalness • 78% Positiveness
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Love Joys
Studio Man
137 bpm • A min • 03:46 • -7.36db
16% Popularity • 77% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Augustus Pablo
Pablo In Moonlight City
137 bpm • E min • 07:02 • -8.47db
16% Popularity • 64% Danceability • 72% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
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Bob Andy
Ghetto Stays in the Mind
137 bpm • G# Maj • 05:15 • -8.33db
11% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
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Soul Syndicate
Wicked a Go Feel It
138 bpm • A min • 03:15 • -12.48db
20% Popularity • 87% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Sylford Walker
Cleanliness Is Godliness
137 bpm • F# min • 02:50 • -6db
33% Popularity • 87% Danceability • 54% Energy • 5% Liveness
52% Instrumentalness • 81% Positiveness
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Dillinger
Shelly with the Electric Belly
138 bpm • G Maj • 03:37 • -8.88db
30% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Knowledge
Population
136 bpm • C# Maj • 04:18 • -6.07db
12% Popularity • 85% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Cousins and the Royals
Ghetto Man
136 bpm • B Maj • 03:10 • -12db
10% Popularity • 74% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Andy
Unchain Me
138 bpm • D Maj • 03:11 • -9.2db
22% Popularity • 90% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Leo Graham & I-Roy
A Win Them/ News Carrier
136 bpm • C Maj • 07:48 • -5.57db
9% Popularity • 85% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Prince Alla
Black Rose (With Phillip Fraser)
138 bpm • F# min • 03:23 • -9db
17% Popularity • 87% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Misty In Roots
Dance Hall Babylon
136 bpm • F# min • 05:42 • -9db
27% Popularity • 84% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Cornell Campbell & Lui Lepkie
Rope In/ Love In A Jamdown
136 bpm • F min • 06:18 • -6.77db
8% Popularity • 87% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Brent Dowe
Down Here In Babylon
136 bpm • G Maj • 03:37 • -6.16db
14% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Prince Lincoln Thompson
True Experience
136 bpm • E min • 04:08 • -8.96db
11% Popularity • 70% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Dr. Alimantado
Oil Crisis
136 bpm • A min • 02:39 • -7.3db
16% Popularity • 86% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Prince Alla
Stone
138 bpm • A Maj • 03:05 • -8db
25% Popularity • 86% Danceability • 70% Energy • 22% Liveness
3% Instrumentalness • 80% Positiveness
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Niney The Observer
A Dub Classic
136 bpm • G# min • 03:36 • -9.59db
25% Popularity • 81% Danceability • 72% Energy • 12% Liveness
79% Instrumentalness • 97% Positiveness
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The Tennors
Run Come
136 bpm • A# min • 02:34 • -7.76db
23% Popularity • 70% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Naggo Morris
Flour Power
138 bpm • C# Maj • 04:01 • -14.52db
15% Popularity • 90% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Senya
Roots Man
136 bpm • A min • 03:15 • -8.78db
14% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Love Joys
Stranger Get Up
136 bpm • A min • 04:10 • -8.69db
14% Popularity • 89% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Prince Alla
Lot's Wife
136 bpm • G# Maj • 03:26 • -7.62db
23% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Osbourne
Back Off (Ringcraft)
138 bpm • D Maj • 06:36 • -5.18db
6% Popularity • 70% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Ras Michael and The Sons Of Negus
Zion Land
136 bpm • D Maj • 04:11 • -19db
24% Popularity • 70% Danceability • 26% Energy • 8% Liveness
8% Instrumentalness • 58% Positiveness
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Joy White
Tribulation
136 bpm • D Maj • 02:38 • -8db
7% Popularity • 79% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Bunny Wailer
Dancing Shoes
136 bpm • F# Maj • 03:47 • -14.43db
34% Popularity • 80% Danceability • 49% Energy • 8% Liveness
50% Instrumentalness • 92% Positiveness
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Sly Dunbar
Mr Bassie
136 bpm • B min • 03:26 • -13.13db
10% Popularity • 76% Danceability • 63% Energy • 7% Liveness
54% Instrumentalness • 95% Positiveness
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Prince Alla
Bucket Bottom
136 bpm • F# Maj • 02:26 • -9db
39% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Clarke
Crazy Baldhead
136 bpm • B min • 03:40 • -14.27db
29% Popularity • 92% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Lacksley Castell
My Woman Can
136 bpm • E min • 03:20 • -7.62db
18% Popularity • 77% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Love Joys
How Long
136 bpm • C min • 03:30 • -8.06db
14% Popularity • 87% Danceability • 76% Energy • 5% Liveness
30% Instrumentalness • 93% Positiveness
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The Maytones
Who Can't Hear Will Feel
139 bpm • C# min • 02:29 • -10.11db
22% Popularity • 78% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Dillinger
CB 200
135 bpm • B min • 02:35 • -7db
20% Popularity • 78% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Jay Tees
Forward to Jah
135 bpm • D min • 03:10 • -10db
14% Popularity • 83% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Meditations
Turn Me Loose
139 bpm • A Maj • 04:54 • -14db
16% Popularity • 82% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Lacksley Castell
Be My Princess
136 bpm • B min • 03:38 • -7db
23% Popularity • 78% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Bim Sherman
Golden Locks
135 bpm • A min • 03:20 • -10.86db
22% Popularity • 82% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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The Maytones
Ital Queen
135 bpm • G Maj • 02:29 • -11.05db
43% Popularity • 81% Danceability • 36% Energy • 14% Liveness
18% Instrumentalness • 93% Positiveness
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Mike Brooks
A Man Is King - 2018 Remaster
135 bpm • F# Maj • 03:18 • -7.5db
27% Popularity • 87% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Pablo Moses
We Should Be in Angola
135 bpm • A min • 03:39 • -5.66db
25% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Andy
My Time (I Deserve)
139 bpm • G Maj • 03:02 • -10.57db
9% Popularity • 77% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Sylford Walker
Deuteronomy
135 bpm • B Maj • 07:19 • -10.23db
21% Popularity • 76% Danceability • 71% Energy • 18% Liveness
40% Instrumentalness • 85% Positiveness
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Black Uhuru
African Love
135 bpm • C min • 03:38 • -4.99db
17% Popularity • 81% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy London
Bridge Over Troubled Water
135 bpm • D Maj • 03:20 • -7.55db
20% Popularity • 86% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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The Gladiators
Can't Stop Righteousness
135 bpm • F min • 05:38 • -9db
30% Popularity • 85% Danceability • 62% Energy • 9% Liveness
10% Instrumentalness • 84% Positiveness
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The Techniques
Love Is Not A Gamble
135 bpm • C min • 06:58 • -7.05db
9% Popularity • 74% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 85% Positiveness
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Johnny Osbourne
Jah Ovah
135 bpm • D Maj • 04:10 • -7.81db
9% Popularity • 78% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Hortense Ellis
I'm Still in Love
139 bpm • A Maj • 03:57 • -8.93db
25% Popularity • 78% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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Leroy Smart
Trying To Wreck My Life
135 bpm • C Maj • 02:58 • -8db
20% Popularity • 87% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Prince Alla
Youthman in the Ghetto (in Disco Style)
140 bpm • C Maj • 07:55 • -8db
13% Popularity • 79% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Clarke
Every Knee Shall Bow
140 bpm • F# min • 03:37 • -10db
21% Popularity • 85% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Flick Wilson
Slavemaster 12"
140 bpm • A min • 05:37 • -10.16db
9% Popularity • 77% Danceability • 60% Energy • 36% Liveness
31% Instrumentalness • 81% Positiveness
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Jimmy Riley
Give Thanks And Praise - Extended Mix
134 bpm • G min • 07:22 • -9.35db
15% Popularity • 85% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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MIlton Henry
Who Do You Think I Am
134 bpm • G# Maj • 02:59 • -7.67db
20% Popularity • 80% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Rapper Robert
Minister for Ganja
140 bpm • G Maj • 03:13 • -8.13db
9% Popularity • 74% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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The Meditations
Carpenter Rebuild
140 bpm • A min • 03:48 • -10.93db
28% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Clancy Eccles
Ganja Free
140 bpm • F Maj • 02:56 • -11.29db
19% Popularity • 83% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Prince Jazzbo
Natty Past Through Rome
134 bpm • A min • 04:53 • -12.91db
13% Popularity • 77% Danceability • 58% Energy • 21% Liveness
7% Instrumentalness • 84% Positiveness
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Johnny Osbourne
Fally Lover
134 bpm • B min • 03:26 • -6.24db
22% Popularity • 87% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Niney The Observer
Sufferation
140 bpm • A min • 08:00 • -19.15db
11% Popularity • 64% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 47% Positiveness
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The Willows
Send Another Moses
134 bpm • A Maj • 06:03 • -7.16db
22% Popularity • 87% Danceability • 81% Energy • 19% Liveness
2% Instrumentalness • 96% Positiveness
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Devon Irons
When Jah Come
134 bpm • A Maj • 04:03 • -11.83db
15% Popularity • 87% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Bunny Wailer
Fig Tree
140 bpm • B Maj • 03:08 • -14.96db
34% Popularity • 79% Danceability • 28% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
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Sylford Walker
I Can't Understand
134 bpm • D# min • 02:48 • -10.59db
29% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lloyd Parks
Mafia
134 bpm • G min • 02:56 • -9.62db
25% Popularity • 85% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Joy White
Sentimental Reason
134 bpm • A Maj • 04:01 • -9.71db
1% Popularity • 72% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Revolutionaries
Death In The Arena
140 bpm • G# Maj • 03:21 • -9.67db
10% Popularity • 75% Danceability • 38% Energy • 14% Liveness
91% Instrumentalness • 62% Positiveness
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Lacksley Castell
Leaving
140 bpm • A# Maj • 04:04 • -13db
31% Popularity • 89% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Junior Murvin
Rebellion
141 bpm • A min • 03:01 • -15.11db
22% Popularity • 86% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Sylford Walker
Burn Babylon
140 bpm • F# min • 03:20 • -12db
40% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
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Johnny Clarke
Blood Dunza
134 bpm • G# min • 03:04 • -7.18db
18% Popularity • 89% Danceability • 59% Energy • 6% Liveness
37% Instrumentalness • 88% Positiveness
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King Tubby
The Word of Jah
134 bpm • B min • 03:47 • -5.4db
10% Popularity • 87% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Ernest Wilson
I Know Myself
134 bpm • E min • 03:22 • -6db
21% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Earth & Stone
No Time to Lose
133 bpm • A# Maj • 05:07 • -9.81db
11% Popularity • 87% Danceability • 67% Energy • 4% Liveness
38% Instrumentalness • 96% Positiveness
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The Itals
Run Baldhead Run
141 bpm • G Maj • 03:33 • -20.63db
35% Popularity • 79% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Osbourne
No Lollipop No Sweet So
141 bpm • B min • 03:00 • -7db
34% Popularity • 80% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Mystic Eyes
Judgement Time
133 bpm • B min • 03:18 • -7.99db
20% Popularity • 88% Danceability • 58% Energy • 29% Liveness
58% Instrumentalness • 96% Positiveness
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Sylford Walker
Eternal Day
133 bpm • C# Maj • 07:13 • -9.13db
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Lacksley Castell
Bound in Bondage
141 bpm • A# min • 03:09 • -13.19db
29% Popularity • 92% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Hortense Ellis
Jah Created the World
141 bpm • B min • 03:28 • -6.04db
13% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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MIlton Henry
This World
133 bpm • A min • 03:09 • -9.63db
26% Popularity • 95% Danceability • 42% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
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Augustus Pablo
Up Wareika Hill
141 bpm • D Maj • 03:42 • -9.07db
30% Popularity • 70% Danceability • 61% Energy • 8% Liveness
15% Instrumentalness • 73% Positiveness
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Joy White
Tribulation
133 bpm • G Maj • 02:48 • -7.9db
1% Popularity • 87% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Prince Far I
Message From The King - 2000 Digital Rem...
133 bpm • A# Maj • 03:32 • -10.53db
34% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Sylford Walker
Give Thanks And Praise To Jah
141 bpm • A min • 02:49 • -7.64db
22% Popularity • 84% Danceability • 48% Energy • 23% Liveness
3% Instrumentalness • 56% Positiveness
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Freddie McKay
I'm A Free Man
133 bpm • B min • 03:22 • -8.76db
30% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Love Joys
Love Is Not a Game
133 bpm • A# Maj • 02:56 • -7.92db
13% Popularity • 89% Danceability • 46% Energy • 5% Liveness
2% Instrumentalness • 78% Positiveness
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Glen Brown
Away With The Bad Forward The Good
133 bpm • C# min • 03:39 • -8.05db
9% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Gatherers
Words of My Mouth
141 bpm • A min • 03:36 • -7.33db
33% Popularity • 87% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Prince Alla
Only Love Can Conquer
141 bpm • A min • 02:58 • -6.01db
12% Popularity • 66% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Carlton Livingston
100 Weight
141 bpm • C Maj • 04:02 • -11db
35% Popularity • 88% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Osbourne
Never Stop Fighting
133 bpm • F# min • 03:14 • -13.16db
27% Popularity • 84% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Hortense Ellis
Hell and Sorrow
132 bpm • A# min • 02:09 • -11db
27% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Meditations
Woman Piabba
142 bpm • D Maj • 03:31 • -8db
16% Popularity • 89% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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